\IhIeh axkeIl \InI'kIng elaxx penple In Ialk ahnIII IheII' hnnxnie pInhleInx. l'l/lll/lllllu. IzI/III/Iu/‘g/I.

The Prestige I l:.'\l C...

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IhaII ;I\L‘l;l_‘_'t' Ieen IIIII\ Ie ll'Illll Ihe IlIIIeII nl IlIaI genre. .\lx RIIIgIIalIl Ix pI‘eII) III pIIIk lnI' Ihe high xelInnl pInIII. hIII IInI helnIe xlIe hax IIIIIleI'gnne Ihe pI'eIIIIhee nl Ihe kIle lInIn Ihe I‘Ieh xIIle nl ln\\ll. lleI pnppa.)n1nee. Ix xn pnnI' Ihal xhe nnl} lIax a an; a lelephnne and an anxueI'Ing nIaehIne In eall heI nu n. ‘l’hIx. IIIeIIlenIall). \Iax \Ihen II heeanIe eleaI Ihal Ihe l’x_\eheIle|Ie l'III'x haIl SnlIl ()III. ("mm H. /,I/III/I1Ir;'/I.

Prime I l_‘x\l .0. Ilten \IIIIIIeeI. l'S. IllUSI l'nIa 'l'hIII'nIaII. .\leI}l SII'eep.

lilSIInn. '\ enIneIhe Innk al In\ e IhInIIgh IlIe e_\ex III a lie“ I} IlI\nIeeIl eaI'eeI \\Illll;lll. Ihe _\nIIng_' III'IIxI xhe lallx lnI and her IheIapIxI. \Ihn IIIxI happenx In he lle IIInlheI, lIkeahle \L‘“ \Ill‘l’x'lliht'll lIllL‘t‘. ('I/U \ll’IIII//)II'I1\/I(([(/. (i/IMQIIII.

The Queen I l_‘:\I C... ISIephen l‘I'eaIx. l'K l'I'aIIee/llal). _‘IlIl(n Helen .\llI'I'en. .\llehael Sheen. .laInex (’I'nInu ell. llllnIIII. .-\ hehInIl Ihe xeenex glnnpxe llllI‘I Ihe I'eIaIInnthp helueen ll\l l'h/ahelh H and l’I'IIIIe .\hnlxleI' 'l'nn} llIaII' Illll'lllfJ IheII xII'IIggle. alIeI' Ihe Ilealh nl Diana. In I‘eaeh a eIIIIIpI'IIIIIIxe he!“ een \\hal \\ax a pII\aIe II'ageIl} anIl Ihe pIIlIIIe'x IleInaIIIl lnI' an n\eI'I Ihxpla} nl IIIIIIII‘IIIng. lieaIIIIlIIll} \\IIIIen aIIII [‘L'l'll‘llllt'tl h} all. IhIx Ix Ihe xeenIIIl paz'I nl IlII‘eeInI' l'I'eaI'x‘ HIaII' II‘IIng), Hun/mum. Iz'I/III/Iu/e/r Rampage I l5. .0. .'\ll\ll'£lll;l. Illllnr llnllllll. See Ie\Ie\I. page in. ()I/I'IIII III/'1 A'I/IIIIIIIII. l.I/III/I1uzil.

Red Road I IN ..... I.-\IIIlIea .\I'IInIIl. l'lx. _‘Illl(n Kale l)IekIe. 'l‘nn} (‘III'I'aIL .\laI‘IIII ('nInpxInn. .\alhahe l’Iexx. .\IIIlI'e\\ ,\I‘IIIIIIII'. ll-lIIIIII. 'l’he lIIxI leaIIII‘e lI'nIn .'\l'llIlltl ahnIII a (’( "l\' npeI'alnI' \Ihn heenInex nhxexerl \\ IIh xIII'\eIllaIIee_ l’aI'I nl

I( iI'IIl'jJI‘ ( illlIII‘x.

a pI‘nIeeI In IIIake IhI'ee lIIIIIx IIxIII; Ihe xaIIIe ehaI'aeIeIx anIl IhlleI'eIII IlII'eeInIx. II \Inn Ihe .lIII'} l’II/e aI ('aIInex anIl Inale nl lt.-\l'"l;\x. \II /II “(lit/(11V,

Requiem I I3.\ I O... illillh (‘hI'IxIIaII .\"ehIIIIIl. (ieI'nIan). Illllni SaIIIlI'a llIIIIeI‘. BurglIaII KlanllneI. hnneen Kneee. ‘llnnne //II I'.IIII'I1\nInI I.IIII/\ II’Im xInI} Ix ;_'I\ en a Inaken\ eI ax a \‘;IllllIill;ll_\ Iale. .\hehaela KllllleL'l' I l llIlleI I lea\ ex lInIIIe lnI IIIII\I‘I'xII}. nnl} In enenIInIeI eleepIIe \L'I/Illt'\ :IIlIl IlL‘IIIIIIl \IIIL‘I‘x. .\ll I‘\Ill't'l\lll III Inn laIeI. aIIIl lhIIngx Iake a lI'aL'Ie nI' xaIIIIl} mm In IhIx eIIIllIne. IIIIlt'llllljJ. hI'IllIaIII|_\ xhnI anIl aeIeIl III\exIIg_'aIInII InIn hIIlIlen xeeI'eIx and h_\ xIeIIeal IIIelIIlIm II. l‘l/Hl/II'IHI. laluI/mrg/l.

Reservoir Dogs I I.\. 0.000 l(‘)llt'llllll 'laIanIInn. l8. l‘l‘L‘I llaI\e_\ KeIIel. ‘lIIII Rnlh. .\lIehaeI \laleen. lIlIlInIII. \ _‘_‘.lllf.' nl llIIIIIl\. knnu ll Hill} III eaeh IIlllL‘l l‘} I'IIlIIIII enIleIl IIIekIIaIIIex. IIIeeIx aI aII .‘IhaIIIlnneIl \xaI'ehnIIxe In ligin'e hnxx IIIII lhen II_IJnInIIxI)

planneIl lIeIxI \IeIII xn IlIaxIIeall} \IInngj, 'l'he

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/.I/HI/IIII 3/1.

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Sacred Heart (Cuore Sacro) I IN Il'eI/an (i/pelek. II.Il_\. .‘llll5I I’IaIlInIa linhnlma. \nIhea I)I \lelanu l Ixa ( IaxInnI lIllIIIIn \ [IillelllllL‘ IlIaIIIa .IlInIII nne \Inlnan'x .I\\.IkeIIIII;' In heIxell aIIIl Ihe '\".I‘llIl aIIIIIIIII IIeI. l’aI‘I nl lIalIaII l lllll l'I‘\ll\.Il (i/IIIQIII: Ill/II //rI I.‘.’I'I. /I/III/IIIII\I. [II/Ilfllllllg'lll. Santa Clause 3: The Escape Clause I l I O \lIeIIael l eIIIheek. l’S. .‘llllnI 'l'IIII .\llen_ \laIIIII \lIIIII, l‘II/alIeIlI \lIlehell ‘llInIn. \ee \lxn l\’ClL'.I\I‘Il. [title HI (:‘I III III." Saw III I l\I .0. IllaIIen l) IIII ltnIIxInan. l'\'. .TlllliII lnhIII Hell. \haunee SIIIIIII. “all.” \nnIIIekh. \II;_'I:x \lael.I_\IleII l ;“mm

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le’IeIIaIIl l IIIklaIeI, l .\fl Illllhi l\eaIIII

Ree\ ex. lx’nhell l)n\\IIe} ,ll. \lIleh llakeI llillIIIIII l’lIe IIIIeIpnlaIeIl I'nIananne

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Scenes of a Sexual Nature IN- ... ll',\l HIIIIII. l Ix. _‘IIIIIn| Ileen .\IkInx. 'lnIII llaIIl}. \IlIIaII l exIeI ‘llIIIIII \n eIIerIIIIle InnI enIII er IIII xIIIIII} llanIpxIeaIl lleth III I IInIlnn [‘lI‘\\'llllll‘.' a er Iex nl \ I;'IIelIex I'\.Il|lllllll_‘.' IIIIII\I|_\ laIlIIn'I IelaIInanIIpx llIe IIlea Ix neIIIIeI IIII;'IIIal IInI pInlnIIIIIl, aIIIl Ihe IIIIpIexxne eaxI xlIIlg'jJIe In Inake IIIIII'h nl IIIIIleIIle\elan'Il xeenex ('IIJI IIIIII'I/ lI/III/illig'll, lI/llll’lllif/l.

Scottish Screen Archive Event I M n I\;IIIIIIIx.l K. \aIInIIxI lllllInIn \ pIn;_'I'aIIIIIIe nl \I'nIlIxh lIlIII e\I eIpIx In

Kekexili: Mounin mi

Lu Chuan’s wondrously vital and exciting fictionalised account of the real life volunteer team who, in the 905, patrolled China‘s Kekexili nature reserve and became immersed in a running battle with armed poachers, is one of the best examples of simple,

unuk’s 2001 film Atarnajuat: The

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(il;III\'\'t‘\l.

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Fast Runner. Catch it while you can.

lx’apapnIl. l’anl IllaekIhnI'ne. .lnxh l’eek,

.\ l IIIIII See In Ieu. page I *. (‘IIII IIIII'lI/

II’I HUI I: .\llt'I I, (i/munn.

The Spectator (La Spettatrice) I In. C... Il’anlnl'IanehI. lla|_\.3IlIl-1I llaIlInIa ltnhIIlIna. t\lltll't‘;l Ren/I. ltI'IgIIIe (IIIIlInII. ('IIIaI'a I’Ieelne llllnnn \aIeI'Ia IlinhIIlnxaI Ix a _\nIIIIg_' II'aIleaInI In III; III ‘lIII‘In \xhn heenInex laxenIaIeIl h} -lll _\eaI- nlIl \laxxnnn I lx’en/I I. \IlIn h\ex III an apaI'IInenI aeI'nxx [he \\;I}. When he IIIII\ ex In RIIIIIe xhe Ih'npx heI lIle aIIIl lnllnux hInI IlIeIe. .\x \aleIIn helI'Ienle Ihe \InInan “ill! \I hnIII he'x enIhaI‘keIl nn an allaII. \IlIaI Ile\elnpx Ix an InlIIeInng eInnIInIIal. \aguel} ()eIhpal. hIII IIe\eI xe\IIal. Inenage a II'nIx. l)eprIe Ihe xlIglill} nh\ InIIx IIIIIxIe xenI'e. Ihe lIlnI III;I}x up nIII' xenxe nl eIII'IanI} lIke a xIprenxe IIIIIIIeI. hIII lIaekx Ima} lInIn ke} IeIelaIInIIx aIIIl allIm x Ihe InIIe In I'eIIIaIn xIIhll} l‘\_\(lltllll“_'l(.ll. \ line aIlIhIInII In Ihe IeIenI xpaIe nl llahan lilIIIx hke Rex/urn and \\lll\'ll xeeIn In lall IIIIn Ihe IreIIIe nl ‘eInenIa nl Ihe Inl'nnlexIInal'. l’aI'I nl llahan l'lllll l't'\ll\;ll. (ilmgnn II/m

IIII um. lall/I/Iurg/I

I'lmnI \HIIII‘I.

Ii/IIIQIIII .' II/III/IIIIIII.

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or on the day from the hall

‘II THE LIST 55