Visual Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art©list.co.uk. Listings compiled by Rachael Street.
Glasgow
I THE ARCHES
:5 I .-\lL‘_\ It' \llL'L'l. “37” 31” "53 Illaiii Illpiii. \uii ulmu Illpiu Kirsty Whiten: Votive Icons l'niil Sun 3 .'\[il I-icc Iii llux IIIIC\I \ci‘u'x nl «It-lailt'll lII'.i\\lllj._'\. \Vhiit'u I'L‘\\iil'I\\ gluIlIc\\L'\. ll‘l'liIil} \}iiiImI\ aliiI IiiIl\lll;ill\.
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I THE ATRIUM GALLERY
(iIaxgim St'himl nl .-\l'I. Ill7 chli'mx Slim-i. *5i-15H‘). Mun 'I'hu Illam 7pm; I‘ll Illani 5pm; Sai Illaiii Ipin. Spaces and Surfaces l'niil Hi 1| .\I;ll' \Vnik h} wuqu )cai' lllIt‘l'lHl' (IL‘\I:_'II \IlItIt‘III\ hulking; al lIu‘ uw ul t‘nqur and IiiaIt-i'ial Ill Illill\Illl'llllllj_' a building.
I BURRELL COLLECTION
3W)“ I’liIlnkinaux Road. 33” 3550. Mun ’I hu & Sai Illaui 5pm; In «L Sun IIaui 5pm I'i‘ct'.
Through Your Eyes l'uul Sun 23 .\Ia_\. Ii\hihiimn nl phnlngraphx lakcu h} cuiiiuuuul} groups llL‘l'ii\\ (ilaxglm ihal llIIt'l'\ IIL'\\ “an nl hulking: ai (II‘ICCI5 Il'lllll ihc Iliu'i‘cll ('nllt'clinu.
Curator’s Favourites \M-ll 22 Mar. 12. ill Ipiii. I'i‘cc. Ruhcri \chIL'} t‘\;lllllllL‘\ leiii's pauiiiug "I‘hc IIt'IllIL'IIIIilIxL'I \ Wilt".
Curator’s Favourites Wu! 2‘) Mar. I3. ill lpni. I'i‘cc. .-\ lalk nu (iimaniii Ilvlluu'x ‘.\Iailuuua aiul ('hillI‘ h_\ I’ali'icia (‘nlliiix
I COLLINS GALLERY
l'iuwrxil} nl SIRIIIIChlIL‘. 33 RIL'IlllllllllI Sin-cl. 5-13 3558. Mini I-‘ri Illaui 5pm". Sal umui 4pm. I‘i‘cc.
Image Nation l'niil Sal I Apr. I'i‘t‘c. Ii\hihiiiuu Ilit‘llxllig nu lhc \walih nl cniiiciiipnrai') illusiralinu t'i'calcll Ill
5:5 t' 9 x 3 '. ‘\~ '
Luke Fowler
\t’iiilanll \\IIII.1\\.IHI\ ini ihc I‘cxl in \l\
L'gilL'gUrlL‘x
I DACE
l'uncixu} ul (ilaxglm. Si .'\IItIIL'\\ \ Biiililiug. I| I-.Idnn Slit-cl. “ll l.\15 \Inn 'I‘hu “am 0pm; I'l'l ‘lam 5pm. \ai ‘Iam lpui
Life Painting 'I hu Ii» Ill 34 Mai SI](I\\L';I\C (II \xlil‘k I‘} \IIIKICIII5 Illilli lIiC dcparimcui ml alIuIi and uuiimuuig clIiit'aiiuii ai (llaxglm l'iiiwixm HE SH’ML '
I GALLERY OF MODERN ART I{n_\a| szt‘haugt' Squaw. 33‘) I‘M!» Mun \Vcil & Sal Illaiii 5pm. IIlll Illaui Rpm; I‘ll & Sun iIaui 5pm Human/Nature l'nliI Sun ‘ll .-\pr \n L'\IllIllllUll nl Iaullxt'apc photograph} li‘lun IIIt‘ (in.\lx\ L'HIIu‘iiiui. Int'IulIuig \wrkx h) 'I'hnmax .Imhua (mum. .\II\I_\ (IUIlI\\\UI‘IIl_\ aull I’aii'u‘ia .\Iat‘|)nuaIlI. SL‘L‘ l't'\ It“. pilgt‘ ()5
I GLASGOW PRINT STUDIO
33 «k 35 King: Slit-cl. 553 li7lll 'I'uc Sal Illaiii 5.3llpni.
Fiona Thompson l’niil Sal Ix _\l.u. \cu pi‘iiilcll cci'auuc; mu'kx h} [III\ I:('.\ gi'aduaic. IASI (Li IANCI If SI I
I THE LIGHTHOUSE
l I Milchcll I.auc. 33! (l3h3. \lnu «k \Vcd Sal llHllaui 5pm; 'I'uc llaui 5pm; Sun IIlHIII 5pm. £5 «Slip».
Bungalow Blitz l'uiII Sun 3h .\l;u1 I’Iimi'~lu»cciling phuiugraphx ul \L‘II huild hiuigalmu in Ii'clanlI dating: l'min ihc I‘l7llx. hawd on a hunk ul' hme plaux. IASI CHANCE I() SI I.
The Ant Farm l‘uiil Sun 3 .-\pi'. .'\u “ppm-mum in wt" IIIL‘ radical lilm \ l\lilll\ nl' .-\uicrican airhilu'iui'al rcmluimuai'im (’hip laud and Doug Michclx.
I LILLIE ART GALLERY
Sialinu Road. Milngaxic. 578 8847. ‘I'uc Sal Illaui lpm & 3 5pm. Bearsden Art Club l‘nill I'i'i l7 .\Iai‘. A min \Illl\\ ill “will h} lllL‘lllIk‘l‘\ nl lhc Incal ai‘l cIuh. [ASI (II IANCI Ii) SH .
The Macfie Gift Sat 25 Mar “ml 24 \Ill}. I'l‘L‘L‘. All L'\IiiIilliliii (II 5‘) \\i)I’I\\
~. '9 L *5“;
P . ‘5 z
The Glasgow-based artist's new film ‘Pilgrimage From Scattered Points’ is on show at the Modern Institute. The film looks at Cornelius Cardew’s involvement with the Scratch
\II‘IItII\‘\I I‘k'I'~\ t'k'II I‘Hih iIII\I I"\‘1_I‘V\ \Iatlic I‘IHIIICI\ \Iaii .III\I Il‘Illl. iit'ighhnuh ml lhc galIci} \ iuuullt'i RHI‘ClI I lIIlL'
Young Peoples’ Art \u 25 Va: Hm I 1 \pi I)l.i\\lllf_'. Palllllllg,‘ .uul \kIIII‘IIIIC linin \iuiIciih .lI 1h: _~_'.1I|ci-\\ \aiiulla} iiiuiumgi aii tlaxwx ' " '
I PROJECT ABILITY
(‘ciiiit' Il‘I Ilt'wlnpiiil'iilal \ll\. I5 \II‘lHll \iict'i. 553 3.533 \Il‘ll Ill
Iliain 5pm
An Involuntary Movement l llIlI l u I" \Iai \I‘\II.I\I. llIl\L'lI IIIt'tIId plum I\_\ I Cd ( "uiiuiiiiiggx ' ‘ '
Past to the Future l llIlI l ll l" \I.u I inc \II'.l\\llI:_‘\ .uiiI lllIllt'dIt' [‘.lll|llllf_'\ h) RUI‘CII I\’C\IlIltI\ . i ' H i I
I RSAMD
Illll Ix’t'iilimx SIIt't'I. 5‘3 5H5" \Inii Ill ‘laui (iI‘lll. Sal ‘laui J lllpm
Mel Gillies: Himalay and Home l'uiiI I‘ll §I \Iai I’hniuggiaph} h_\ (iillit'x. \xhn hax II.I\L'IIk'tI in ihc IIiiii;iI;i§.i\ man} Illll\'\ and l\ a IIlI\It't' ml (‘iuiuiiuiiiu \t'IIlllI \cpal
BA Technical and Production Arts Grads Show \Mxl 33 .\ I'hu 3‘ Mai I‘lll.iI _\c.u \IIIIIL'III\ dupla} IIIL' Illlllx ul ihi'cc _\l‘.u\' \IlIlI_\. \Ilii\\lllj_‘ lll'xigu \mik. pi'up lll.|I\lll}_‘. want all .lIIlI pmiuuu‘ lct‘hnnlng),
I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART
3 (lixllc Slim-l. 55‘ 355" \Iuii I'hu & Sal Illaiii 5pm. I‘ll .\ Sun llaiii 5pm. I'l‘L'L‘.
Generation KKK: Passing the Torch C... I'ulil .Sun ‘) \pi I’Iiulugl'aplix Ii) .Iaiiit‘x IzlluaiiI Balm llnt‘uuiculiu; lhc wwu )l'ai'x hc Il.l\ \pcnl i'cuu'ihug: IIIL' arm lIlL'\ ul ihc KIu Klii\ Klan.
Religion and Humour Sun I‘) \lar. 3 Jinn. (all \u' lauin ai i't-Iigiuu ’ ( 'uuic and mpllu‘t' IIIL‘ l'CIllllillhIllll ht-iuccu L'iiincll}. i‘cligiuii and t‘t-uxluxhip \ «lecuxxinu \\IllL'Il l\ pai‘lu‘ulai'l} iiilci'cxliug in hqu Hi my i'u'cul I).llll\Il Cill‘liiillh.
Orchestra, an improvisational group that played music in train stations, shopping centres and on boating lakes.
I The Modem Insiiiuie. will 88! 78 Mar.
96 THE LIST ‘ii—AJ Mm 300'}
I TRAMWAY
35 \Ihcillliixcwlh-l5 “H1501 Illt‘ Ill lllaiii 5pm. \u l\ \uii IIIN‘II 5pm
>I< What Makes You and I Different O... l llIlI \uii 3h Hai I \hihiluui ul “wk I\_\ I’t‘lci I .lIItI. \\l‘t‘\I t\ II.llll\\\ll. Hcagltw i\ Ix‘aiiim} and \Iiuiita ('axiilln \‘c1mm»i\.igt“’~1.iiillIIiiIixl .-'«:'~'
Brain Power l uul l n I” .\l.u I’ll-tn h} pcni‘lc \\Iin haw upt‘iiciit'cll hiaiii mum \hmxu ax paii mi Iliaui \\\.ucul'\\ “Wk . . ;.\_..
Private Galleries
I LLOYD JEROME GALLERY 3”“ IIilIIl \Ilk't'l. I‘I IP33 IllL' 3.” "am hpiii John Hughes-Devlin: A Few Remaining Moments l uul \M-il 2" Hal I .III\I\\ apc lilinlugiaplu h) lIll\ yum}: (ilauwgiaii phulngiaphci. Ill\ll\lllj,' nu pml IlllIll\lll.lI \IIL'\ .3 x 4 ’ I
I THE MODERN INSTITUTE
"5 Ix’uht'ilwu Slim-i. Siiilt‘ h. I‘Imu I. 3l.\ I"ll \lnu I'll Illaiii 5pm. Sal ulmu 5pm
IE1 Luke Fowler 0000. l‘nul Sai l.\' \I.u Ix’t'u'lil \wik ht IIll\ yum; .ll'll\I. \xhn k'\IIII‘IIt'lI lll Iaxl \t'ai \ [in A '\
Ilium \ \t't' IIlIIl\I "Xi MIN I III Henrik Hakansson Sat 25 Mai Sal 2‘) \pi \t‘\\ \\UII\ IIi‘III ihc Sumhxh .llIl\I I‘I )i" I SORCHA DALLAS
5 Si .\Iaig.'.uci\ I’Iau‘. IVNI3 illl57~l5 Ihu Sal I 5pm
Julian Gothe: Beams are Gonna Find Me O. l iilII Sal IX .\Iai I‘HIlIt'lI [\ipx'l. lllL'lziI and plum \\(III\\ I») .IuIiau (IUIIII'. mplluiuj: lhc \xiulil nl ‘pml luiitliniial‘ lllIt‘IlllI (It'\lfJII Scl' IL'\It'\\. pagc ‘15 {AUI ,l *Al‘ll LI II r hi I
Artist Spaces
I E M E R G E D
5-1 IIL'II Sll'ct'l. II-‘HIII 0.53 I0”.
Amy Smith I'iilil ~Sal 35 Mai. Sill“ \pt-t'IlIc iuxlallalinu. l/KSI ’;l lANl ,I ll) SI I
Elaine Woo Sun I‘) Sai 25 Mai. IiNaIIaliiui \\IIII\. III SI II N."
I MARKET GALLERY
H-l Duke Slit-cl. 55h 727i). 'I'ul- Sal iimui (lplll,
Yvonne Mullock l'uul Sat 25 .\la:. \Mu'k h} (BSA gralluaic \‘wuuc Mullm'k, 1,5“)I (a WNW II) SI I
Edinburgh
I CITY ART CENTRE
.3 \Ialkcl Sll'L'L'l. 53‘) 5995. \Ilill Sill Illam 5pm; Sun lilmli 5pm.
Face a Faces O. l‘uiil Sun 21 Apr. I'i'cc. ('nuicuipui'ai'} pnrii'aii phningraph} Il'lilll I'IL'IIL'II. St'nliixh aiuI inicrualinual ill'll\l\. including ()l’Iélll. Kiiunkn YmhuIa and \chl} McMunIn.
Scu im it'u. page 95
I COLLECTIVE GALLERY
33 33 (‘uckhui'n Sii‘cci. 33‘) I300.
’Iuc Sal unuu 5pm.
Blood and Feathers Sal 13' Mar Sai I5 :\pl', I'll'\l SCUIIINII \(lIl) \IIU“ lnr Ilct'kx I‘uiuru lllllllllicc\ Luc} Slum and JH Rnhrriwu HIV.“ SHUL".
I DEAN GALLERY
7“ IIcIlnriI Rnad. 634 6300. Hail}
Illaui 5pm.
Artists and Camouflage l'niil Sai l Apr. Archiw tII\pIII} Iimking ai ihc L‘llipIii}lllL'lll nl IIllL' ariisis during.I WWI. Paolozzi of the Month 'l'hu lb. 23 (K; ill .\Iar. I345 Iiv‘llpnii I'Ircc. Iiach ucck I)aiucl IIcrruiann. ihc I’anIn/li curalur. gun a ialk nu a dil'l'crcni unrk l’mm lhc L‘nIIcL‘luui.