\fIsual Art
I WESTON LINK
IIIIII-IIII‘IIIIIK'II I LXIIII’C IIIL'JIIK'. \.IIIoII.Il (I.IIII‘I:-, IIII' \II'IIIIII.
Going for Baroque: Observations on the Post-Modern Fold I ll Ii \I‘I. I.,‘ l5 I ‘IIIIIII III-c IIIIItIIIIIIn- II: IIIIL‘ III. II'.III‘_' I .I‘.III_ I’Il‘Ik'\\III
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A Dance to the Music of Hepworth \M-d .‘H \I‘l. " .\ 15pm
I II'I‘ l)oII:'I.I~~ \oIIII: L'\IIIIII\"\ IIllIIleJIl IIIIII\. [IIIoIo1'I.IpII\.IIId lIlll\lt’, IIII' IIIo.Id \lIIIlII.lI llIIIlt'll of I oIIdoII. I’.III\ .IIId \I II-k'\ III Iln' lIIIt‘I \\.II .IIId poxl xx.” ymu
Lunchtime Lecture Inc In \pI.
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Private Galleries
I AMBER ROOME
'5 "II ( ‘IIIIIIn‘IIdIId SIIu'I. 558 I ‘53 Amy Marshall and Laura Drever
I IIIII III“ II \ln. \cu \on‘kx II} [no St'olllxh .IIII\I\ \I.ll'\Il.lII pl't'xcnlx ILIIIIIIIIyx oI IIII‘ In'n SILIII lIlIilllllillll I.lll_‘.'\‘ lll K}I;_'/\I.III gInd I)II'\I‘I' \Ionu ()Itndlgln I.lllII\\'.l[Ik‘\. . ,1: ' LI I»\.N< LI
SHADOWS AND TALL TREES IIlll 3N \III IInI 3h .\I.I_\. Solo mlIIIHIIon oI nm \onk I») \I.In Ix'IlpdlIIt‘Ix \‘IIIIIllllllllfJ Io III\\‘\Il_L‘.'lI\‘ IIIK' lk'I.llIIlIl\Ill|i leuu'n poxl Illdcpcndcln‘c IndI;I .IIId St'oIInnd. \‘I fx- ‘1 I\'.
IIHIII /)II/. I In
I CAMEO CINEMA BAR
Ix IloIIn' SII'I'UI. 335' -II-I I. Berlinskie Uzory/Berlin 2004
l IIIII Mon 3 \III). I’IIoonInplIn‘ \xoi'k In \IIII.I KIxInII.
I DANISH CULTURAL INSTITUTE
3 I)UIIIIL' lcnnu‘. 335 “I8”. .\IoII I'l'l ‘LIIII 5pm; Sdl II;IIII 3pm.
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I THE DAVID YOUNG GALLERY ,II \I.IIn‘ ('III'Ic Home. 3‘) .'\II‘;III_\ SII'ch. -I"I\ ‘II5II .\IoII SIII IIIIIIII 5pm. Spring Exhibition l'nIIl MI 23 .'\Pl'. I‘\IIII‘lIlUIl lI'oIII IIIL‘ St'oIIhII Socn‘l) ol’ \It'IIIIct‘I \lII\I\.
I DUNDAS STREET GALLERY m I)llIIII.l\ SII'ch. 558 0303.
Jamie Primrose - New Horizons I'IIIII SLII Io ,\pI‘. I.;IIId .IIId \L‘IIxt‘IIpcx Ill\}‘llt‘\I II} IIIc L‘.l\l IInd \\c~I CUd\I\ ol Scolldnd. [\IIIIch III ole. \uIIt‘I't'oloInx .nId IndI.III Inkx,
Colin Bellwell .\lon IX Sat 23 .-\pI1 ()II ,Ind collngc [‘.Iilillll:_‘\ donc III IIlL‘ I'Ix' .IIId Scullc.
I EDINBURGH GALLERY
IIIII Ilundnx SII'ch. 55" 5003. Mon I‘ll IIillll 5pm; SIII IIIIIIII IpIn.
Spring Exhibition I'IIIII 'I‘IIc II» .~\pI'. I’IIIIIIIIng II} .II‘illl chlon. \IIII‘gIII‘cI I‘IIInd. .oncplnnc Graham and Iixm II't‘nn I’olnnck.
108 THE LIST '-'- [:4 3H"
Pass the TIme of Day
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Sitting up in your bedroom listening to your Walkman, away from all the
rubbish outside - what greater pleasure? This group show featuring the work of Arab Strap, Phil ‘not Buster‘ Collins, Rosalind Nashashibi, Stephen Sutcliffe and more, explores the creativity and resistance to constraint through music — ‘wasted time‘ as freedom and challenge.
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I ELMWOOD GALLERY
~II) -l~l 'IIInIIc SIIu'I. 335 I IXI,
\Ion I'I‘I IIIIIIII 554mm. Self-portraits exhibition \M-d 3“ :\|il’ Mon 0 XIII}. |-.dIIII\III‘;_'|I\ 'IL-IIoI'd ('oIIt‘gc II.\I) I (iI‘IIpIIIt' I)c\Ig_'n :Ind ('oxt-IIII‘} I'IIIwan} II.\ (iI'IIpIIn‘ Ikxign \IlltIt'III\ Inc L'\IIII‘IIIII_‘_‘ d \cI'ch oi \L‘II poI'II‘nIIx.
I FILMHOUSE CAFE BAR
XX I.ol|II;III Road. 33‘) 5‘I33.
Trilogy: The Weeping Meadow l'nIII .\Ion III .\l;I_\. IIIillll 3pm. I'I'cc. I:\IIIIIIIIoII oI plIoIogIanIx II} I)IIIIIII'I\ SoI'IkIIIx lI‘oIII IIIC IIIIII ol 'I'In'o ,-\ng_'c|opoIIIo\.
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.I-I .-\IIt'I‘t‘I'oIIIII} Place. 553 U372. .\lon I‘I'I IIIIIIII (prn: SIII IIIiIlll ~lpIn. Victor Vasarely l‘nIII Sui ." _\l;I_\. St‘l'ccleI‘IIIh.
I INGLEBY GALLERY
(I ('gII‘IIoII 'IL‘I'I'In'c. 550 444 I, Inc SIII IIIIIIII 5pm.
Who’s Afraid of Red, Yellow and Blue? OOOO I'IIIII SIII I-I \I;I_\. IIIIIIII 5pm. I'I'cc. .-\ Inde \IIou ol IInI't'IIIch ill'Il\I\ lI'onI IIIc [K and I8 \xhoxc \\Iil'I\ I\ llllllL‘tI II) il puxonn loI‘ t'oIoIII'. IIIL‘IIIdIIIg I);I\Id .'\ll\lt‘ll. Inn I);I\Cll|lUl'I.I'.II\\\UI'II1KUII}.(‘;IIIIIIII Innm. \VoIIonII RHL'III IIIId I)II\\_\ll SIIIIIII.
I INSTITUT FRANCAIS D’ECOSSE
I3 R.IIIdoIPII (Invent. 335 5300. .\Ion \Vcd & I'l'l II.5II;IIII 5,.iIIpnI; IIIII noon 5.31IpIII;SIII‘UIIIIIII 2pm. Anna-Lisa Drew - Uncovering the Veil III“ 14 .-\pI‘ Sal " .\I.I}. I'xIng photograph} IIIId Ilill'l ;I\ .I IIchnIIII. .‘\llll;l-I.l\;l Dre“ uplol't'x III‘gIIIncnIx IoI‘ ;Ind ngnIan IIn' IIIIII on “tuning IIIc IIIIIIh In \t‘IIool\ \IIc II;I\ gunned IIL‘I' o\\n \cII III;II I'L'PI'L'\L‘III\ il CUIIIPI'HIIIHL‘. \‘E 52:03.
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I MERZ
5“ IIIIIIIjJIlIIIll Slim-I. 55.\ 5”“ \\L'\I \II noon (IpIII
David Forster SIII I!) SIII ‘~le\pI II'x (HUD) III \IIInII'Inn ilIIII oIII on my IIIII\ \oIIn'IIIIIt'x Rt't'cnl ]I.IIIIIIII;_'\ In I);I\Id I‘I\I'\lt'l' “how IIIIIIIIIt‘I} qut'I'u-d IIIIIkI\L'.IPC\ II;I\L‘ \Hlllt‘IIIIIljJ oI d \IIII\IL'I
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I THE NOMADS TENT
3| SI IcoIIIII'dK I .lIIL'. NI: IIII 3
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I OPEN EYE GALLERY
H .\I\cIL'IoIIII\} I’Ln'c. 55‘ IIIIII
_\IoII I'll IIIIIIII (IpIII. XIII IIIIIIII ~IpIII. Adrian Wiszniewski l'IIIII WM 21! :\pI. \t'“ [IIIIIIIIIng
Secrets in Metal I'IIIII \M-d 2H :\|\l. .Icnt'IIcI'} II} \n'k IIIII‘ILII'II
David Schofield Sal 2 4 .\pI \M-d I I .\I;I_\. \cu pIIInIIIng.
Jenifer Wall SIII 3 1 .\pI \M-d I I \III} \IcIuInoI'k IIIIII Icut'IIt'I’}
Postcards from India \Ln 1% Mn \\cd Il .\I;I_\ \t'n pnIIIIIIng II} I)I;III;I Hope
I RED DOOR GALLERY
~12 \‘It'IoI'Id SIIu'I. 4" I355. \lon SJI III” 5. 5IIPIII; SIIII noon 5pm.
Citizen I IIIII \\cd -I \I.I_\ \JIIt'd .II‘InoI'k “pr1ch II) IIn' IIlIIIIdII U'IlIIIIIHII III IIIL' 2I\I L'L'IIIIII} IIIt‘IIIdIII; [‘IIIIIIIjJIdPIIIL IL‘.III\III. IIgIII‘dIIxc .Ind .lIHII'dL'I \IoI‘k
I SCOTTISH GALLERY
Ih I)lllIII;I\ SIIu‘I. 55h IZHH, .\lon III IIIdIlI hpIII; \II IIIIIIII Jinn
Damian Callan I IIIII \M-d ‘1 Ma}. \t-n denIIngx and dI’;I\\ III:_'\ oI IIIIIIII} IlHIlII.l_\\ III SkIpnt'xx III ,\l':_'-\ II
Ring Tone I'IIII|\\cd»1.\I.I} Rlllf_‘\ II} 35 IILNIlelCl'x
Steven Neweli l'nnl \\'cd 4 Mn} (iI;l\\ \wI'k III\PII'L‘\I II} .I;l[‘;lIIC\L' \kood block pI'InI»
I ST LEONARD’S GALLERY
"I SI l.con;n'd\ IIIII. (In- "N",
Earth Mother/Mother Earth I'nnl I'l‘l I5 .\pr. ('cIuIIIIt' \t‘quIuI‘c. pIIInIIIng .Ind [\IIUIUgI‘IIpIh chcIIIIIIIIIg IIIL‘ \cnw oI IL‘I‘IIIII} oI \pI'III; loguxIng on [he lcnmlc IIgllI‘L' IIIId IIIL' IL'I'IIIII} oI IIIc land. Elements MI 21 .-\pr Wed 4 Ma}. SIIMII IIL‘“ \MII‘IM I‘} \lt'oIII BI‘IIIIIIIHIII.
I TORRANCE GALLERY
1“ IIIIIIIIJA \IIch. 55“ h‘hh \lon I ll II.IIII “Inn. \II III :IMIII Jinn
Spring Exhibition l mu} \II ‘~H \;\I \II [\IIII‘IIII‘II o! \onk I\\ o\,-I NI 3.\III;'I§
I TRAVERSE THEATRE (‘.IIIII‘IId§;c \IIch 3.‘\ I-i'U II.III\
IIIIIIII IIIIdIIIpIII
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Artist Spaces
I THE EMBASSY “(II.1\I(III‘\\\.III\\'\\.I\_IIT‘H‘II II V5" IIIII \IIII noon "I‘III
iff Fools Gold 0... I IlIlI \un _‘-I \In \II oIIgIILII It‘Ix'IIoIIc oI IIIIcIII.IIIoII.II \IIIIICIIII‘I‘IJI} chwllcn .‘.III\I\. IIoIII IcthII 3.'I.IdII.III'\ Io I'\I.II\II\Ich ,IIII\I\ \k'k‘ Imn'u .IIId IIIIII\I - ' 4‘
I WASPS STUDIOS
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I THE CHANGING ROOM
‘5 IIn' \IIIIIII; .\I\'.I\IL'. SIIIIIIIg. III "XII »I“‘HIII \M-d XII noon 5pm.
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I CRAWFORD ARTS CENTRE ‘II \III'III \III‘I'I. \l \IIIIH'“ \. III III I710“) \lon SIII IIIIIIII 5pm. Sun
3 5pm. I'Icc,
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I DUNCAN OF JORDANSTONE COLLEGE OF ART AND DESIGN IlII\t'I\II_\ ol INIIIIIL'L'. lil’I‘I'III RINIII.
III {NI i-I5IIII \IoII I’ll IIIIIIII (IpIII; Sgn “MI” I iIIpIII
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I MCMANUS GALLERIES
.'\II)L'l’I SIIIIIII‘C. “undue. III 132 4 9034. Mon Sal III iIIIIIII 5pm; Sun I3. “I 4pm. Joseph McKenzie - Hawkhill, Death of a Living Community l'nnl Sun l2 Jun. I’ImcrIIII photograph IllixL‘Il dIIrIngz \IpKuII/Iu'x IIIIIt'II IIHlIr\ iIIIL'r Iczmnj: Dundee -\II ('oIIt-gc around II;I\'.I\IIIII an Int-II condemned Io dcnIoIIIIon.