Visual Art
VENICE BIENNALE ARTISTS 2005
ATHVW'HSF?
The exhibitions Third Eye. Glasgow. 1989; Transmission. Glasgow with Elizabeth Go. 1999; final exhibition at Switchspace. Glasgow, 2004.
The materials Wood. paper. glass. fabric. candles. plastic. canvas. found objects.
The Ideas ‘I am convinced that the installation speaks differently to me as a woman than it does to a male viewer,‘ said Micky Schubert of 8 Cathy Wilkes installation in Hamburg. Her work is frequently multi-centred and disconcertineg intimate providing diffuse. occasionally obscure responses to the singular thrusting form of the hero-sculptor.
The background Born in Belfast in 1966. settled in Glasgow in 1985, studied at GSA.
ALEX r
The ethbItIons Artist in residence at Glasgow School of Art. 2002; Andrew Mummery Gallery. London. 2003; Transmission. Glasgow. 2004. The materials Wood. paintbrushes. oils.
The Ideas In Pollard's work the artistic process. the materials and the instruments frequently take over the art itself. The artist and indeed the viewer are at their mercy. A paint brush collage forms grasping
106 THE LIST 3—1 7 Mar 2005
hands. A gargoyle reveals itself in a sculpture made from the detritus on the studio floor. The result is humour tinged with paranoia.
The background Born in Brighton in 1977. came to Glasgow in 1996 to study at GSA.
JOANNE TATI'IAM AND TOM O’SULLIVAN
The exhibitions Tramway. Glasgow. 2001; Zenomap. Venice Biennale. 2003; Frieze Art Fair. London,2004.
The materials Jewellery, neon lights. rubble. cardboard. performance.
The ideas Tatham and O'Sullivan's work is mercurial. Concerned more with the occasion of exhibiting art as a dramatic moment and a cultural event rather than the act of creativity, it is highly individual. The continual play on the same brutal imagery gives their love of rumour and myth a solid base and brings back an intrigued audience.
The background Tatham was born in 1971 in West Yorkshire and O'Sullivan in 1967 in Norfolk. They both studied at GSA.
(Tim Abrahams)
I 5 lsf Venice Brenna/e. Sun 72
Jun— Sun 6 Nov.
Edinburgh
I CITY ART CENTRE 3 \Idlkt‘l \iik'k'i. 5:" U)": llluiii 5pm
Edward Grieg: Art and Identity l'iitil Sal If» \pi I'\Iili‘lili‘li looking at coiiipoxci I'ki\\.tltI (iiicg‘x hlc .iiitl lllllSlc .iittl ihc lL'i.lIiHli\iil[‘ hcixtccii ili\ .iri .iliti \Ul\\L‘lettli national itlciiiii} Part of \ot\\.i_\ SUNS. a cclchiaiioit oi lllll }c‘.ii'~ oi \oi'\\c;_'i.iii iittlcpciitlcitcc ShowCASe: Contemporary Art for the UK I... l'iiiil Sui l3 \Iui \cu .lc'tllIISIIIUHS oi ihc (‘oiticiiipoiau .\ri Socict} I‘ltillfJill iouclhci iit lhc oitl} shimmy hclorc thc} gct tlixli’ihtitctl to NS lllll iitciiihci rcgioiial and national llillSt'lllli collcciioiix. ;\rii\i\ iiicltiilc \lichucl
I and}. Paul \ohlc. I).l\lti Shiing and Richard \Vriuhi. Scc ic\ icu i 5047 mi MN it " :sil
EXPOSED l'ittil Sal Iii .\[il. ('oiiiplciitciitiiigg Shou(‘.\Sc c\hihitioii. lIHS tlixpl;i_\\ .i l‘;lll_‘._'t' ol coittciiipoi'ui‘} Scottish til'llSlS and ct‘alhpcoplu including: Jo Barkcr. ('alltiiii Illllt'S and .'\Itlli Johnston.
John Houston and Elizabeth Blackadder l'iitil Sui Iri .v\pl'. Hit- (it) \ holdings ol' this coiiplc‘x paintings. prints and til';t\\ lllgS go on \hoxx togcthcr for thc Iil‘Sl tiiiic. Through the Letterbox: George Bruce and Elizabeth Blackadder l'ittil Sat If» Apr. IitllklIS \\l'lllL‘ll h} ilic Iaic Scottish RL‘llttlSSttllL‘L‘ poct. (icoruc Bi‘ticc. \xith lilthll‘dlliillS h} lzli/ahcih Blackatltlcr.
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Illaiit (ipiii. I‘rcc. l-,\citi tor til'llxlS and i'cccitt ari gi‘adtiatcx tlc\ I\L'tI h} Paul .\I()\\. ai‘liSl and co loliliticl’ oi \Vorkplacc. .\'c\\ caxilc and oi'gaitixctl h} ihc 'lalhoi Ricc (iallcr) iii Pill'lllL‘l'SIllp \\ ith it'll 'l'hc Artixix liiloriiiaiioii ('oiiipaii}. 'l'hc tl;i_\ \\ ill locus on _\otiitg_' artists. l‘L‘itlllUllSIllp
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I COLLECTIVE GALLERY
22 ZS ('ockhttrii Sii‘cci. 33” Doll. 'l'tic Sal iiooii Spin.
Ripples on You l'iitil Sui 2 Apr. 'l'mi llL‘\\ \ itlco pic‘ch including: a \ptitii illiCl‘\lL‘\\ \xith 'lcrr} Rilc} and a \cricx ol' “all draxx mp h} (ilaxgoxt haxctl artist. Stuart (itirtlcn.
Thomas Aitchison l'iitil Sui 2 Apr. l’rojcci Room: \Vall ilrauiiigx ol ilic l’arihciton h} lIllS l:tliithtii‘uh»haxcd til‘liSI.
I DEAN GALLERY
73 Hcllortl Road. (ill (illlll. Molt \Vctl & I‘ri Stiit Iliaiit 5pm: 'I‘hti
lliuni 7pm.
Out of Place: Works from the Pier Arts Centre Collection, Orkney O. l'ittil Sun 20 Jun. l’rcc. ;\ touring \I]t)\\ of m cr .ill \Mii'I\\ oi British Zlith ccitiui'} l'roiti iltc l’icr .-\l‘l\ ('citti'c in ()l‘kllc} “hilc thc island gallcr} lllltIL'l'gHL‘S a titajor l‘L‘illl‘hiShlliL‘lli.
Out of Place: Barbara Hepworth Mon 7 Mar. 12.45pm. l-‘rcc. Patrick iilliot. \L‘llltli‘ curator at thc (iallcr_\ ol Modcrit .»\rt. gixcs this lccturc.
I EDINBURGH COLLEGE OF ART
74 I.;llll‘l\ltlli Placc. 33] (illllll.
Mon Iiill Ilium Spin; Fri Sat
Itluiii 2pm.
The Shadow Cabinet Thu 3 Mar. from (1pm. i-‘rcc. An cxcniitg ol' \ itlco and pci'loriiiancc ()l‘gillllSCti h} ihc liiithaxs} (iallcr) \iith prcxcniationx from Marc ('umillc (‘haiiiimtic/ and Torxicn Larixchiiiann plus \xork' h) 'I'a}to ct 'I‘a}to. SllSlC (irccn. John Htiittci‘. Ja} go Bloom. ('raigy
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I EDINBURGH PRINTMAKERS 3; l iiioit Sitcci. i<~ Ila" ltic \ii lilaiii hpiii
The Paris Drawings and the Edinburgh Etchings l iiiil Sui .‘ii \lai \ talc oi i\\o cilicx h) .llllSIS kclh \icuaii .tllti (at (iiitiaiti
I FRUITMARKET GALLERY
4; \Iaikt'i Siik'k'i. .‘ i5; \ii'li \Jl I |.iiii hpiit. Stiii iiooii ipiii
3:1 Simon Patterson l'iiiil Sun I \la} l'icc i \hihiiioii oi Ht'\\I\ \‘tHllllllSSItlllk‘ti .illti c\i\liii;' \xoik M
l oiitloii I‘.l\\'ti .tIIISI lth kiioxiii loi iil\ lt‘\\illklli_‘_' of thc l oiitloii l iitlcipioiiiitl map. “'l'hc ( iical licai‘. llit‘illtilllf.‘ illS iiiaioi \\oik. ‘(icticial \xxcttihl} I‘Nl‘ St‘t‘ IIIIIISI.
I THE QUEEN’S GALLERY I).ii.lt\' ( )l IIUlHiiittiIthlSt‘. ii(i § Illll
" Matti -1 “ill!” LR it’i Lil. i.iiiii|_\ tickt-t (Ii
Holbein to Hockney: Drawings from the Royal Collection
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I ROYAL BOTANIC GARDEN ii\hihiiioit Hall. Ill\t‘lIt‘llii Row SS3
7 I 7 I. |)ai|_\ Iliaiti Spin. i'icc
Images from the Garden VII l'iiiil .\loii ZS Mar. Illaiit i. illitiii. I'lt't' \ii c\hihitioii oi \xorkx h} \llltit‘lllS aticttthitg lhc RIM ii: athtll criticalioii cotii‘xcx lcaiiiritiu photograph}. haxkcti‘} aiiil papci' iitakiiii'
I ROYAL SCOTTISH ACADEMY 'l'hc \itttiliti. HI il :35 or." I, \iitli \ii Illatti 5pm; Sun iiooii Spiii
RSA Student Exhibition 2005 Sui 5 Thu l7 .\lui. 'l’hc Iai‘ggcxi \llltit'lll \hou iii ihc l'K. opcii lo ull liiial )t-.ii aiitl poxiui‘ailtiaic Sllltit'lllS ol ihc Scottish art and aichitccitiic \cliiiolx 'l‘hc \xoi'k \xill \pacc .ill ll iippci and It)“ t‘l' RSN gtiilt'i'lt'x iii Mi 1( ).'.'
I NATIONAL GALLERY OF MODERN ART
775 Hcllortl Road. 03-1 (illili, \loii \\cil & l’i'i Stiii Illaiii Spin; 'l‘hti
Iliaiii 7pm.
331 Andy Warhol: Self Portraits 0... l'iiiil Mon 2 \la}. Li (Li illi .‘\\ part of lhc National (iallciicx' .\ )i'uru/lnn'rii(ml/'1. liliS iiiaiiii \hov. (it'MilL'S llSt‘ii to iltc \cll [Nil'llitIIS ol \ii .'\lltI} \Vui‘hol 1 I037 S7). maintain}; ihc u a} in \thich hc poi'tia}ci| illlllSL'II lli paintings. tilil“ llij_'\. [)l‘llllS. photographs. IiilllS uiitl uullpapci, This lS ihc oiil} l'K show my. Scc i'c\ icu aiiil IIllIISI.
I NATIONAL PORTRAIT GALLERY
l ()uccit Slrcci. (ill “2””. Mill] \Vctl tfi; l‘ri Sun Iliaiit Spin; 'l’hii
Illaitt 7pm.
A Tale of TWO Cities l'iitil Sun S Ma}. Satirical C;tl'lc'ttltll‘c\i1_\ .lohii Ka} ll7-12 1320) iii chciic} lathiihtiiuh
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