lull/ii?
I Aly Rain and Phil Cunningham l.ill.iil. lmun Hall. “w! Hiiilgc \llt'k‘l. ll] ‘31 {Hudn \I‘lll 3, l 5 ‘11: l l\llllL'l ’mlll .lllll .lktl'lllll'll llllllll inwnnmwwdhllunmnchquvam lllk'll puiiiil.” llll‘. «I! ll.i\llllllll.ll lll\lllllllt'lll.il lllllsit .mil l‘.ll|ll'l
l)‘;‘:l)|(:’,
I Tom McConville, Claire Mann and Aaron Jones I .i\l;'.lli' lllk'.lllt‘ i\ \ll\ ( 't-mit: l .i\lL'.ilt'. HI “.‘I "f5 M“
-‘ illlllll Ll l ".‘)I \t't' \\t‘il 3"
Glasgow
I Naghmeh Ensemble \l H '. llllllli'\lul| (31m. mm lllll limo
h illpm {5 2.x l’t'l\l.lll \lil\\l\ill lllll\l\ I Mustafa Zahid 8- Rox3n \l H '. I Hillli'\lii|| (‘lll.l_\. “87) Hill .llli ill Ulim l. l 3 l’.‘ll\l\l.llll [mp lllk k l‘.llltl
I Strathclyde Police Pipe Band Junior Solo Piping \lllllll}tlilll
\t linnl. \iiiill1}t‘iiill Road. 5.57 “If” ‘Liiii l’llllllf.‘ t'ninpt'liliuii
l <l|ill)iii'gli
I Reel Afghanistan Festival le (‘nnu'il ll.ill. Ri'nl ( 'niiu'il ll.lll. lilllll‘llllell lll\t'l\ll_\. liiixln \klimu' 1pm L5 Il‘fi liiliniliitlinn In lllt' \ll|\l\ ul \lj,‘ll.llll\l.lll l») \lll\|t';ll [hit-(Mu \ll\t'l \l.i|imnml \\llll l’lnl \Iggt‘l ()\l‘iilllt‘ l l\lll.\l)l. lllllll\\t'(l h) [it'llllllllilllt't'\ l\_\ lllt'llll‘t‘l\ nl lllk' Kll.ll.ll‘;ll tollu'liw. llk'ht'l\ Hum ill 1I (ms Illl‘l Hl ict-Igilglmnixlgin Hi}:
I Fairport Convention ()uccn'x Hull. ('Ici'k Sli't‘t'l. (ms Jill”. 8pm. (l5. llic \t'lt'lilll lilif.‘ll\ll (illx lolk l'Ht'lxt‘h lmm “hum Rit‘liunl 'l linmpwn .iml Samh llt'nn} gimlimlt'tl
I Ceilidh Dance 8! lli‘iich ('t'iilit‘. ()ixwll li'i‘lnt't'. 555 "Mix " Winn. L'.\' ltifil. lllt‘ llilillt' tlll\t‘|l lit'llJ \lt'\;ll\ lianil phi} lni ;i lun t‘xt'ningg nl ll.ltllllHll;ll St'nlx lllll\l\' .iml ilanu'.
Galasliiols
I Eddie Walker and Fraser Spiers Slim): .lmn ('luli. Salmon Inn. Hunk Sliccl. (ll 55” Ill5 i.\' Spin. t" l'llllx. Mum and i'ngliint‘ \\ llll \upt‘iiuliw lelllill and liaininnim pla} in};
Stirling
I An Comunn Gaidhealach ;\ll\L‘l'l ll.lll\. lliiililmi'lun Road. “I 536 4‘3 5H. ‘. illpm. Ll. ,\ mng nl ligiililiniml St‘nllixh inuxit~ untl mlnlmnm tlnncc. \lll\lt‘ li‘um (imlmm \iclwn. Htiili‘c (il;lll;llll. l'lic ('lumn lligglilgiiitl l);lll\'t‘l\ ‘llltl a pipt‘i.
Glasgow
I Kabul Ensemble SH ‘( '. lllllllt‘\l(lll Quay UH?) (Hi) Alllllil “pm [Ill l UH. l‘i'mlillulml niuxit‘ linm llic t'uluuilul .'\lf_‘ll;lll cnwmlilc
tdlmburgh
I Reel Afghanistan Festival ()uccn'x Hall. 5'" 5") ('lt'i‘k Sliccl. (ms Illl‘l. “pm. {Hi l L‘" i. \llhlt‘ nl .\l;.'li;ini\l;mt a pi‘ugi‘ainmc l\_\ lllt‘llll‘t'l\ Hi lllt‘ Khumlml CUllL‘L‘llH‘. l’lt‘tht' \L‘C i'cclalgliani\mnur;
Glasgow
‘i Guitar Competition: Dundee Guitar Festival Scholarship l{.\‘.\.\ll). chlrcxx Sll'L‘t‘l. 3.1: SUV. 5.5llplll. llt‘lxt‘lt‘tl. Slutlcnh ll'Ulll Ihc gull.” LlL‘PtllllllL'lll [‘l't‘\t‘lll a piccc nl lllL‘ll' mm chan tllt‘lli—‘\ltlc a “mix li‘um llic mnlcmpmxu'} Scullhh l'k‘l‘t‘l‘lilll'c.
. . 1»:\':> L‘kpi‘: L,’ Glasgow
I Guitarmania Rdllhliill‘ll 'I‘hcali‘c. Ingram Sli‘ccl. 552 3-18". l.l5 3pm £3.
“‘lu ‘
ii
(ll/777.777.
I l
‘Spot the influence‘ is a fun game for every errant music
snob to indulge in of a Winter‘s eve. Frustrating perhaps when you shout out ‘Weezer' ‘Death Cab for Cutie‘ or ‘Simple Plan' here, only to find that the band your disectiing — in this case, Brooklyn‘s Nada Surf — actually are the influence. Their unassuming, hook-laden guitar pop has been a big draw since 1992 and their latest long player Lucky confirms that their way with a spectral Byrdsian pop moment is
deserving of your love.
\Iilllxi',(l.ltu;.\... ".
\ \ai'ictl programme ul wln .iml L‘lhk‘llll‘lt' guilai play-ll l\_\ lllll\lL' \llltlL‘lll\ llillll Slinlht'lylc l'iiiwixil} imich llic tlii'ct'linn ml l’clt'i \igumli/m
Edinburgh
I Jim King and Steve Clark I Cllll l-nlk ('luli. 'l'lic \ llltlL'k‘. Suiilli l'Hl'l Sii't'cl. ~l“\ ‘Xlll. " .illpm. U» wa ul St'lllltlllkl.\ lilp lullx t‘llit‘l'lJlliL‘h lt‘dlll up.
I Ceilidh Club lllt‘ lul. (il';l\\lll.lll\L'l.
335 33‘"). 5pm. U» \limt‘ llUlll l lt't' lx’angc. Scc 'lut' I‘ll
Glasgow
Guitarmania(‘i.miuni (Kilt' liar. l'nixciui} ()l Stigilhtlylt'. .lnitlanhill (limpux Soulhl‘ixic l)ii\t'. ‘l5ll .1435. l.l5 2pm Scc luv So I Michael Simons lt‘li.” ()\ m. Hmmlnn l)l'l\L‘. (MW "25>. 5pm, LC SL‘C \Vt‘tl 3”.
Edinburgh I Alison McMorland & Geordie McIntyre latlinlmigh l‘nlk (‘lulx
(all‘dl'L‘I lidl'. lliL‘ l’lt‘dxlllt'k‘. “F” 2455
l\\l‘ ill lllk' llllt‘\l ll.ltllll|‘ll l‘L‘.ll\'l\ Ill \t'nllaml lx’ait' \\ uh \I'll}.‘\ .llltl l‘.lll.ltl\ \Hllt't'lt'il l‘\t'l lllt' ill _\\'.ll\ .lllkl \llll}: llll.lt't‘illlll‘JlllL'xl Hl \\ llll lmnin .llltl j_'llll.ll
5pm. L" lUH
Dunlormlino
Dunfermline Folk Club Session l)lllllt‘llllllllt' l ull». ('Iiili. llll\llt' l.l\t'lll. Haldiitlgcl‘uin. HI ‘5; “3W7 if 5. illpm \Illj.'.1\wllj,j.[\l.i_\ .l lllllL'. lt'll .i \livl}. Hl lll\l lNcn .mil CHIN}
Glasgow
I Jenna Reid and Kevin MacKenzie \i \mlicu \ lll lllk' Squaw. \I \lltllt'V- \ \tllldlk'. 55‘) 5‘)“: 5 illpm LX IUH \t‘c luv I"
Stirling
I Maurice Dickson \inlm; l .ull. (‘lulx \Iilling ('nunl} Rugl‘} l unllmll ('luh. liiltlgvliaugh l’dllx. (‘.ii1\t".|.a_\lic.ul lx’wml. Hl 35‘) :l\5ll \pm ll.nllll«lll.il lllll\lt .lllkl lullt l‘lum glllltll palm: Hum Illl\ xiiigci wngxiiiIt-i Hum \ni‘lhci'n lit‘ltlllkl
Events are listed by date. then city. Submit listings at least 14 days before publication to suzanne@list.co.uk. Listings are compiled by Suzanne Black and Carol Main.
i' Indicates Listpicks entry
x ' Kelvingrove Organ Recitals k; ~ g \-' iii g -. \\ \l
t \'v \1» \u Edinburgh Ouartetnm l l «m»: ll- 1~~
\xl-ut :w‘ \ Him t litany? \ltlu. tz'i' V. " w w f: ;‘ i ll \i. 1,. i), '. [H .~ ~ i""5~ .2123 \. ll /M \ \"' /,
I BBC Scottish Symphony Orchestra: Thursday Night Series (:'\ llallx (.1'H‘llt'7153 “‘I'p!‘ f" t". “‘ l\'n.'.\" -/ \.‘: l\,.l\ll3ll.l'.Tlll“. \ '..:~' 'rip ti‘ll‘llllill
\ lr‘y'u'fli'} /)“;-l t \ H K': '5‘“ \\ y,i':\'!yl
l‘it'llllt'Ft' ml l itxifial ll'!‘ a \r x \i'..l \ null! minim! \‘x'lt't' \_." .l'ixl twilllltln: ll.l'l \nll‘n'.
I Royal Scottish National Orchestra Rimli mth ll.i.l \‘lllt liivlia‘l \licc: till all» lllililli'x' l{\\( ) l‘lll Im't'lllci .111 my! L'lz' Ml 'lx’nlliuiiilt \.llt'llllll\' \( l.l\\l\ \ :ilt llhlill.’ lx’.i‘.t'l\ li'w . Lgl lli'l‘lll \ /" mwi .w. i \w a‘ .m.l llli'llll'_'lll\ llHlll «'l‘m unintui- imxt'x twililiit it'll l»\ l’.ml \\.lll.lll\ .mll ‘J-llll \l‘lllilh ( mill i'l‘. lln~ l‘l.lll|‘ \\ llll .: ply tiiiitt‘il Iiill. .:: h himi 11‘ mi-
l ".llll‘lilwll ll.lll l". It'lll \\.i7.'m-1
ixl \llllil ' liiim1
\i‘lll \llelw. wk .1\ 'li:
Glasgow I Friday Lunchtime Concert Series l\’\ \\ll)‘ 1"“ l\’k'lllll".‘. \Hvul ik‘ 5H5. lilm L" ‘1‘] lilll.iill.lll l’ll"x‘.li"lll \ll.lllll‘t'l mum 1.m \Hli'hl .llhl l\’\ \\l|) halt llk'l‘ durum ull lll\ immw Winn-w
i- RSAMD Junior Academy Music Competitions l<\ \\l|) I'm lx’ciilxt'u \lvgcl U.‘ 5H5. (mm .\
M “will \lllill'ill\ Hull. Ills .ii .lllk'lll. tumpvlu Ill «Illn'i llic ( iilliui: llllll‘v» I’ll/c (ninpt'lilluii lui l’i.iil<~ IE: (llll‘t'll llll!\'\\ l’il/v( will; 'lxlmii lHl \\i‘l‘\l"-‘-lll\l'lllllll1‘glllllll‘
will 'll‘llir i~l lltw
l ’ltiililirk’ili
. C Tom Bell \ltl um: llall szxi.‘ \tlllJlk'. “5" 515 I i l‘lpiti (Ham 1m Hal \Ellll ii l‘lt'Lfldl'lllli‘ ml l\’.ill\ llql \ 'l.lllll‘llllllll.lilt'\ \ill l.l plat c lit-x \ it ll'. \iimx VI \lz.::'u\ c!1\«\lc:|lixx vii; Yul .i;\ \k'L'Hh Tll‘lll /'/I‘/"I Mil/4 ‘\i.'.'4 // ’iIillL't'K lint 'wl Ulnar /'/'I‘ a \lilm‘iK I'll i‘ll\\lijwi\ //./«v lil'hilll \ftlh .mil llHl/lllJlill 4:: {viii ~ I'll.’ I Royal Scottish National Orchestra l ;‘\il'-.ll Iliqmzu lé \ltill\llll\ll1‘t'l 5.7" Will" ?_l" 3_:\ \x'k' lllll ll
41' I’ll/,1l'i1
"Him:
HZNl’l"‘HT’J‘
I Haddington Concert Society lottii lli'll\t‘. ‘ll'vf‘l \:’~5T5 " 4";er :‘l‘l L‘r l'.‘.w.'1|ll\1\l.xll\ xiv}. 212.;‘zc-x.” \l’t'llt’llll.1l\ lg'll't'lld )1.lllllll. azulin .ml Kaly: \l‘l'l.l\llk"-ll. l‘lJll“ ply. Brahmas“ l’.llil \lx‘vlag‘l. .ml \iliilu'i’
RM (k
I The Dunedin Consort: The Colour of Song l'alllll [mail lllli. \xwliizilgi-mt-uzwl‘21"will
- {l’l‘lll L" ~lllilt'l;l\ 2.1‘ lllk' Zlitai
min irrzi flulkl. 1;.»
Lilldl't" xtzli twillciii‘urai'. Hana, Tull. win: .llltlllflk5lll’t'lii5 .lllll tlwvg l:.ll,'llHl2'.
.il!.:f‘.‘_"t'lllx'.'li\
-' THE LIST 83