www.|ist.co.uk/music
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I PHONK! \I.ll!~lwrl I 7 \Illllll'fillln‘lt “WNW T Wu". 1"! \k’k' Illll II
(AIMS/ION I Dropkick Murphys, Mad Caddies dull The Briggs
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I Miss the Occupier, Scunner .m.l Esperanza \IJL't'lk' \lej. K. h" \ll‘lHll \tlccl. \IvulmnH ll» *1\ 1*” “VIII l5 4?. {I l’um In IIIIIIL' rm l.ll1'.' IlHll! \I|\\ NW (A I llpn'l
I Adele ( lawn (imml l\ Illlll.ll\ .n \llr-r-l.\-1“IJ\,‘II " Mm. Llll \Hlll pup \chm \‘»llll .l \lIlHlA 2mm. “IND |\ l\.1\|\.rll} the \H;_\ \\ Incllnuw _\Hll (All [HM IIHI In \.IlI\k.l
I Angus 8. Julia Stone llu- Ill-.11 ("lulx V" \rmlnvlmll \lrwl. ' Ur S” I U}, lullm) \Il‘llll‘.‘ «lull IlHlll \mlmlm
I Bill Wyman & the Rhythm Kings and Jeff Lang I<r»}.:|('rr|1\\*ll lI.1|l \Iurn \mlrlnrlum. I \mt'lnclmll \Hccl. 5% SHIN) T Mer 13-1 (LID. I HIIIIL'I RHlllllfg \IHIIKN I\,I\\l\l III.lI\k'\ .x le'llllll In Ill\ lllll\|\'.ll IHHI\ \\llll lllc l<ll_\lllm lx'mw [al.z} my lllc klml nl |.l// .unl hlucx Ilml l|l\I umpire-ll lnm .rll llluw yum .ljnn IT!!! I" (hr ll/l (It'll!!! r {IN/H
I Colin Maclntyre .IlllI Devon Sproule ( )1an \lm. “ il “ N (in-.11 “Nu-In Ruml. ‘5‘ Nllllll _ Wle
U3 5” HIV .Illl\l IHllllt'lI} knmxn .I\ .\Iull Ill\IHllt'.ll Hwylcl} \lln\\\'.l\k‘\ nmlcr‘ml lr‘um Illl\ m‘u lrllmm I/n
“(l/r I. \uplmrlml la} \‘ll_‘._‘.l“.'|ll‘lr' l-\pp;ll.u‘ln.rn wnplnwx Dunn \pruulc I’m! u/ ( I'll/r (Tr/mu Hum \t't' plm INK. [mng (r-I (k ()(I.
I The Songs of Sister Act SI (‘(' (‘lnlu .'\lI\IlIHlllllll. l‘llllllt‘\lH|l ()lmx. (NW) mu drum, “ mpm lein, (Irwin-I t'\II';l\.lj._'.llI/.I. \I.Illlll}_' Shula I'L'llelxull. mella nl \ lm In! llapp} Mummy lame and Thu | umlun ('unmmml} (impcl ('hnu‘.
I The Draymin, The Modern Faces, Dark Little Poet .rml The Last Project (XIIHIHI. ~Ih.\ SJIIVIIH‘ILIII Slrcul. HI Ill-ll). 8pm. £5 IL‘II. \nl’lhurn wul lll\|\llL'\I lmml. \xhn Icu'nll} \llelL‘Ll an ugh! nmnlll «Imclnprm‘nl «Iml \\ llll ('lu'mmum lx’u'nnlx. luml Illl\ lmllc I\)H\'l\\ lull
The Damn Shames .lml Stinky Munchkins (II.|\;_'H\\ St‘llrml ml \rl. Ih‘ lx’cnlrc“ Slu'ul. *5 i ~15”. .\'pm. (5. lllt‘llltllllf.‘ cull} In Drum: I no Illll\l\' lmm cnvrglxul yum; l'kIlIlI‘Illlel nmwmkx 'l‘hc Ihmn Shame-x .III\I 'rllxt'n pogo lur’ punkx Ill pumpx' 1mm SWIM \Illrlt'llklm at tho launch ml llll\ \cxx Brut-ll mghl
I The Debutantes, Ampersand, Maeve O’Boyle .md The Statler Project III“. Ill Saut'lnclmll Sllccl. 332 5-13], 3pm. l'ru'. (Irwlt‘ luck Inl'lucnccx l‘mm \mpcrmml; Imam Imlrc wnmlx lmm IIIC Slallcr l’mlut‘l
I Wrong Hands, Halcyon Days .lml Smoked Glass mm}. 3m» (Inle- SII'L'CI. (Nu 0H" (N‘N, 5pm. :5. ‘l’lupcr rm'k' 1mm lhc luxullmcrx
I The Ghosts .md Andrew Tervet I‘llL‘ Ul‘u‘l‘hllnl'}. I-lll l'ltlt‘hllt' \llct‘l. .i5i(\‘l.il.3,,§ll1\111. l'ruc. \ll cuunu} .II Ilm t‘mrcrclc (Xunpllrc mglll.
I Kobai, The Marder .md Exit Pilot \lcc'n'Slm/y .IZI Sauulnclmll Slrccl. 333 (MIN) SSHpm. lilct‘lm Hullc rock from tho luxullmurx
I Take a Worm tor a Walk Week, Galchen .md Signals by Semaphore Km; l‘ul’x \\,1l1\\.ll1 llul. “Ia Sr \Im‘cnl Sum-l. 221 52“). 8.30pm. £5. l".r\l.t‘l1lmllc.Iml mlcnxc lcchcurc Ulhldllglll lmm l',\\\'l‘\\\'\\. downlth ax lllllmgcr linurpc I’Lm IIIL‘CI\ IIIL‘ I.U\‘ll\l.
I Touch 8: Go Sarnucl [hm \. h" "I \illlxtlulc Road. 423 I‘ll)". «\.,“Il[‘lll. I'I‘L‘L‘. (‘l;l\\lt‘ l'tk‘lx a“ CH.
HIP“,
l ’1' : .' 2' I Midnight Blues Band, Alma
Fiera ‘2: 1 Band of Gadgies \\?.:\qul\::.-2c\ L’ N l'i' 11 “I <1}; «m _'.II\'I Ill” \ .::lll "
I Soundings: Opening Concert
lx'a'llH NINJII llall l t‘ ltllqlxz". l’m' ’\‘~v hymn 1‘ ‘w \ a
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I Manatees, Down I Go .;- Hitcher Ill; ll:.\' 1‘ \
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I Les Ramoneurs de Menhirs Oi Polloi Na Gathan Ila-m. I - ll.” \ I'm \lexzwn \lzaxl ‘,“ “\“4 Tl‘lll t5 (t'llit g‘ml'» II “III l :..::I .- It'.lIllllIli' w. Ill-Hum» \ \wlh :‘r " lHI.Ill
I Sonorous, The De-Loreans .zlll: phoenix O \\k"\' I\)\'~I I‘l.‘.l. l Illl:l‘lll1'l! ('ullm't‘ ml \ll. l .lllll\IHlll)l.1\\' lll_‘ “I‘m to; Illxllt' lv \l
I Morrissey Ill; llwaw :\ (Il\‘\'ll\l\IL‘ I’l.uc.‘|\ll \1‘ lr‘rm
” Wer l. l.‘ *l' lllg II'lll.\" \Imllm IlHllllll.lll tunlmuux lw «mm lllx wlw
n'nluxmnu' .mrl ".‘mll, I‘m um. lllli‘llt'll .: I.lll Ix".‘. \\‘.\‘.II} \Illll\
I Soul Foundation Ills \ll_ \\.ll\‘lIHH I’l.:u‘. .‘.‘\ " I"; 'I‘ll'lll L‘llx‘ \lz'lll ml \lemxn duly \uul
I Electric Banana lllx' ( ll<\‘ \ (Illlllllr' \Hu-l, _‘_‘H .“l?\' \r‘m \m. L \cv. \ulk'x ll‘.\' :m l\ Klul\ Ill.ll.t'\ |I\ l‘Illlll‘llly'Il \lclml \‘xllll \cl\ lrnnn l.1l\|l .lml I'lnlrw \Im/c rmk IIHIH \m ( ulwl III.I\I\
I Soundings: Mark O’Keeffe Ix’ml (‘unu'll l|.1ll. l Illnlmlfnlll mn'lxlly llllxlu \qrmn‘. (fill _‘ 1.7" \pm llk' pnm‘llml plan-r ml Ills I’llll’ Surlllxll \}I11pthl_\ ()I\ ll\'\ll.l play \ .l pmpmmmc ml Ilumpul \\Hll\\_ wmc \\ llIl clnlrnmt‘x
I Black Arc .llltl Swimming ILIIIm'IIImnK. \Illllr} \llcvl. \‘h i. ‘lpm U \Ullll)’ Illk'l‘lllt'l\
I This is Music III-ml \ (‘cll.u I’m. X Hm \lwmwn \ln'cl. 1‘5 “WI
I Ipm \Hn lollx' Illxllx' lllf,‘lli \Kllll llxc muny hum ( 'nmc un ( my:
Glasgow
I Bullet for my Valentine, Skindred .lml Still Remains ( "ulmz' \tmlum} (i|.r\j.'u‘.\. lfl lglmlun \Ilu'l. (IS II ~I-‘T :llllll wpm QV'I" all \\r'l\ll Inclul uullill
I Kings Die Kings, The Detours, The Scarlet :thl The Wild Flowers Iln\.»14l \mylnclmll \Hccl. H.‘ < I ll 5pm. l-Icc lellll‘lllfgll .mlllcnm lmk qmnlcl Inuullmc
I Master lunl Severant l’mlll} rupxl‘mw. 3N! ( lulu Sllccl. ll.\ 'U "H" ll‘l‘l‘l 5pm. LN \xlulcl_\ alum-n IIk'JIII lllL‘IJl IMHIUHU l‘lll
I Acoustic Night \mmcl I)u\\ K.
T)“ TI \IIII\\I.IIL' l\)H.l\I. I: ; “Ill”
.\ illpm. I luv \lunllll} .mmxnt \k'\\lt‘ll I Down I Go, Manatees, The Ocean Fracture .xml Kobayashi \rpc'n‘slca/y III \uulnclmll \Ilqcl. l1: (WIN) A lllpm \ mu m! Illwnc. pm; and mcml IlUlIl \I.m.:luc\
I The Repeaters l§1l1\.~u-(‘_liq
54) (\H lxmf; \Ilu-I. *5; In“ "pm
I l\ c meu
I The Brother Louis Collective lilagkllldlx. :h Hull \Irccl. <*: “’31
l; “. (il‘ngmx lxlxul .llllxl \\l1w Iqacml} \uppullml ( imllclllnh
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