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Thursday 31
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I Nine Black Alps \l’.( 3. Ni \ulthu‘lmll \lim-l. “.7 3.? 1.‘ fil‘lll 2_\ (ht-i I~1\ \hm‘. \niiiij.’ \l.lll\lllll.lll Imqu '.‘.ll(I haw iguniml llu' uumml llt'll\l\ ml
lllt'll «mu tllf. lll I.l\HllI HI Illt‘ j_'lllll‘..'t' Illkk HI \ll\.ill.i
I Paige, Portman, Lost on Campus .mil Here’s to Hoping
Rik ltt'l\. l-l \llill.lllil \Ilk'k'l. Il—‘jll \ll liltl'xlllfj
I Captain Cameron Iliul. W 1% \xhlnu I .iut‘. NI -l‘)(\h hpiii llt'k' lll\ll \iujnt'i \iiuguiilt'i umlwx lll\ \t'nlllxh tlt‘llul .il lll|\ ( )ul In l’l.i_\ Might.
I The Rocket Summer, The Secret Handshake .unl Between the Trees kill: lul'x \\.ih \\.ih llul. .‘ CA \I \ iut'cul Slit-cl. III 53"”. 5pm. \( )l I) ( )l ’l ()wi ll\ \Ium \nuuf: t'lllilhll im‘lxt'ix llUlll l).lll.l\.
I Baroness .lllkl Kylesa \iyc'u‘Slcu/y Ill Saut'hit'hull Sliccl. {Hilllllll x illpiu. Lilith l‘lHlltlJ \lutlgt' int‘klmnlt'nic lmiul.
I Over the Wall, Dead on the Live Wire .iml Bozilla l iili \nic ('ulc.
*ll (ill King.) Sum-l. 5“ llvih ‘lpiu. \uulhci l'.llil nl lllL' \luulh (’Iuh.
"pm if
I (liillnirgh I The Apple Scruffs, Black Arrows, Dead Sea Souls and Ewan Butler \\k'k' l\’t'\l ltdl'. l‘,illlll\lll}_‘ll ('UllL‘jJt' nl :\II. I .iurixlnu I’Lu‘t'. 33‘) Ill) qpm. (I l ilwrluitw ulxpuul luiltuiggt' IlHlll lhc llt'.l\lllllt'l\.
l‘llt' \Hlltltltl l\)ll(llll\. l‘ld “LNI lx’cyixlci Slit-cl. 550 "will, .\'pui l.uu. til. lllk' lilut‘k Spring: I).|\ umn lhc tlct‘kx .iml lulu; _\uul\\uli\c.it1\ Cilt'll \wck \\llll l).uuu Slmuim and lung“. I Potty Umbrella .iml Ardente llcui} K (‘t'llui llui. H Ilm \lni‘i‘iwu Sut‘t‘l. 335' ‘H‘H. Spun. ti». l’ml Iii/l punk Imui l’nlaiul. I Ten Storeys High lllt‘ \imllim l\’imlll\. I‘M “(\l l\)t'§_‘l\lt‘l ~\ll't'i‘l. 550 "llhil. .\pm. t-l Sci ll pup \kllll |.i//. hip Imp. lurk .uul .it'uuxlit‘ llnunxhcx llllllt'tl l\_\ \pt't'ml gut-xi [H.lllhl Sltwu‘ ('lu'leit' il'hc l’iut'luiiucixl. I Crash My Model Car .iml 8 Track Stereo llt‘lllll \\.ill l uncrxil} l'nmu. lx’it‘tmluu. AISI 5333. “pm. L‘lht'. ('\l\l(' .uc lll lht' mmc \t'lll 01 8mm I’.iu'ul.
ll.l\ l\ .uul lhc VIC“ plu~ grungy Hull] 8 IS.
Happily nestling into the ranks of Scottish indie Attic Lights are paying homage to their
heroes Teenage Fanclub. working with producer Francis MacDonald, and backing Duglas T Stewart on ‘Hopelessly Devoted to You on the last BMX Bandits album. Now with a major label deal they are unleashing their sonorous harmonies and addictive guitar hooks on the world at large.
' 1/.1 ~\1 101i .n. ..’ .' "ii
I The Paranoid Monkeys \\ luxllchmku'x. -l (i South lliulggt'. ‘5“
5| l-I, ‘lpul. l'I’cc. l’.u;uuml \lnulwp .iit‘
.'l l'llt‘ huml \thc wuml t'Ilt'UIllP;I\\L'\ l)iml'\ .llltl (‘)llL'L'll\ HI lllt‘ SIUIIL‘ \L‘t‘ mllucut‘tw.
I The Freaky Family lllt' .l.l// IL”. I (’Immlwrx Slit-cl. 331) II‘IN ll.§llpiii. l‘l‘u‘. (liguuit hip limp and |.i//} gl‘iunt‘x
I Dick Dangerous & the Love Bastards unil Skaramanga ’l llL' (iRV. i" (iulhric Sli'ccl. :31) JUN“. liwi \n wat'l prmlut‘l luuuvh \xilh il tllllll‘lk' lull ul Inc iuuxit~ plux council} llUlll Slim lit-mu. L'ille'\ and .i llllltlllt' .u‘l t'\hihiuoil
Stirling
I PHONK! \luciuhcrl. l'mu‘i'xil} ml Sill'llllg. (ll 58h .lmmmi, “willpm. L' Ill itlii. St'l'.ip;\Il\\lu\ig prt'xt‘ul llux mnmuliw .uul ulhcruurltll} \llll\\. lll \xlut‘h iht'} [urn \t'rup lulu .u‘l .uul .ui lulu mimt'. 'l'hurxtlu} K pcrluruiuuu' \\ Ill hc .iu ullcrut'lixc t‘uilt‘ci‘l.
SECRET
Conducted by WILLIAM CONWAY
a bCQlllSl‘ Arts L-OtJ‘i
www.nyos.co.uk
fu lures
Contemporary classics... Perth Theatre
Sat 16 Feb, 7.30pm
BIRTWISTLE’S 0845 612 6324
Reid Concert Hall Edinburgh
Sun 17 Feb, 2.30pm 0141 332 8311
£5/£2
70 THE LIST 6' -3"
Glasgow I Misery Index, Despised Icon, Bleed from Within, Beneath the Massacre .uul Annotations of the Autopsy \nuuillmux. I" ll}ilt'll.lll\ sum-1.3.31 MN) m lupin \lml lull lumlliuml Ii} l\\ul \ Immlx
The Cribs, Joe Lean 8: the Jing Jang Jong, Does it Offend you Yeah? .mil The Ting Tings ll.lllil\\l.lll\l. 313 (i.llll'\‘.f,’.ll\'. “f llilll Tl‘lll. \( )l l) ( )l l ()xci lilx \him lht' lllil\l thmppiuuliu; \ ll/ \\‘..ull\ lillll hut' up lll .l‘_'\'\. llk'dtlllllt‘tl I\_\ At. ltlk'lll pinut' l t'k'\l\ it'piiil\.ilt'\. \\lIll \uppnil lll‘lll \I‘llx.\ iuilit' \illl\ luv I am. clt'tlin llkh Ilillll llll )\\ .Illtl lu Ii :‘liil.ii \llllllh \lllll lllk' llllt,’ llllf.‘\ \t't' pit'\ It'u, p.i:'t‘ I The Displacements Ill; (Lithium: I; l mull \lit't'l. .‘_-l\ lilillli "pui til ()wi lle \llll\‘- \nuuj; \lllJllCl llillll l t'ltLNlCI \\llll l‘lkl l.I\l\'\ llt‘.lllk'\. ‘~\ llH. Kink» hl.:h. I\I.:h. hl.lli I Boy George \l ('(' (lulu \llillllllllllll. l llllllk'\ll‘ll (‘lll.l}. HV‘H lllll Alllllll. " 3‘ lli'lllll.lll.1llill|'j1}llt' llll).l\lll‘.l\l.1\‘.llllf,'l.1lllll \l_\lk' umkc up. lht‘ I’m} \ \(hll‘ opt-1.: Illt' tquiuucx ‘.‘.llll .i Ilk'\‘. .ilhuiu .1th .i ucv. [will I Guy Davis .mil William Lee Ellis ()lldlll} lll‘lL'l. ‘l" (lllltlllll \lit't'l. ‘4‘ MIN) " liipui Llll \iugt'i .Ill\l L'llll.ill\l ml ruml ilt'cp \illllll ilL'\t\'Ill. .iiumll} .lt't'lduuctl IHI lll\ .itmuxllt. nlil lllllk' .lllll t'nuuli} l‘lllt'\ muxi. ll.‘ l\ [mint-ll h} lilill\ .llltl I‘lusx leIlI.ill\I \\ llll.1!ll I CC l.lll\ l’m.’ «M ( (rm/Zr I Brady Cole, Acrylic Iqon .mil Threeseventyfive \l.l;_{-_'it- \l.:j. Mi \llunu Slrccl. \lcitlmul ('ili. 9% I 1511. \pm. t5 it“ l'lhlilll HI "lit ind. .uiil l\.ill.itl\ IlUIll .l leutl xxhn haw \uppuilul 'l hc luv l lglllt'h lll lit; pml I The Mode, Racingreen, Stormy Corner, The Ideals .mtl Dave Bateman ('.:p1lnl. Jim Suiting-hull Slit-cl. ‘31 I'm» \pm :5 lll\llL' rutl. lllh'-ll[‘
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I No Machine ll.ull\_ _‘r.ii ( 'lxilt- \nu-r ll.\ ‘ii iiii‘ ll‘l‘)‘l ' slim 2i. \Ilt'iimliw wuiulx Ilillll l unilnu I Alan McKim, Alice 8- the Majesty .lllll Lou Hickey l\lll'.' lui \\.ih \\.ih llul. _‘ '.‘.: \l \ lllti'Ill \lli'i‘l. .‘.‘I 3‘ “I \ lilpiii Hi lilnnl \Illi'k'l xiillt“~‘-lilv!\ ill. lllillll;' llIlli'l.lllI iuuutmu \ll\\' \l\l .Illt'llllll \‘.llH ll.l\ \pi‘ill lllllt' III I iluiluux'li l‘lll \ llllt'llll‘. ll\t'\ mu .l l‘.ll‘.'t' III I lllllll‘ll
Georgie James M. .-'ii’\llal/_\. l.‘l \.Ill\lllt'll.lll \lit‘vl. “*ll‘lllll \ illpiii \vwvl 'll\ \lj.It- pup :ml. llillll lilllll l).l\l\ ml \\.I\llll|‘.'lllll l)( 'K i.) .\ \nl l I Kansai \Jllllh'l |)iw. '\_ h" "l \llll\ll.ll\' lx’iml. l.‘ i lllll‘ \ illpiii llt't‘ lixt' mum I Lukas Simonis .mil Vernon & Burns ( ~( \. “ll \iut lllt'lldll \lim‘l. I‘ll l‘lllll \ <llplll {l i141 l)illllllg'l\1l| ml t'\pciiuit'iil.il .ul Hui. llllll\lll‘.,' \.lllllllt‘\. k'lt'\ Hnuu \ .Illll \lni}lt'llui§.' I The Apple Scruffs l ‘lll \mu- (Kilt. “I (ill Klllz' \llk't'l. <<t llilh ‘lpiii lll‘t'lllll\'\ lIhllllt'il lllllk'.l‘.'t'
Uliiliillrgli
I The Houserockers, Longsands .mtl The Beau Nasties
\\ lll\ll’t'llllll\lk'\. -i (i\nulhl5i1ilz't'. “V *I ll lipiu lit-v lu-lnic lIllilllIL'lll. ti .Illk’l lllkllk' .Illtl lllk I.
I Peppermint Creeps .lllil Drug Dealer Cheerleader llli‘ lll‘.t'.
lg lg \itltli} \lit-t-l. 4“. (iii-L "pun tlht (imihit alum lllL‘lAl llHlll (lillIHlIlm
I Tobes of Hades lllt' \il.. < \\.ilt'lliiii l’lntt‘. :33 ‘1“)4 a lIlI‘lll
Llht l<ll\ll lilhult' .itl
I The Fuss, Smoked Glass .mil Modus 'l llk' (il<\. l“ (illlllllL‘ Slit-cl. :2” I‘m" \piii l‘rt't' llltllL' liiplc lull
I The Red Well .iml Come in Tokyo llt-iuj. \ ('cllal l5.u. N llm \Iiirriwu \lrt‘cl. 13\ ‘I W4 5pm L-l l'Hll\ hulk lll'lll l L'lltt' l(t'ullil\
I Asking Alexandria lidniicrimnx. \ultlr} Slit-«1.5V» ‘3‘»1 ‘lpui tel, luilic I'ik'l.