CELTIC CONNECTIONS
Eliza Carthy
"Tilllli’"'<1lN‘l/ld‘”.if"""'i. )1 .‘." i " A'l : I. "l ‘ ‘ltfl :l». "i t~ t ‘ I l" lol‘ ‘ ' 0: ' : ' l‘) l M). ' ) ‘ .i D " ." i l),l‘ 2" ‘ C lt. C t. h J l I. H. 'i l r e IC OOHEC IOHS as ., r , 1: .i, ,. ,. .) . t' 1", .' v v '
grown from modest roots _, g i . o I. _ ' I. 15 years ago and can truly Manusch , E z . , ,
claim to offer as ambitious ' "
Stout. \Vcll-uorn traditions ma} proxidc the ' ' 1°." v : at, '
a starting point l‘or nork h} the likes ol‘ Senegalese guitar hero Baaha .\laal and ['8 bluegrass ill).:k‘ll-}yg:t1"‘l/l m , ' ’:' . ' 2:',‘ »
anV masters l’unch Brothers. but these are pushed to lav {2' l" ' ne\\ head spaces through their \‘irtuostic pla_\ing. ';::; i. »,- ~ ' i h ° I
(‘eltic ('onnections Llclx'ntm ledges Scotlanth t A 1w,- .»-u,»'- " ' :~- 1"" .-,- :
Mathieson pick out their m ,ummc tic-M tart a, A. i shoucaxing indie rockers such as Teenage _.r,. r .1»- , " iv: :
. . . I ." 1' from year S l‘ancluh. liinnia Pollock and (‘ainera ()hscura is in" . 7' v, ' ' w w #4, events just as important as the incltision ol‘ The t'sual Illa. i Q ' H: ’.~ - .. ' .~
Suspects. l.au or Bla/in‘ l-‘iddlex. So go indulge.
llerc \\e present tour of the highlights to get _\ou Baqad KGMDEI’ ll\lc isn't \\ hat it Used to he. This is started. \xhile on page 5‘) \\ e protide l'ull listings On a ' w,‘ x ' z - something \\c lime to he thankful for id all the \ltn\\\ o\ er the next 1—1 days or " " ,1 '1'l'5 I r=f r’ =' t' 1' as the constant exolution. recycling l‘c‘sti\ ities. xi,” 2:? g: ii 1 ; i z A" " ' and re-l'ashioning ol' music means there‘s Ltl\\;t}'.\ «g " someone out there tr_\ing to do things a hit Bert JEHSCh With ESPEI‘S ’_'»’;' t ' " -,-: ‘2 ,' ' .'-';I; , x ::,-w', dillcrentl}. While there's been much carping and Eliza Carthy tr a " ::° T' -,~ ' as. ;'x " .t..;::' .mw‘ about big business and the internet killing music. v Asst-Zr it .ers' ’ / ,': w ~ 2 1' '.~ : ' i :’ ' “- liVe performance is actuall} stronger than exer. a " at. he " use. H s is a:;€: " B". :’:':'
phenomenon \ihich highlights the true strengths «t '* :s'a :- ' c2“: tad/:3 : at 5:" avg; a' g:"'::, ’_ ol‘ a l'esti\al like (‘eltic Connections. a": " i :93 ' s s s ‘, 1 ' 7i ;"" ,
\\e lch‘ in an age ol croxs-generational. cross- a at :: ' 'r; ear/m " ~':7:' p :,:,:.- :,::" lik‘lll‘c and cross-border collaboration. .\'o \:> '\ " '1'»; :2'eates‘. acoustfi CEuTEY " 2-: ' " -,- ‘ , ' " -'; ° /r,-" Ix," musical genre l.\ sacred or set in stone._|u_\t lit lor : c: t" :5. a wage ausessef: f' f: w I; , L :,-,-'.
celebration or reinVention. Just ask innovators tag-r, {1'73 new. [fit more recent times t: Le”; we 9‘ '_’~’: gecf ee‘az, A“: "a’: ' J: "I 7 like Kris DI‘CVCI'. Michael McGoldrick or (‘hris Bu ‘3 3 \e Gelag' er and Jar s Cod/a L; as me x")
" THE LIST 15