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Edinburgh
I CITY ART CENTRE
3 \lalixt‘l Sllt't'l. 53‘) “H”. \THII Sal illaIII Spin,
Scissors Paper Stone: Contemporary Edinburgh Crafts l'ntil Sal I” .lall. Illain Spin. l'ree. .\ xhottt'axe ol the \toik ol l'tlinhtiiph'x t'tall atlixlx
Ten Decades COO I’nnl Sal It) .lan. l't'ee l'.\lIIl\|llHII eelehi‘ating the eentenar} oI lzthnhtngjh ('olh'ge o! :\rt leattn‘ing: .tI'llxlx \xho taught .lllti xtnthetl there. Seeing Dragons in the Clouds l'nnl Sat |_‘ Jan, liee. .’\n e\|n|ntion oI \‘UIIlL'IIIIIHI.II"\ artixtx inxpn'etl h_\ lUllllti ohleetx. \ppl} IIIf_‘ Ieehnologieal and et'alt xkillx the) lianxtorin “hat the} hax e Ionntl Hit" ‘E " " Invisible Ideas - Donald Urquhart: Drawings 1977-2007 I‘nnI Sat In leh. IIIain 5pm. l‘iee. Solo e\lnhltion h} lxtlnthingh haxetl .ntixt |)Ull.li\i l'iqnhail. l’i'iiit;ii‘il_\ a ne\\ hotl} ol \tork \\ ith than in; at itx eoi'e.
I DEAN GALLERY
"3 lielloitl lx’oatl. hZ-l (\IHH Illain 5pm. Tom Phillips: A Humument .0... [int] Sun (i Jan .\n exlnhinon ol him l’lnllipx Iraanotinetl an ohxenre \‘Ielorian noxel Ii .\ lltnnan Doetnnenl h} \V H \lalloelxi into a poxtinotlern \Iaxterpieee .\ Himnmn'nl ix \\ itlel} legat'tletl ax one ol the inoxt xneeexxlnl and intlnennal artixt‘x hookx ol the laxl SH _\e.nx .\ tantalixing ginnpxe into the norknigx ol a brilliant. textlexx lllllki. e563 Y
Back to the Future: Sir Basil Spence, 1907-1976 I'nnI Sun In l't‘l‘. l‘I'CC. lilk‘ lII’xl IIIIIIHI' I‘L‘ll'tHI‘L‘elHL' oI' Scotland‘x inoxt ienoxxnetl inotlern .n‘elnteet 'llnx eelehration ot Spentex brilliant and tlnerxe eareei'. eoineithng “tilt the eentenar) ot hix hn'th. “Ill be the lil‘xI \allottal (iallei‘lex ol Seollantl xho\\ tlexotetl xolel} to architecture.
I FRUITMARKET GALLERY
45 Market Street. 335 3.1.x?» .\Ion Sat 11am hpnt; Sun noon Spin
Roman Signer O... l‘nnl Sun 2“ Jan. T'TL'C. l‘lI’\[ Scotlixh L‘\llll‘llltlll DI the lntgel} influential Suixx artixt'x genre- eroxxing \wrkx. inning pert‘orinanee.
An exhibition of work by Linder, Sophie MacPherson, Babette Mangolte, Martin Soto Climent and Jimmy Roberts. The work on show deals with the debris of performance and performativity, highlights being sculptural by Climent and a film of Trisha Brown by Mangolte.
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tlireninentation. \ ltit'tl. xenlptnre and inxtallation
I NATIONAL GALLERY OF SCOTLAND
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l‘l'l Sun Illatn Spinfl‘hn Illatn "pin; noon Spin
50A A TI! 4 Jan l‘t'ee. .-\ xho“ eaxe ol o\ er Hill e\lnhilx h} the ereain oI ~\‘eotlantl'x )onng arnxtx. \\ ho xat their SQA .'\rt and l)exi3_'n national eotn'xe exainx III 20H". Inelntling panningx. tli'antngx. xenlpltn'e. eei'annex. Iaxhioii and ieueller}.
Joan Eardley O... l'ntil Sun 13 .Ian. Ur tH; nntlei‘ 12x I'reei. Joan Izartile) ix hext lxnott n Ior her paintingx ol elnltlren pla_\nig_' in run-dotin (ilaxgmx teneinentx. 'l'hix ix the Iirxt inaior retroxpeetn e M her \mrk Ior ahnoxt Ill )earx and \\ ill inelntle oilx. paxtel xketehex. \xorlxx on paper. and photographx ol the artixt herxell'. See
in ie\\. page HI LAST (El iANClfi TO SEE? _ Indian Interlude I‘ntil Sun 3 I‘eh. t l'l'CL‘. .-\ eolleetion Hi 14 lIItlIaII miniattn'ex from the 18th and earl} 19th eentnr}. together with a \ltighal xehonl nntnature and ten \\Ul'l\\ I'roin John |)rnnnnontl lirxkine‘x tla)x in lntlia. Turner in January l'ntil 'I‘hu .‘~I .lan. .-\innial tlixpla} of IV“ 'l‘tn‘ner \\;itei'eolotii'x. heqneathetl h} llenr} Vaughan. Ii'oin earl} topographical \\It\ll drum nigx to the atinoxpherie xltetehex oi eonnnental latn'ope in the lh’fitlx and IN-IIIx The delicate \tatereolourx are onl} \lIU\\II in .lainiar} \\ hen da}hght ix \\ t‘ak. xo the} “Ill IIUl lade.
A Response to Joan Eardley: Recent Paintings by Saturday Art Club and Saturday Studio Mon 14 Jan The 35 Mar. l’ree. lnxpn'etl h} the painting ol' Joan liartlle}. children aged hemeen tix e and 15 )earx hax e been creating their U\\II artxtork at regular Saturda} elaxxex. 'l‘hix ix a ehanee to xee
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19 OCTOBER TO 10 FEBRUARY 2008
DEAN GALLERY. BELFORIJ ROAD, EDINBURGH ' $213319; OF Save monev ADMISSION FREE SCOTLAND
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