Visual Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Kirstin Innes.
Glasgow
I THE ARCHES
2i i .'\l'j._'_\lL' Slim-i. 5h; lllllll llluin innlniglii
I 100 PUNKS l'niil \Vcil ‘) lull. llluin lllpin licc ,-\ Ll’llk'kllllll ni inuinpuluicil pliuinlmuili pit’iiucx ml punk i‘m‘kcix linin l‘FS- l‘llwl. l\_\ punk .illl\l .lnlinn} I)L'lll\k' 'l lic mupli. tiuyrncil iil‘lunlklllj,’ \l.ij»\ [HIV in ilic l)l\' .u'xiliviit' nl lllt' punk llliHL'llli'lll
H-fl'lh? M v
I CCA
i5“ Suut‘lncliull \iit'i'i. “2 JUN“ 'luc l‘ll lluin (iplll. \ul llluin hpin. glmcil Sun Moves COO l'niil Sui l3 Jun.
lluin “pm \i-\\ inuiiun (iillllllt‘ Inxiulluilun. 'l’nini r-\ li' lyx ()pcncnilcil (imup. Sci' 1m nun. pugc X I, 1,5657
(,l l,‘-\I‘l( ll ll ,1 ill l
I COLLINS GALLERY
l'nncmi} ul Snuiliclylc. 32 Rit‘lnnnnil Sin-vi. 543 3553. Mun l‘ll llluin 5pm; Sui nunn -lpin. L'l(l\t‘tl Sun l'iuh Breaking The Mould Sui I2 Jun Sui Iii l'ch. Shimmy lni lllL‘ lii‘xi innc Ill (iluxggmx. l.'\l’.\l.\ I‘lt'\L'|ll\ u t'liullcnging mlnluimn nl ll) uml il) (unimnpnrur) uriumk h} mi-i ill lcuiling: Inici'nuimnul pupcrlnuki'i'x ('uiuluguc. t'nnlci‘cncc uml \Hll'l'x\llll[l\ lllk'lllklt'tl. Ni til ‘i
I GALLERY OF MODERN ART Rinul l'.\\‘ll;ill:JL‘ Squui‘c. 32" l‘Nii. Mun \Vcil & Sui Illuln 5pm; lhu llluin Spin; l‘l'l ik Sun lluin 5pm; llluln lpin, l'I‘cc.
20th Century Collection I run: \u". _ \l.u \ \k'lL'Llll'lll‘l ‘~\Hlk\ll«‘l!1(il,:\r'\". \luwinnk inmluin .ui tulluiiwn. llltlllillll‘.’ ()p \ri l‘.:lllllli‘.'\ l‘; llinigri Rule} .unl \ niui \.:~.ucl_\. pnix l‘} lurnqr l’H/c mnncr (ii.:}wn l’cll} .ind plininuiupln l‘} \L'l‘.i\ll.ii' \ulguilw
I GLASGOW MUSEUMS RESOURCE CENTRE
3"” \\l‘ll\lllk'.|\l Rnuil. \ll\lllll. T“ ‘i 1‘ Ni \lnn lllll i\ \11 “Mill <pin‘ I ll .\ \un lluin Spin. llluin 1pm
The Age of Rembrandt: Dutch and Flemish Old Master Paintings luv l5 Jun. 3 ‘lsl‘lll I'lk't' Rule \M'nlc}. ('iuului ni I.llllll‘k'.lll \ll. iliillll ’lhlllli. lL'.l\l\ u imin lilill\lll_‘._' .ii \kni'kx h} lll.ili|l .ill|\l\ \utli u\ \l‘lulluiil \un Iit‘llL'lk'll. lli‘il. lliil‘l‘i'lllu. lvglnn \uii llL'l \ccx. Rlllk‘llx Rumlucl .unl lunch 'lnuix iniN lw lmukul h} 5pm lllL' ilu} lli'lill't'
I GLASGOW SCHOOL OF ART \ii'iuin (lullt'i). l'Hllll\ lillllilllljj. ll»~ chlimx Slim-i. i51»1"il. \lun l‘ll llluin Spin; Sui llluin lpin IlL't'
Open Circle \\cil ‘) luv 1‘ .luil.
llluin lpin. l-icc l:\lnlnimn llllklk'll.ll\k'll l\_\ \ll\L'l'\llllllllllj_' uml li'ucllci} ilt'pui‘inicni oi (ui‘ilunulil ('ullcgc \Hlll lillll luurupcun ui‘i \t‘liimlx lluxicil l3} lllk' (lluxgmx Sgluml nl -\ii. ' '
I INTERMEDIA GALLERY
('('.-\. ‘Sll Suuclncliull SUM-1.5%: 35-1“ l)uil_\ llililll (lplll.
Paul Maclnnes and Ariki Porteous l'niil Sui I: Jun 'lxxu pciwn \t'ulpiuiul mlnluimn ll\lll;_‘ wund .llltl ulnix'ix
lASl CHANCE H) Sll
I KELVINGROVE ART GALLERY 8: MUSEUM
.'\l'f__'}lL' Sii‘cci. 3"!) 05‘)”. Mon 'l llll ik Sui llluin Spin; l‘l'l & Sun lluin Spin; Illuln lpln. l-Iu'.
Gadburn School l‘nul llm _“ \ini l'l'L‘L'. .-\ ilixplu) nl ulu} pl'iuu'i \mrk
I .. -.' ' ..‘..,I'
‘~'~’ Bitmap? ,. ’_‘I‘;C“F;;’
‘ I
.~ 3"?3‘
‘A.
Gillespie, Kidd and Coia: Architecture 1956-1987
the first major retrospective of the work of one of the UK’s most distinguished architecture practices. Gillespie, Kidd & Coia‘s imaginative approach to architecture resulted in a wide range of exceptional buildings throughout Scotland and England, their masterpiece being St Peter’s Seminary at Cardross.
I The Lignr'x‘use. Giasgou.
82 THE LIST ~14 '~
'0 Fee.
I THE LIGHTHOUSE 1i \l:h?:;.i l .2713. 3,: 'W'i.‘ \l.»: A
“mi \.:1 3" Mutt; *prix lug '.'.u::; 331'. Min nnwi ‘pzti 1* :7. LI ‘H Gillespie, Kidd Coia:
Architecture 1956-87 0000 l mu: \;.:: I" l t'l‘ l'ri; '-‘~t‘ll\ ('31; \uti:\l1 .utlnii'tiurui llfl‘.) lxwi knmxn fni 2315:: .zpplnuizui: n3 kn; ilnult'lfiixl .znil inicinuiiwnul ~i§ lg nlcux 1w tlnntliw !\ mlnl‘nixl in: lllt' luv llll.\‘ :n \wilunil 22‘. ilnx \«Ill.;‘l\‘llt‘ll\1‘.t'\'\lill‘lllwli .zi ills ligliilinuxc llii- :xnik iniluiqu .zllllll.illwl1\. lilncpiinh urn! nnulch ilmi \JPlUl’t' ilic \nnpln :i_\ .inil l‘lllll.‘.l‘.tt‘ mi ilicu iculixuiinnx
Stuart Haygarth l lllll \un 17‘ l 'x'l‘ ()llk' Hi my c\ii.innl1n.:i_\ \ik'.llll‘ll\ iiuin \iiluii ll.1}f,‘.lllll. \xliw lll.il\\‘\ \ptuiut ul.:i tliunilcln‘ix uui mi pluxin \‘xlllt' :' pull} lliii‘lk‘h. l‘ltl l.lllll\\ll,lxlk'\_ i‘l \‘-ll.llk'\L'l clxc llx' tun linil
SHIFTS: Projections into the Future of the Central Belt \ul 12 Jun \un :4 \lui I.il\lll_L' .i\ ll\ \i.uiin;' pnini l’uiin'k \lwitinnllnck lllllt'.lll\\‘\l I‘l-ll» (lulu \.illt-§ RUL’k'llk'lJlli‘ll plun. \H/l /\ l‘llk'l\ l‘lHl‘i|\,il\ in li'uilin; \uiiiixli .unl llllL'lll.llli‘ll.il .utlnitx i\ in .ltltllk'\\ lllk' tll.illL‘llj.'\‘\ liit lllffi lllL' lt'fflli'll lmlu} “ '
l.:\\\'\.
I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART
3 (uxilc Siit'ci. *5; I“- \lun lllll i\ Sui Ilium *pin.li1i\ \un ll.nn *pin. llluin Ipin lice
Voices from Africa Part 2 l nul Sun 3-1 l'cli l-Icc l’iulct‘i lll.il \\Ull\\ \kllll incinle ml (iluxjguxx \ \iinun .unl \liit'un (‘unlilicun ninnnunnn-x Ill lllk' lL'llllt‘ll‘lt'lJllHll ul mun) mi ilic nlnct‘ix liclil Ill \iniugc Ill ilic .\i \lungn \luwurn. llic inuwuin ll.i\ ulm cmnnnwmm'il .l nmx .ill\\illk l») (il;i\:_‘ii\\ lhiu'xl .illl\l l’u‘lll l‘Hlth
5* JJ“ VI. '3 ' Him.
A long overdue exhibition of the Scottish Modernist masters, this is
Private Galleries
I COMPASS GALLERY A“\M'Vl{;;;'1\'-\-\-1 j_“l n1 .. \li“ \,'.' ‘ viii-i: Christmas Exhibition 1 in” l \lzxtu:
I MANSFIELD PARK GALLERY * llu-x‘. \zrqgt '.'f; 1;;i- \gi Paintings, Prints and Ceramics \zl la \\ h l \l.1-:\ri;,iil‘«.:k\
'. n? ;‘.;:".i:'..'\ :‘::::',\
I MARY MARY
\imc ‘ '_i\ llt\«'fl \i'i'c'i. ll'iu \xi 12w“; Anthea Hamilton 000 km \:1 \'\"‘:“2i:n: in 1325 l mini. 2:: tulluf‘urizizut‘. xvii" l?;~:::.:\ l\i.ii.' ¥.:k:t:,' .:\ 2h \l.:I'l7.,' ;‘\*1l!I.1 l’niuile pl‘w'm'zug‘nx mi l’leli l‘li‘\llllllk'\ 1.1km: ‘\\ ll.:}1.:i; \lcxzrtic: ( .zlli' \lullinn lll llli' l“"'l\ \xk' l\'\3i"-‘- ".it'i‘ \l
‘pnz l nnl \zl _‘r~
“Clix llHll Hi
I THE MODERN INSTITUTE
" lx’nlwiiwn \iici'i \inii' h. l luni l ,‘ 1\ 1'l’: \lwn l3: lll.illl ‘l‘lll‘ \ui
inmii ‘pna
Thomas Houseago: A Million Miles Away .0. l lllll \.:i ‘ lun \k'V. \tulpiincx in. lllk' l llz'll\ll lmin‘l \ ltm'il .niixi, \kllH lilllh lnx ul‘icih lll\l\l\' nu! w lll.il innxiiuiiinn .nnl lilllli lit-tunic wnv Spencer Sweeney \.11 l.‘ km \iii 3% li-li \k'\\ puiniinz'\ li} iln' \t‘u \uik lxmul .illlxl " '
I ROGER BILLCLIFFE GALLERY l ;-l lil_\lll\‘.\i|inl \llk'k'l. 1;: “UT
\lun lll " illuin ‘ ‘Hpin, \ii lll.un lpin lli'i‘
Norman Edgar RGI Hm In _I.m in l l'k'l‘ \ tilllt'tlli'll Hl l.lll\l\\tlI\k‘\ tillil \llll liic [‘.llllllll_‘_'\ H '
I SCOTLANDART.COM
h lininilclil lx’nuili ( niinmk. i» W lIllH \lun lll lil illuin * Wme M!
likun 5 illl‘lll. \un inmn *pin lii'i‘ Scotlandart Christmas Collection
l lllll \lun ‘ ,luil l'it'c \ \lnmiuw Hi llt'\‘- p.unlin;_'\ li} mm :ll \uiluniluii .Illl\l\, unlinling \l.uiun llininmn. \luli \\.iimn. l’.ii\_\ \lt \lllllll. (Lu)
\lullHH unil \illl.lll \li'\lintlni'
I SORCHA DALLAS
5\i \l.iij:.iii‘l\ l’luu'. ‘4‘ 3M): Illt' \ui
1 ‘pin
Re-Make/Re-Model 000 l nnl \ii 3!» Juli \m‘. \lnm lilllllellL' li'l'k'lllt‘l uiihix linin utnm gg'lii‘lullnilx .l llllllL'll iluni C \wik l\_\ wnnnul l‘lhiix tint-mullygiupln-i lidl‘k'llk' \lulluwllt‘. u»ll.1§_'t' unlkx lll.l\lk' llHlll \llll.1;'L'ui[‘lL‘\Hl luz'iu l») punk L'l.l lL'llllllhl .illl\l l.llltlt'l. luunil \tulpiinc ii} )uiin: \lmnun .il'lhl .\lui’iin Swim (’luncni. \uplnt’ \luil’liciwih L'lii/j» \llll‘llllt‘\ .lllkl ili.:\.\.1n;_'uinl.m llhlullulhull‘} lilll\\L‘l\ lxm'il pciiniinunti' .il'll\l Innin} Rulmi
Artist Spaces
I RECOAT
i3: \Hllll “inulwtlu Rikiil. “mill\ 2;: 4‘4 Illk' \un nimn \pin
Seasons Greetings I nnl \M-il U Jun. nunn \pin licc \M-ik llHlll im- jmunj: .il'll\l\ .unl tlk'\lf.'llL'l\ lll illllL’lL‘lll _‘_’L'llli‘~ llllhllullih llcllnmn .llltl l).mil liru}. giuiilii urth kin-\(lllk'. Swilixli ltlllll\utlpC puinici' .\nn.: Kin: unil Jupuncw inilucmcil .unxi lnnwcnigH‘l
I ROYAL CONCERT HALL: ISLAND BAR
I Suinlncliull Slicci. 5‘ \‘l‘l‘l \lnn Sui lllulll (vpin
Brittany Exhibition l nnl Sun () Jun l'r'cc \\nrk\ ll'IIlll lHLll \‘ulllxh pliuingruplicrx \nnc Hurling. \lulwlin \luJircggur. 811‘.) “cuihcrull unil Alun (un'n .ihnul liriiiun} lll l‘runpc. 412'