Visual Art
Seeing Dragons in the Clouds i lllll Sui l3 Jun l'i'ee ;\n L‘\llll‘lll|ill oi uinieinporur} .iFIISIS llhl‘llt'tl h} lllllllil ohieeix .'\[i[il}lll;' teehiiolouieul .illil eldll SlKlllS the} llilllSlHrlli uhui the} hu\ e IHUIlLI.
Invisible Ideas — Donald Urquhart: Drawings 1977-2007 i'nul Sui in l‘eh. llluin gpin l'iee Soloexhihitioii TV:- l‘.(llllllllfgll-ILlSL'll iilllSI l)onultl l'i'tiuhuii l’riinuril_\ u lieu. both oi uoil. \xiih iIl'lHHliL' ui IIS tore
I COLLECTIVE GALLERY
33 3S ('oekhuin Street. 330 I300 'lue Sui noon Rpin. \lon Sui ‘) illuin ipin l-ree Jason Nelson i'nul Sui 22 Dee.
noon Spin, l'iee Next eiehinex \itleo “()th untl u luiggerxeule \eieen l‘lllll iioini tire The hoin LilllSl \kliiixe \xoik t-xploitw lliilliiliS untl tells \ioi'ie\ oi Seoiihh
lilenlil}. l/a')’ ’,'l/~ NE ", it:
I DEAN GALLERY
7‘ Bellortl Routl. (ill (i300 l0uin ipin Tom Phillips: A Humument 00000 l'ntil Sun 0 Jun. :\n e\hihiiion oi hou l’llllllpS Il'illlSIlillllt'tl un olneuie \ieioiiun no\ el ixl Human Not lllllr‘lll h} \V ll Maillil‘l’xl lllIH .i [iiixliiititli'l'ii \IilSIt'I'PIL't'L', .-l Hummme IS \\ itlel} i‘eguitletl gix one oi ilie liltixl \ueeexxlul uiitl inilueniiul uiiixi‘x litiiihx oi lhe lilSI ‘0 _\eui‘\ ,-\ luiilulixinj: glimpse into the \xoi'ltingx oi u hiilliuni. restless lllllltl.
Back to the Future: Sir Basil Spence, 1907-1976 l‘niil Sun l0 l~eh. l-ree. The lii'Sl iiiuloi‘ i'L'll'oSpCL‘lIH' ol Seolluiitl’x llli)\l renounetl inotlei'ii urehiieei. IlliS eelehrution oi Spenee\ hrilliunt uiul (II\L'I'SL‘ eui'eei'. eoineitliiig will the eenienui'} oi his hii'ih. “I” he the lirxl Nulionul (illllL'l‘lt'S ol Seoiluntl \ho“ tleHilL'il \olel} lo tllt‘llllL'L'llll'L‘,
I EDINBURGH PRINTMAKERS 33 l'iuon Street. 557 347‘). Tue Sui Ilium (iplll. l-‘i'ee.
Winter Exhibition 2007 l‘niil Sui 22 Dee. |0uin (ipni. l-‘i‘ee, litliiihui'gh l’riniinukerx‘ luigexi uiul nioxi eeleetie uiinuul ineinhei'x' e\hihiiioii. \xiili \xoi'kx lor \ule. lASl (Ill/\Nfll‘ l( i ESE l
I FRUITMARKET GALLERY
~15 Mui‘lxei Street. 335 3333. Mon Sui
I hurt 0pm; Sun noon 5pm i('lo\etl Mon 34 Thu 3).
Roman Signer 0000 l'niil Sun 27 Jun. I'TL‘L‘. l‘ili‘Sl St‘iilliSli L‘\liiliilloii ol the hugel} inilueiiiiul Suixx ui‘iixi'x genre» L‘l‘USSliif.‘ uorkx. inning pei'i'oi'niunee. doeunieniutitin. \ itleo. \eulpiui‘e untl lllSllilllilltili.
I NATIONAL GALLERY OF SCOTLAND
The Hound. 034 (i300, .\lon “ed A; liri Sun llluni Spin; Thu l0uin 7pm iTue l noon 5pm) ((‘loxetl Tue 35 & \Vetl 3m. SOA A l'niil lit -1 Jun. l-‘i'ee. .\ \houeuxe oi o\er I00 e\hihil\ h) ilie ei'euni oi Seotluntl'x )oung til'llSIS. \\ ho \ui their SQA .-\i‘i untl l)e\ign nuiionul eourxe exunis in 3007. lnelutling puiniingx. tlruuings. \eulpiui‘e. eerunnex. luxhion uiitl jewellery LAST (Zl'lANCE TL) STE
Joan Eardley l'niil Sun l3 Jun. U» (U; UiitlL‘i‘ l3S ITCL‘). Joun lilii'tlle} IS I‘t‘SI knoun i'or hei' puiiiiingx oi ehiltli‘en mining in l'llll-tl(\\\ll (illngtm lL‘llCliiL‘iih. This i\ the lirxl iiiuioi' i'eii‘oxpeeih e oi her \xork i'or llllilUSI 30 _\eui\ und “in inelutle oils. puxiel sketches. “min on pupei. untl photogruphx oi the til'llSI hei‘xeli.
Indian Interlude l'iiiil Sun 3 l5eh. l‘ree. A eolleeiion iii 14 lntliun ininiuiurex ii‘oin the ISili und eurl} l‘ith eentur}. together with u Mughul \ehool ininiuture untl ten \HH‘LS lTUlil John Druniniond lirxltine's dun in llltllil. LAST CHANCE TO SEE Turner in January Tue 1 Thu 3| Jun. Annuul displu) oi .l.\l\\' Turner Mitereolourx. hequeuihed h) llenr} Vaughan. from eurly topogruphieul \xuxh drawings to the utmospherie Skeleliex oi' eontinentul liurope in the 1830s untl 18405. The delieute “utereolourx ure onl) shoxm in Junuur) \\ hen du) light is “Cllh. so they will not ilule. NEW SHOW 100 THE LIST ‘3 Dee SWOT—J Ja"
I NATIONAL MUSEUM OF SCOTLAND
('huixiheix S'ieei 3471-133 ‘(ili'SL‘ INC 3;' “til 3" A llLe' '
noon ‘piiii liee
Jerwood Applied Art Prize 2007: Jewellery l iiiil Sun 3 \lui. T‘iurii <i‘ii; lree -\ l‘lL‘Sll'JiiillSl‘ll/t'1il,:;‘l‘ii;'«l.1ll\ iuii h} ihe ('iul'o ( 'oniieil .llltl .leruootl ('huiiiuhle l ountluiioii \\ iih u tlzileieiii lllL'tlllllll iepiexeiiietl eueh }e.u ll e ieuellei'} lll.ll\t'!\ \hho ll|.l\lL' ihe \lli‘llllxl llllS '\t'.ll uie \oiu I oh. \oko l/.i‘.\..i, (iiuiiiiie \loiiou \luh lx’uriu uiztl. ioiiii \killllt'lx \ll\.ill ('itm .llltl \tluni l’u\o7‘. Gifted l lllll Sun '» .luii. l'l.:lii *piii liee \ heuuiiiul e\hihition of huiitliiiutle Stoiiixhtoiiieiiii‘oi'ui} el.ill\.1llelll~lilij_' ieuellei}. lt‘\lllt‘\. \k'l.lllll\\ .lllil ;.:lu\\\\uie
i‘iuii, ‘1‘“:
I THE QUEEN’S GALLERY
l’.|l.i\ L‘ Hl lli'TSIiititlliiiiiSL'. <<li Tlll‘l Hull} 0 illuin (ipiii. ‘l iliuin 3pm i('lo\etl ('lill\lli1.i\l).i.\.liii\iligl).i}| Nit-1““ Bruegel to Rubens: Masters of Flemish Painting l'iiiil Sun ii \iii lhe iii\i e\hihiiioii exei inounietl oi l lt'llllSll lhilllllllpxllllllt‘ Ro}ul('ol|e1iioiiliiinyx toeeihei il \\llll\\ iioin the l‘ih to |"ih t't‘lllllllt'S. inelutlinp \xoik h} llunx \leinling. l’ieiei Bruegel the I'.lilL’l untl Ruhenx
I ROYAL BOTANIC GARDEN (INVERLEITH HOUSE)
ln\eileiih Rim. ‘53 "1“l lue Sun
l0uin i. illpin 1(‘loxetl Sui 33 Thu ii Smith/Stewart O... l'uiil Sun 30 Jun. l0uin i. illpin l'i'ee. Thi\ lll\l.lllt‘il \eulpiuiul enxiionnieni h) ilie (il.i\;_‘o\\ huxetl .llll\l\ hiinex ihe iheinex oi lox e untl tleuih inio lhe (ieoi'giun e\hihiiion \puee. Illuek ieeiihiieui llliillilllllh eui into the \puee ui heutl height. [ilL'\L'llllll;_' the menu ii'oin seeing hoih ilie \xhole pieee ui onee. untl the iuee\ oi the other \ie\\ei\ lll the room Lies: {Ll ',»'\|’\.‘Cl TO SET
I ROYAL SCOTTISH ACADEMY The Hound. 33.< («9]. Mon Sui
liluni Spin; Sun noon Spin.
SURVEY O7 l'niil Tue lS l)ee. l'iee. li\hihiiion eelehi'uiin}: 30 _\eui\ ol the lathnhui'gh Seulpiui’e \Voi‘ltxhop untl e\ununin§_' uhui \eulpiui'e' ineunx io ll\ lotlu}.
Basil’s Bairns - The Studio of Sir Basil Spence Tue 1 Sun 3" Jun. l'i‘ee. l:\hihiiion looking: ui eui'eei'x oi the :li‘L'liIlL'L‘lx \tlio \xtii‘kt‘tl Iii lliL‘ Sliltlio oi Sir lluxil Spenee. NE ‘.'.’ Til 1W5.
I NATIONAL GALLERY OF MODERN ART
75 liL‘lloi'tl Rolitl. li3~l (illlll, \Iiiii “ml «K l‘i'i Sun Illuin Spin; l'hu l0uin ."pin iTue | noon Spini «('Imetl Tue 35 t\ \Vetl 3m. Collage City: Urban Space in Contemporary Art l‘niil Sun 34 l'eh l'l't‘e. \Voi'kx on pupei li_\ ul‘liSlS \iIL'li tiS
Carothodes
lohj. l’uterwri. l ur‘igiuz‘uh uzitl liel', uiiti (pm lx’hotiex looking ui the \\.i_\ Sl\_\llllt‘\ i“..:;‘\ uiitl eii} uiehiieeiuie hu\e :iixi‘iietl ereuiixe xxoik
CBFOI Rhodes l Yilil \iii‘. :4 l'e‘l‘ li't'k‘ \eii'TESl‘. peillll‘e'l l‘tix't‘i li‘ (ilehg‘iflk RhotleV inieitxe i‘uiiiiingx oi iieiionul luntlxui‘ex uie xiiiull ll‘ \euie hui highlx tleiuiletl llllx mil he the lilSl llllln'lllli \hoxx in; oi her \xoik
John Watson Prize: Paul Chiappe
l lilll Sun 33 l'eh lhe lohn \\.il\oii i‘ll/L' IS .muitletl uniiuull_\ io ;:iutluuie\ oi lthiihuiggh (Killeee ol \ii ll‘.IS .\eui\ \Nllllli‘i ('hiui‘pe li.i\ iulten uiioii_\inou\
\ iiiiuue phoioeiuiihx oi unkiiouii \lllltlIL'll .iS lliS \ouiee niuieiiul .Ill\l piotlueetl hiehl} deiuiled peneil tliuuizigx oi them
I NATIONAL PORTRAIT GALLERY
I Queen Siieei. 03-1 0300 Hon \\etl .\ lll Sun lliuin *pni. lliu liiuin "pin l lue l noon <iiiiii i('lo\etl lne 3* t\ \\etl Ito Dieter Appelt, Forth Bridge: Cinema. Metric Space l lllll Sun h luii l iee l'.\hihition oi ieeeni \xork l\_\ (ieiniuii eonienipoiui'} .il'llSl lheiei \iiiieli. e\ploi‘iii;_' ihe i'elutionxhip heiueen iilioioeiuph}. eiieineeiing untl eoneei‘iuul .iil \ l.il}1t' \t’ulL' iiiiiiilufJL‘ ill IIIL' l‘iillli lx’uil liiitlee \‘Hllil‘lISIlljJ l30 plioioggiuphie l‘lllllS \\lll he ihe eeiitieiiieee oi the tlixplu}
BP Portrait Award 2007 I‘ll I»:
llet Sun lo \lui, l'iee. lhe leutling: l'lx' \lioxxeuxe loi ui‘ii\i\ \Sill'ltlllg in iioiii‘uiiuie llllS .\e.u ioi the iii\i iinie lhe eoiiipeiiiion IS open to .ill ui’iixix ugetl IS untl o\ei ' '
I SCOTTISH STORYTELLING CENTRE
4‘ ~15 lligh Sheet. 550 057‘). Mon Sui llluin ~l, i0pm,
The Legacy of Tim Stead l'nul Sui 5 Jun. llluin (iiiin. l'i'ee. .'\n e\hihiiion ol iueiile \eulptuie. poeti‘} untl iuiniiui'e tlt‘SlleIS h) the til'liSl. designer .lllil poet Tiin Steuil.
I STILLS
3i('oel\hui‘ii Street. 033 (i300.
lluin (ipin,
Ori Gersht l'niil Sun 30 Jun. inieiioi‘ puller} eloxetl l‘l'l 3| l)ee Mon 7 Jun ln lllS lilni Illt' l-on'xr untl photogiuphie \ei‘ie\ 'Ilit' ('lt'tirme. lxi‘ueli-hoi'n (iei‘xhl \o}ug_'e\ thouin hix iuiiiih liISliil'} e\i\|oi‘in3_' ihe pi‘eluxioi‘ie ioi'exi oi the ('ui'puihiun .\louniuin\ “here some oi lllS i'eluinex lountl lllll'Sll huxen ii‘oin \u/i pei'xeeution
Cockburn Street Cinema in 3|
l)ee Mon 7 Jun. lliuin (ipin Siillx‘ open uii~ eineinu hux heeoine \(iillclllllig oi u iexine iiutliiion in i'eeeui )t‘ill'S. .-\i'ii\i\‘ llllllS untl \ itleo \koi‘kS ure heuinetl otii into (‘oelxhui'n Street hour the outer \\ iiitltm oi the puller}.
The largest survey of Rhodes' paintings to date, this exhibition covers the past 15 years of her career,
exploring the artist’s distinctive approach to landscape and intense
investigation into her medium.
I Scottish Nat/onci/ Gar/en of Mode-m Aft. Evil/newer: w‘i'i Sun 2-1 Feb.
www.|ist.co.uk/visualart
I TALBOT RICE GALLERY
l lll\\‘l\il_\ oi l thuhuieh. South lhitlzie. i5" 3310 lue Sui li'uni Spin 3 Alan Michael lue ‘1 Jun Sui i \lui \eu geoiiieiiie untl uhxiiuti “orb in (il.i\:,_'ti\\ .llllSl thin: oil. i‘ui‘ei uiitl tuiiMiS
Private Galleries
I ANALOGUE
103 \\e\i lio\\_ jjii ooo‘, llluiii ‘ liipiii
Take to the Woods i'nul Sui 1‘ lie: loi \iiuloa'ue\ lilSl toininixxionetl :‘iiiiii‘ \liou. ‘0 oi the puller} \ i.i\oiiiiie .ilil\f\ U‘lllk‘llil‘lJIk' eeiiin; .mu) iioin ll ull .lllil ‘iukine io lhe \too,l\'
\loii Sui
I CORN EXCHANGE GALLERY (‘onxiiiuiion Siieei. *hl ' iiiii \\etl \ui lluin -l Winn liee
OPEN: Edinburgh College of Art 000 l lllil Sui liet rupt- UN
\i‘t' lt‘\ lt‘\\~
I DOGGERFISHER
ll (iu_\iieltl Stiuuie. “S 'l 10 lne I ll lluin lipin. Sui noon ‘pin Contemporary Art Exhibition l mu! \il 33 I)k'\ l‘lt't' (il.i\;'n\\ l‘.i\t'il tiill\l llunu llulpeiiii llill\l\ u \olo \hou ut tliijjgt‘iliSlit'i
Towards Heilprin Land i nul Sui _‘.‘ l)ee \'e\\ \xoik lioin llunu llulpeiui
I INGLEBY GALLERY
(\ (‘uilloii l'eiiuee. 5in -l~l~ll Illuin *piii Ceal Floyer 8. Dan Flavin Sui iS Sui 33 Dee Seulliluiul IllSl.ill.illHll h} ("eul l'lo}ei. puiietl \xiih .i l‘li'li light “oil hx liun l'l.i\lll Ni ‘il “ ‘l
I LEITH GALLERY
0* The Shore. l.eiih. 55* 53'“ \loii lll lluin Spin; Sui lluin -lpiii
Christmas Exhibition l'nul Sui l.‘ iun l'i'ee .\Ii\etl e\hihition h} puller) .llll\l\
I OPEN EYE GALLERY
i-l .-\l\L‘lt‘l’iilllli_\ l’luu'. “7 1030 \lon lll llluin opin. Sui l0uiii 4pm l‘iee Natura Mortal l'niil Sui 33 I)t't \eu “("le h} ini\etl ui’iixix lllL'llltllllf.) \ioikx lit l.eon Moi'ioeeo. .loliii llellun} untl John li}i'ne. l/KST (Hi/1M"?! 7' / “,lE
Outside the cities
I WASPS STUDIOS
l’uii‘ioihull Stiitliox. IS lluiinlion l’luee. Stoekhi'itlge. 33i l3S‘i
Paintings, Prints, Ceramics, Jewellery and Silver Sui 1% S Sun l‘l l)ee .\li\etl inetliu group \hoxx leuiuiin}: \Hil'lx h} l.ornu l'iusei‘. Murk l’ouell untl .'\lltllL';l 'lurnei'.
I ROYAL BOTANIC GARDEN (FOSSIL GARDEN)
30u ln\ei'leiih Ron~ 553 7|7l
Hard Rain - The Exhibition [mil 1 hu .il Jun. lliuin *lplli. l'iee linuyex lliSPllL'tl h} lioh l)}|;iii\ epie Song. ieileeiinj: inunltintl‘x lieutllong: L'iillhltill \Hlli iiuiuie l)l\[il;l}L'tl u\ u grunt ouiilooi' hunnei llI lhe lillSlS oi the Ro}ul liotunie (iui‘tleii
Public Galleries
I DUNDEE CONTEMPORARY ARTS
l53 Nethereute. ill ‘33 ‘)ll‘)‘)llli 'lUL'. \Veil. Hi (‘5’; Sui 10.30uin 530piii. Thu
10.30uin Silipin; Sun noon 5, ilipin Matthew Buckingham - Play the Story l'ntil Sun 30 Jun.
l0.30uin 5.30pm. l-ree. The iirst SL‘tilllSli solo Slit)“ h} the NC“ YHTL-hiiSL'tl llrllSl working; in \itleo lllSlilllilIllill. lhiekinghuzn‘x \iork ClieourugeS the
\ieu er to lC~L‘\£iliilllL’ liiSliir) iroiii dillerent perspeetne» in “0th ieuturiiig the lSth eentur} writer Slur} Wollstoneeruit iuuihor oi .-l l'i'mlu Hill!!! of Illt' Rig/m n/ ll’mmmi untl ('hurloiie Woli'l. the (iermun pS}Chiiltingl best knot». ii ior her writing on hoinoxexuulit}.