Hall liliiiliiiit'lil nix! :I}. lllhlii (\tlllill'fi,(t<ll:;:N ‘l‘lll 2.; 1.41 \ ‘.‘.t'i'l.r'llil iil L'lt'\ llii.1iii'l\llt lllll\l\.
\lllt'fl-thllf zinil l“. lt_".‘. \i'llll‘i'\L'l\
hi") I The King’s Singers l’.:i\lij. \l‘lk'}. \hlu". Play \\‘I "’51 " *‘tiini Ll‘ (In Ilii'II lllllll .tlllll'-t'l\.tl_‘~ liilll. lllk' l'\‘lll'.'-\ \lll"i‘l\ lilll lll.il.t‘ l’.ii\li'ji llli'll nnljx \InI‘ m \inilanil lll'.‘ lllll\l\ '.‘-lll \l‘all Iliuii ii-lu lli'lli' t"-I'l llll' :»\'.ll\ .llltl in: lllilk' ll:.i.l .lllil l.illl\_ \iilli'..iii .lllil \l.lllli'lil .lllil lllk'll l.IlllI~ll\ i lim' liaimnn}
llllllil‘t‘l\
Saturday 3
lilasgo‘.‘/
I BBC Scottish Symphony Orchestra: The Hague School ( in ll.lll\. (Liiiilli‘Iiz'Lw. 5* \tlllll ' illlim llt'k' \Miilm li_\ liIlll\ \llilllk'\\k‘ll .lllll \ll\ ll.Ii'l \.iii tlt'l \.t \i itli ( '|.iiL Riiiiilcll. \Hllilllilt'l 'l\ l.i-I\ .in- tin- liiiI lllllllt'll In lniii [‘k'l .ll‘l‘llxallt'll
I Music for Early Ears ( 'ii_\ ll.lll\. (.inilli'iii'vx. 5‘ Mill“ lllllt'\ \.iI) Ui lt'l \I\ \ki'i'la \ \I\ \‘.i'i‘l\ lIliii k ill lllr‘u' I li‘.Ill\t‘ lllll\l\ \ l.l\\t'\ lni )niiiia' \ llllillk‘ll .lllil lllL‘ll [‘.I|i‘lll\ \.llt'l\ \l.Ill\ nii .\ \cp llii'} .iiiii In i'iitniiiajsi‘ luiiiiiiii' lllliIleJll \ imInI' Illa} \n \Hlllk' .ilniij.‘ .lllll haw lIiii lt'.llll|llL' rim \Hllj.’\ .Illil illlli‘li‘lll \\.i}\ nl ll\|llf.' l‘k'l\ ll\\lilll \g'cx .3 l_\i'.ii\ .il
l itipiii. i l _\k'.ll\ .il 3 “pm .lllll -l i tiniix .iI i I‘liiii
l (linburgh
I Soundings 07/08 l\’k'lll ( 'niiu-ii |l.ill. l-ilmhiiifnlil iii\ci\ii_\. llll\lii \lllldlk'. (fill 3-13" (iliiii i\ Spin. '5 iUi \u' l‘ll 3
l’ais ey I Children’s Scots Song Competition l )lmlaiiil (lllll'i‘ll. Rimall \Iii'i‘t. HISHS SSH i-H. lltam [-1 t“ \‘Ullllk‘lllitlw. Siiii'iiiy \‘Itllll‘t‘llllitll lni llk'Jl primal} aiiil \cuiiiilai'} \i‘linnli'liililii'ii. Hl'_L'.|lll\\'il lix \iiiu'x iii l’iiixlt'} T21 Spem in Alium l'.ii\lc_\ \lilic}. \lilii'} l’l.iu‘. 38076-1. lllpiii USS” itti RSI ('.i|i|ii'l|a \n\a Iii-ilni'iii lx’nhcrl (..ll\t‘l.\ l/iin In! III! ‘4'“ ('\ III .I IIIH‘L‘LIIIIIIH‘ \\lll(ll .ll\I‘ iiii'liiilcx a i’iill.IlIiil.lllH|l \\ iIli llK'Jl \iiigci‘x lni lllL' l‘i‘llt‘llllJlKC nl 'llinmax l;il|i\\ taiiiniix iiinIcI lni i'igglit \ tiw pail \‘lliill\. Slum m i’iimi,
Glasgow
I Bearsden Choir: The American Dream RS \.\ll). llIIl lx’ciili‘c“ Sli‘i'cl. “I 50*" “. illpiii L’ll iL’llli, Sniiic nI Ilic l‘t‘\l lU\k'\l \"lliIlJl llll|\l\‘ lrnm lllL‘
l iiiIcII Slain. (niiiliicli'il h} .laiiicx IliiiiIci. lllL‘lllillllfJ lllll\l\' h} ('nplaiiil. limii'tl .lllkl liciiixli'iii .l\ \xcll ax Scott .Inliliii. (icorgc (icrxlm iii and .-\iii;iiiil.i \lt'llliHIlll,
I Grieg 100: Borrowed and Blue llic ()ltl l'l‘lllllllill'l’u‘l. (';iiiil|ci'ig_'g_'\. ‘5‘ Ntlllil. 8pm. U35” Sec Hm I.
Edinburgh
I Edinburgh Royal Choral Union \lt'l‘.\\.lll ll.ill. lli'ixtn Siliiai'c. (fill >135 l. ipm. l'lic l‘l\’(‘l~ [‘i‘llitlllh \\llll Ilic
l l\t‘l'[‘l‘\\l \M‘lxli (‘linial .llltl Ilic l-iliiihui‘gli \niiIli ('linii iii .i pi‘ngiaiiimc Icaiiiniig luiiirc'x lx’i anti-m .llhl \‘icriic‘x \I('\\( .\I'/illll('//('.
I Soundings 07/08 lx’ciil ('niigcii Hall. l-iliiihiirgli l'iiiwixil}. Hi'ixin Square. (60 342". hpm {5 MRI. Sec l‘l'l
I St Giles’ at Six: Peter Yardley- Jones SI (lilm' (XiIlicilral. Rn};il \lilc. 33h 007‘. “Pm. lice l‘liv miixic nl llIi\IcliIiilc. Bach. lln\\cll\. -\l.iiii. ()UI'IIIIL‘I\\CH. .Illtl lihcii.
Dundee
I Children’s Classic Concerts: Spooktacular Sounds (liiiil ll.i|l. (In Squaw. III 1N: JSJUJII 1pm L'lll
U» \ \prnc \llllllll'.‘ intimal lZl\l_\ .inil ll\’.ll\ lnr llallnzwfl'n ‘-‘.llll Ilic (lava (‘niiu‘ih t )lxlkNlla .iriif
\l‘llllllxll‘l ( liihlniilici liull
l)?i“;l‘:.
I Choral Evensong l’.il\l\':» \l\l\‘_\. \lilw} l’l.i\'\'. \\" “(51 ii ‘l'pni llvc l’.ii\li'_\ \hlwi ('linii \IIILW \lliilal cut-iixnn: (in .llHll‘..' .lll\l ll\l'\'ll In llll\ n.iIinii.ill_\ lL'lliI‘AllCil \lli'll
St Andrews
I St Andrews Music Club \i lcnii.iiil\ \linnl. lllk' l’cnilx. Ill :41 lfi‘ljli l’Il‘lll {Illitl 1W \lll\l\ lix Iiniii“ l\ilI rail... kin \iailmm-i ' '[‘l.IlliH. \liimiaiiii. l)\'l\ll\\}. \lf..'\'l ()xl‘iilllk'. l l\/l .llltl l\.l\llill\l \[liill\\
Monday 5
Edinburgh
I Brodsky Quartet and Michael Collins ()iiu‘ii'x llall. \— \‘l ( lurk \Iii'i'l. NW I‘ll” ‘1‘liiii Llll L|\ llic iiiiin\.iIi\c \lllllf.' Iiiiaiicl pcilniim Illll\l\ l\_\ \l\.tlk'/. l .I\l\l.l. liailwi .lllil llialiiiix. iniiinl h} \ laimci plain ('nllmx
Glasgow
I Pictures at an Exhibition l\):llll\llitlll lllL‘JllL'. ‘Ih lii;:i.iiii \Iii'cl. ** ilk" |.l5 3pm Li \ldilllllll
llninu iI/‘x ll.tll\\'lll‘llHll nl \lll\\iilj;\l\} \ [iiaiin (Limit. [\‘llt‘llllk‘Il h} Riilliilll Riiiliiuxk} Iiniii Ilicl S \. Ingi-Ilici \\llll lllll\l\' h} (‘linpiii .lllil l l\/l
Edinburgh
I Angela Brownridge Rk'lll (‘niiu-i'i ll.il|. liiliiiliiiiggli l lll\k'l\ll_\. liiixln \qiiaic. (fill 112”. Illllim. l'lL'k‘. .\ lllllt‘lllllllk' ru‘ilal nl lyigglitnii aiiil l.l\/l li'niii amlaiiiicil [H;Illl\l .‘\llf,‘t'l.'l Hinsiii‘iilggi‘.
Pais ey
I In Concert SI \liiiilicxi \ ('liiii-gli nl lllt‘ Vii/urchin (lniilnii Sll'i'cl. Shl "llti. ". Vll‘lll. £75“, (lltl\:_'li\\ lxla} (iacliu' (‘liniip l’aixlc} \ im ll (ili-iiitlci Siiigci'x lailicx \‘llitll'. Kiliiiai‘iinck .'\L‘IIlI;Ill .\l;ilc \niu- ('linii‘ and Sniiiiilx liitcriigiliniial iiiiilIi laiIli \‘llUll' li'niii l'.£l\l\\t)t)\l pix-writ a “Iklt' \;Il'lL‘l_\ nl lllll\lt‘ ti‘niii Ilii'ir rcpci'lnii'cx. 'l'lic} \\lll lw iniiiul h} Ilic \\llllk‘l‘\ nl Vniq‘x iii l’aixIL'} \ lll'\l cwr ('hilili'cii‘x Syntx Snug: ('niiipcliiinii.
Wednesday 7
Glasgow
I Royal Scottish National Orchestra: Classic Bites Rnin ('niiu'rl Hall. 3 Saiii'hicliall Street. ‘53 .RIIIIII (iliiii. L'lll IL‘lllltll'Cll ll'L'Cl. Saiiiplc l‘llk" \I/C Ill-Iiglih lrniii thc iipcniiiiiig \L';I\Ull iii a i‘niiipacl cwriiiig nt L‘l;l\‘\l(;ll lllll\l\' (Ullilllt'lk'tl h} I);l\|tl l);iii/iii;i)i‘: Slimlaknx it‘liK I'I'xln'i' ()ii'rtim'. Hal'th \(IHL'II’ lnr Slrmgx. L‘\lI';icl\ ll‘nIII \VainL‘IN Ring ("ii/1' anil Silwlmx' Mmp/rnm \n 5. I The Merchant Voices ('ii} llllll\. (Liiiillcriggx 353 Hilllll. “pm. I'I'cc. \cxx \‘Hllllllllllll_\ clinir \xilli \xcckl} claxwx. lt'tl h} [Chill and gniiiliictnr l)niiiiiiic l’cckliain and (in crilig a hrnad \IK'ill i‘cpci'tnirc. ()PL‘II In .lklllll\ nt all ‘I:_‘L'\. iin pi‘cx inih lllll\l\‘;ll mpcriciiu' l\ i'cgiiii'cil iiN lnlx nI ciiIliiixiaxiii'
Thursday 8
Glasgow
I Alex South, Sonia Cromarty, Oliver Rundell (ll;l\:_‘i\\\ I'nixcrxii} ('niiccrt llall. l'Iii\cr'~iI_\ .‘\\ciiuc. 33“ 4WD. l.lil 3pm. hut .lnliii Irclale (lit/mi! Irin iru‘nnxll‘llgliiin. Slcplicn l‘n\ Scottixli pi‘ciiiicrw and Bi'aliiiix‘ (la/mil [Nu m .\ iii/Iinr Up //4 on clarinet. cclln and [‘ldllit.
I Scottish Flute Trio with RSAMD Sinfonietta RS \,\ll). IINI chtrcxi Sticcl. 3“: 5H5". "Fllpin ("i 5' llic
\t‘iiIIixli l-lIiIc li'in il .iiiia Balllk‘. .Liiict
.::iiil\’i'_t1\lnr.gx .i.t‘,l "c ‘wirxii “j. Hutu \l.l):iirinll nn Eltc \lalZZk". .ziiil Ill: R\ \\ll) \Intniiiclla lnnijgl'ilk l‘fi‘fifalllllk‘ rm lll\l\'\( ngilaitif \
. Linn \ilartzx' ti" .i l)‘.4,'.'i":\.1ll\l(li‘l\l|'ll \lail'ltqiwzi‘x
l.~.r\w:
‘i'r,'i...i.i issim M. w li'fnwi: .n Act} m .: nc‘A work l“. I \ininn uari \li'r \\.lll (n:i.lii\lcil l‘\ (1.: lian
l lll‘il‘ii'tll‘
I Scottish Chamber Orchestra: Romantic Classics (‘llit‘ClIN ll.ill. \" \"( lCll. \Iicul, NW 3".“ V iliiiizi
L 1:; (‘\'ll\lll\l“l liixcflll \‘.\;ii\~.'i taillx Ilic ni. lit-xiii: \\ lii'iikn in .: pInL'iaIiiitiu nl lx’niimnln
lawiu \liiiiiiannk \wrvyi/mr: \w
.iiiil l‘l.illl\l l‘nlma
\,”Ixis;: l’iiu nii\ /( «may. i" .znil (liniiiii'x i or. . \.
Dunteinilini:
I Royal Marine Band Concert ('.iiiii'cii' l|.il|. l .l\l l’nit. Ill W; till: ill.‘ " ittpni LR it“ \ \ ll.”GC In limi Hlli‘ nI Ilii' \inilil'x liziilnifj iiiililai} l‘.lll\l\ lll innit-it. lil.i_\iii_~.' .i muting nI lllll\l\ill
\l\lC\
Glasgow
I James Gourlay and Aaron Shorr l\’\ \\ll). ll,” RUllllk'“ \llt't‘l. ll: “HE lpiii L" ilfli l\)k'lllt\\llk'\l llll‘.t pliwi .iiiil l)ll\\'liil iil lllL' \L’lliiiil Hl \ltlxh (it‘llll.l} l\ |HlllUil l‘} lli‘dil Ul KL‘}l‘iI.Ilil. \lliill. li‘ pit-win .i [‘leJlallllllL' lll.Il \\lll lllxlllilk' lli‘\\l_\ i'niiiiiiixxiniiul \\Iill\\ Iiniii l).llll\‘|.l \lt‘li'aii .iiiil \ll\l;Ill \l.ii‘l)nii.ilil
I Haydn Trio Eisenstadt \lllllfj.i\ lk' lnmi llall. SIaIinii Rnail. \liliiggaxic. “Vi 583‘). ‘. illpiii. L' Ill i Ur ,\ii\Iii.iii (llallllk‘l' lllll\l\' i'iiwmhlc x'iill\|\llll_‘_.' nl lliiinlil Kii\ll\ «piaiini. \k'iciia \Iniii/li
i\ inliiii giiiil lliiiiiicx ( ll.lil\\ttlll H'k'lliil
I Scottish Chamber Orchestra: Romantic Classics (‘in ll.lll\. ('.iiiil|cii;_'3_'\. ‘5‘ Ntlllll. “. illpni
Ll“ K. SCL' ltll X.
Edinburgh
I Jeremy Cull .\lgl:\i;ui ll.il|. lliixln Squaw. (fill 343”; l.ltlpiii, l'iu'. l.llllL‘lllllllL' (niiu'rl mplnriiig .i \\ IllL' raiigc nl llllhlt‘ h} l.L‘llllllL‘ll\. \Vllllltk'lx. llli‘lwlii‘l' :iIIil lilgai'. ;l\ \\ k'll ax ('Iill Iiimwll.
I Boyan Ensemble of Kiev ('aiiniigalc Kirk. I.“ ('aiiniigali'.
'7 it) 9.30pm. ll‘k'. lllL' l'kiaiiiaii \‘lliIll rcIiii'm In Scnllariil nii Ilicir ItiIli l’lx' Iniir, ('niiipi'ixiiig man} nl lllL' l'ki'aiiic'x Inp [Il'UlL'\\liIll;Il iiialc \nicc» \npiaiin \';ilciiiiii;i lxaiiciikn and (Ullillli‘lith inn and \'nlnd)iii}i Kiii‘atyli. lllL‘ leHlllt [X'l'litl'llh a \‘ilplk'llil \‘llllllh Iiniii lllk' l'.;I\lL‘l'lI ()rIIinIln\ (lunch
I David Moss and Masha Kaestner lel} n (Iiniii-l. leiii. I-Iii ZIS‘). ". illpm. LU itqfilh. (‘niiiliiiiiiiy L'liIIi‘cli ni'gaii lllll\lL' aiiil \lniipnliaii nxcrIniic (hauling: iii lllL‘ licaiiIiliil \i-IIiii; nt Rnxxl_\ii ('hapcl.
I Frontiers and Bridges Simkliiiilgc l’;iI'i\lI ('liiii'i‘li. Saw (‘nliiirg Klimt. W3 (HIS. Rpm. Uiit»1i.;\ \pu'ial gala launch cnngcrl In u‘lclil'alc lllL‘ l.Illll\‘ll nl Ilic lailiiihiii'gli Quark-ix iicu ('l) I'I'nnrii'l'x imi/ lira/mi. l'caliiiin; lit-cilinwn‘x ()iiartut iii In \iintliai \ilihlinii'x [MU/iii and Julian \\;i;.'\I.itl K l’iaiin ()iiinlcl
Paisley
I The Valaam Ensemble Pauli-i .-\l\lIL'}. .\l\l\c.\ l’liu'c. NV) "(5‘1 a. Viplii UH. 'l’liix xiiiall llldlL' L'Iiwmhlc trniii \I l’ctcrxhiirg laxi \l\llL'kl iii Ma} and unuul Ilic auilicnu- v. iIli Ihcir lll.Ij_ll\;Il \Ulllikl. llcar Iliciii lnr )iiiii'wlt ax llIL'} prcwiii t'nlk \niigx aiiil (lIlHlN Iiniii IllL'll liniiicliiiiil.
Saturday 10 .
Glasgow
:1: Royal Scottish National Orchestra Rn};il (kind-ii ll.ill. I \Liiigliiclilill \Iiu'l. ‘5‘ “WI _ Ilir‘ni
l.x‘~‘»*3"-' ’ ’ la.- i»';-f " L.': g _ *L I. .3 if”! i ‘1 . A [i '. -‘. v_ - l I \u x.
The Da Vinci Piano Trio laid liar‘k way ot rilesiiiitiixi chamber iiiusii: starts ‘.'.”llll a
coin;ilinientaiy glass i it liutitii. and continues cabaret style |.'I the Brunlon's Slipper Hi I(>ll‘i The top notch ll'l(i iv-rhow Violinist is haying a llllllll nit from leading the ()iithI-stia of Scott sh ()nerai play popular and tuneful musir: by Moxart. Ravel and Schubert. Hit/ntoii Hall /t4usse/burgh, / r/ .i’ M w
" Spem in Alium ltie tnizk if. keeping all live (:hoiis on liltth in 'lallis' huge rillhari “more. but Wllll Alan lavemei conducting and (Lannilla Nova leading the way. the loval Singers are in sale hands. Part of a glorious festival of singing in the inspirational surroundings of Paisley Abt')ey. /)(l/f;/()l/ Abbey. Sat 3 Nov.
Royal Scottish National Orchestra Among the many tempting programmes lll this season's RSNO brochure. this one stands out as unmissable. if only for the pairing ot Walter Weller and John l_lll in Beethoven. but also tor the fresh light that Conductor Emeritus Weller Wlll undoubtedly bring to Schumann's Rhenish Symphony. Roya/ Concert Ha/l. G/asgow, Sat 70 Nov; Fest/va/ Theatre, Edinburgh, Sun 7 7 Nov.
Llll L ;l) ('niiiliiitni \\.ilIt-i \M-lIi-i liilllx lllk' \k'lk'l‘l.llk'll [H.Illhl lnliii l ill Ini .iii cwniiipK [‘lithldllillli' li'.llllllll‘.' \M'lii-ik ()lu Ill/l (Iii [Ill/i. “L'k'llli i‘.cii\ Will/in ('niii «II/i \n / ‘llltl \liiinianiik Slurp/me \n .i' /\'/i: iiix/I'
I Music for Early Ears ( iij. ll.lll\. (Xiiiilli'llgrx. 3‘ \ltlill linim uaij. U. liIl \l\ ‘.‘.\'k'l\\ \CL‘ \il ;
Edinburgh
I The Edinburgh Light Orchestra ()Iiccii‘x llall. 5“ \‘I ( 'lcrl. \Iiu-I. NH Joli) “.liipm L5 M w ll'_'lll timiill taxniiritcx Iiniii \l.l‘..'L'.Il1il \li't'll guli‘liraliii; it) _\c.ii\ nl lllL' ll 0. ".‘.llll \inl'allii l;li/;ihctli \L Ki'till
I Georgian Concert Society: Compagnia d’lstrumenti \i (milmk Hall. \iililrx Sui-ct. NH I'll‘) a ~l§piii L14 :05 ill. \L';I\I'Il nth-i Um 2TH. /.'.i/i'(l\li'I'I/\ l/Ii/Hllltlliir lli’l‘k Ill lllk' lliillall \l‘.l;
THE LIST 77