IJIJFVIQ‘:
I Graeme Stephen Sextet \pe\ (it). Qua} IIoleI ix Spa. I \\e\t
\ atoiia I’lttl. Roail. (‘it_\ Qua}. 33S I I55 Spin LS «Liv Iiililtiating (‘eItit Illlhlk \‘.|III totalh iieu ili}tIiiii\ aiiiI \HlllltIS. \heiiIeeii hoiii _L'llll.’tll\l Stepheiik haiiiI \HIIIPIISVS \ iek} I‘IIIt'IiI tkli'Iltii. IiiIlll Illllth'SS. I'lau'l (Liiiiphell ‘\.l\t'\ i. \Iaiio ( Iiiin IlldSSl .IIItI Siii Rllklllt' itlruiiiw
Glasgow
I Jonie Keen Trio Beei ('ate. "S ('.iiitIleii_;'g\. 553 ‘ISI5 5 illpin
I iee See I‘ll .7
I Stuart Brown Trio llie “x. H Kehiiihatigh Street. 55“ 5IlIiS Spin Iiee See Sun I
I. diiihurgh
I Sunday Singers Session llie .I.t// Bat. I ('Iiaiiiheix Street. 33” 13% .\ {tipiii Liltjl See Sun I
Daisloy I Sunday Sundowners l’latioi-iii I. I Stone Biae t()ll (anal Slit'el i.
SH‘) IN) I. ‘1 (rpm. I‘i‘ee. See Stiii I
Idinburgh
I The Jazz Bar Big Band IIlL‘ .Ia/x Bai. | (‘haiiihei‘x Street. 23” 1303. 8pm. £3 ttfi. See Mon 5.
I The Late Great Jazz Jam Session 'I'he .Ia// Bar. I (‘haiiiheix Sheet. 33” 4308. lllpiii. I-ree. See .\Ioii 5.
Tuesday 13
Edinburgh
I Guitar Night 'I'he .|a// Bat. I (‘haiiiheix Street. JIM-1203.8.itlpiii. L5 it: I. See 'I'ue (i.
I Tuesday Heartbreak Funk Jam Session IIIL‘ .l;i// Bar. l (‘hainheix Street. 33” ~II‘).S'.
| I 5UP!” .5ttlll. I'ree. See Iue (l.
Wednesday 14 '
Glasgow
I Tommy Emmanuel ('ii_\ IlaII\. (iillltllt'l'l‘L'gS. 5.53 SHIN). 7,3(lpin.
0; l~l.5ll. .'\ll\ll’;lII;|-\ i‘e\ered linger piekei' pla} \ through a tla/xliiig range ol \l_\IL‘\.
I Michael Simons ’l‘eliai ()HM. Io” I)e.in\toii |)ri\e. o1" 7358. .S'pin. [2. Sk't‘ \VL‘tI 5..
Edinburgh
I Edinburgh University Jazz Orchestra the Ian Bar. I (‘haiiiherx Street. 320-1208. 5pm. I'ree. ()pen rehearml.
I Guest Band Night lItL‘ .Ia/I Bar. l ('haiiiherx Street. 231) JI‘LS'. Sillpin. U it'll. See 'I‘hu .S'.
I Trianglehead .llltl Newt .Ia// ('eiiti'e. 'l‘he I.ot. 4/0 (il';l\\lll;tl'I\L'l. it»? 52ml. .\‘.3(lpin. (8. Double hill ol~ e\periiiieiital ia/x triox It‘allll'lllfi 'I'riangleheatl‘x hard and taxi eonteniporar) ia// iii the tIU\\|lltl\\ll .\'\'(' \ein. and the more reeentl} ltll'IIlL‘tl .\'e\\l. \\ith an llllllSlltll ti'oinhoiie gtiit.ii'~tli'tiiii\ line»up.
I Jazz Jam and Open Mic Session liiglii) Queen Street Bar and Ix’extaurant. .S‘tl Queen Street. In 5th)". ‘Ipiii iiiitlnight. I‘ree. See \Vt‘tl 7.
Edinburgh
I Fat Sam’s Band with Jonny Boston .laH Centre. The Lot. 4/0 (iraxxinarket. 40" 5200. 8.30pm. £1“. 'Ioe—tapping tune\ eo\ ering jump-Vin e to x“ ing. and tau greatx t'ront (ilenn Miller to I-‘atx Domino from thix nine- pieee joined h} London \a\ and \inging \tar .Ionn} Boxton.
Events are listed by date, then city. Submit listings at least 14 days before publication to henry®list.co.uk. Listings are compiled by Henry Northmore and Norman Chalmers.
Thursday 1
Glasgow
I Marian Bradfield Siai ('liil». Sl \iitlieu \ in the Stiuaie. St \lltIIL'V. \ Stiuaie. 55‘) 5‘)”: 5 illl‘lll L" I)oiiegal \iiigei-xoiiguiilei i\ hig iii Il't'IaHtI
iL5I
Edinburgh I Ndaje: African Connections 'I he Bongo (‘Iuh \Ioia} IIouxe.
IloI}l'ootI Ix’oatI. 55S “(till
_ iL5I \lioheal. \otII. ieggae .llltl |.i// \iiili \I.lII\\'I\. tIl'llllllllt'IS .llltI Iixe lllll\l\. \liitaii tootl
and \peeial guextx
t) illplll Wain L'—
Paisley
I Tannahill Weavers I’.tl\IL'_\ Io\\ II “it”. WNW) (.Itl\t‘_ SS“ IIIIII Spin
L' II). (Inc ol Seotlaiitl'x Ioiigml \ei\ iiig lolk I‘;llltl\. the 'I'aiiiiiex ietiiiii lioiiie “IIII theii ti‘atIeiiiark Seottixh \oiig .tlltI Hume on PIPCS. llute. IltItIIt‘ .llltI Ilt'l\
F’alkirk
I Tom Pacheco l-alltii'lt l-olk ('Iuh. IIIL' I’HIISII ('Illl‘. \l'tlitl SIIL‘L‘I. “I ill (iIU‘I5. Spin. ('elehratetl (lIlS l'S \ong\\i‘iter hax made Ii’eIantI Ill\ hoine.
Peebles
I Billy Mitchell and Bob Fox I:a\lgate 'I'Iieatre & .-\rt\ ('enti'e. Izaxtgate. III 73I 5735 7'" ”. ilelll, L' I 3 itllli. ('oinpeIIing lllllSIL' lioiii 'I‘}ne\itle. Mitchell IUlllltlt‘tl .Iaek the lad aniI \u'nl on to \peiitl eight )ean ax l,llltIl\I;tl'llL‘ li'oiitnian. I‘o\ hax twee heen noiiiinatetl I-olk Siiigei ol the Year
Glasgow
I Carol Laula SI .'\Iltll't‘\\ \ Street. 553 7573. Split. L'IZ. 'I'he pure \oieetl (ilaxgim \ongxli'exx \\llIl inuxie Iroiii her l'ortheoniing alhuiii. l’uri u/ (i/iisemz' JUN".
Edinburgh
I Eilidh’s Daily Ukulele Ceilidh: The Stage Show! 'I'ra\er\e 'I'Iieatre. ('aitihritlge Street. 338 MIN. 7.30pm, U3 tLlS‘i. ('ieorge I'ornih} tIe\otee l'illltlll .\lL‘:\\I\iII. \\Ittt hax pIL'tIgCtI l0 hoxt \UIHL‘ \ol‘l ol' eeilitlh on her ukulele tor e\er) tla} ol' 3007. and \\ ho \\ IIIS lItL‘ pl‘l/L‘ I’Ul' ‘IiL‘Sl IllIL‘tI l'.\L‘nI' lIH\ )Cai'. lakm to the \lage.
I Ray Lamontagne l’l;i_\ Ittilht. (il'L‘CllSItIL‘ I’IttCL‘. (IS-III (IOIIITKII, jinn L'IS5II L'le Quirk}. \ei‘} popular interextiiigl} \oieetl \inger-xonguriter \\ith a retro aeotixlie \t} Ie.
Glasgow
I Ajoy Chakrabarty l'.;l\l\\tit)tl I’ark 'I‘heatre. Iiaxtuooil I’ark. Rotiken (ilen Road. (iil'lnoek. 577 40-71). ". illpiii to 1L1“. ‘I‘aIenletI and \ei'\;iliIe \oealixt headx thix night ot Bengali \ongx and Indian elaxxieal mime.
I Cancerbackup Ceilidh (ilaxgtm l'ni\er\it} l'nion. l'ni\ei'\it_\ .-\‘.enue. 33*) .S'h‘)". ".Sllpni. {le. ('harit_\ L'L‘lIltIII dance \xith I|\ e niu\ie troni l.a\t ’I'raiii tae .-\uehen\huggle. .-\I\o rattle. bullet and auction.
Edinburgh
I Gavin Moore ('aharet Voltaire. Blair Street. 220 Min ~pin. Ui. Soulful guitar-lubed t'olk’i'oek \iiiger influeneed by hix unelex (‘hri~t_\ Moore and I.uI\a Bloom.
I Eilidh‘s Daily Ukulele Ceilidh: The Stage Show! I'.;‘. l‘:.- ~ (.zllll‘fitlfit‘ Sizce'l I.“ H e See Ii: _‘ I Fundraising Ceilidh \. min-ti. wraiiuiiilx (Q'iilit \it Slips? "'9 \ \IillltIlf To: I~'l:i.:".\( viiwixatii-ii \oliiithe'»
lite( ionitlic lIi‘llx'
.tt, xil.\v
tile \;\;iii\r1‘i lllliSlt g‘iiwttlt'tl I\_\ (it'lIliII‘i Bath
'1' A Tribute to lain MacKintosh I lit. I’Iqaxillet‘ ( I.lI‘.IIt.l Ital. I’It‘axallu‘. "i" :‘L" \i‘iii :5 \ xpetial :et toreiliei ll‘. Ili‘lli'lll oi the late Stotx loll. \lllt‘t'l oi \i'lllt‘ ol I.iiii'~ IIIt'lItIS \ut It .IS Ilit k (iauz'haii. Hake ( ioiiltlei. Ihe \Itt '.ili:i.~.i:\ tillxi Biiaii \It \eiII I'..i ' w' ,‘m (.iiI ..‘r:;'
I\/I(3Il ow:
I Julie Felix \\_\iitI IIiealic But t lexit Ii Slieei. Hlxwii \jiiii_‘\ \pm {ill ig\
\.'( iU" It \' ti.
IIie (ilk IU‘II on a ietiiiii \ l\lI
Stirling
I Breabach Ii‘IIMiIlIl. I.l|I \\_\iiti. IIIV‘SH .7" “NM Spiii 2. IllitSi I \tlIllli' \i'llIItIS on pipe\. \xhhlle. litltlle .iiiiI ‘_‘ll|I.tl lioiii the wing tiiiaitet
I diiihui‘gh
I Voces del Sur llie Iapax IIt't'. Ii'lIIl Stieel. 55“ "I |.\ ‘lpiii Li (‘Iiileaii \lllt‘t'l \aIeiiliiia \Ioiitina \Iaitiiie/ [‘lt‘Sx'llh .i iiiglit ol I aim \lltt'llill lolk lllllSlt
I Fantoosh! \\ee loll (‘liilx I\’U_\.iI ()ak. Iiiliiiiiai} Sheet. 55 ‘ jthi .\ Ktipiii L§ (‘oiileiiipoiait eeilitlh tIaiiee .llltI tolk liio \\ ith t'It'lllt'llIS ol light |.l// .lIItI
eIawteaI
Monday 5
Edinburgh
TIG! for the Morn’s the Fair Day I'lIlllIlHlISt‘. Iothiaii Road. 3.‘.\ INS-S (ipiii I)it\'lllll\‘lll.ll} liliii ol the I .tlIL'Ili‘Illl ('oiiiiiioii Ix’itliiig. liIiiietI iii \Hlllllllxllttll \\IIII the late II.itiii\Ii IIx'theuuii Intioilueetl h} liliiiiiiakei Illll \eat. \\ ith lllllSle lioiii I‘ini ( I'I eai_\ .llltl ( \iiiieioii RHINHII oii lltltllt' .llItI guitar I’iiii mi i/ii (flirt/ii: \Ii (IN! I! \lllil/
Stirling
I The Mick West Band StiiIiiiL' I-olk ('Iuh. Stirling ('ount} Rugh} I‘iiolIinI ('Itih. Bt'itIgehaugh I’ai'k. ('.iti\e\\.i_\lieatl Road. llI35‘) IIS53I Spin U» Ii‘eineiitloux Seotx \ingei \\e\t I\ ioiiieil h} j._'llll;tl'l\l .lIItI pipei I'iaiik \hlatighliii. I'iaxer l'lIIL‘ItI and the iniiIti IIISIl'lllllL‘llIaIISI Stew l,.l\\lk'll\ e
Tuesday 6
Edinburgh I Lori Watson 3| eiili lolM‘liili. llie \ lllttht'. StillIIt I'itl'l SIICL'I. »I“.\ “\III 5. iIIplll L5 I'ine fiddle and wit}: tiio \KIIII gtiitai aiitI .ieeoitlion [‘Ia} Seottixh iootetI llillSlt'. \\|IIl Iztiiopeaii e\etii\ion\ I Ceilidh ClUD I Ik' l.|‘l. (it'.i\\lti;tl'I\t‘l. 335 330‘). Spin. Ur. (.t‘IIItIIl tIaiieing uith eaIIerx to lead )oti thiough the \tepx \IllSlt' lioni the litIiIIe tIII\ en Bella \It'\.tl‘ I).tlltt‘ liillltl
Songs for Change St'HIIHIl Stor}teIItng ('entie. High Street. 55h U5"). .S'piii. LES iUii. I).l\ltI I‘eri'aiil. Kale Bi‘aiiile}. .Ie/ I.o\\ e .lIItI other UtllIl'lI‘llIHl‘S lo the eoiiipilatioii (I) \ui iii ()iu \t/HI! prexent \HlljJS ttf.‘.tlll\I the mm IN! MI i/ii ('iiri'iiliu \li iim /'('\.'ll(l/
Wednesday 7
Glasgow
I The Magic of Scotland I’a‘. IIIHII 'I‘heatre. RCIIIIL'ItI Street. 3“: ISM». Zpiii & ".‘llpni {ll 'I'he I’.i\ilioii\ alllitiaI Seotthh \ariet} \him teature\ e'ttlllt'tllallx Seotthh eountr} tlaiieing and the ,\Ie\.intler ht'olheh
I Michael Simons 'leliai ()\ iia. I)ean\toii I)ri\ e. (‘4‘) .35\ Spin :3 (ilaxgou-hawd :Jllllttl'hl play loII\ antI I‘IlIL’S.
I
’5‘ ’ <13 v. “'51. a ‘ 9‘. IE
fd'WX/Q'
5: Roy Bailey lrm ham-tut Ba' I‘K‘axw't; ."‘15I5T "3'" L\ 1‘ \H \i t i:\' x t .. .t‘. ..‘ .~ Io ‘ I\"'"
"ii ( \n '- le'
I SMG Ceilidh Dance Class Bruiitxfg'itt I"::t‘.it\ St'fioo \Iwrzig‘eizet Iir'."'\f'c\f iii‘ll.‘ ‘ "1‘71‘ 1‘ ti» I"'i~7':'.i. .fa'xe e .:\\\‘\ 71o Apt-rein; iieeewa'x \xea' flit .oti‘to'xil‘lu \Iiix‘x
I Darden Smith i m l .rm-x llzvi: Baitii'éit: I\:I“.itt.'i.i'i \l‘l'. ti'. 'lf‘l" WWI" Iltc :‘it'a'. \i.\t:ii Ic\.:\ \i‘ll:'\\!llt‘l :‘lllI.:l‘\T .iritt wan-tails
\I‘...ll“lltli|'l Vxl-iiii l\“|' ll\ \\\ .\l YA
Thursday 8
(Eitiifll I...
I The Magic of Scotland l'.i-. IIli‘l‘ IIie.:':e Ix’e'il't'lil Stieel ‘" IS 1" .‘i‘iii .\ ‘ il'l‘ll‘ tII See \\eiI
I Ladysmith Black Mambazo Roxal (I‘lltt'lI Hall \.tll\Illt'II.lII Street 1“
.ll 3.“ Ilit~
iiiteiiialioiiallx I.tllli‘ll\ .i t .ipella eiixeiiihle
' {tlpii‘ '
lii\t t .tlllt' lo iiileiiiaiioiiil pioiiaiieiit e i‘ll I’.iuI \lllli‘llS tum! .ilhiiiii .lIItI Ii.i\e it'iiiaiiieil .it the lotelioiit ml \i‘llIIl \liita'x
popiilai lllll\l\ loi llli‘lt' than ill \e.ii\
I iliiiliiiitih
iii A Homage to Hamish \ UllhI‘i Stoi\ielliii~.' ( ’eiitie. llli'Il Stieet 55h "5 "’ Spiii LS iUH I’oeli\, \IHI_\I\'IIIII‘.' .tIIiI \t‘ll;' \KlIIl \.tll\\ \Itt'ISUII, \I.ii:'.itet Bennett. Ioiii lIllI‘I‘JItI. l\llIIl\ k. I\'.i\iiioiitl l\'tl\\ .iiiil I).l\I\I( .iiiiphell ’iu' rig. (Hui. \f/iimi Ii \rii.i.'
Il\’lll(}
I Eva Eastwood & The Major Keys IIaihoui \lI\ ( 'eiiiie. II.iihoui Stieet. IIII‘II .‘i W“) Spiii ES SiiiootIi Saxeilixh iiitI..iI\iII} I\ SI.” and Iiei top IIlt'IlI hath
Par; (2“;
I Tam White .iiiil Paul Harrison I’JISIL‘} \llS ( 'L'Illlt‘. \\‘\\ \Ilt't'l. \V‘ Illlll \piii UliUn \li‘iIt‘IIl i.i// Illli't'iI I‘Itlt'S lioiii \eleiaii Stotx \otalixt I.iiii \\ Iiile. ttttltllll‘JlIIt'iI h} |‘|.tlll\l I’.iiiI II.llll\iIll
I"€1I<ll'I<
I Brian Willoughby .llliI Cathryn Craig I tlIhIlh IoIIx (.Itllt. IIIL' I'HII\It ('Iuh. \rnot Stieei. Ill :31 til “05 Spin I eaiI guitaiixt \klIIl "m Biiltolk It'\I.t'I\ 'I he Stiauhx. |Hlllt'\l It} \.t\Il\lIIi' \iiigei (taig toi .iii exeiiiiig ol \t‘lllIII} tolk Siippoil lioiii IoIiii I,i||}
Friday 9
Glasgow
I Jim Lauderdale IiIJkaIlldlS. Hell .Stieel. 55: 5‘L‘I Spin LIll iii .ttI‘-.tlI\L' lioiii Iiekeh Seollaiiillllll ,‘_ll-15I5l LIZ Hll IIIt' \llll‘l ()IIt' HI \.ISII\ IIIt'IS L'It'JI. (il.tllllll_\ .ixxaitl \kllllllllf.‘\i|l11.'\'.lllt'l\tIHL'S Ill\ii\kllII1lllj_' Support IItiIIl IIi/aheili ('ook l’IL'SL'Illt'KI h} IaIIeii \ii:el~
I The Big Gay Prom Saiiit \IIiIIL'U. '\ in the Stiiiaie. SI \iiiIiexh'x Siiiiaie. 55‘)
5‘)”: " illpiii {I5 \ hi: tiiieei \t'IIItIII iiiotIeIIeiI on an \lllt'llLJll Ill‘..'Il \klll‘lll \t}Ie hiin \Iime lioiii the Belle Star ('eiIitIh BaiiiI IaIxe iii the \Ilt'ILIl Iiiiim. IL'tl taipet .tll'l\.tI\. .i ‘.‘.L'I\Ull|lll‘.' eoiiiiiiittee the men! L".t'll I\il.i\l\ lI\ min I’apara/li. (‘oiiie along and light it out to he \llIL'kl I’roiii Kin;v it Queen ’mi of 'jiiii" I
(Ii/(HUI
Edinburgh
Sylvia Barnes 8. Sandy Stanage, Mose Scarlett 8: Jim Condie .iiiil Wingin’ It 'I he I’Ieamme (abate! Bar. liIt'JMIIIt e. (>50 3 ii” Spin f." U "Jo. I-eaturiiig Seotthh I'oIL Siiigei ol the Year. Bariiex. \klIIl I'ile guitar IIi.tL'~IrH Stanage; (Linailak L'L'It‘l‘l'alt'tl htttl'ICII RHIII IZtIIIII‘lII'L'II I‘IUL'S gtiitarixt (ontIie. aniI l);tlill} -.’\‘~‘-;lrtI-\‘. inning iluo \Vingin' It. I’uri of [/H‘ ('iir/‘H/iu Strum I‘I'\Ill(l/.
", 'THE LIST 75