Visual Art
I EDINBURGH PRINTMAKERS
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I NATIONAL GALLERY OF SCOTLAND
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I NATIONAL MUSEUM OF SCOTLAND
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I THE QUEEN’S GALLERY I’.11.11‘1‘ HI 1111111'11111111111h1‘. 5511 511111. I).11|_\ ‘1 111.1111 (111111.‘1.1(1.1111 31111115 11115111.
Bruegel to Rubens: Masters of Flemish Painting 1'11 3K 8111 8111111 \111. 1111' 111\1 1‘\111I111111111‘\1‘1 11111111111*1I 111 I‘I1‘1111x1111.11111111gx1111111‘ 11111.11 (‘11II1‘1‘111111111111gx111g1‘1111‘151 \1111kx 11'111111111‘ 15111111 1‘1111'1‘11111111‘x. 111111111111; “1111.111 IIanx \11‘1111111g. 1’11‘11‘1 111111‘341‘1 1111‘ I'I1I1‘1 .11111 R11111‘11x.
I ROYAL BOTANIC GARDEN 111\1‘1I1‘11I1R11\\.553 "1"1.I).111_\
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I ROYAL BOTANIC GARDEN (INVERLEITH HOUSE) 111\1‘1I1‘11I1 R1111. 5.53 ~1"].1111‘ S1111 111.1111 531111111. No Voices 111111 81111 1-1 (111 |111ag1‘~ 1111111‘ ga1'1I1‘11 11111‘11‘1151‘11 1111111 1111111 11111111 .11111 ~1g1111‘11 111‘1\111‘1‘11\1'\. 1‘1'1‘al1‘11 I1_\ R11~11a \I.11‘K1'11/11‘ .11111 Ix’1‘111‘1‘1‘a .\I.111. 1111111 [51.1111/1111211.11'.’ 111111.11. William Eggleston - Portraits 1974 00.0.1 11111 $1111 14(11‘1..\ 1'11\1
92 THE LIST 8-3: -'
Beyond the Surface
California-based photographer Andrew Printer‘s work explores issues of queer
identity in relation to intimacy, risk and suspicion in a post-Aids environment (his ‘Touch Me’ series), and takes a sideways glance at the notion of queers being accepted by the straight community. This exhibition is part of Glasgay! Festival, and is presented in association
with Street Level. I (I (31.1111 "'.. (12.1111; ,,"f1
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I ROYAL SCOTTISH ACADEMY 'I'I11' .\I1111111I. 335 (11171. \11111 8.11
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Recycled Lives: Ian McCulloch 111111 81111 .111 81-11. .\ 1'111‘1111‘11 1‘\I11111111111 1111111 1111‘ \11111111111 1.111 \11'1'1111111'11 111111 1111‘ 111‘1111a11111111- 1111111111111‘11 11'1111111111111. 11111111111; .11 1111‘ 111'11'111111111‘111 111111 11‘\111111111f_' 111 11‘1‘11111113: 1111'1111‘\ 111 .11'.111‘1‘1 \11ani1111; 4“ )C111x. 938' 31150175 .551
I NATIONAL GALLERY OF MODERN ART
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111.1111 511111 0 Richard Long: Walking and Marking 0... 1 11111 $1111 31 ()11 U1 11.41 \\11111'1111111\ 1'11111111_\\11111\1 11111111111111 1.11111 .11’11~1\. I 1111:; 1.11.1-\.1\1‘1 1111' .\'\(i.\1;\ \11111 111111.\ 111.11 11'1'11111 .11111 11‘11111‘ 111 I11\ 11'1‘1.\ .11'11111111 1111‘ 11111111 I’a11111ngx. 111111111g1'.11111\ .11111 \1'1111‘1111'1'\ \11111 11111 1111111111‘ \1111‘11111111111; 1.11111\1‘.1111‘. 111111 1111111 .11111 111111~ 1111111 1111‘ \111111111111111; 1‘11111111‘}\11I1‘11\1‘1Ia\1‘a\\ 111.111'11.1I\ 1111 I11\ “111.111.111.111»
I NATIONAL PORTRAIT GALLERY
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I THEATRE WORKSHOP 1-111.11111111111I’Ia1'1'.33115-135 \11111 \.11 111.1111 511111
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I STILLS
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I TALBOT RICE GALLERY 1111'.1-1\11:\ .11 I .i11111;;:.'11. \11 11:: i:.'.
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David Batchelor: Unplugged
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Private Galleries
I AMBER ROOM
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I INGLEBY GALLERY (11.11111111I.‘11.1..'.5‘11$L;1
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I LEITH GALLERY
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I SCOTTISH GALLERY
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Alison McConachie, Ruth Tomlinson 81 Mona Wallstrom I 2.111 \\1'11 51111 \1'\‘. ‘.‘I.1\\ \1‘\\1‘I\ .11!1I
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Artist Spaces
I PATRIOTHALL GALLERY
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Outside the Cities
I DUNDEE CONTEMPORARY ARTS
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Johanna Billing I 11111 \1111 : \..'. \‘1' 1111".11".1.11.1}_'1‘\‘)
I THE CHANGING ROOM
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