I Open Stage llte II.iIi liut. Inn \k'oodliuidx Rtldtl. 35: WW“ 4 Spin l't‘ee \Veel.l_\ SL'SSIt’ll Int lHeul
I Alabama 3 (urlrrig .\til\lL'lll.\ (iluxgou. IZI luglinion Slteet.‘IS1~I .1" 20M) 7prn LI~1 (‘hiriueterttil hIend ot \outliern tired pretrelrrtying. duneetloor triendl} heutx .ind ,r uhole loit.r lm e
I Chaser, Jonny Jack, Pablo Gone Nuts .ind Ayrial liuttrmluiitl 3. 34-1ti;rlltmg;rte. 553 ~l(llll "pin Us ()xeri I-Ix \Iiov. I oeul ioek .rnd indie hrII
I Psycho Babe, Torque, Da Capo unrl The Merchants 'l he l't'll}. Anderxton ()uu}. 'I lie Hroornreluu. olmx 3(rttttH5 7prn L5 loeul hand \lttmegrxe. rneIiidrng 'I lie Rurnonex .rnd Stoogex lining roek‘n‘roll quintet 'l he Mer'eliunix.
I Soul Circus tllltl Standing Order :\ll( '3. 33” Sutiehieliull Street. 333
23 33. 7pm. Ur hill on roek douhle hill I JJ Gilmour St Andrew \ in the Square. St Andre“ \ Situure. 55‘) 5WD. 7. 30pm. LII IUtr. I'or'rner Sileneerx lioiitttiiiii pi'exetttx ll|\ \olo \\;ii‘e\ l’urt u/ the Men limit (in /'('\lllrl/.
I Puressence unit The People ()r'un Hot. 731 735 (ir'eut \Vexlerri Roiitl. 357 (CHI). 7. 30pm. LII). See In 2 I.
I Root System, The Draymin, The Motion and Colour Coded ('uprtol. .163 Suuehiehull Street. 33| IIHU. 7.30pm. £5. Sku Ir'oin Root .S}\It'ltl. und loot \tornprng indie lr‘orn l‘rle‘x I)r';i_\rnrn_
I Marlow, Wpe 23 .rnd Idiotcut liair‘ll) (UPSIJIISI. 2m ('Iyle Street. 0870 007 (NW). Spin. Ur. Marlon rnirke ‘rnuxie \\ ithout it root in er iix head.
I The Rise, The Doledrums, The 1238 and Serpico Box. ~13! Snuehiehull Street. 333 543I. .S’prn. l’r'ee. l)i'i\ ing r‘iII'x t'r‘orn roek Illt‘l't‘llilllh the Riw.
I Roddy Hart Rurnxhor'n 'I‘Iieuti'e. UH
Ingr‘urn Street. 552 348‘). Slim. L‘ It) i L'S'i.
Rixing loeul \inger/xongur'iter' p|;r_\\ tr'uekx I'r'orn ltlx dehtit ulhurn Bookmark» I’rtrt oft/re .l/t'rt Iran! (in I‘i-xlrr'ul.
I The Nilight Sad, Piano Bar Fight and Odeon Beat Club Built). Bot) ('I}de Street. ().S'7(I 007 (NW). .S'prn. £0.50. .lo} l)i\r\ion/.\I_\ Blood} Valentine-inIIueneed outfit gurning Itn'our'uhle eoltiuin ineliex ill the moment.
I lamx unit The Lost Generation King 'I‘ut'x Wuh \Vult Ilut. 272a Si Vineeui SII'L‘L‘I. 22l 537‘). 3.3Ilptit. L“). I;iiii\ ix the \olo rneuriiution oI e\— Sneaiker I’iinp ('lir‘ix ('or'uei'.
I Pilotlight und Rieser Niee'ri'SIeul). «Ill Suuehrehull Street. 333 (i000. S..3ttrirrr. Indie hiII headlined It) Duhlin-hr‘ed. l.ondon-h;r\ed tour— pieee.
I Rainmen Suinuel l)o\\ 'x. ()7 TI Nithxditle Roud. 42.3 (HOT .S’.3(Ipni. l‘tee. Roek em MS.
I Daemonolith, Necro Ritual unit Maelstrom 13m Note (Kite. Sit (ill King Street. 553 M38. 0pm. [3. .\Ii\ ot' thrush. death. hluek and rneIodie metal. I The Fortunate Sons linen Not». I I It) l’ollokxhim \ Road. (At) ()t)()7. 0pm. Free. See In 2 I.
I The Gilded Angels The Butter-rt} & the Pig. l53 Built Street. 231 T7! l. Itlprn. I‘r'ee. \Veekl} r'exidene} tor thix eountr)‘ eolleetn e.
I The Wang, The Hoosiers, Dragonette, Our Lunar Activities, Dance Lazarus Dance and Wired Desire Queen Margaret I'nion. 22 l'rnver'sit) (iur'denx. 33‘) 0‘84. £15. Bumper line-up for tirexher‘x‘ \teek. headlined h} hloke} indie l'tk‘kL‘l‘S 'I‘he 'I‘xuing gind eornpleted h} .S‘kintIintx and Blite‘k’ .-\lle) Ser'eens.
Edinburgh
I Midnight Blues Band, Darkwater and Jojocoke Whistlehinkies. 4- 6 South Bridge. 55" 5| 1-1. 6pm. Free before midnight; {-1 after. Indie and other roek.
66 THE LIST 20 See-4 CCt SOC"
Naming albums is tricky business - you‘re going to have to live with it for eternity, so when TAMGC (as they shall be know here for space reasons) named their album Fighting and Onions you just kind of knew they were a bit special. With a sound that is as much Beefheart and Tom Waits as it is Son House and Howlin‘ Wolf. the Calgary foursome make a noise that will snare rock kids, folkies and hardcore country fans alike. such is their
incendiary live habits.
[lit f‘ t' (A . 11’ l .‘
I Kora (‘.rh.rrei \'o|i.rire. 3h 3S Him Street. :3“ (ilwti F‘I‘III. (It .\eel.nined reggae ttink ,rei toirn \exx /e.rI.iniI
I Brian Wilson I‘extr\.r| I'heutie. l t 3H Nlt'ttlmttt Sll't't‘l. 53‘) Will” 5 5“Pitt
L3“ L5“. I.egend.rr'_\ lle.reh Hop \ongxinrtli.
I Dirty Monet and Keith Douglas 8- the Corps ot Discovery lleni‘_\ \ ('ellgrr' Hui. .S ltm .\Iorr‘r\on Street. 3% 0303. 5.30pm. L-I. Iiluex .rntl roek‘n‘roll I Seagull Strange, The Mannequinns .Illtl Sellotape lhe \rk. 3 q \Vutet'loo I’litee. .335 ‘l 3" 3. a llltllt' I'ttek .tS liIISIHl ll\t‘ [‘lt't't‘ \t‘.t}.‘ttll Stiunge totii' neu \rngle ‘I o\e\ Siek “mum”,
Glasgow
I Blacktriars Music Stage Hell .SII'L‘L'I. l it‘ll]. l‘i'ee. See Sui :3.
I The Brunswick Music Stage Bi‘tirtxnrek Street. I "put. I-ree. See Sui
I Grand Fish & Chips Stage .lnhn .SII‘CL‘I. l i-pltt. l‘il'L‘k'. See .Sdl
I Laurie’s Live Music Stage king SII'L‘L‘I. l “pill. l’i'ee. See S.tl :3
I Alex Wayt l‘.\e;i. I" (‘hhholrn Street. 553 tiS’S‘tt. 3.3ttprn. I-r'ee. See Sui 22. I Cobramatics ('ltilltir \;urli\. Stoeknell Street. 553 "53”. 5pm, l'ree Roek‘n’r‘oll'xku r'exrdene}.
I :(, Kicking Buckets, Sweaterlite, Civilised rind Goodbye: Suspect liiit'l'l}. :htl (‘l_\de Stteet. UN-“ VII- II‘N" "ptii. L.-. The lieudlitieiS IllISI \,t_\ \klldl _\ou \eet .rr'e .-\her‘deen eleetro next \\.r\er~ \\ ho h;i\ e toured \Hlll lintei Shrkur'r .ind (iet (Ripe. \Veur (Itpe. Ht '.
I Incubus Sl'.('('. l'IIIIllL'SIttII (Jim. MSW tun innit. “pm. :31 in. ()m- IJ\ \trmt Rexeheduled dirte tor the \L'll'llllj‘ttl'ldltl IIil-IIIL‘ltlllt‘I'S \\lIU\C rnodeleutue xinger Bruiidoii Bind IS gr\ ing to \irrpprng to the \MIISI ,ind plu} mg .i tr‘ih.rl drurn
I Reuben, Kill Kenada and Enjoy Destroy The (i,rr'.ige. 4‘)” .Sdtlellleltdll Street. 333 I III). -[‘III. LS5”. ()\er> IJx \lltl“. .\li\ ot rneIod} ,ind hurdeore trorn Stii'r'e} trio Reuhen.
I Rx Bandits, Facing New York dittl State Radio ‘l‘llL' (‘illllt‘l15L‘. l5
3t tprn
l nron Street. _.‘ t.\ (ilillli 'prn t.‘ ttxer I Ix \Irov. Sk.i piiiik line up. \\illt lieutllineix ll.t|ltlI_L' trorn ( )r.rn:'e ( 'otrnit or 'tlie ( H“ .r\ \t.e in the kriov. hill it I Von Sudenfed the \rttrex. 7‘3 \rg}Ie Street. “SW .7 lit ‘5_‘\ fiprn
[I 3 5H ('\\('I I I I I)
I The Agnostic Mountain Gospel Choir llte l.r|l Sltip .ri (i|.r\j.:o\\ ll.ttl\titll. lllll StirltetrtSS l\’ti.ttl. 333 3 ” tttprn L'Itt See pie\Ie\\. leti
I Acoustic at the Aragon llie \i.rgon |i.ii. |3I liktt'S lx’imil. 33" 335.3 .Sprn liee \\eek|_\ .ltt‘ll\ll\ rirg'lit Ie.rtuiing llll\l_‘_'llt'\llll\'.ll.1\l\
I The Last Project .iniI The Manikees lio\. -I 3I S.riieltreli.rll Street. 3335-131 Spin I tee Indie Ixrnilx Ili'Ilt (il.t\go\\ .Ill\l I‘iIe rexpetirxelt
I Hyena, 32framespersecond, Laughing in The Face of nut My Own Religion 1 3iii \ote ( Lite. 5“ Mr King Street. 553 Itr3S S 3ttprn 9.1 (il.t\go\\ piink ioekeix \\lIlt grunge .rnil rtmihroek rntIueniex. \upporietl It} riielodie priiik .riitl \l\.t punk Ixin-h l’iii! nit/1r Hi It litm.’ (tin It \Iim‘f
I Jack Savoretti King lurk \\.tll \\.:Ir lltit. 3—34 St \rneent Street. III 535” .S.3ttpin Ur Seriitt}.I1.iIt l njglrdi. Ii.rIt It.rlr.rn. holieinrun troulmilour petItIIrnv rIeIreute iiielutteltwl}
\l;
Edinburgh
I Days in December lite lli\e.
I5 I" \idili} Street. 55h Hill WI‘III :5 I'pund eoniing Iltel.illet\
I Junction Pool, Jacobs Pillow .tIltl Wailing Miserere llie \rk. i \\.rtet‘loo I’Iuee. 31S WW3 “pin 15 it in l'ouiteen—pteee llt‘ltlL'lS (elite Ixind .ltinetion pool llL'dtlllll‘e'. \xrth pothole-Ire tolk .rnd .rn ( )rkne} \rnger .r\ \upport
I Led Astray .tnd Billy Bates (Krlxrt'et \oltirit‘e. lit 5\ liluii' Street. :3" (rIVi 'prn LUS lirhuie lurid to the /ep I The Misfits llie liquid Roorn. ‘le \ietor‘ru Street. :35 25h4 "prii L I 5 Punk roek ttixed \irih roekuhrll} .llltl \ehIoek horror trout Ilil\ IegeniIur} I.rie “IR \eit .Ieixe} outtii titre. teuiiirin: ,rn e\-R.irnone .rnd .in e\ likiek Hug
I Thriller Live l’ltt}llttll\’e'. IS 22 (ii'eenxide l’l.ree. “Natl WWI " 3U _. 3ttpiii
L15 {lit 5“ -\ eelehi'.iiioii ot \IieliaeI
\ V \ I‘m-x :i .-e I it, \
I The Un-Americans n s. dansk II.-:m\r.-' IL: \ \tw~ \w “\ IBaldego V. -.\ L w \ It-t- SS“ L~.-~I.. \ " I Piano Bar Fight A Frightened Rabbit In, in r \t». 1 It»... VIIV~'.'V~1I<«.._' ‘5‘
'ti-\#I I ~ I ( Ill‘ ll ‘
Monday 24
t: :~I I Darren Hayes \I r t t
\in‘i'wit'i'i I trt'i'ex'wi (It. "‘ 'i' will litrrti it \lti‘" i‘£ Sit It”! u Ill.“
In II .r:::\t'.'.r:ri I‘MI‘
I Spearbrave, Yoshi, Transaudio .tilil The Hazyt .ifliiit' \\ .r Iyit ‘.
(Il.t\"i‘\‘. :l 'iZIlli‘II Sizer". “‘3; ‘t'tttt pm 2'. l|‘I.' It»,.ri Intuilzx'
int ilhlltl.‘ tizc "t in tit itintr tin k Erzp limp \i‘IIIIrIS «it \iix'fii hid it", Irrzii Itu kerx lI.tIi\.iILulIit twinpute ;ii the l'It‘,'/.iIIIIri‘ Ixrr It»: itini'tte of .: Mini; '1 II. the tit.ri:‘ \\,I\lt'lll“. 23th
I Acoustic Jam \i. .- :: \lt'.t,"., L‘I
S.rtii Iiieli.r|| Street ‘ i 3 WM“ \pr: Iree \\ecl.l‘. ~Irii.i.,.i«t~ tor lot .:i \ittt‘.".‘.ItIt't\ pi rhiirrrrr: or: 'zri.i' iri.rieti.ri
I Action without Reason, Woodenbox, Albino Monk tIiiI Hey Molly l’m\. l3? \Jllt Int-trill Sirest 33‘ 5131 Spin liee I t‘\.tl II.ilit‘ tint
l‘llll\ lt llt‘.trlllllx'
I Boudiceas Grave Iriirtx ‘m (.l\‘l\. \tii'i'I. I” "I “II 'I‘I‘N \oiiti,‘ llt'.i\lt IIIi i.rI lurrrtl lIt‘IlI ( iI.i‘»'.'t"-‘- I Dirty Wee Middens, Billy Liar .rnti Dead Beat Heroes I‘ertlx «rit‘\t.rir~ ‘iitit lute Stu-er in 'Ii‘io‘ tt‘)‘l‘l Spit. 9‘ l’ittte
\I‘I" !5
'.<'I\ r-I /~itiltt!iiu1 piiitl. IIIII\I\
I The Fall of Troy, Daughters .22“! The Miramar Disaster l\iit:' lu' \\.rli \\.rli llirt. .3 ".r S‘ \ int erit Street 3315"” Split tS (Ire! I1 xlrtw. (iie.it \tet' I‘lrti“,“. ri:i't.rI trio IIHIII \\.t\ltltt‘.'ltttl \t.ite
I I’m Fashion, You’re Victim, Gunning for Goliath .tIIrl Thinszire lint lilm. I I kill: Strut-t 5 'Itrtttttr ‘Ipiii lies I\ lx’.r"i:i:' Spei'illiwrii iiieirrlteix in tree. Irritltwru terriiitc
I Mistake us for Friends t \Ilt \tm- (Lite. 5" tilt l\iii:' Street. ‘54 I'M“ \lltIIIII l.tIlIIi I1 Int Ill!» t.rt Ilit'lt‘tlli prink l‘.tII\l tioin ll.tIItIlIHtt
‘lplii 93
ltlilll )I iHIIt
W Foalst .rIxuei \olt.r;ie 3'» 4“ itnti Street. .3_‘tt(rI"ti pt: ‘1» l -.I‘lt'\l\i‘ exporterrh o1 t‘..tIlt' lt'eilllt‘ .‘.IIl‘. "|:li.tI See pie". text. p.::'e “3
I Von Sudenfed Ilze l ItlIIlii Ix'oorrr. We \retorm Street. “til ‘pn: t I l ('\\('l l l l l)
I Open Mic \\ lil\ll.‘ltiiti.tt'~ : r. Soiiili liiitlz'i'. 55 ' 5I I l ‘tprn live It? turn up .zritt ; ertoiirr
Tuesday 25
Glzisryi.'/
I Milburn, The Envy Corps .intf Model Radio \llt 33‘! Shielizcimll Street. 33: 3.33: "pin 1‘! 5H (l'.t'l I l, \linzt. SlreIIieliI III‘\I.rII\ '.‘.lttt .rie llr.Il\'\ '.‘.lIl! rnrinher one \I.1I\ \retre \lriirli':.\ '.lll\l \otiriil like them It! i‘ltlxk” tow
I Luv Anna, Page 6 .rriii We Were Promised Jetpackst unit. We \ittlelll‘e'lltill Street. 33! WW 5 ‘ttpzri L5 \te"-‘. eiittoixed l)tIII\lHIII.tII\ headline '.‘-1Il‘. liloe l’.rrt\ liitt} \It'tti.e'\ iritI‘.reii-etI xiippor' tiorn \\ \\ I’l