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Thursday 20
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I Glamour of the Kill lll't‘( .nhuuw. I; l lllHll \Iiccl. .‘1\N\lll~ “pm L‘
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I Shutter Bunny .unl Sonsie Collective ( limit (imml. IN l.llllillt,l \lim'l. N1" “NIH “I‘m 1* l'lllll. :‘lHI>\C\ \kllll .l luhlml luck k'lll'k' llHlll \lmllci Hunm I Maelstrom, Sagarmath, And Shadows Shall Remain, Heretic .iml Face of Fatality \numllmth. V llMlL'lMllx \llt'k'l. ‘10“) (Elm [lleJ lllt'ldl llnm llic llk'.l\lllllk'l\ ml llll\ lllL'lJl lull I Attitude!, Departures, Insurgent .unl Broken Oath llaill} tuiulimw. 3h” ('ka- Sum. «NH UH“ WW 5pm 1“ ll.ll\lUlIL' .iml lllL'l.ll I Bohemond, Castro .iml My Elvis Leg Hm. l ll SJm‘lilt'lmll Slit't'l. “I *1 il 5pm l‘lk'k' luml I'm'k .iml llltllt' I Butcher Boy lllllk'lln. \lt'liii}it- llHijJ lilllltllllL'. lliiuugh llllllL'll‘H\. ll 1 lngmm Sliccl. 5*) SN); 5pm l-icc Kilt‘lu'n \Ink nlm'lmlium lt'lltlt'lk'kl un pmnn. u'lln. \lHl.l .iml pull.” ill unt- ul wwml lilllx'llt'l llu} tyilc j:|j_'\ llnx Hinnlh I Down by the River \lm‘Smlc} \ \luxlt‘ IL”. ~13 .lumnlt‘u Slu't‘l. 3-15 55M Rpm l‘lt't'. \L'll \‘nuny ll‘ll‘lllt' inglil I The Fabs, Castaway, The Fine Lines .ml The Deletes Hui'lh. 3N! (‘Illll- Sum. «NH UH" WM «\[llll U llltllt‘ \lll'l \lllllllk‘l, I Gwen Stefani and CSS SH '( ‘. l'llllllt'\lt¥ll 011.1}. MSW) (Hi) .lllllll 5pm L335” LUSH \llilt' n't‘t'nlllt‘ [mp \\ llll .l hip limp My Mum lllk' curmuxl} tllt‘\\k'\l. lmmt'i‘ Icml \llljJt'l \\llll .\n lluuhl I Kill Hannah, l was a Cub Scout .iml Saving Aimee K111}: lui‘x \\.lll \Vuli llul. TIA SI \‘lnu‘nl Sli'u'l. III RIF’” Xlllll. Li“ ()\\'I' l-l\ \llH\\. lilllil im'k picll} lm_\\ li‘um (‘hiuigu I Psychic TV MK I .1 ill SJllt‘lllL‘lMll
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I Union of Knives, Kobai .iml lamchemist ( )mn Hm. “I "15 (ilL‘dl “mlcm lx’md. 35" hillll. 8pm. L" (il.i\_~;m\ clu‘li'nmtxi .it‘l lllllllt‘tl h} c\ mm (him .iml Du‘kunl nun ('lmx (llllklllll. \uppui'lml h} kc}l.iii\l I‘llllk'llt‘llll\l.
I Vulture Speak l't-lm ()\ll.l. HM llmiixlun l)i’1\c.h~l‘l"35.\fl hpni L3 \llninmllxl pywh lulk wumlx
I White Collar Weapons Bic]. W ~11 .-\\lilun l .mc. HZ ~Whh 5pm. l'icc.
l umlnn lllkllt‘ lilll\\lt‘l'\ til ()ul lu l’l.i_\
I Woodpigeon .md Eagleowl Ihc Hull. l-l.‘li.ill1l.inc._‘4.\‘ V" 8pm {-1, ()it‘hcxlml pup lmm wwn pict'c (lmmlmn nullil \Vmulpigcun .lnd .u‘t'hcluml Scullixh nilxcmlnllxm Hum iiilglCU“
I How to Swim, The State Broadcasters and Rick Redbeard 13m Nuic (lilc. 5U hll Km; Sim-1.551 1035'. Nillpm. Us (inulul llmlmlit' pup 1mm llmx l0 8mm. cnumr} lnlk wuntlx 1mm l‘hc Sldlc Bl'i‘.l\l\'.l\lt‘l\. I’m/'1 m' {11¢ ‘I(,it/1(1HI(‘I{\ I'mllml.
I The Talks, The Flavours and The Highwatters \Icc'n‘Slcti/y JZI Stmchiclmll Slrccl. 333 ll‘lllll 3.30pm. {he 2 low touring .ll‘ll\l\. \\ llll local \uppuri
I Action Hz: Hm <“1 hum» “1‘71. lzuq \r..-."
. ,. it izltgr. \qtrlthm .. I Ali Shiels, Jane Kizzy .;:; 1 Last
National Band I :Tict. 1‘“ m " ‘- l’wilwllxl‘ia'n» l\)«*.:\l. “1" WWI“ "1"? l \tnmlrt \‘mzthm' «~? Jun: «33c:
I Tigers on Vaseline ll .;\ i-_:::.-.u w
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lillll‘lglifll" I Captain Phoenix .:z:.: The Down & Out5( .:l\.:lql \wll.:lltz ll»
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I The Escape, Firing Blanks .mll Radiokills lllc Ming 1* l" \Iililix \liu'l. “h “1 11 Apm 25 lnillc 1m l,
I Evan Crichton, You Already Know .lllll Tall Ships Hum; \( slim HM. \ I’m \lnmwn \lil't‘l. .‘.‘\ ‘li‘H \pm licc |\ l).lll,lll \l\_\ .ll \l:'llllll.:l1 ('m'lilnn pliux Ilnx l )H Ilic limit-n In.“ l. tilllllllldlll'll lilimt ll malil
I Boogi Loushou, Sphygs .lllil The Old Switcheroo \\ lll\llt'l‘llll\lk'\. 1 ll \nulli lliiilpt'. “H *I ll ‘lpm lit-q lllillt' .lllkl tun-h
I The Sundancer Hum“ gnu. W \lklll‘l\llll \lin'l. NW “N” ‘ll‘m lilx' lellmlvlu .ltumllt lull [mp linm lllk' nmn \\lli‘ Mlllx lnmxcll \Imnmnu \lu'lmnu
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I Michael Jack .ml The Costapeens ( limit (imml. l.\ .l.im.m .l Sliu‘l. N-lflllhjll "pm L5 \uvuxlit' \ingt'i wnmmlci .iml luml .lll ltk'lu'l\ I Frightened Rabbit, Zoey Van Goey .iml Ross Clark ( )xim \lui.
q ll a {i (llt'Jl \\k'\lk'lll l\’il.l\l. *5“ “3”” “ illpm L; lullq lllxllt‘ Imp linm l’llfjlllt'llk'tl lx’.ll\l\il \xlimc «It'lml .lll‘lllll Mug [/11 (in \x I\ will llll\\
I Ruarri Joseph llicl. M ii \\lllnll
Regarded on their formation a couple of years ago as an indie
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I The Fortunate Sons l‘T; line"
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I Butcher Boy \l .9; * ' ‘ \tt' 34‘1"“ \_:":, lip; \“ lfil. ."
I Catcher, The Debuts, Junction 10 .-.::l: The Broxden limb.
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1" ( «math»; In ltnzla Tlfil? turn-iii .:l“'::l ll /' .l M.» Ill I Rush Hour Soul, The Last Project, The Daze, The Rise .mi The Retrofret5( .:;‘::«\3. 'm\
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\ l‘izl'. Ml ( .il‘lli‘lK lmc up ml Medici! :‘1;'\
I The Skies, Yahoo Serious, Templelock «ml Mr Fog li.:lll\. .‘MH ( “‘1‘.\[hx-z‘ll\”l|‘lilillll‘l‘l \I‘H] 1r, lllt‘lli'.1\lll|l\'l\iilt‘It‘llilliklt-lilillll'l\lll lll‘t‘ \k'lll i‘l lt'l
I To my Boy, Jakobinarina .unl Action Group l\m:' Inn \\.lll \Mll Illll, .‘ 7.1 \l \ mtcnl \licul. .‘.‘l 5"“
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I Isis \mmcl llwm R 'V 'l \llllMl‘llx' lx’muli Willlll' \ illpm ll\'\' \ull
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I Manchester Orchestra \ittVIlNlm/y 1.7] \Jlltlllk'llJll \lnx‘l. ‘iill‘lllll \ Winn t” \uimj: l‘.lllll linm \ll.llll.l [‘llllllll;' \ [mum "\nnu'pl” .illmm /’H' Ilii i: \IIL'II‘ luxuj.‘ i, ( h! l."
I McKinlay litumxu‘zlv. l‘l \kiu lllL' \llk't'l.\ll.l\‘.l.1ll\l\i(‘;.‘ \ll‘lll ‘lpm | 1w \ Hcv. illlkllllllll lw lllv \tnllhh
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I No Face, KPA, Ufoel .mll Phiktion l‘ll1\nlc('.llc. ill Ml lxmy \liccl. “1 Ill“ ‘lpm L ‘ huh I. 1*
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supergroup for England‘s south east, they’ve been together for as long as the bands they put on hold — Electric Soft Parade, Tenderfoot and British Sea Power - arguably with as much success. Here's a one-off show for no other reason than it makes them happy.
Guitar-wielding contrarians with an ear for a pop melody who know their
way round a crunchy chord change and pithy lyrical turn, don't you just
love ‘em? I know we do.
I Scott Nicol lit‘.lll\\'\'ll\‘_ ‘\ ~33 “walk. "\HH ‘ll‘m lit‘c \thmtt pup HKK Hum illl\ \lilgci pullnzzmng lil.:lcil.il lium g \;.( ':.< .ill‘llll'.
I The Easy Orchestra ll»,- llmll-xllx ,\ ill; l’l;'. l“ “Jill \um.
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I The Easy Orchestra .mil Ernest \7l.:. h.‘ \lluun \l. “f .‘llll llpm 5‘ \x‘t' .ll‘\‘\\' It.“ " \lf '. "fu’ffl 1.'\ /«
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I Blue to the Bone mil Solaflair \\ lll\llk'l‘llll\lk'\. 1 h \i‘lllll liiillg'l'. ‘* i *I ll “pm l lk'k' lwlnic mnlmplll. L1 ,Ellt'l (hm-ix .lllll Ull‘,‘lll.ll\ \\llll Mimic
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I Outl4w, Roguestar .llhl Eight Page Pullout UK I ltlllhl Ronni. "\ \I\I«‘ll.l \im-i. 7.“ 3*“; 'lwn th \«lllllz' lmk nut-Livy .ifnc ml l-l' [‘l,l\ ml: l‘lhlt'lllli' punk l|l\l\
I Puressence ( aims! \UllJllk'. m ¥.\ Him \llk't'l, I‘ll hlr'h .I‘m 2, I“ \‘ltl Ital-gm" mlllc \Hll\ \Kllt' lmxl' l‘k'k'll \Illik'l nl Lil's l‘lll .in‘ mm lnu k \kllll .l m'u .lll‘lllll llr‘V 7 /1'/.fi.' I Underling, Lurina .iml Raw Deal Ili'mx'x ("(11.11 lhi. \ l".l\li'lll\1lll \Hu'l. f.“ ‘l i"; ‘pm lli‘ll.llli'll\ an llk‘ \llllll ('lMHl} ;'i_~.' lui l mini \\lll'll lHl (‘lnllln'n ( Limciuun
I Carrie MacDonald, Al K 8. Al C .iml Stephen Macleod Ihc Mk. l \\.llk'lllll‘ Maw. .735 ‘l i"; ' “lllln Lllk \\llll\ll\ lulk imk
I Bohemond .nnl Noir! Noir! linuncnnnnk \Iilili} Slix't'l. ii“ {391 ‘lpm L-l lx’nt'lx. lunk .llltl [mp
I Killa Kela ( flilxm‘l \illlJllk'. Vi *3 lilm ~\liu-l. .L‘ll hl'V» Ill illpm {Ill l’llcnnmclml lummn lituillnu \ll(l\\ lmm l‘\lll.l km Liking llu' lmnmn \uiu' Ill \lllk'\'l|llll\ _\uu'll ncwx haw lllHll;,'lll [\H\\ll‘l\‘. [k'lllllllllllfj .ll \ lull night \nul llmmlx
I Reloaded lullmnlll. l.n| \Mnil.
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I The Agnostic Mountain Gospel Choir Hilllllxllk'lll \ lll.l}_‘L' ll.lll. \\illlil\l\lk' Ril‘lll. lll Rll§ all!» ill) LII ill 1m lulliny liylii l‘llllk'l \uppciu \k‘\' [‘l\'\ l\‘\\. llfjlll
Glasgow
I Blackfriars Music Stage Hull \liu‘l. | “pm l [w “w Hm! l’m'lx. 'llu' (illtlk'tl \ngulx. .llltl lliv lilllllk'llt‘klu'l\ NJ} \llludu}. ‘~‘-llllt' ()le \HIMI. lnm'x (imlmm. lllL' \\l\ \lumli Jill] 1 hr .l.l// (‘nllu’liw [‘l.l_\ \unlh} I’m! ml {In
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I The Brunswick Music Stage lliunwxitl Slim-l. 1 “pm l {W 'lllc Rl-wn-nil ()lmlmll \lcppcimull lll \Hlllpt'lt'\ [\M) dim ml mum \ulmllu} \u'x \clx Hum llu'.\1m1('.il\.l ll\.'lllL' l’ncmx find 'I llk' l’.ii‘wn.i§:c. “lulu nn \llllil.i} ‘.\L' lmu' l’lulmul. ll lf..'t'l'\ (in \.1\L'llllt' and “AM lllL' l’lcmlcnl ’ur! u/ If}. We Ii [Ii/Hf ('le ll\lll(1/
I Grand Fish 8. Chips Stage .lnlm Slit-cl. 1 “pm l'lL't' \;xllilil.ij.\ lmc-up Hitlinlm ('uluncl l'dl‘lilll. llHHlljJiill .llltl \kllll\ll\ \limjgx. ulnlt' \unlld‘» lulluuw m/I li'um lllllllxk'kll p and 'l llL‘ .'\llull “L'dllhihlll ill'lll ’u'll II! l/ll' .lIi'l'i III/ll] (‘[l\ /( HIlH/
I Laurie’s Live Music Stage Km}: Slit-cl. 1 “pm lim- _l;1//.uncr\;xml .lLthlk wwwnx li‘nm lhc llle‘\ ml [the \len l plmm \liulllcrx. Bcrnullcllc (Milli-i. 'l llL‘ l’lunl. Spillllu‘h .‘xnll Yuunj: 'l rmllllun ’ml n! {In ill/w lnml ('11‘»
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I Alex Wayt lama. 3" ('hixhulm Sll'ccl. 55‘ llhxll ZRHpm l'rcc .'\Ulll\llL‘ \cl nl gnu-ix .llltl Hl‘llelldlx I’ll/'1 ml [hr
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',-.-:v ~'- C'.‘ ' THE LIST 65