Festival Visual Art

www.list.co.uk/festival

I NORTH EDINBURGH ARTS CENTRE

l5a l’cnn} null (‘ourt ‘1‘ 31‘] \lon Sat Illain «1pm.

Eleanor MacLeod lllL' S Sup \M-d J (M. ‘) Wain ~lpin l'lL'L' lnxpncd h} llk'l lL‘LL‘lll iiip to llcrlin. \liILl.L'I'\l.\ lalLNl UlllL'LllHll llllll;'\ iht- hatlgiound to thc tort-ground and lk'dllllt" iuuiiing lllL'lllL" Hl f.’l.llllll .tllil \llt't'l .ill I

I THE QUEEN’S GALLERY

l’alau' ol lllll\llNNlllUll\L'. 4"» i l‘lll l).ill_\ ‘) illalll hp”! ‘1‘ iL-l SH:

Canaletto in Venice l'ntil Sun a Jan l’aintuig\ and ill:l\‘.lllj_‘\ ol tht' l‘t'dllllllll ltalian tit} h} (iimannl -\ntonio ('anal ll‘k'llL'l lullim .'i\ ('dlldlt'lliil

I RIAS GALLERY

lR Rutland Squaw. 33‘) 391* \lon l‘ll ‘Jain Spin; Sal ‘lani lpin

My Favourite Place l’nul Sal 2 Sq» l’n'xnlt'ntx paxl and [‘lt'SL‘lll lioin lhc l<o_\a| Incorporation ol \n‘hiit-t'lx ill\[‘l;l}

llIL'll \l\lilll\ ol St'ollanil ,' .

It’ll;

I ROYAL BOTANIC GARDEN lnwiluih llouw. i53 "Ifil Robert Ryman l‘nlil Sun l (M, Solo \lltm h} tlic .-\iucin'an llllltlt'l'IHSI. L‘uratcd h} collu‘ioi l‘rx RilthlllllllL‘l. hringing iogctht‘r \mrk lioin WM to lllt' pruwnt. ’m/ or lull; TWO Voices l'ntil Sun | ()cl‘ luiagcx ol ihc gardcn portray-d lroni hotli blind and \ightcd pcrxpcctncx. t'rcatcd h} Routa MacKcii/Ic and Rclwu'a Mart. I’url o/ lull: Candela 7/450 (For the Death Star) l'ntil Sun 3 Scp. ()u-r 5H1) plaxiit' hoitlcx “cut intoth making ol l)a\ id Hatt‘hcloh \u'ond inxtallatiou in thc (ll). t'rcaiing a hugc \tring ol hright pink. grccn and orangt- lighix. Jaggy-Edge 'l‘hu 3| :\ug. Illain Spin. l'l‘L'L‘. SL‘L‘ (.ll} .'\l'l ('L‘Illt't'. l’lil‘llt‘ (iallct‘it'x. I’url u/ l'..ll.

I THE ROYAL EDINBURGH HOSPITAL

'l'hc l.llll\ Uallcry Morningxidc ‘l'cri'acc. 33‘) 3555.

And Other Stories . . . l'nul Hi 3‘) Sup. ('oniim and drau lllgx h} local and international aruxix lroin thc altcrnatnc drauing \ccnt‘x. \uch ax chcc l‘rcnch. .\latt .\laddcn. Hunt linuncrxon and Danicl Johnxton.

I ROYAL MUSEUM

3(‘hainhcrx Strcct. 347 43 l‘). .\lon Sat Illain 5pm; Sun noon 5pm; 'l'uc

Illain .S'pni. l'rcc.

Beyond the Palace Walls: Islamic Art from The State Hermitage Museum ..... l'ntil Sun 5 .\'o\. to (Hi. .-\n mhihition ol owr 3(lt) \xorkx ol l\l;lllllL‘ art lroni ihc Ruxxian niuxcuni'x collccuon including tc\ii|c\. cinhroidcrim. and jc“ cl\ collcclcd lroiii ax lat" a llcld ax lig)pt and (‘hina

Reflections: A Decade of Northlands Creative Glass l'nul Sun 7 Jan. Illain Spin. l‘rcc. ()xcr (ill hcautil'ul \xorkx l'roin Scotland'x uitcrnaiionall} rcnonncd ccntrc lor conicniporar} glaxx.

I ROYAL SCOTTISH ACADEMY IlillL‘ Mound. 335(ihi‘l. .\lon Sat

Illani 5pm; Sun noon Spin

Laura Ford - Armour Boys coo l'ntil Sun 10 Sup. l‘rcc. .-\n uhihiuon ol~ caxt iron child-\i/c \uitx ol armour uploring ihcnim ol \ iolcncc and “at: Soc rcx iv“. pagc Ill}. ’uri oi I-jsll‘.

I SCOTTISH PARLIAMENT BUILDING

llol}rood Road. 473 :uuu

World Press Photo 06 l‘nul 'l‘hu Scp. l-‘rcc. Winning cntriw troni thix prcxtigioux photograph) coiniwution.

NEXT ISSUE OUT WEDNESDAY 7 SEPTEMBER

106 THE LIST FESTIVAL MAGAZINE 3-1

DavidHockney

This exhibition of prints (lithographs, aquatints and etchings) by one of Britain‘s most respected

artists follows the contrasts in styles and techniques that Hockney utilized from the early 605 to the mid 805. I 0; >01) I w (it'd/wt; [ti/rilnwifl'i. until Wm.“ (J fie

gi\ ing a glunpxc into lhc um ol pcoplc all llt'l'ti\\ thc \kot‘ldi I’url o/ [In /‘('\Ilttl/ of ’Ullillt \ SUI”). l/IVSl (Ll lANlil ll) f‘il

I SCOTTISH POETRY LIBRARY

5 ('l‘lcllloll'x (-loxc. (ititioligatc, 557 3370‘ Mon l‘i'i llani (ipin; Sat noon 4pm. The Shiants l'ntil Hi 3 Scp. rm. hound ohjcctx. llllll lootagc. painting\ and pocinx dcpicting thix ixolatcd group ol llchridcan l\l;tlltl\ h} l’at lam. Ian Stcphcn and Norman ('halincrx.

I STILLS

33 ('oclxhurn Strcct. (i33 (i3lltl, Hall)

| Iain (\plll.

Tracey Moflat: Adventures .000 l'ntil Sun 3‘) ()L'l. Kiixch. count-\trip

\l) lL' photographx l1} llll\ .-\tI\ll';ill;ili al'lhl. \\ how darld} aiiihigiioux narratiwx dcal \\ ith ixxucx \uch ax gcndcr. L‘llllllL‘ll}.

pim Cl and \ liilL‘nL‘L‘.

I TALBOT RICE GALLERY l'nncrxit} ol' lidinhurgh. South Bridge. (fill 331”. Tue Sat Illani 5pm, Girlpower/Boyhood ooooo l'nul Sat 30 Scp. .\ \UlL‘L‘lliill ill lantaxtlcal \xot‘lo mploring lair}talc\. romantic illuuonx and drcainx. Scc rm icu. page Ill}. ’ur/ o/

I'..'Il'.

I WESTER HAILES SHOPPING PLAZA

\VC\ICI‘ llalln Road. 53‘) 303“: Jaggy-Edge Mon 38 .-\ug. Illani 5pm. l-‘rcc. Scc ('il} .-\rt ('cntrc. l’uhlic (iallt‘l‘lLN,

I WESTON LINK

lla\\thorndui Lecturc 'l‘hcatrc. National (iallcr_\. thc Mound. 03-1 (\Shil.

Vincent: The Full Story lzwi'} 'l'hu until 3l Scp. l lain. .\ \xcckl} l'rcc xcrccning ol Waldemar .lanuvualA ('hanncl 4 \L'rlL'\ about the lilc ol' Vinccnt Van (iogh

Vincent's Scottish Min: Alexander Reid and the Taste for Van Gogh in Scotland Hi 35 .-\ug. [3.45 l..‘~l)pni. l-‘rcc. Franco l‘onlc C\;tllllllC\ at the \torin} rclatlonxhip hctnccn ihc Dutch paintcr and (il;hg0\\ an dcalcr. .~\lc\andcr

Reid.

for GLASGOW ART see non-festival magazine

A Journey into Fame: Vincent van Gogh and the Art Market around 1900 luv 3‘) :\ug. I345 l illlilll. l'lL't' (‘hrix Stolmik mploi'cx thc t-llu'i that [lit- lllll'UtlUL‘lliill ol \an (iogh'x \xork had on ihc lauropcan art inarla't Photojournalism Reinvented for the Digital Age \Vcd ill .v\ug.

13.45 lfililiiii. l'rcc. (int) .\lc(‘ann look at thc nap in “lIlL'll tct‘hnolog} ll.i\ allcctcd pliotoliiurnalixin

Scottish Artists Abroad Mon -1 Sup. 133-15 lfillpin, l'lu'. l’hillip long lovuwx on lllL' \xork ol Nth ccniui} Spoilixh ill'll\l\ \\ how tram-k .ihioad haw inl'lucnt'ul thcir art.

Portrait Miniatures: Curator’s Talk lth 5 SUP. l3.4.i l‘illplll. l‘l'L'L‘ .\ liiiik .il ininiaturc portrait \xot‘kx h} Sainut'l (ampul. Richard ('oxua} and Hunt} Rachurn \Hlll l)l Stcphcn Hind.

Private Gatlerles

I AMBER ARTS

TN \liillll'iiu‘ IliL'l'l'tlka. WNW) lllll. Ni llti". luv In Main 5pm; Sai Illain 3 illpin

Wayne Warren 8. Delia Marjoribanks l'nul Sal lh Scp. Bold and pla_\ lul [thllllllg‘x \L'ulpturc and prinix l‘} lllL'\L' [\Kii .il'll\l\,

I AMBER ROOME 35/") (‘umhcrland Sircct. 555 1353

\Vcd Sai llain (ipin

Delicate Ground 000. l'nul 'lhu Scp. li\pcrnncnta| \\iill\\ h} l:(‘;\ graduate ;\ndrcu \laclwn/ic L'\[‘lill'lll:_' L'Ullll';t\llll:._' \i}|cx ol landwapc rcprcwntatnin, I’m! u/ l;.l/-. i-

I ANALOGUE

lll: \VL‘SI I30“, 2:” llhlll Illain 5.3Hpin.

Will Barras l‘nul Sat 2 Sup. Sm illustration \xorkx on papcr and caniax impircd h} hip hop. gratuii and \erCI

_\lon Sat

aztx. l\_\ llll\ infanxom inc'tihci oi the \iauI ( ollctmc '

I ATTICSALT

<H lliNlc Slit-ct, \oiih l a\t I any. 33* 3""; \lon Sat llani hpin Everyone Comes to Holyrood .... l ntil Sat 3 Sup \\i\ll\ l\\ a f.,'li‘tl[‘\‘lllllt‘lllalh‘llal.1lll\l\li‘i‘ldllg‘ ll thy lit‘n/i tit-and hx lll.t\\ nit-din. \t'c imn'w pagc I“; l'..r.‘w'l \/ ' i

I CORN EXCHANGE GALLERY t'onxniuuon Sim-i. ml Woo \\\-\l \al Ilani -1 illpin licc

Lauren Kirkman l nnl lhu .‘\ \t-p

lutuicd lllSl.tll.illi‘ll hi tho \nn'inan .tll|\l Scc pimn'u. pagt‘ lHl

ll/

I DOGGERFISHER

I l (Lulu-Id Stiiiait'. “S 'l I“ \\t~d l ll Ilain “pm. Sat noon Spin

Moyna Flannigan: Well, Well .... l lllll Sat it! St'p l’ictti gioitwtpn'x and otht'i tailinalmtpn' liguit'x lix lllk' piolilit ll‘\.Il aitixt

/l/

I INGLEBY GALLERY h ( ’ailton lk‘lldxk‘. “h l 1 ll luv Sat Illain *pin

Thread .... l nlil Sat " St'p \\oil h} \lmaudcr ('aldci. l).t\lil Han llt'li'l. laii l)a\t'npoit. John \ld 'iat km and Ulllt'IS “NIH/l l/

Summer Bus Trips to Little Sparta l\t'i_\ \\t'd until it) \ug. l illpin ll *ii .\ phant't- to \l\ll tho l.Ilt' artixt'x ‘.'.ll\lt‘ll\ al lll'll\}lt' Ill lllt' l't'nlland lllll\ Hooking t'antial cinarl

inlom lllllt'\[‘.tll.t org ; 7 .

I INGLEBY GALLERY@THE OLD ROYAL HIGH SCHOOL

l\’L'_L'L'lll Riklil. *5!» -l~l-ll

Candelas Five 8: Six l'ntil l ll lR St-p llluininatcd .tll\\iill\\ h} |)a\id llak llt'liil in \xhn‘h llt' ll\\'\ mama} plaxtn llt‘lllS lo (It'lllk' a inulin'olouit-d light dixpla} ’ml o// l/

I SLEEPER

Rt'iat‘li and Hall \nlntt'tix. (i l).llll.l\\.l_\ Strut-1.35 S-l-l-l \lon l'll 3 *pin Steven Aalders l lllll I ll 3R \ug \t-v. with h} tln\ l)lllLll .tlll\l in! or/ \/

7 fill-'4 E ', ii? I STUDIO ONE GALLERY

lll Slalloid Slim-t. 33h 5M3 .\lon l ll ‘) Wain (illlll. Sat ‘1 Main < illlllll. Sun noon 5pm Sorry you Missed The 605 I nnl Sun 3" .\ug L3 iLli \llt'\llllL' llll.lf,‘t'\ h_\ photoiournalixi l’lnlip li|\kll\t'llil. uit'luding \holx ol lzli/aht'th la}loi. th'lldltl Iiurton. luigg} and \no I TRAVERSE THEATRE (‘aiuhiidgt' Siiu‘l. 338 MM Mon Sat Illain nndnighl. Sun (ipln nudnighi Stills Focus Space so I nul Sun i Scp “ork h} photographt-ix lioin Ipdinhurghk Stillx gallcr}. IllLllltllllj.‘ \lani la} loi. (‘arric (ioldxnnih and lzuuna

llanulton HOV/i "

Artist Spaces

I THE EMBASSY

“(i Izaxl (.l'ii\\g';|ll\c\\;|'\. N)" 23th

'lhu Sun noon “pill

The Thermos Museum l'ntil Sun Sup. Sir llol'apc 'lck'x world lainoux thcrinm llllhclllll rcturnx. Don‘t llll\\ lhc pct‘xonal toiux on Sunday at Ipin & 3pm and 'l hurxdap at ipin \i all other iunw thcic \iill hc LilllllllL'lllélr} \ia llk‘ incdiuin or an MP? pla_\ci

Ell/l?

Playing Beyond the Ha Ha l'nnl Sun 3 Sup. Work h} Sarah (’aincron. Katc ll;l\\l'\lll\. 'loina McMuHan and l'ranch Summcrx I’u/‘I n! la/m/mru/i :lmtuult'.

L/ZS' 'xlA'L? 79 EEE.