www.list.co.uklfestival
Festival VisUal Art
Edinburgh W
I CITY ART CENTRE
Z\l.ui.el \ilt't'i. *3" “Ni \iuu Sal ill.uu (pm. \uu unmu *pm if It i Sill. ti 1 l.uuli}
Albert Watson: Frozen l nul \uu .73 (it! lumz'ex hf: liu\ i «huiuugh imlu phuluz'mphei. K‘.ii|l\k' teieiuu} pnllmlh il.1\t'.l[‘[\t'.llt‘tillllll.tt.‘.l/|llt'\ \iikii .l\ \uz'm .lllli /\'t'//III'.' \fum
Anne Redpath and The Edinburgh School I nul \‘un 33 (let \llii illt' plum .uni i.lii\i\\.l|‘t' PilllllllljJ\ in \uue I<t'li[l.liii .uui he: \Ulllt'lll[\Hl.ilIt‘\
Toulouse-Lautrec and the Art Nouveau Poster 00.. l nul Sun 33 He! \ ihxplu} nl ileueh pmlel plule mt luthua' l< \kHli\\ h} iieiu‘l tie inuluuxe I .liiiit'k
Jaggy-Edge \i: 3h \ue lhe il.i\eihu§: ( i.liit‘l_\ iniix limit llliH lmxu \kllil 4: Ile\\ e\iuiul|uu Illllitili: :u the enulelupulh} uw ul euiluee. Iuelmhu): Plt'kt'\ h} \iei.uue (Lumlhu. Shah/m Sikunlel. ( illlllii.l ix'hueiu'le .uul u \peemii} t'it'Jlk'li milk l\_\ .luu luluiue. I’m! a! ll/m/vme/I \I/ ll \Illtll. "ii
I COLLECTIVE GALLERY
.73 IX (‘nt'khul‘u Slreel. 3le ISM). iue Sui uunu 5pm.
Matt Stokes: Pills to Purge Melancholy 0000 l nul Sui in Sep. ihe lll\l win \him h} the muuer ul lill\ M';u\ Ilet'ix'x i'llilll't‘\ -\\\;u'ti legnlunuy .l ueu l_\ t'llllillll\\lllllt'ti piece iHHixlllg.‘ :u luhuhuieh‘x lllll\lt' \t'euex .llili \uheuilul'ex I’m! w! l..i/.
Matt Stokes: Film Premiere 'i‘hu :~i.‘\llj.1.() Ill. illplu. l'ree. i‘he lil'\l \hmxlug Hi ;i Ieeeull} emuuuxxmuetl lihu \hnl Al the l‘xhel' Hall. in! u/ l.\/
Artist’s Talk: Matt Stokes in 35 .-\ug:. 3pm l'ree. 'l he :u'uxl lulkx tn ('nlleeln e (itiiit'l'_\ tiueelui'. Sul'uh \luum, I’m] u/ /.ll.
I COLLECTIVE GALLERY@ST GILES’ CATHEDRAL
Ru_\;ll Mlle. 32H ISM). \iuu Sui
‘kuu 5pm; Sun I 5pm.
Matt Stokes: Sacred Selections 'l'hu Z-l .-\ug_'. ". iilluu. i’ree. :\ ehnuee to hear lhe emuplele I‘epel'luu‘e nl quxle leuuu'etl Ill the Sum» ileek'x i‘urlurex
\\ quel'x um \uiu \hmx. \xiueh |llL'illtiC\ unl'lheru wul. hupp} hunlenre :ulti hluek metal t‘i.l\\lL‘\ perlni‘meti on the pipe mean I’m! ul/ ll.
I DEAN GALLERY
-3 iit‘ilnl'ti ix’imti. (ill 03””. i);lli_\ Ilkuu 5pm.
Van Gogh and Britain: Pioneer Collectors DO... l‘nul Sun 34 Sep. to til i; u l 3\ tree. li\iuiuliun ehurlmg lhe I‘einuuuxiup hetxxeeu \';u1(}ug_'h;uiti ilrluxh .ul euileelm'x. lneuxlug nu (ii.i\3_'m\ tleuiel \ie\;iutiel‘ Reul. Eduardo Paolozzi: Prints and Drawings l'nul Sun 30 (let. .\ xeleeuun ul \ereeupruux eleiuugx \xmult‘ulx :lutl tii';i\\1ug_'\ h} the liuunux \eulplur.
Ten Bindings for ‘Stone’ l‘nul Sun 3 ()el. ihxpiu} ul hunk iuuthugx h} l5;uth Shannon ereuletl lur Slum; :i imuk ul~ [‘tk‘llh i\_\ (ienrge \iuekgi} ilrmxu. Paolozzi of the Month I'.\el‘) ’i‘hu. 12.45 |..illplu. i‘iree. iiueh “eek l);uuei ilerl'umuu. [he Paulo/ll eurutur. gnex a talk on u thl‘l'el'eul \nu'k from [he (Uiit‘t'llt‘ll.
I EDINBURGH PRINTMAKERS 23 l'luuu Street. 55" 34“). Tue Sal Ilium 0pm.
David Shrigley 0.. [mil Sal lh Sep. .-\ \eleeuou of recent etching and \\\N‘tiCUI\ h) Dmitl Shrigle} made hemeeu Illilll and 2005 h} the tlgu‘kh humoroux (iuun/mn-eutior\eti mm. I’m! u! let};
I FRUITMARKET GALLERY
~15 \l.ul:el \lleel. :25 21K? \lnu \il il.uu “pm. Sun umlu 5pm
Marijke van Warmerdam: First Drop - What is and What will be 0.. l‘uui Sun l~ \ep i'lee i'u‘xl l k win exluiuunu in: the i)uleh .u'uxl See ie\ new page Ill-i I’m! u! I. ll
I MUSEUM OF CHILDHOOD ~13 High Street. ‘2‘) 4H: \luu Nu ill.uu ‘plu i'ree
Lost Childhood l lllli .\uu ill hep .'\u minimum ml pilHinJlJPih gatheleti h} .-\lilllL'\l} lulemuunuai hulking; min the pheumueuuu nl ehllti \llitilt'l\
I LEITH WATERWORLD
i"- i‘.;l\lt‘l‘ Rmui. 53‘) W3“ Jaggy-Edge i'l’l i Sep. ill.uu 5pm I'lee. See ('Il} .‘\rl (‘eulltz i’lli‘ilt' (iniienex
I NATIONAL GALLERY OF SCOTLAND
Iiit‘ \inllllti.(\2-1(\:illl, \iiin “mi t\ i'l'l Sun illguu 5pm; 'l‘hu likuu "pm. Rembrandt at 400 l‘nul Sun 2" \ug .-\ xeleeuuu nl Ill;l\lt'l‘ pruux 1n eeieiuule the -l(lllth illllll\t‘l\;ll'_\ ml the Huleh :u’llxl'x hu'lh. ifx‘éi ml MN 7i 7’, 8i i
Devil in The Detail: The Paintings of Adam Elsheimer (1578-1610) 0.... l'ulll Sun 3 SUP. L(ilL-illlii:\il1‘t'. Rwyli St‘tlllhil .’\e;uieluv\ Building. :\u miuluuuu ml the llll_\ quxlerpieeex lhul (ieruigui-imru i:l\heuuer ereuteti nu \umli euppet piulex, i/\8i (Ii iAN/Qi i(} Si i . Vincent’s Views on Art l'nul Sun 34 Sep. .-\ \umii thxplu} h} :u'li\l\ uhu iul‘lueneetl the great i)uleh puuuer. \ueh il\ l)e|;lerni\. Seurul :uiti Huuiugu}. Ron Mueck oooo l'nul Sun I ()el. U» 1H); ullx l'ree. Rina] Seuluxh .-\e;uielu} Building. ii}per—reuli\lie \euiplurex rendered luulmlieui h) the luet that the} hux e been created \uuugei} uul ul' proportion. Jaggy-Edge \Veti .il) Aug.
likuu 5pm. i‘ree. See (’u) .-\rl (‘euue i’lliiilt‘ (i;liiL'l‘lL‘\. I’tll‘l HI Iii/7.
Far Horizons: Artist Travellers 1750-1850 Sal 3 Sep Sun ll) i)ee. i‘ree. i’l'llll\ and th‘uu iugx h) Britiin :u'uxlx lrgneiling below the age ul quxx luul‘lxiu. tlrgmu l'mm lhe Nuliuuui (itliit‘l') permanent eulleeliuu. NH‘.’
Si l( W5.
I NATIONAL GALLERY OF MODERN ART
"5 iieiim'ti leti. (324 (i300, iXlii) likuu 5pm.
Robert Mapplethorpe ooooo l'uui Sun 5 .\'m. to (Hi. The lll‘xl t‘\illi‘llltlll ill St'tlliilliti tiC\UIL‘tI L‘lllil‘ci} In the uulm‘inux imd ho} ul photograph}. See rex ie“. page ill}. Jaggy-Edge Tue 2‘) Aug. illum 5pm. l-‘I'ee. See (it) .-\I'l ('enu‘e. l’uhlie (iuiiel‘iex. l’ur! u/ lat-l I".
I NATIONAL PORTRAIT GALLERY
i Queen SII'L'CI. (ll-i fill)”. \lnll \Vt‘ti & i‘ri Sun illulu Spin;'i'iu1 Illumr'fpm. Thoroughly Modern Women
.0. I’L‘\[k‘elcti Sculllxil l'emuie HULK \ueh ;I\ l);uue ilelenu Kennetl) and Dame liluru .\iei.emi Hi~ \it‘ix‘nti. LAST CHANCE SEE.
Portrait Miniatures from Scottish Private Collections l'nul Sun 2‘) ()el. lhxpiu} of rare uuniulure pumuugx.
The Face of Craft: Portraying Scotland’s Makers l'nul Sun 8 ()et. l’hutugmphx ul' modern Seuluxh erult IllukCl'x their em mmmenl and the Ui\_|L‘t‘l\ lilL‘) t‘l'L‘dlC. ii) Shunnun Inllx
l'nul Mun 23 Aug. i’uru‘uilx ul'
. An exhibition of late modernist canvases b the Robert Ryman ’
American artist, taking the stuff of painting - the support, paint, and various simplified techniques of application — and creating a series of minimalist works in white. from the late 505 to the
present day. l Hire/few; House. Ham ('3‘: (Em
Being There: Harry Benson’s Fitty Years of Photojournalism OD... i'uul Sun 7 Jun. U» l U l; u i Ix l‘ree. (’elehril} puru'ulh and i‘lL‘iiixlllf.‘ neux pielurm l'l'ulu luliueulmi I‘l't‘\\ photographer iizu'r} lleuwu. See
in ie“. page 104.
Meet the Makers: Sarah-Jane Selwood lhu ii \u;'. h (l lipiu i'lee \ eimute ln it'.liii unue .iimul lht‘ \\Hli\lll_L‘plik't'\\t'\nlu‘l.llllltl\i\.1l.lil .Luie Selmmtl \xhn leuhuex m lhe i .m' ml (‘mll mluiulwu iluuitule eweulmi (All “3-1 h-l ill
eyond
"“' Palace
lsiamie Art from the
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State H ermitage Museu m
on" t" the N llllllvu' Mono-uuv. u' ‘.. ull'tl'ni
Chambers Street. Edinburgh
tel 0131 247 4422 www.nrns.ac.uk/palaco
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