. 'Musi§A:-Rock&POD
Glasgow
I Daniel Powter .'\li(’, Nil Sgiuuhichgill Slrcct. ‘3 3333 7pm. U35“ llciinic hzittcd pint—Blunt :uigxt} xiiugui‘itcr \ihn it'L'L'llll} ltutl :t 'lialtl l);i'\' :\lltl \(l tlltl \\ L‘. uhcn \ic hcuril it.
I Acrylic lcon, Blame the Bassist, A Means to an End, Green Door Clinic und Zenith Sniiiiilhiiux. J7 “Mk-park Strut-t. 33l 405‘). 7.30pm. U» lL5l. ()wt- l4\ \hmx. lilllll/rtlt'lk lull.
I Joe Satriani R«i_\;il ('iiut'ci't Hull. 3 Siiuchichzill Slim-t. 353 Hlltltl. 7. illplll. £33 50 £35. ()llt' ill thc iiimt tcchiiiuill} iicuiiilplixliul llL' trcihiiiii'tl-uiiiiighngi guitui'ixtx til min lllllL‘. Siiti'iiini hi‘ingx lll\ \i\-\ti‘iiig_' \ii/iii'tli'} in (il.i\g_vmi .l\ piii't (ll lll\ ‘Supcr ('ulmxgil' tour.
I The Strawbs Rt'llllt'“ l't'l'l'}. .-\ntlci\tun ()uii). 'l‘hc lirnniiiicluu. (HOUR 3(i5 5| 1. 7.3llpiii. L'l-l lgitli i. L'lti itlmirl. liiilk ruck \lll'\l\iil'\ iihn tciitui'ul Rick Wuhcmun iii thcii‘ linc-up iit (lllt‘ liinc.
I De Rosa and Babygod Mum». l2 Klllij ('iiui't. King Slim-t. 553 9453. Spin. l‘i‘cc. (iiiiugq hiintl liiunch thcii' gilhuiii «in ('hciiiikiil l'iitlci‘gi'uuntl. Soc m it“. piigc ()7.
I Need for Acoustic Music \Vlllxllt‘h Mothct‘. Ill» Hum Road. 57h 053*. Hpiu. i'll'L'L'. SL‘L‘ Still I l.
I The Optimystics 'l'lic Built-ill} and thc l’ig. I53 liiith Sti'cct. 331 77] 1. Spin. i'il'L'C. :\L‘tllt\llc :\ll';til‘ \t'\\i(lll.
I Saint Jude’s Infirmary 'l‘lic (itml. I387 Argflc Sti'ccl. 357 7373. 8pm. l'l't‘t‘. llUllL‘} «nutctl \iicztlx IllL'L'l \t‘lu‘l l’iitlci'gruunil lllllllL‘llCC\ In Main) Stiii' L‘l'l'ct'l. l’url u! I/I(' lli'U Ifml l't’\lil'(l/.
I Simon Finn li‘hui ()\ nu. 43 (Mayo lunc. 357 4534. h’piii. {(i. \L'tct'uii
in} clictlclic l'ulk \ingci‘. tutii'ing iii prtllllttlt‘ thc i'c-rclciixc ul hix I‘lti‘) iilhuiii I’d.“ Illl' “ism/Irv.
I Where Angels Fear, Rost iiiitl Darkest of Peru Nicc'ii'Slciix). 42l
76 THE LIST 8-22 Jun 2006
Suucliichull Slrcct. “1 lNlNl ,\ ztlpin 1'3 ('huiik} ultimk lull
I Peter Brian, Prezident Prime, Caliber XX and Nowhere Ends I ‘ih \ntc (Int. 5“ (ill Kill}; Slim-t. 55‘ IN“ ‘lpiii. L? llllrlL'dlL' lllt'ldl lruiii Kctlcriiig hgiiitl l’ctcr Brian. \llpl‘ttflt‘tl h} inctulmrc truiii .-\_\i\hii‘c .llltl Dundee
Edinburgh
I Bela Emerson, Hockyfrilla, Visitor 0, Calvin and Vinyl Vandal (lilc l{tl_\.tl lihlrtl liiii‘. l" \VL'xt chixtL'i Sti‘ccl. 55" 4793. 3pm £5. \illw. lmipx. L'lL‘L‘lritlllt‘ cello iiiiil tlrlllll k l‘;l\\
I Employee of the Month, The Joe Acheson Quartet unil The Action Group llcni‘) is (‘clliii‘ But. 8 Hui \lurriwn Strcct. 338 WW Spin. L11 Snimith \(llllltl\t'.’l[‘L‘\ itith u hlcntl nl i;i//. ruck untl clcctrunic lllllllt‘llL‘L‘\.
I Setting Sons and The Jackals liiinnci‘iuun'x. \itlilr) Slim-t. 556 3354, 8.45pm. £4. ()i'igiitiil ruck in ii lllt'tl \t}|c lruiii Sctting Stiiix.
I Acoustic Open Mic lllL‘ lion. 0 Hunter Squui'c. High Slim-t. 33Ml‘l1l, ‘Ipin. lii'cc. Scc Sun I l.
I Raff zintl Jase \Vhixtlchinkim. J 0 Smith lii‘itlgc. 557 5| I4. Upiii. l‘i'cc. ('mci'x :inil iii'iginulx.
I Into the Mic ('iihui'cl \iiltiiii‘c. 30 3E liliiii‘ Sti'cct. 3300176. “hillplll .iuiii. l; Dix and liw lllll\lL‘ gill iiiyht lung: ;ll thc i'chruntlcd Rixc l'p. 'l'hix iiiunth‘x lineup I\ still lhc. hut thci‘c\ ii llt‘“ l‘uriiigit \\ itli luui :it‘tx plining lull \clx \\ ith the hut guing on to phi} against uthcr \\ iiinci‘x.
Monday 19
Glasgow
I Black Dahlia Murder, Born from Pain, Maroon, Azriel and Bleed from Within 'l‘hc (‘illlllllhfl l5 lillltlll Sti‘cct. 3-13 (i(i(l(i. 7pm. till. ()Vcr- l-l\ \liim. l)c;ith iiiclzil and llill'tlL‘tll'L‘ hunun/ii.
:21 Frances McKee, Eugene Kelly illltl
The Pictish Trail .\li(‘3. Wt Saut‘hichtill Slrcct. I133313 "pin LN lhc tum \hining ll:_'lH\ wt thc \‘ht'lllltN \himtxm‘ \‘-ll.ll tht'} \c l‘t't'll up in in thc l5 _\c.ir\ Hl m \lllLt' the} hilly up will \L'pdldlt‘ \ch But. \xhn knmu. tlit‘} mix no” he [‘lL'MlllL'tl until in run thinugh .i It“ old l.i\nuiitc\ xiit'h .t\ ‘Rni_\ Rl\lt'\ \lc R.m' and ‘Sun l‘l .i (itlll.
I The Nintendos, The Riffs, Somnus .mtl Refuge Point \l.ltlllt‘\\. lit litilli\\;'ll Slit-cl. "pin L-l \\ccl\l_\ \hnumw nl luml huntlx
I The Fratellis tllltl Louie Hull}. 2m: (lulu Sti‘cct. llN—ll ‘NV WW" 7 :“pm tlln Scc Sun ll lui’ thu l'ixitclhx \xiin .llt‘ It‘lllt‘xl h} l'.\\t'\ tccn [‘lllllu lnuic Scc pim mi. inigc "
I Grant Campbell lii'cl. N at: \\ltli~lt ltllk‘. ‘43 J‘ltiti 7 illpiii L5 lugiil xiiigcivkuiiguiitt'i‘ [‘l'ttlllttllllg tlchut .ilhuiii I’mli (1I(/\ mini \i'll/H'H ’41” ul [lip ll. \I hid li'iliiit/
I Acoustic Jam \igc'ii'Slt-u/i. til Sgitit'hichgill Stt‘cct. “3 (MN) xiiiii l ii‘t' Scc \lnii I3.
I Grizzly Mister dlltl Take a Worm for a Walk Week liar lilm. ll“ Huh Stiu‘t. 574 (itltih ‘lpiii l'lt't' \nixu'guiii lltll\L‘L‘Hl'C. Ht Wt} .iti';iitl
I Locust, Captain Howdie and Restless Native l3ili \iitc (Lilc. 5H (ill King Slim-1.553 INK, ‘lpin L3. \ut l/iii: Incuxt. but ;i llt'“ lxiiitl li'niii (inui'iit'k \\lltl [ll'L‘\lllll;llll} tliiii‘t (ll't'\\ up in lll\L‘t'l t‘iixluiiicx. l’llh iiwihtn nippiii‘tx.
Edinburgh
I Stepping Stones 'l‘ht- Jam lltluxc. 5 ()uccn Sti‘ccl. 33h 433“, "pm iiiitlnight i'il‘L‘C. SCL‘ \lilll I3.
I Racebannon, Battleship lllltl Eye llcni'} '\ ('cllgir But. 3 lhgi \lui‘i‘imii Sti‘cct. 333 0595. 7pm. [5. l’x)t‘lliitit‘ ;i\;int— hiii‘tlcurc ll‘tllll lilimiiiingtnn. llltlldlld.
I BR549 ('iihiii‘ct \hltuitt‘. 3h 33 liliiii' Sti‘cct. 33H (il7(i. Tillplll. U3. ()ltl \t'liilill hunk} tunk hiiiiil. thuugh tlic} 'w hccn
tciiipcziii; thcii ictiw \t‘lllltl .llhl gum; uhiiiixtituiizi lt'tt'llll\ \iui‘titig u iili lhc \tllh‘ l‘ltNllltt'l .l‘ 'l‘t‘ lli\:q( llit'kx \x' t.tl‘ll\‘ll. lug: 7‘ I Blank Generation. Black River Falls .mil Dog Tired ll.i:i:i.-:v~.:.iv~.\ \ttlilii \llt'k'l. 55“ ‘35; \ 153W: '1 l.u.:' intk .illil ll‘ullt'
I Open Mic \\ lll\llt'l‘l".l\it‘\ 1 ti \i‘llll‘. iill\l_‘."\'. 555 5l H "pm I \c; \ii‘ll i,‘
Tuesday 20
Glasgow
I Art Garfunkel ( lxili' \Llillli‘l‘Llli‘. lllllllt‘\li‘ll (Jim. “th H1" W“ L ‘5 \ii t'xciiiitz' \iitli lllt' \\\ct'l \uit \tt (i.tll1llll\t'l.\Klll‘1'.i\i'll\lll\‘ll1l:'l}l\ ‘liiiglitt'tt'x'. .il‘t‘lll l.ll‘l‘ll\ llt l‘k'ill l \ci
I Nemesis Theory, Simply Ronnie, Well Kept Secret, Too Many Humans .iuil Drop Dead Discotheque \kiuiitlliuux. 1" llttlt'i‘aik \licct. .‘.‘l U5" 7 zllpiii Unfit ()xgi I 1x \llit\\ lx’iulx ‘iill I David Allison: The St Kilda Tapes ()i.iii \lui. all '15ttimt \Mxtcin lx'iml. 335‘V-1-1 \iiiii 1" till \iiii'ui mtii'ixzitcr
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thc \xwiltlk :‘ic.itc\l \i‘!‘:'
.llltl .it'ntixtit L'lllltllhl t'\ll.li'lilll‘..llli' l‘l.l\lll‘.' llH' mci liliii llt‘lll thc \utllhll l iliii .\lt‘lii\c lit! nl tilt ll: if I ix: /,
I Drift, The Long Walk Home, White Lightning .llltl The Get Set Go ll.iill\ ll|p\l;itl\l. 3M) ( ‘l_\ilc \llt't'l. t'\ 'll “1" (NW) Hpiii L5 llltllt' liiic ill‘
I The Kiteilying Club ltlm: l)\l‘i.i l. ()l.ij_'ii l..iiit‘. I571531 \piii t‘ llllplti\l\.lllt‘ll \Hlll lllt'llll‘t'H ml tli;~ (il.i\;:u\\ liiiiiim ixt'ix‘ ( )it'hcxtin.
I Larry Guild lht' l iiitiiil \llllt. l (il't‘Jl \\L'\lk'lll letl. Hl l‘ml \I‘ltl l ls" l‘it't' (Iiiitli St'xxiuiix llllell \n- l ii lti
I Right Hand Left, Astro Anonymous, The Hype .lllil The Works ll.llll\. 3"” (‘l\tlt‘ \lli't'l. llx7tlttll7lltlll‘) hpiii (5 lellllilldllil l.clt\ lllllllt‘llt't'\ l.lll‘._'t' llillll l ml /t'l\ tn liltlt‘ l).
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