Visual Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@|ist.co.uk. Listings compiled by Rachael Street.
Glasgow
I THE ARCHES
353 Arg}lc Slrcct. H37” 34“ 7'53S. ltlam- lllpltl’. Stiii nooir lllpm.
Vital Decline lIIlll Thu 4 Ma}. Sarah Schor'x high gltiv paintingx c\auuttc \cxualit}. hcalth. dcca} and dccltnc. LAST CHANCE l0 53E l
Folk 'l‘tic ‘) Ma) -'l'hu l5 Jun. l)l\lttrlt'tl portraitx. llslll}: \tock [illtilttx or inaga/incw uhtch arc thcn la}crcd \tith paint. h} [an llcal). Nl ‘.'.’ St KAT,
I BURRELL COLLECTION
3t)(ill l’ollokxhatu Road. 337 3550. Mon- 'l'hti tk Sat Wain-5pm; III A Sun llam- 5pm. l'i'cc.
Through Your Eyes l'ntil Sun 23 Ma). l’lttllttgrttpltx takctt h} coinintinit} gt‘ottpx :tc‘t'ttxx (ilasgou olt‘cring ncu nap ot looking til thc llllt't'cll ('ttllccliott.
I CCA
350 Sauchichall Strcct. 353 4000. 'l'tic-l‘ri I lain-(mm; Sat ltlaut-(ipni.
Glasgow International Tours Sat 2‘) & Sun 3t) Apr. l0.3()aut. l~'rcc hut placcx limitcd. (illttlL'tl littx tottt‘\ run in conjunction \xith Sl’l.\': (ilttxgtiu.
Ross Sinclair: Real Life Painting Show l'ntil Sat 3 Jun. l'i'cc. A \olo \llt)\\ from acclaimcd Scottixh coutcmporar} artist Ross Sinclair that in\c\tigatc\ thc importancc of colour h} \It‘tpplttg hix \lekS hack to thcir tttoxt haxic L'ttltlptllIL‘IIIS. l’uri of (iluwmt Intt'ruutimiul.
Painting as a New Medium 'l‘hu 27 Apr. l lam-opin. L‘lll (£7). ()nc da} \_\lttptt\lllltt rtuuting iii conjunction “ith Rttxs Sittc‘l;tit‘\ c\hihition. Spcakcrs inclttdc l)a\'id Batchclor. Jcannc Sicgcl attd Barry Schuahsk}. I’urt of (i/.
The Work of Media Art in the Age of Digital Reproduction Fri 28 & Sat 3‘) Apr. 9:35-5:40. 'l‘tto-da)‘ conlcrcncc looking at thc ctttcrgcttcc ol‘ \ idco art and thc lISL‘ ol‘ clcctronic ptihlicationx. Scc SII'L‘L‘IlC\'L‘lPlIUlU\\0i'l\\.tll'g l‘or morc information. Part oftil.
A Short Film About the Beauty Shop Sun 30 Apr. 3pm. l‘rcc hut tickctcd. SL‘t'ccttittg til. \hot't \‘itlco \Hlt'k‘ dircctcd h} l’rancix .\lacl)onald till 'l‘ccnagc l'itttcltth lamcl. I’ur! oltil.
I CCA OFFSITE
73 ’l‘i'ongatc. 353 4900. 'l‘uc. \Vcd & Hi
I lam-opin; Tho I lam-0pm: Sat & Stin noon-opm.
Beck’s Futures 2006 l'ntil Sttn 14 Ma). ’l‘hc xcxcnth Bcck'x l"ttttuc~ anard tours to (ilasgoxx t‘caturittg Simon l’oppcr'x rcitttct'prctalionx ol‘ Janicx Joycc. Stcl'an Brtiggcmann's tcxt piccc. \tork h} l‘la\ ia Mttllcr Mcdcrim \\ ho marricx [first RII/(‘I' \\ ith (icorgc litiin and ()li\ ia l’lcndcr'x Manga IIISPII'L‘tl comic book. Pill”! viii].
I COLLINS GALLERY
l'nix'crxit} ot‘ Strathchdc. 33 Richmond Strcct. 548 3558. Mon-l-‘ri ltlani-5pm: Sat noon-4pm. l-‘rcc.
The Collector’s Landscape: Pamela So l'ntil Sat 13 Ma). Pamcla So c\plorc\ cross-cultural thcmcs rclating to ltcr (‘hincsc-Scottixh hcritagc.
I GALLERY OF MODERN ART Royal lixchangc Squarc. 33‘) NW». Mott- \\'cd & Sat 10am-5pm; Thu Ilium-Spin: Fri & Sun I lam-5pm.
Ruman/Nature oooo t'ntil Sun 30 Apr. An cxhibition ot‘ landscapc photograph} from thc (‘ioMA collection. including works by Thomas Joshua Cooper. Andy (ltiltlS\\'0fIlI} attd Patricia MacDonald LAST CHANCE TO SEE.
96 THE LIST 27 Apr—1 1 Max 2006
Marcu Coates and Gun Holmstrom
An exhibition of film and photography,
exploring documentary filmmaking practices. Coates’ extraordinary work (above) examines the relationship between modern day Shamanic rituals, performance and film, whereas Holmstrom‘s work is a mini documentary that follows the folksy sermonising of a Finnish vicar.
I Mal/tot Gal/wt. G/,'i:;_<;o.ta .iitrr/ 7111‘ .” Lit.
Material World: Sculpture from the Arts Council Collection t'util Mon 35 Scp. l‘rcc. A \clccliou ot \\tiI‘l\\ h} Britixh ttt‘tt\l\. including l)amicn lllISl. Sarah l.llc‘;t\ and Racth \Vhttcrcad. l’ari u/ (fl.
Curator’s Talk ’I‘htt l 1 Ma}. (mt). 7.30pm. .\'ata|ic Rudd li'ottt linglattd'x At’tx ('ottncil ('itllccliolt di\ctt\\c\ lhc ctirrcut c\hihition. .lltut'riul llm'ltl.
I GLASGOW SCHOOL OF ART 'l‘hc Mackintoxh (iallcr). to? chli'ctt Strcct. 353 45””. Mon—l’ri Illaiu-5piu; Sat 10am-3pm. l-‘rcc.
Jewellery Brut l‘ntil Sat (i Ma}. l-icc. Atrittm (iallcr'x. Annual c\hihitiou ol’ ‘noi\_\ ' jcucllcr} h} \ccond and third _\car \ihcrxmithing \llltlc‘nlx. lASl CHANCE. TO SEE.
William Kentridge t'ntil Sat 2t) Ma}. Mackintoxh (iallct'). ('harcoal drau ingx. collagcx. animation and \hort lilm h} thix South African artixt. \\ Itoxc \\t)l’l\ chartx a pcrxonal jotu‘nc} through thc lcgac} ol‘ aparthcid and colonialism. l’tll'l u/til. Mette Juul: Away and Back iii 5-Sat 3() Ma}. l’oditim (iallcr). l’hotographx oi this (iSA \llltlL‘lth tra\cl\ lt'otlt l)ciunark to Sihcria. \ia l’oland. BL‘ldI‘tlS. Rtl\\l;l. lixtonia and l.at\ ia. NEW SHOW.
I HUNTERIAN ART GALLERY l'ni\cr\it_\ ot‘(ila\go\\. S3 llillhcad Strcct. 330 51“. Mon-Sat l)..5ll;tIIl-5PIII. l-‘rcc. “venty Etchings by Rembrandt l'ntil Sill l5 Jul. It) L'L‘lt‘l‘l'illk‘ lltL‘ 4lllltlt hirthda) tott 15 Jul} Zoom ot' tltc grcat Dutch paintcr. thix dixpla} pickx otit \ttlIIL‘ oi thc lIIIL'Sl ctchingx t‘rom thc gallct'} '\ L‘Ullt't‘llttn til? tt\ Ct' Sll \llL'L'I\.
Animal Architecture: Do Brighter Birds Fly Faster? Sat 2‘) Apr-Sat 27 Ma}. .\'c\\ tilinx and photograph crcatcd ax part of a collahoratix c projcct hctnccu Mark .\'c\il|c and \cicntixh l‘rom (ilaxgou l'ni\cr\it} \ lliSIlllllL‘ ol‘ Biomcdical aitd l.llt‘ SL‘lCIIL‘L‘S. NEW SHOVK.
I THE LIGHTHOUSE
l l Mitchcll Lanc. 33l 65(13. .Mon & \Vcd- Sat ltl..‘~t)am-5put: 'l‘uc l lam-5pm; Sun noon-5pm. £3 iStlpi.
Architecture in Scotland 2004- 2006: Defining Place t'ntil Mon 5 Jun. Scc Around Toxin lixtingx. pagc 3o. Babes in Sport Sat 3‘) Apr-'l‘uc 37 Jun. huagcs c\antining thc rclationxhip hctuccn t'cinininit) and sport. Four photographcrx from di\cr\c hackgrouudx tart. taxhion and prL‘\\l portra} thc \tork ot‘ Danish fashion duigncr Anna (iuliuanu. \\ ho rcuorkcd traditional \porting outtitx using patchuork. knitting and heading. NEW SHOW.
I LILLIE ART GALLERY
Station Road. Milugauc. 53S SS1". 'l'tic Sat lilaut lput tk 35pm
The Macfie Gift l'ittil “ml 11 Ma}. I'lL'L‘. 5‘) \\ttt‘l\\ tltlllillt'tl I‘L'l“ L'k'll I‘Nih and WM. h} Mactic l‘l'ttlllt'h Alan and John. IIL‘lglIlIttlll'\ oi totindci‘ Rohctt lillic. Emerging Images l'ntil \Vctl 2t Ma}. l‘i‘cc. l’aintingx and printx h} l'ttcrl‘axcd arttxt Mai‘j liond.
I MITCHELL LIBRARY
3” NM“) Sll't't‘l. 335,. 399‘), Slim “L‘tl Illautopiu; 'l‘hti “lain-Spin; l'itSat Illatn 5pm.
The Work of Patti Smith l‘ntil 'l‘tic t) Ma}. l'rcc. l)t'a\\ing\. paintingx atid photographx h} thc .-\iuct‘ican \utgcr and littt'l. I’tll‘! u/ (i/. LAS' yi' iz‘iNt Lt " / bl E , I PROJECT ABILITY
('cntrc For l)c\clopmctttal Artx. IS Albion Strcct. 553 333. Mon-lit lll‘dtll’Spltl. Substrata l'ntil Hi I‘) Ma}. l’apcr piccc\ h} artixtx li‘om thc ’l‘rongatc Sludlox.
Young Talent 06 [mil l-‘ri |3 Ma}. \Vork h} up aitd coming ;tl‘ll\l\ trotit acroxx (ilaxgotx.
I Q! GALLERY
ST-S") Salttnarkct. 553 35“. llatn5pm. After Winter Must Come Spring l‘util Mon I Ma}. [lain—5pm. l'rcc. l’hotogt'.’tph\ c\ploring ltlt'lllll}. \c\tialit_\ and t‘acc h) Ixrach artixt l)a\id Adika. I’tll'! I” (i/. 1/58" (:t'v‘aN/il' ' I) (St ,
I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART
3 ('a\t|c Strcct. 555 355". Mon-'l‘hu ck Sat lllam-5pui. l'i'i tk Sttu Ham-5pm. l'rcc. Vivid Voodoo Mott l May'l‘tic 31 ()ct. l-i'cc. l’hotogt'aphx h} /.tuna photojournalixt l.c\ Stonc. c\ploring thc Pl'acticc til~ \titttltttt on thc ('arthhcan ixland ol~ llaiti. NET; Still.
I STREET LEVEL PHOTOWORKS «W King Strcct. 553 3l5l. 'l‘uc-Sat Illatn- 5pm.
The Jump Films l’ntil Sat 3 Jun. A \cricx ot~ \hort lilmx h} Mark .\'c\ illc. \thich \hott tltc artixt jumping or talling trotu \itrlttUS hridgcx in Amxtcrdani. [King a high-\pccd tiltn canicia. cach film I\ \lttll ttl a tlll‘l‘L'l'L‘lll \pccd and L‘Xplttrc‘S thc lcgac) oi pcrt'ormancc artixt~ \llL‘lI ax Bax Yan Adcr and \'\c\ l\'lcui. l’tu'l u; (il.
I THE STUDIO
3| Salttnarkct. 553 "’57S. llam-5piu. Isabel Nolan l'ntil .Mon l Ma}. Solo \lIt)\\ h} Irixh artixt Ixahcl Nolan. l’ill'! of (il. LAST CHANCE TO SEE.
I TRAMWAY
3; \ll‘c'll lllt\t'. “V35 5‘1' 55lll lilatu 5pm. Sat :\ Suit noon 5pm Streams of Story l nut Mon 1 \la} lli\ci\c \\t‘tl\\ dct‘ictutg uttagutattxc tc‘.tllll\ and thc “in tit \xltich thcxc tclatc to \Htlt‘l. j‘uhlu \i‘llct‘lllS h_\ .ltutiaua l itul \hl‘oud. l ikict \t.i_\. Sauna I\.illlll\li‘. ('hloc l‘tcitc aitd l \a Rothxcluld l'..t'
til 7 :' SEE
Artist Talks: Reem Fadda lut- .‘ \la_\. o 5llt‘lll licc lltc ducctot ot thc l’alcwtuuan \\\i\cl.iltitlt tot ('ontciujioiai} \tt talkx .thotit tltc \\ttll\ ot ltltlt.ttl.t l uul
Private Galleries
I GLASGOW SCULPTURE STUDIO
l‘hc llitggait. lll l’itidgcgatc. 55‘ llSS \\cd Sun I l.ttlt ttpiu
Anne-Marie Copestake 8. AR Lamb l'ntil Stut ill \ju \ tdco. outing and dt.i\\tng ll.tll.tll\t'\ h} \iutc \laitc ('opcxtakc. plux itctt \tllll‘llllt'S h \l\’
I .uuh .it tltc (iSS ( i.tllt'l_\. Ill lllltlt't'fjdlt' l’u'll i" .‘I‘ 5 ' ".‘l 5 \‘l';
lttclti
I THE MODERN INSTITUTE
5‘5 Rttl‘t‘llvtll Slit‘t'l. \llllt' (l. l‘ltltil .‘gl.\ z‘ll Mon I [I Want 5pm; Sat noon 5pm Henrik Hakansson coo l'ntil Sat 2*) Apt \c\\ \kotk lit tltc Suctltxlt .tlll\l. \xhich tcctcatw nattual jihcnoutcna tixutg lcchttologtcx to tit.igtut_\ .utd tll\lttll I’m: oi (il. 4 ' 3‘
I SORCHA DALLAS
5S1 Matg.tt‘ct\ l’lacc. tl‘Sl3 “H5545 ’l'httSat l-5piu
Gary Rough cos 1 ltlll Sat it Has \idco \Kitl'kS and diam ingx h} tltc toiuici mcuthci ot local .tit giotiji l‘llllt} Sttan. \tho I\ no“ haxt'd in Nut \tttk l’tut of
(i/. : ~25
I SORCHA DALLAS OFFSITE
3-1~ lligh Sticct. tt‘Sl3 (M5315 Ilaiu 5pm.
Gary Rough: Who is Everything l‘ntil Stut ill Apt Spcct.tll_\ cttlllllll\\litllt‘tl ttcon lliSldlldlltlll to coiuplctncut Rough \
main (1/ \ltim. “A t. E
Artist Spaces
I 130 BRIDGEGATE
it"? it) (All I 5. \ooit~5pui
LiIi Reynaud-Dewar l'ntil Mon I \la} ()l’lSitc c\luhttiou ilIfJ.tlll\t'tl h} tltc Mat} Mar} gallci'}. \llinklltj.’ laigc \ciccu \kttth and \toodcn llilltlllldlhl \culpttucw I’uit mt
(1.]. _,'l‘:‘)' I' "1.. . v?
I 18 KING STREET
433 IVS, 'ltichttu Illatu 5pm
Torsten Lauschmann l‘iitil Sun to Apr. Mt\cd ntcdia \totk ltoiu tlux (it‘l’lttdllil‘ttl‘ll .‘tlll\l \klttixt‘ \toik t'\[lltttl\ tltc lllL‘L‘llttlllc‘S ot thc digital pttlct'SS I’m! u/(i/..."’ " " "
I 20 KING STREET
tl"S*)tt (V74 UH, Noon-5pm
The Clamour of Ornament l‘nul Suit 3” Apr Sctilpttu'c and ccrauuc ptccc\ that xpan thc hotiiid;ii'_\ hctuccu art attd cratt
I’url u/ (i/. NW. 1 SE’
I 3 TRONGATE
353 J‘Mll. Ilaut»5ptu.
Ferdinand Kriwet l’ntil Mon I Ma}, Scminal \ittuid-picturc-ciillagcx‘ iuadc lot 'I \' itt thc "m h} thc l)uxwldortvhorn tillhl. ’tirt it! (il. t/«S' CHANCE 7’, 8??
I ARTISTS IN EXILE GLASGOW 3- It) ()xhornc St. 553 Totix Sat noon-5pm. Open l'ntil l-'ri 3t) Jim, 'I hc inaugural c\ltihitton ot tlux ncu protch \pacc lt'dlllfc“ picch h} arttxlx lt'otn Koxo‘m. Bulgaria. Iran and tltc l)cinocratic chtihlic ot (‘ongo
I E M E R G E D
54 Bcll St. 07%| (353 I‘m. Illaiu-(ipm. Miranda Whall t'ntil 'l‘uc 3 Ma}. Scll— portrattx. ax thc itfllSl attcmptx to placc licnclt \tithin thc contcxt ot thc \torld. l’tll'l Hf (il. LES? SHAH/4E "O