Glasgow
I The George Penman Jazzmen Monti‘oxc ('cnli'al. (i/h' \Valct'ltio Sti‘cct. Ill (lfillll. 2.30 5.30pm. l‘t‘cc. Vintagc .\'c\\ ()i‘lcam ia// \\ ith a Sil\ lla\oui‘ li'om llll\ \llll\\;ll'l ol thc Scottixh iii/x
I The Fusion Experience Bi'cl.
3‘) ~13 Axhton l.anc. 342 4000. .3 (rpm. l't‘L‘c. Sci: Ht 3 l.
I The Michael Deans Quartet Bar Bloc. ll7 Bath Sti‘cct. 574 (MN). 5 8pm. l-i‘cc. Modcrn ja/I iliiai'tct lcd h} tcnoi‘ \a\nian l)can\.
I Big Bob’s Jazz Band Bai INS. Buchanan llotcl. IXS Buchanan Sti'cct. 333 7384. 5.3” 0pm. l‘i'cc. Suinging Satui'da} ia// \cxxion.
I Jazz Supper with the George Penman Jazzmen (‘alc Sourcc. I St .-\ndi'c\\ \ Squai'c. 548 (i030, 8pm. Suppci‘ li'oiii No.05. Scc Sat l.
Edinburgh
I The Mellotones Nil ()uccn Strch Bar and chtaui'ant. St) ()uccn Strcct. Ill» 5007. 3 5pm. lii'cc. Jimm) 'l‘ailoi' and hand pla_\ \ottg\ h) .\lcl 'l‘oi'inc and otltct‘ gt'cat jal/ \ocaltxtx.
I House Trio 'l‘lic .lan Bar. 1 (‘hamhci'x Sti‘cct. Ill) 4200. 3pm. l-‘i‘cc. l\’cla\cd altci‘nooii \lot with thc llouxc 'l'i‘io on piano. ha“ and drunk.
I Kim Edgar .\lac|)onald llol) i'ood llUlL'l. 3| llol_\rood Road, “870 I‘M
3 lilo. (rpm. l‘i'cc. Scc Thu 30.
I Sophie Bancroft Ja/l (‘cniixz lltc Lot, 4/6 (ii';i\\iii;ii'kc‘t. 32* l ISS. 7.30pm. £8 (£7). Siiigcr/xonguritci' Bancroft lcadx a \tcllar quintct. l'catiii'ing; Sand} \Vright iuiiitarl. (’hick I.) all lkt‘)\l. ’l‘oiii l.}llt‘ thavl. Donald lla_\ ltll'llllhl. Part of ('ci/iiili (‘iiltiu‘i' 2mm.
I Birdland 80 Quccn Sti‘cct Bar and chtaurant. St) Quccn Strcct. 32o 5007. 0pm midnight. l'ircc. ('loxc \ocal harmoniL‘x a la .-\ndi‘c\\ \ Sl\lL‘l‘\. limit this l'cinalc trontcd group comprixing Jess Abramx. Lorna Rcid and Mariannc Patrick.
Wiszniewski/Demuth/Schumacher Project
I The Jazz Bar Quintet 'l‘lic .lal/ Bai'. l ('hainhci‘x Sti‘cct. 230 42‘)”. 0pm. l-i‘cc. Var} in}: linc upx loi' thix li\ c piccc hand ol top lllll\lL‘l;tll\. piit togctlici' cach \xcck h} llltllll\l;t_\ ol thc lzdinhiii‘gh ia// \ccnc. di'iiiiiiiici‘ Bill K} lo
I Fish Fry 'l'hc .la// Bai'. I ('liaiiihci‘x Sum. 22” 43‘)“. l lpiii 3am. l'i‘cc hcl'oi'c l l.3()pm; l5 altci'. Scottish ia/I. tank. will and l.atin haiidx ioin I)_l\ lii'ik l)'\'il\ing_' and .-\\ti'oho_\. lt‘x a [K hip hop \pccial \\tllt Bi‘olxon'lznglixh ll .-\pri lolloucd h} \Hlll ia/I trio Bcllci'uchc and gucxt l).l l)oin Sci‘xini (\Vah \Vah 45M on 8 Apr.
Glenrothes
I The Lang Spoon Festival Rutlth llallx. Kingdom ('cntrc. HIS”: (il l llll. 'l‘ilttc\ \ttl'}. l’t'icc\ \itt'}. SL‘C l't'l 3 l.
Glasgow
I Jazz & Ragtime 'l‘lllt‘t‘ .ltldgLW. Dumharton Road. 337 3ll55. 3pm. l-‘i'cc. chiilai‘ Stinda} ragtimc and [an \L‘\\lt\lt in thc ‘i'cal (ilaxgim. i‘cal alc' pith.
I Chris Clark Trio and Friends Bar Buddha. 8 (’i'cxucll l.anc. 337 (CHI. 4 7pm. l‘i'cc. Mcllou. iiiainxti‘cam ia/l l'roni (‘lai'k and hand \\ ith \lll'lttth gllL‘\l\ joining in thc liin cacli \xcck.
I Curtis Stigers ..\B(‘2. 330 Sattchicliall Sti'cct. 333 3333. 7pm. U751). Rt‘c‘c‘ltl .lll\l I/Ii‘ [tin n] (\ contcxtant Stigcrx pci'l'oi'im a iax/ inl'uxcd \ct.
Edinburgh
I Martin Kershaw and Friends Forth l-looi' RL‘\l;tllt';llll Bai‘ «k l3i‘;i\\ci‘ic. llitt‘\ L'_\ Nichol» 3” 34 SI .-\ndl‘c‘\\\ Squai'c. 524 335i). l2.3tl 3.30pm. Kt‘l‘\l];t\\ prox idc\ thc pcrl'cct mtmcal accoinpaniincnt to a linc Sunda} lunch \xith hix \oaring \a\ \oundx.
I Louise Dodds and Paul Kirby (‘cntotrc. l()3 (icorgc Strcct. l 4pm. lircc. Having just complctcd a mini l'K tour promotng hcr dchut album. thc
The first taste on home ground of a quartet that has already toured successfully in Europe, in which saxophonist Konrad Wisniewski and drummer Alyn Cosker hook up with two musicians from Luxembourg, vibist Pascal Schumacher and bassist Marc Demuth. fl UN} ./(i// (Iii/int) (If Hit) 1 of, l'dl/lht/lgll, In (H Ar'li'il.
lidinhiii‘ggli \ocali\l Plll\ iii a pci'l'oi‘mancc “lllt pianixt l’atil Kirby . Kim Edgar ‘l'llt' l.l\ Illj.‘ Riiiitll.
I 13 HS (icoi‘gc Sticct. 33‘) RSI I. lpiii l'i‘cc. Scc Thu 3“,
I House Trio 'l‘lic ,la/l Bat'. I ('haiiihci‘x Sum. 22“ 42‘)”. 3pm. l-i'cc. St‘t‘ Sat l.
I Big Seat by the Fire in mi Rim l'nion. Brixto Stiuai'c. 223 IISS.
7 llpiii. l5 (£3). .'\n ciiiinahlc and cntci‘taining.‘ cxcning: ol pci'lorinancc h} mcmhci'x ol :\l .l’ S.\l( i. l’uri u/ ('i'i/u/li (ill/[HIT SINK).
I Live Jazz ('ttlc‘ (il'ulldt‘. l.\'—<l Bi‘untxlicld l’lacc. 323 llflh. 7pm. l.i\c ia// uliilc _\ou dinc. 'l'hix \icck \\ itli thc R(l\lt' lilllt‘ l)lltt.
I Live Jazz 'l‘hc .lain lloiixc. i ()iiccn Strcct. 326 433“, X I lpin. l'i'cc .la// night at thc .lam lltllht‘ \Hlll llalioi' \lcdhoc on guitar and KM in (ilaxggoxi on lxiw ()pptll'llllllllt‘\ loi .ill to taltc pai't. \\ liatcxci‘ )oiii' lll\ll'lllllt'lll
Glenrothes
I The Lang Spoon Festival Roilm llallx. Kingdom (‘cnti'c. ill 5‘): (il l llll. lllllLW \ai'_\. l’l'lt't‘\ \ai‘}. Scc l‘l'l 3|.
Glasgow
I Mem Shannon 8. the Membership Studio ()iic. (irmxcnor 'lci‘i'acc. 34l (fill). ‘l.3llpiii l‘lcc. Honda} night hlucx ina_\licin ti'om Mciu Shannon and hand.
Edinburgh
I The Great Jazz Jam Session Thu Jan Bar. 1 (’haiiihci'x Sti'cct. 33H 42‘)”. 9pm. lircc. lixpcct a rich llll\ltll'L‘ ol
\t) lcs ax laccx old and ncxx drop in to pcrloriti \\ Ill] lllL' llttllw llit‘iH L‘HL‘lt u L'L'l\.
Tuesday 4
Edinburgh
I Jason Faichney S}gn. IS (‘harloiic Lanc. 335 6060 (rpm. lircc. \Vcckl} rcxidcnc} for thc \ingcr and pianist
Jazz Music
phonic i.i// llllt'tlt‘tl l‘liic\. lmozfic .iiid \i‘lll
I Live Blues llit- .Liiii llotixc. * ()iiccii Sticct. .‘3h -1 3\il ‘lpiii llllillll}flll l-i'cc \\ccl\l_\ l‘lllt‘\ \\‘\\lt‘ll .it tlic l.tlll llottxc lioittcd lo \i‘l\.ll Ban lat \ll .iic \xclcoiiic to ioiii in
I Bill Kyle‘s Sh“ Hot Jazz Quartet llic l.t.’/ Bai. l (liaiiil‘cix Sticcl. 33H Ali‘lll "piii licc l plwat pioiip lc.itiiiiiic Bill ktlt' tillllllhl. l)oii_~_' lipl.id_\ t\.l\t'\l. l‘.iiil l\lll\\ ipiaiioi .tlltl Km in (il.t\;'ii\\ ll‘tl\\l
Wednesday 5
Glasgow
I Michael Simons It Ii.” (tum. lh‘t l)t‘.lll\lillll)l1\t'.(‘-l‘)v‘:§\ .\'piii L.‘ (il.l\_‘._'tt\\ hale g'ititaiixt l‘l.t_\lll_t.‘ loll. l‘lllt'\ .tlltl l‘t'hlllltl
Edinburgh
I Brian Kellock with Fionna Duncan and John Barnes .l.i// ('ciitic. tlic l ot. to ( il.l\\lll.lll\t‘l. NV 53”” N 3llpiii t" lx'cllock\ \\t'\lllk'\tl.l_\ lllletl \t'.t\i\ll t'itllllllllt'\ \\ itli a night packcd \\llll liiiiiioiii .llltl \\\lll_‘.‘ .l\ lic tc.iiii\ tip \\ itli \lll;‘t'l lioiiiia llllllt .iii and \.i\oplioiii\t .lolin B.iiiic\ toi .i at ol top notch ti.iditioii.il .lllil lll‘tlll\llt‘.tlll ia//
I Jazz Jam and Open Mic Session .\'ll ()iiccn Sticct Bat and Rcwtaiii'aiit. Nil ()iiccii \ticct. .‘Ih ait‘l' ‘lpiii iiiiiliiiclil l'icc l‘illll )t‘.tl\irll lillell} ()iiccii Sticct‘x. no“ lllltl\\t‘t'l\. lllhl) opcii iiiic “Noon l\ \llll going: \ttoiig: .v\ll .iic ut'lutltlt' to ioin iii tlic lllll
I New Bands Night lllt' .l.l// Bat. l (‘liaiiilicix Sticct. 33‘) 13‘)“ ‘lpiii l'lt't' |)illcicnt tip and citllllllf.‘ l‘.tlltl\ \llt)\\t'.l\t' tlicii |.t// t.ilciit\ t'.lt ll \xcck I Marty Waugh Quartet lltc lam llittl\t'. 5 ()llk‘t'll Sllt‘t'l. .‘c‘lt -l 33“ lllpiii lllltlllllell l‘lt‘t' Stilixliiiiiaitci lcd h} \iipci \lllilitlll Siiiatia \t_\lc ciooiici .\l.ii't_\ \\.iii;._'li
Stirling
=1: Colin Steele’s Stramash l'olhootli. .lail \\'}iiil. 3* 3 “33” Hpiii L'lll tL‘M. |'.\liil.ii'atiiij_' |.I// lolk lll\ltlll. liill ol \iit .iiid \KthlHlll li’oiii \cotlaiid\ lcailing |a// tiiiiiipctci. ( ~oliii Stcclc. ll'tlllllllf.‘ a lll piccc hand that citlllltlllt'\ lll\ |a// quiiitct ‘Allll tliicc top lidillcix and a pipci‘ lioiii tlic Scottixh tolk \cciio plll\ t't'lll\l Sit a |.cc i\li \lclall'x ('liainhci'i. Scc pi‘c\ icxx. papc (ii
Thursday 6
Edinburgh
I Jayne C Wright Sign. li (‘liailoiic law. 335 NW). Xpiii l‘lt't' \cc 'l liii 3“ I Claire Daly: Unsung Heroes .la// ('ciitic. tlic l ot. -l/(i (il.t\\lll.lll\t'l. .107 ijtlll. X. lllpiii U) ilfii lhc lllxll \ocalixt takcx a llt'\ll appioacli to tan \iiigiiig. drawing on a lt'\\ iilix lHllN \ocal i‘cpci':oiic ax \xcll ax \Hlllt' ii'i'cxci'cnt lakcx on lt'\\t'l kiiimn \lttlltlttt'tl\. llt'l't' \llt' t'\|ll(llk'\ \ocal \L‘l'\ltlll\ ol iiixtriiiiiciital llllllll‘t‘h it} \lilcx l)a\ l\. \Va}iic Slioi‘tci. llcihic Hancock and Hlllt‘l\ \kllll \iippoi‘t lioiii ;l\\.'lltlr\\llllllllf_' pl.tlll\l. l’aiil llill'l'lvrll. l3;l\\l\l lad Kcll} and diiiiiiiiici ("lii'ix \Vallacc.
I Beat Root Juice 'l llt‘ .la/l Bat. I (’hatiihch Strcct. 330 -12‘)ii It) 30pm. l'i‘cc. SL‘L‘ ’l lttt ill.
Edinburgh
Preston Reed Ja// ('cnii-c. lllL‘ l.oi. 4/6 (iraxxmai'lxct. 37.3 IISS. 7. 30pm L'Il) ii‘h. l'll\lll:_’ hliicx. lolk. lunk and tau to crcalc aural pictiii‘cx ol .-\incricana. Amcrican \ctci'an l’l'L'xliill Rccd ix \xidcl} t'ccogittxcd ax lhc \xorld\ moxt giltcd acoustic filllltlrhl. I’url u/ (‘i’i/iil/I ('ii/Iim' Bil/ll).
>i'< Colin Steele’s Stramash ()uccn‘s Hall. (‘lcrk Strcct. 353 0330. 8.30pm. L'll) {l3 (£8 Hill. Scc \N'cd 5.
'1’, Mar 12/41 707', THE LIST 79