Theatre
"
Tony Cownie directs what looks like being one of the last productions by Borderline as a core»
funded company. A black comedy centring on a woman‘s quest to be a mother despite an unlikeable and uncooperative husband. this piece looks like the kind of night of popular entertainment that the SAC seems
bent on banishing from our stages. I RSAMD “N'Ri'lillix‘. \lii'i'l ii'Vl‘ \\(
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I ST ANDREW'S IN THE SQUARE \I \lltlli \ifx \\||l.lli' “" “‘lll.‘
Singin' I‘m No 3 Billy He's 3 Tim \iiii I" Inc _‘| \l.il Nlini Lillillil INN lhllun x t l.l\\|\ .iiili xt't1.iii.iiiiil.i} \t'k'\ mu l\’.lll‘,'t ix .iiiil ( 't'llit l.iiix Ii-t lxk'll iiii lilt'i‘llit‘i III .I tt'll lt‘l llit' tllll.llli'll iil .lll (llil l lllli lll.ll\ li
I THEATRE ROYAL
.fN‘ lliil‘i' \llt‘t‘l “A ‘llllll' \\( ,\\ \l
Romeo 8. Juliet l iiiil \.ii I.\ \l.ii iilliii. l llin i\ \.il ni.il .‘ illpinl
t In t.“ ‘H lliiiinnylmin lx’i'iu'iliii}
Ilit'.ilit‘ .inil llit‘ lwiiiingi (‘niixiiilinin
iiit'xi'nl llnx \t'l\lilli iil \li.ili‘\[ii'.ilt"x
iillnimlt' lint' li.ili' li.i_:‘t‘il\ \l.lll|ll‘.' HI lli Hi l.i\iiiiiilt' \ii !'ii|l.iiil
Sweeny Todd \lni. M \'.ii ‘\ \l;.i
illpni l Iliii A \Lil lll.ll _‘ l” ‘H l M NH \( iijli/wiiix xiinnl‘ l.l\|'ll lliinumn l.ll\t'\ «in lllt‘ llt'lllt‘ll l‘.lll‘\'l \um‘nci Inilil in llnx \lt‘plit-ii \niiillit‘nn Illtl\|\.ll \niliii ili'xtiilit'il lu'iliiinmntt‘ lliii .‘i \l;ii ' Winn
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nix Ullk'll. .i \\t'xl I Hi! lllt'illlt‘ \t'ixiuii Hi .i l)|‘_!‘lllt' lilin Illi\lll.l\ \ iiilt'ilit'i;‘ x l‘l‘N llliI\ It“ |i.ix l‘t't‘ll ili.‘ini;ilixt'il Ii} l).i\ ltl lliliiili't', It'llingg ilit' xlni_\ iil Ht‘liit- kliiiyt'iilt'll'x (iillli liiillii|.i} t'i'lt-limlinii \‘-ll|\ Ii liiiiix min xiinit'lliiii); il.iik .inil lilillllll} liiiin_\ \t'i' lllt‘\lt‘\\ inn't' Kl
zlllinii
I TRAMWAY
.‘\,\|ht-ii lliiu' nx‘ix Hii iiiii Iii. \\('. \\ \i
Into the New lllll .‘ i A I ll .‘-l \l.ii
X Winn t l it.‘i liniil )t'.ii \llltlk‘lll\ ml
(‘iinli'iiiliiiigii'x Ilimlii' l’i.it llt k' .il
RS \\l|) xlin\i.t.ixt' ll\'\\ .lllil \t'l\.llll\'
iii-i ltll lll.l|l\ t“ pm i'x
The Wolves in the Walls \.ii .“ \l.i: \.il ‘- \lii Illi‘l\1ll|\liiii| \t‘t‘ l\lilx lixlin-gx
I TRON THEATRE
(w Iiiiiigniit- *X‘ 1.‘h'
Perfect Pie lliii Hi \il l\ “.11 Npln i\.il .n‘ii liinii Ui tlii2* Hii \lt‘l|.ii Uiiiiit'x lllk‘.lll\‘( nziiniiix pit'xt'nlx ilit' ivicniit'it' nl iliix NJ} h} ( illl.l\ll.l|l [‘lil}'~\ll;'lll liiililli llinnipxun “liltll k'\.llllil|\'\ llii‘ l\‘l.llli‘ll\llll‘ lwlut'r'n l\\n Iiiin i‘xli.iii~.'i'il liit‘iiilx
Apocalypse . . . The Seven Angels lliil ‘l \.il ,“ \l.” \l‘lli H‘ Ll ; iHH lll’t'tlllk'( i§iilii lenit x llit' l‘li'l‘llt'llx \l\l|'ll\ «it Hit“ xt'it‘ii llllllll‘t'lx'l\ ml the \pmalxpw lllli'il}'ll illll\l\ \ixii.i|x .lllil [‘Clli‘llll.lll\t' lll\ Iniliiif; .iii .ll‘l‘k'JlJlit u in \l.iik (l IM't'lt' lrnni ilit' lilit \\()
Phil Kay's Gimme Your Left Shoe Iii .‘ l .\ \il .“ \l.ii \t't' l\l\l\ ll\llll_‘,'\ Jump for Your Lite! \M-il i“) A Iliii m \l.” \‘i‘ |'\lil\ ll\llll‘.'\
Edinburgh
I ADAM HOUSE
it ll.l|lllk'l\ \lit't'l (N! Ml‘h Dangerous Corner \\t-tl .‘U \l.ii \ii I \iii 'illpiii t. ‘ \Hitiii lll I’iit'xilx x liixl \llll‘ Na} ix [it'ilniiiit'il l\_\ llit' liliiiliniyli \l.ll\.ll\ lit kt'lx .i\.ii|.ili|t' liniii lllk'l xlit'i ll.i|| liimkiiig' llllt' UH .‘.‘\' II“
I BEDLAM THEATRE
llli Iiiixln |’|.itt'. 3..“ “NH |\\( \\ \| Trouble in Paradise l iiiil \‘..i Ix \l.ii ‘illpiii thll iti R” t in l)i.ini.i |||\|‘llk'tl li_\ l/iii '\ .li/ii Ill/(Ii \ IH
llI'Ht/l l/ii'lli/ t'\|i|niin}: it‘l.innnxlii|ix .iiiil lt‘t'liiiyx nl tl|\ll'\ .ilinn in tiinlt'nipnmi}
I BRUNTON THEATRE
I .iil)\\t'l| \\.i}. \liixxi'lhiiig'li N5 .T.‘ 1“ ll’. II. I I. \\( .\\;\|
Molly Whuppie l lllll \.ii I.\' V.” \t-t- l\|tl\ ll\lillf:\
Crowhurst \Mwl 3.7 \l.ii ' illpin till it il lit'nt‘lilniiix ili;iiii.ilixt'x lllL'
l.l\\ inaliii}: xlni) nl l)nii.ilil ('imxliiiixl. Min ilt'tt'iwil llit' iigiliiin iiiln lit'lit'\iii;' lli.il lit" \\.l\ \Kllllllll;' llit' ( iiililt'ii ( ilnlit' ).it In i.itt'. \\llt'll Ill It'.ll|l} llt' \\.ix nimlit'it‘ iit‘.ii lllt' linlxlliil}: llllt' Further Than the Furthest Thing
I ll .Tl t\' \.il 3* Mai ' illpin Llllit/i l’iimt- l’iiuliit'nnnx pit-xt'iil /lllll|L' H.iiiix' Lilt' iil iiiit' l.iiiii|} Innig Hll lllt' l\l;lllll iil liixl.in i|.i ( ~iiiilia. .‘i lliilixli linxxt'xxinn lll lllt‘ iiiiilillt‘ nl lllL' \llllllllt'. and \xlml ll‘lllllk'llk‘tl in them \kllt'll llic} \wit'
i\.u ll.llt‘ll In I iigLiniI ltlllll\\lll_‘_‘ .i
\Ulk.llll\ t‘nipnnn iii l‘lhl Spending Frank \li'll .‘ ‘ .\ INC 3.\' \l.ii ' zllpiii t Ill it 'i \t't- (il.ix§_'t~\\ ( iii/t-iix' llimlit‘
I FESTIVAL THEATRE
l: I" \ltl‘l\\lll \llt't'li ‘3" MN“ “I \\(‘~ \\ \l
Sing-a-Long-a Sound of Music Mun .‘n \l.ii " illiiin Ll i *ll Join Ill iin lllt‘ .llllh x ml \\.l_\\\.lltl llllll \l.iii.i .llltl the uphill} ll.lllf;lll} \l‘ll li.ipp \lllltllt‘ll .il lliix \\ It‘t‘lllll‘.‘ ml lllk' t l.l\\l\ Iiilit‘ \iitlit'\\x iiiiixit.i|
Scottish Ballet lliii ill \l.ii \.il l \pi
‘ illpiii i\.il iii.il .‘ illpini tlll t.‘H \xi‘lll\ll li.i|lt'l pit‘xciilx .i llll‘lt‘ l‘lll lt'.lll|llll_‘_‘ \\i‘ll\ l\_\ \Icplit'ii l't‘liuiiin .iiiil
\\ il|i.iiii l iiixillit' pliix (it'nig't'
|l.i|.inthiiit' x l,"l\l‘il( \ lk‘llt‘llllt‘tl |.ixl \iigsiixl .ix [mil nl \tnllixli llJllt'lh
I illlll‘lllt‘ll Iiilt'in.iliiin.il l\'\ll\.ll pinpiaiiiiiit'
I GEORGE SQUARE THEATRE
l inwixin nl lilinl‘iiigih (it'niyt' \iiimit' Mn .\‘~llll ll'. II. \\(I \\,-\|
Brodie! The Musical lhu in Mt” \.ii 1 \pi ' illpm i\ii m.il .‘ illpini t' H” it.i LXI liiiinxlaiit' \uitli l)i.iin.i (iiniip licilniiiix iliix \ilii.iiil |llll\|\'.l| h.ixul Ull lllt‘ lilt' nl l)i‘.itnii \\ illi.iiii Hindit'. \xlin‘x iiiixl.il\|t‘ iii'ixnimlil) ix lliniig'lil in by lllt‘ iiixpii.ilinii lni Rnlk'il l Hll|\ \lt'wiixnn'x
I)I,/(‘\\//illl(1‘li[Ill/l
I INSTITUT FRANCAIS D’ECOSSE
“Randolph ('it'xu'iil. 33* a Win
The Jules Verne Odyssey Iliii in .\l.ii (iiiiii lit‘t' Shim pcilniiiiul iii lit-ntli .iiiil tit-pitting: lllt‘ lll.lll_\ tnlniiiliil th.ii.'itlt'ix iil illllt'\ \t'int‘x litlinii.
lllk liiiling; t'\ll.l\l\ (ll \tlll}!\ ii) Litqiicx Hit'l .llltl l'tlllll l'i.il. In ii.iiiii' linl .l lt'“
I KING’S THEATRE
3 l CH'II \llt'x‘l. ‘3‘) (illllll HI \\'\|
The Grand Duke [mil 8." I.\‘ Kl.”
' illpiii (Nil iii.il 3 illpiin [Ill Ll‘ (iillwil tk Siillimii‘x \L'ltllllll [k'llllllllt'tl Liiiiiit‘ opt-iii ;ihniil Riiilnll. (ii.iiiil lhikt' ml l’lciiiiip Halliiilt'niiig. ix pt'ilniiiiuil h} ilit- (iillwil tk Siillnaii Sutit'i} nl l'tlllll‘lllffll West Side Story lllt' .‘l S.” 3* .\1.ii
' illpin (Siil miil 3 illpmi l_ I H l fill lllt‘ Ht‘llhlt'lll Sniitlht'iiii iiiiixit.i| lmxt-il nii Rum“! and .lll/li'l ix pciliiiint'il h} lllt' Hiilit'iniiiiix l.}iit' ()lk'lu ('niiilmii) Present Laughter liic 3H \Lu \.ii I .-\|ii “ illiiiii l\\t'tl i\ \ii “I.” 3 inpmi t'li t'.‘ tli.iiiiit'i (i.iii_\ lxxt'iiiliiit' Ill Niit'l ('nuaiilx L'l.lllliililll\ |.i// .ij_'t' xliim
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1 \iiiinii ( 'illltl“ xl.iix .ix i'ynixlit .il
Theatre Guide
lliiiisday ll} liiday l/ Saliiiday 18 Sunday 19 Monday Ql) Inesday ’21 Wednesday 22
Arches i allii ig/li ilei i it) l‘allii lg/ll ileii K) i allii i9 Ii ilei i no Ii ileino falling/Interim Falling/linen io Citizens ;. in». : Gilmorehill Film SW1,“ See M King's ' ' ' i. "4 u H” '4! ii iii .i'lv'ui'Jiln’n-Ilr' 0'30 Nor Ham Ram Rain Ful Blown Rose rui 8W1 Rose run Biown Rose Ramshorn v-ui'.‘o2.i « vi’l-y‘ .mi 9.4.“ . ..‘i.,- r,,+,,,:'..,,,. Ml. ,A,,I,,;'..,,,‘§.' Theatre Rayal Roma.) 8 Juliet Romeo 8 Juliet Romeo 8 Jubet sweeuy Todd sweeny Todd Sweeny Todd Tramway Tron Perfect Pie Perlect Pie l’erlect Pie Brunton i.: i: .; ; .; i w an,“ «tumor; 1 . . T 0 Festival Theatre Seecmsioii SeeClaxsral so: Sound oi Musx; ; See Rock a Pop See Rock &Pop m _ 3 “Mrs " ""' ""31"" " 1' i' '.‘.'o-'r’,«i.-‘,w, -.'/w.i’,viv-‘.~x; g Playhouse '0‘ "9"“ "'0 NON TU lights the Nah! Ioniqht Is the Night See ROCK 8. Pop 399 Ciasgoai . See (:iassicai 5 Royal Lyceum i in" ' flit" l.-. it.” w ')iu.- rm inflow: m Traverse A Princde - Prince/Melody ' Prince’Melody Melody ‘ i Perfect/Melody I
90THE LIST " i ’1