. Mid-Classical
I Violins2 RSAMI) “I illi (min I In‘ InIu'lmI In .I
\lm hill} unnnnxxmnul \Mllk h) \.iII_\ ’u'annxh I'M lmlc 11ml ( nmw (Inn ( mnld .iml ,IHIIJIIMII Mouton [II.I} \nlv h} wk on
IIXI Rvnln'u \"In'cl
.1 )Jvnlnnc Snmhmnnx and .I will} Inmh' (Innings lhv Iunml I’m] u/ {/14 III/lull Ir! llnuunm ll \nlu/
I LOl’d TOdd Prom I “III IINIII Hal (Lnnpm \ lII.I'.'L’ I Inn'nn} nl
Slmllu Inlv ‘ I.\ .Y I H 7 illpnl I 7
III DI \lmllu lylr I'Inwlxn} ('onwn ILIIIII \I'IIlIllt IuI h} (‘nhn \ntkhny .nul \IIJIIIt I'nh‘ I Inn-NI) H113 “and Ll'IIlIIIl Il'lI I‘_\ IHIIII I).I\I\‘\ I‘Ik'\k'III .I ‘.‘l('.ll i'u'lllllj.’ nl luv anpnn' Inncx II. .III IIIIHIIIMI \clnny
I Scottish Ensemble: Paganini Festival (II) II.lII\ (allllIIk'II‘tr'gN I“ SHIN) I lllpln II‘ ('Imliunhl (Inulm vnn'nlnx nl IIu‘ Suvtllxh I'nwlnhh' .nnl Imdm HI Ile' Rn}.ll I’InIIMIInonu'
(In II('\II.I. I.II\('\ IIIK' \l.l},'i' In lk'lIHIIn \ulikx nu'hulnn' \I\.Ihh\ lulu \«uwn» on I’.I;'.nnn|\ \IUIIII. '|I( .Innnnc'. \\III\ II III.Ikl'\ .1 \I'I) Luv \HIIH'II .II'IK'JIJIIH'
I (llnlnngll
I The Saint of Bleecker Street chlnul Ihmln' I I .T‘I Nunlwn Sin-cl 3300M)” 7 lipln H LIN Su' Ihn In I RSNO: Weller conducts Mendelssohn I'xlm “J”. I olhlun Rmul. 333 II“ '/ illpnl III [33 \VJIICI \M-Ilvl. lhc on hmlm‘x unuhulm cnu'nnn ll‘lllllh In \. HILHMI mlh .I [nogzmlnnu- llml IIII‘IIIIIIN \Ii‘lliIi'I\\UIIII\ t'IIt'I\t'\t t'III Ila/um \HH/I/IUIH .nHI I’.Ij_'.llnnl\ IIu/m (um ( Ilu .\u/ \ mlnnxl .-\I\II\H Suuangn. )onnggi'xl L'H'l unlnu ol th' IIIIL'III.’|IIUII.II IkII.III\lI\\I\) (‘onlpcnllolL Ix \uIUI\l
Saturday 18
Glasgow
I Double Bass Masterclass RSAMII Illll chln'“ final “3 *lli/ Illunl Int: nckclnl \Vllh Inn} Hunk.
pnnunil (IUIII‘IK' Imm ml llu' IIIII \unlxll \xniphnn} (Inllcxlm I'm! wt 1/.» Hun”! lul'ng'mznn /(\leu'/ I Guitar Masterclass Rx \\1I ). Inn Rk'IIIli'“ \Ili'i‘l. {I} “’7‘? ;[WI Ilk't' Inkvlul \\Ilh ('A'th _~_'n|I.n \llIllH\H I'.I\cl \Icnll‘ \hnmng lIk' g'lnlalk II.I\II_\ \nlc In! u] (/1: IIIIlm/ In 'uunnm I: \IILII/ I Glasgow Chamber Choir: Baroque Treasures II_\n\II.in\I I’.III\II ('hnnh. I") .\'l II}IIIII.III(I Rmnl. ' illpnl U) IIJH \IIkIIIIL'I II.I\\II'.'\' haulx lhc \hun Ihmuyh J8 ILuIM qu (Ill /!¢ II I: lx’uh II II («I'IIIIIII /\'/I I)I|lllt'III\H \JIIJIII \ \Iil/HH I/uh/ .llllI .I.|Il I)l\lll.l\ /CI\'III\.1\ .I/Inn /)ll III“ In ktlx .m‘ .l\.lII.II‘It' on III'.‘ (Ion! HI \ m ;'I.I\_L‘l‘\\\ Ilnnlu'n hon or): ilk I RSNO: Weller conducts Mendelssohn I\'H).II ( mum-n |l..ll .‘ \nu’lnclmll \nu'l WI NINNI III I‘ll \n'III I
V Illpnu
I'dlnlxugn
I The Saint ol Bleecker Street It'\II\.II IIICJIIC, I I .“I \Iuvlwn Sln'x'l. illlhlllln /' I‘lun 1* [33 m- lhu In
I Calton Consort(‘.umn;-.uc Knk I“ ('.|nnllf.,'gllt'. ()(l/ ,7/ N) / Illllln I," Itfil '\ umu'll ol (howl Illll\l\ nulmhng: IInnI-n'x 5m In] (1114/ Pin/«nu. and II|I|WIIK ( III/II 41/ um lnm IIIC ‘I\.III.IIIIU HII IIIL' (qul HI \ l.l mllnm'nnxml on;
I Edinburgh University Wind Band 25th Anniversary l<ml (mm-n “J”
I (IlllI‘lllfJIl I nun-ml}. llnxln Squaw lulu-Ix .ll lIlNII ' illpnl I" II it \IHI\\‘II IICII Ll‘lllIlIt'I\ lhc III\I pulmnmnu' HI .I milk h) .\ng,!n\ lull}.
Sunday 19 Glasgow
I Glasgow Sinlonia SI .\I.u;:.ucl\ (‘hunh Kllmunlm'k RHJII. .\c\\|.nnlx 13* f-I-Ih. f illpnl I} II.‘ HI (icmnl Hulk-n} unulm Ix .I pmlnlnmnw ol
IImu‘le' Ila/1mm Ilk Ixx'h
UEGAT’Y (l f@R l l
MUSHIZ‘?
JOSEPH SWENSEN LEADS A GELEBRAIIUN ()F IHE 1'25“ BIRTHDAY OF HUNGARIAN MASTER BELA BARIOK. INCLUDING ONE OF HIS GREATESI MASTERPIECES. MUSIC FOR S'l RINGS. PERCUSSION AND GELESIE.
24/03 CITY HALLS GLASGOW 0141 353 8000
25/03 QUEEN’S HALL EDINBURGH 0131668 2019
82 THE LIST II‘» 30 Mar 9006
Scotush ’\ chamber
(Drchestra \_/
www.sco.org.uk
I<llll\k\ kl'l\.lk|‘\-\ If... \ICI’III’JIA’HI‘ \II‘/.III-\ \l’N/‘Iit'lll \I’ "‘ I’.’ I) “Milt” .III\I l)\HI.II\ \ \\".‘/'I:I'I.‘\ \u ‘ 112/ ‘Lflul
Il\ le'h .IIK' .l\.I|I.lI‘IL‘ I‘Il IIIt' \IIN‘I
I BBC Scottish Symphony Orchestra: Afternoon Chamber Music ( H) Hall» (Lnullynfggx. i“ KIWI gpm 1‘ (‘cIIN (‘Inlxnan I’ullcm .nnl [n.nnxl I\.IIIH}H \lnn III .I [K‘IIHIIIIJIKC HI \\H|I\\ I\_\ IIu'Ihmcn, I‘Ioknln'x .nnl III.IIIIII\
I City at Glasgow Chorus ( In II.lII\ (lnullmn‘fux 5% NH) ‘ zllpnl LI.‘ L‘ll (imth I.I}|nl \I‘IHIII\I\ IIu' Ill“ \nnng.‘ (III'\ HI (lIII\}'lI\\ (IIIHIlh IN! .I IK'IIHIIIIthC HI Nu 331ml \huml \nnkx. ('IvanJnI I .nnhcll\ \k'IlII'lll IK'IIHIIIIUII llu /\'/u (nu/:11} .nnI \IU/JII \ Imu'lln;' III.I\II‘II‘I\‘H' Hun III I III/rm I (llnlmrgll
I Gala Concert for the Breast Cancer Institute I \lm “J”. I Ulhmn Rinul 335 II“ ‘ illlvln [Ill {3* Rohul Ilnk kHII\IlI\I\.ltUII\t'IIIII\I.l\\I\tIII1IC.lI\ nu Inlhngg I’Inkulnw '\ II III nm/ 1/“ Hull Il.lll.lI\'lI h} Jonathan Ilnnhlch} \\nh lllk‘IIIIK'h ul lhv Suvllth II.|I|IIK'I
(In hcxlm. \\IIIII\II I Mum: and IIIL' I{\\() I Meadows Chamber Orchestra ()nn'IIK II.II| ('Ii'lk \Ilu'l NIH NH”
5 I‘pln I" III I II I’cli'l I \.III\ \I‘IIIIII\I\ Ihc I Ihnhmyh luxul onlu'xlm lk'llmnnng IIIIII‘t'lIIII\\uIII\ Haul/um“ m \um/u'n /. \Io/Inl\ I'lmm ( um ("In In I. AJNV. \xnh .\I.n|n.l \.uIn.uI/c. .nnI \\ Illllll.IIIlI‘\ \HII/l/IIIIH .\u /. XII/III:
* NYOS Futures RCIII (‘UIIK CII II.III. Ilnxlo Squaw Ilt‘kle Ill-II “3 Nil I
3 illpnn H (I?) Sm: IIllIl\l. lI_L'IlI
Monday 20
Glasgow
I Friends Rush Hour Seminar Timpani and Percussion: To Speak for Ourselves I<S.\.\Il). Inn chln'u Slu‘cl. “I *Ilfil. 3 illpln. {H (U) :\n lIIIHllIMI \L'IIIIIMI Innmluu-il h) Kun Hum (int-«lulu Imlunng u IK'IIHIIIIJllk'C ol ()gmm liming/Is h} ('hINopth Rouw. Mull/cl I’.Inulmk\ ( um r/qu In;
Ina/nun and II n unle .llllI nmn'
Edinburgh
I The Hebrides Ensemble: Tribute to the Blues ( in')ln;u\ Knk. (in'_\ln;n\ I’lau'. NIX .‘III‘I. 7-15pnl Scc IIILWIC“. nan.
Tuesday 21
Glasgow
I Ramshorn Lunchtime Concert Ranhhonl lhmln'. ‘IX Inymnl Slim. “3 US” | I‘ .‘pln Li \oln .nnl cnwnihlv gungn lllll\IL’ Inun (inlmnanm.
I Lecture/Recital: Robin Ireland RSAXIII IINI RL'IIIHM SIIL'L'I. “3 “Iii/7 f {Ilpni I In: nukclul lhc I nulmn ()quch nu} haw ImI Ian‘xwll, hul lllt‘IIIIK'M .nc \IIII going: \Imng: on lhcn mxn Ruhln IIL'IdIllI. \IUII\I \NIIII (In:
I nnlmp pulonnx Ilnx n'ul.nl
E’dinlxngn
I Student Concert le (“mm-n IIaII. Ixhnhmgh l'nncml}. IIIleu Squaw.
| llllun In‘c '\ umu-n h} mnxu' \llltIi'llh nI IIIL' I'llnuxn) oI I'.iIIIII‘lIl:_'II
I La Boheme I’I.l_\hou\c. IS 23 (IIL‘CII\I1IL'I’Idu'.II37IHIINH—I3-I 7 IIIPIII LIS R“ I; ii 5” I “C” kx'nl ()pcm Inlcnmnnnal pn'wnl I’nu'nn'x [ml It'l'klngl Inu‘ \IHI}
Wednesday 22
Glasgow
I Chamber Music Competition RS:\\II). lllll chllcu Sum. H2 *IIW “MI” I IL'L'. IIL'kL'IL‘lI. :\ (Ilunu' Iul C\I;II\II\IIUI cnxclnhlw IlHlll lhc RSAMI) In LHIIIIK’IL‘ III IIIL' (IH\L'IIICI\. RCL’IIJI I’ll/C ('olnlx-nlmn
I RSAMD Chamber Choir RSAMI ). IINI RCIIIIC“ SIICL‘I. 333 SII57. 7. Illpln. [3. A chunu‘ In hmr lhc L'\It'CIIIClI ('hanihcl ('hun in kllllk'k‘II.
ILIIIIIILIILJII
I George Heriots School Concert (Ilg‘}Ill.Il\ I\nk. (iIL'§IlI.II\ I’Imtfl hm _‘lll‘l \ mnul ploymnnnc pulmnml I\_\ lhc \hnnx .Ind III\IIIIIIICIII.II \"II‘CIIII‘IC\ Iukcl\.1\.n|.ihh'In \\IIIIII_:‘ Iluln Ihc \huol ()Illui (ivolg'c IIclIoh \kIIIN‘I I .Illll\I\'ll I’I.l\\'_ I'IIInhnlgh I III ‘II‘II tplcaw t'II\ low .1” \ \I I
I La Boheme I'I.i\hou\c |.\ .‘.‘ (in'cnxnlc I’Illkk' Il.\‘lllul(~1l,‘l LI“ ‘II I“ ‘II \t'k‘ Illx‘ -‘I
I Piano Concerto Premiere \Imkhlnlg‘t‘ I’.III\I1('hnnh \nc (ohms \nn'li NIX .‘lll" ' Illpln Iln' Ihc I pn'nncn' HI .I nm pmnu \illlxx‘llu In \I\'\.I|ItIt'l \cll‘l ( ln‘yol} lmlnnnx‘ lhv \.||m'| ( halnhcl (Inhcxlm nnxlcl |\cnnclh HUIIIIHICI :I\ \\\‘II :I\ HIIICI \‘IIM'IIII‘IC Ilk‘lll\ Icalnnnf: \nImxlx IIUIII lhv I.Ill IHIIIIIII \hunl ol \Inm \alm'l
I nuclxll)
Thursday 23
I. (IIIII )nlgn
I The Harwood Wind Trio \.Il|on.II (LIIICI) HI \u‘IIJIIiI. IIIL' \IUIIIHI “II (CHI) () I» illpnl In'c \ plug'mnlnu' ol \\Hlk\ h) \Io/.ul In Ill.IlI\ lhc .‘MIIII .Innlwlml} ul Inx Innh In .I\\IILI.IIIIIII \\IIII I IH' \Ilhlx \H\\
I Rigoletto I’thnuxc l.\ .T.‘ (Ilk'k'II\IlIk' I’I.lu‘ IIX ~II IiIIIi I III ' IIIIIIII (I% fill l, H ill III\' I I\l.||lII.III \.Ilmn.i| ()|k'l.l nl (Mum Ill \IIII‘IINIIIIIII'II \\III| lhx' (Inxnmn \.ll|ni|.l| ()pcm le'lIHIIII \l'IlII \ nmynllnx'nl I‘Ik'lllI ol lulu-I} .nul mmva mlh \ Lulnnn |)I.I3:o\ .I\ anlcnn
I Edinburgh University Renaissance Singers (lmunguuc I\n I |\ i (\nmng'alc. (In 7 '77!» Vlipnl In
(I II I).l\l(I Sci-Ix I\ yncxl lIllL't'lHl In! .I [nogmnunc ol IlIlhlt' I») | nyhxh Imlnl uunpmclx. nu lmhng: John Shuppanl .nul
lulhx
Glasgow
>I< Scottish Chamber Orchestra
Adventurer: Bartok Anniversary
(II) Ilnllx. (Inullvnpgx. I“ NIKKI
7 illpln I") III in Mr IIIIII\I. ng'hl
I Lunchtime Concert l<\';\.\ll )_ Inn
chln‘u Sln'cl. “I *Ilif Ipln LI (DI
Icnn cmlx will .I hung: III III\' Immlx oI Ihv
RS.-\.\II) \Vnul ()n'hcxlm who pla)
IIIHL‘IxIIlhIL‘Ix \IIL'II .I\ I’Inhp \lwkc'x
Ham 1' .Ilun‘mrnlx lInnk III \I \n/( \Iun and .I n'u'nll} (Imam-It'll IIUIIIIIUIIL‘
tllll\'t'II\ unllcn IHI Iunnm Dunc} I»)
Nalhnnn'l Slnlkn'l
' illpln
‘ illpnl
l'(llnl)nrgl1
I Piano Recital: Poppy Ackroyd and Andrew Johnston Rm! (mm-n II.III. IllIlllI‘llljJIl I nun-ml} IIII\IH Squaw I lllpln Inn} h} lIHIMlIUII .\ umu'n nl Inuxu In: IIIJIIH wlu .nul «Incl. Imlunng.‘ Ihc picnm-n' nI (Inna/1' In; .lm/um h} Jakc Spcnu‘
I Edinburgh University Chamber Orchestra Runl (‘mm-n II.III. I'.(I|III‘UI:_'II l'nnclxll}. lehlo Squaw. (UNIS 5N) ml 7 illpnl U» II M \Mlllmn ('nmxu} L'nmluclx lhc on hvxna Ill .1 [K'IIUIIIIIIIILL' ul .I nm [nut h} Julw SIX-nu: .nul lhc mnnu nI Ihc ('nm'cn (‘onlpcnnnn
I La Boheme I’I.I_\IlHll\C. IH 22 (IIL‘CIHHIL‘ I’Lu'c. (IRA/II ()IIhHlJ " Illlnn LISSI) I; USU Scc 'Iuc 2|
>I< RSNO: Benedetti plays Tchaikovsky l'xhcl IIaII Inlhmn Road. 33:4 “5% 7 Illpln LIZ L33 m- llnlm. nghl.
I RSNO Winter Season I ~th Hull. Inlhlan Road. 323 I I53 Scc I'rI I7.
Glasgow
>I< nsuo: Benedetti plays Tchaikovsky RH}&II (‘onccrl Hall. 2 Sauchichall Snu'l. iii XIII)“. 7 illpln [II III). SL'L' IIIlII\l. Hill".
I Glasgow Chamber Orchestra Spring Concert RSAMI). Inn chl'rcu Slrccl. “I 5057. Xpnl. £8 (£5). I’clcr