Free expression, free thinking and free money.
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II! A collection of ten recent fine art graduates from Edinburgh College of Art have hired the Dundas Street Gallery, Edinburgh (in the basement of the Bourne Gallery), from Fri 24 Feb until Fri 3 March. The self- proclaimed ‘Underdogs', including Linda Mathieson, Karen McGeedy, Christopher Miller and Steven Kriby, intend to “stir up the status quo’. Expect dirty pictures and bad words, or maybe more subtle ways of harassing the establishment on Dundas Street above.
.4 David Bellingham will be filling screeds of paper with almost 2 million crosses in a new exhibition at Edinburgh's Heart Gallery. The artist's action/drawing/pertormance recreates the 2003 election, where Scots voted in their own government — something that hadn't taken place for almost 300 years. Bellingham will be working in the gallery from 6am to 10pm for an entire month until the mind- numbing task is complete.
it The Society of Scottish Artists and the Royal Scottish Academy have worked in collaboration to bring Body Parts 2006, a three day festival of performance art, to the Finlay Room and the Library of the Scottish Academy. Artists taking part include Carlos Cortes, Bronywn Platten and Zhane Warren. The festival is the brainchild of artist and SSA president Kate Downie and RSA exhibitions coordinator Colin Greenslade. See royalscottish academy.org for more details. I Edinburgh painter David Martin has won the RSA Alastair Salvesen Art Scholarship 2006. The $210,000 prize is the largest independent art scholarship in Scotland. and is awarded to help the artist with travelling and living expenses over a three to six month period. Martin will travel through Egypt. Jordan. Syria and Turkey. moving between mosques. roman ruins and nuclear research centres. Lovely.
94 THE LIST 16 Feb—2 Mar 2006
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Rachael Street.
Glasgow Public Galleries
I THE ATRIUM GALLERY (ilgixgim School ol .-\i’l. Hi7 Rt'llili'\\ Sll‘t‘cl. 55 5 ~I5H‘) \Iiill Illll
Hiillll 7pm. I‘ll Ill.iiii 5pm. \n ll).ini lpiii.
Upstairs Downstairs l'iiiil \.ii 1.x l’ch. Work it} lliiid §c.n‘ lt'\ll|t'\ \ludcntx ci'cnlcd lll conninclioii \\ illi IUL‘AII dcxign clilllpdll} Stitiipcc. looking at Ptlllk‘l‘ll. \t.i|c. lc\linc .iiid t oloiii lASl CHAN! ,i ii ) 3H
I BURRELL COLLECTION
20M) I’llIIUIx\Ilil\\\ Rodd. 33“ 755” Mon 'l‘hu t\ Sgil Illuiii 5pm. I ll .\ \iiii IIilIll 5pm l'i‘cc.
Through Your Eyes l'iiiil .\l|ll ,‘.\ Mai}. l‘.\hihition ol [tilltlli;!l.l|‘il\ LIIM'll in coininiinil} gl‘itllpx .lL'l'l\\\ ( il.i\;:o\\. “Inch ollci‘ ncu “in ol Iookiiijx .il ohicclx li'oiii lhc liiii'i'cll ('ollcclion Curator’s Favourites \M-d 33 I'k'l‘. 13.30 Ipin. l‘i'cc. .-\ lulk on ;i l illi ccnltn'} Iranian til\|l h) \'ooi.ili \l (igiilginl.
Curator’s Favourites \M-d I \l.ii_ 12.30 lpiii. I'IL‘L'. l-.|i/;ihclli Hancock lil\L‘ll\\U\ Sir \Villigiin liiii‘i‘cll'x inlcicxl in Scottish l'iii'niliii'c.
I COLLINS GALLERY
l'niwi'xil} ol' Sli‘;illic|_\dc. 33 Richmond Strch 548 3558. Mon I'i‘i likiin 5pm. Sill noon 4pm. l-‘i'cc.
Digital Perceptions l'iiiil Sal Ix I‘t‘h. I'IL'L'. 'I-L‘\llit' lll'l llllnl‘lllcii it} digital iiiiiigci') .ind mpcrnncnlgil lccliniqncx. including \xoi'k h} x\|l\ttll Bcll. Kalli} Sclii‘ickci'. .ll’ (linipltcll .iiid
What makes you and l different
liniii Illlc kciii‘iud
Image Nation: Contemporary Illustration trom Scotland \.:l ,“ lch \il l \l‘l iicc I\illi‘llliil‘. Il‘\II\iIIL"'i1iII‘\- \kc‘dili‘ii‘i \l'l‘ic'llll‘ill.ll\ liill\ll.lll«'l1ticklit‘ii :ii \xl‘IiJHtI. \kllil .I‘~\.ll\I\ li'l liic lu'xl ill
I GALLERY OF MODERN ART lx’ovil I \\II.lIl_L'\‘ \tiiiditx If" I‘l‘Ni \Iitll \\cd .\ \.il Ill.iiii 5pm. Iiiii Ill.iiii \l‘lll. I ll .\ \tiii ||.iiii 5pm Human/Nature l iiiil \iiii 1H \pi \ll t'\illi‘lllitll ol Lind“ .ipc [\iioloz'i.ii\ii\ lioiii llic(io\1\ tollctlioii inc liidiiiz' \Kl'II\\ i\_\ Iili‘llldx Il‘\IIll.l (wich
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I GLASGOW PRINT STUDIO 5? t\ :5 Kilit' \llccl. 5‘.‘ H '“1
Iiic \.il Ill.iiii 5 illpiii
Fiona Thompson l iiiil \n l\ \l.ii \cu plinch \t'ldlllh \‘.Hli\\ l\_\ lill\
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I GLASGOW SCHOOL OF ART Hic \lm kinloxli (i.i||civ lli ‘ Ix’ciilicv. Sliccl. ‘5‘ 15”“ \lon lii lli.ini 5pm. Sal Ill.iiii .‘piii licc
Jerwood Drawing Prize 2005 CO. l'iilil I'll ,‘1 [ch lcnlii Man loi llic [Ht'\ll_‘_‘lltll\ di.i\\iii§: .l\\.llti
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I THE LIGHTHOUSE
I I \Illclicll I MK. .‘II (lili‘ \\cd Sal ll) illdiii 5pm. liic ll.iiii 5pm. Sun noon 5pm t i Minn The Bombay Sapphire Blue Room l nlil \\cd 5 \I.ii I \illi‘lllitll ol coiilcinpoidi} j_'|.i\\ dcupn. \IIII\\\ .l\lll_‘._' llic \\||lllt'l .iiid llll.lil\l\ Ill llic iiilciii.ilioii.i| dcxiyn .i\\.iid. llic Hoiiih.i_\ Sgipphnc l’ii/c
Bungalow Blitz l'iilil Still In \I.il I‘Iiiiil‘ lii t'c'lilllf.‘ [tliiiliigldpllx HI \cll itinld litingiiloux in licl.ind dating: lioiii lhc l‘pllx. Inixcd on .i hook ol Iliill\t' pliinx
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The Ant Farm l iilii \lll‘i .‘ \pi \ t “NU "\c‘t' III\' Ettxiltu." T‘ill‘. \‘\li‘ll\ \‘i i‘NH'x \::‘.c::\. Tc“.i‘i.liii"‘..'.fl\‘\( hip | mid .ll‘ii lion:
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I LILLIE ART GALLERY
\!.ilioii Ron \Ilill:'.l\lt‘. 5“\ \\ i‘
Ilit‘ \il i".:lli il‘lll.\ ‘ 5pm Bearsden Art Club \.ii I\ l cl‘ l:: l ' \I.il \ mind \iIl‘\\ iii unik l\\ lllc'llli‘t"\ id 'lic IIt'JlMit'll \ll( inl‘ ' ‘
I MITCHELL LIBRARY
.‘Hl \i‘llil \Iim'l. ‘\‘ _“""’ \Ii‘ll \\.‘d inlIl l‘l‘lll. Iiiii i".llll \l‘lll, I ll \.il i".llll ‘piii
Picture This! Fifty Years of Classic Glasgow Press Photography l lllli \im ‘o l cii Iollo\\iil:j .l \ll\\k'\\IIIi lllll i.l\l nan Vil'w c\ilii\ilion t clci\i.ilc\ 5” \t'.ll\ ol
(Ii.l\‘.'«‘\\ i‘.l‘\'li l‘lt‘\\ [‘iliililt'ldl‘in
I PROJECT ABILITY
('ciilic | oi |)c\cloi\iiiciil.d \ll\ l\ \Hiioii \liccl. 55‘ ,‘.\_“ \lon Ill
Ill.iiii 5pm
An Involuntary Movement I iiiil l ll I5 \1.ii \I‘\II.I\I. iinxcd iiicdi.i pictcx in |c.i (‘iiniiiiini'x
Past to the Future | iilil Iii l ' \|.ii linc til.l\\lll‘_'\ .iiid llllllx .ilc l‘.lllllllli'\ |\\ Rili‘x‘ll I\)\'\IlII\I\
I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART
.‘l .i\llc\liccl, 551755" \Il‘ll Iilll .\ \il lMiiii 5pm. I ll .\ \iin ii.lll‘i ‘iini Ilt't‘
Generation KKK: Passing the Torch O... l iilil \iin " \l‘l l’holopidplix l\_\ |.iiiic\ | d\\.iid |€.ilc\ dociiiiicnlinc lilc \t‘\i‘ll \L'.ll\ lic Il.l\ \pciil ictoiding llic i‘t'ilt'i\. ll.ltilllllll\ .lllli.l\ll\lllt‘\1ti llic Klii Kim him
I TRAMWAY
,‘5 \ii‘k'll l)ii\c_ llx15 NH *5”! Inc iii I‘Liin 5pm. \il .\ \iiii noon 5pm
Peter Land, Wood and Harrison, Bjorn Melhus, Monica Castillo, Beagles and Ramsay, Mark Neville and Melanie Smith (amongst others) exhibit work in the main Tramway space examining the aesthetics of fragmented subjectivity and the
theoretical spaces between ‘me' and ‘you'. I Tramway. G/asgow. tinti/ we 2o Mm