I Fever at l‘.;_'n llpiu Mun 9. H! t £5 to 'luxlc int-iiihcix hctoi‘c ll 15pm. £5 lor lllL'llliK'h .illcri 3 \pi l hc lolk .ll 'luxlc Il'.<liiilmi‘j:li\ original .lllki longtwl l'llllllllljJ out-H} g4} li‘icmll) nighli luuuth .i llL'\'. moulhl} \ciillii'c.l.ikli1§_' owr u Sulunlii} llllell loi lhow who l'cull} «lo hum" lo \xol'lx on \lomlu} 'luxlc llliilll\l;l}\ l‘hllL'l' & l’riu' .uul \lumu Vulculmc air on lhc llldlll llooi \l-llllk' lhc \iwloi .uul Kaupuw l.li\L' .m llll}llllll}_' pom .liilllltiL' lll lhc (‘ot'lmu lounge l’i'c nluh purl} .u lhc Slim-l lrom lllpiu,
I Fiesta Latina .u 'lcxioi Rim l'nion.
\L'H (lulL' 35 :\pl.
I Give it Some! :1! lhc Bongo (‘luh llplu ium. £i lwlorc umlulghl; £(i .illci 0 .-\pi. \loillhl}. l'unk. \Ulll. |.l//. [.m- j._'l'mi\c giml manlw u liu} hit ol it'ypuc and ()il\ hm! lhi'ouii Ill toi good Incuxult‘ ull L'(llll'iL'\} ol |)_|Rcil(i ll.l\L'\L'IL‘llL‘L'\l.
I Guitar Mania ul ()piuiu. Hpm Mun. l‘lt'c. \Vt't'kl}. SL'L' l'l‘i.
I Headspin .‘Il lilt‘ Bongo ('luli. \t-xl (lulu 2 i Apr.
I Henry’s Late Nights at llt-nr} \ .l;i// ('cllgu'. \liiliiigghl .iuui. £6 £7 \Vt'ckl}. l.i\c |il// uml lhc houw l).|\ lgikc )ou iulo lhc \wc \uiull houi‘x. ('quxit' lunk li'om l’uul .\h||\' l'unkuli/c l2 :\pl'l lollouul h} lulc nigh! |.;iliu lroiu Ruuihu (‘uhculc l‘) .-\pi'l.
I Hoffbeat :il Hcrliu Hicrhuux.
llpm .iuiu. £5. 3 :\pi'_ l)ccp luukiu' houxc “Hill “10 uiighl} l‘uukcuuugit' hoxlml h} D] Lulu and .l Bach.
I Jak-N ul lhc \t'uuc. lllfillpm 341m. £5 £(i. ‘) Apr. 'l'hc l)i\cr\c l‘i'cqucnt‘im collccliw :u‘c buck l’oi~ lllUl'L‘ techno and lllll‘tl lwulx \\ llli I'L‘xitlcnlx l‘illk \lll ulul Sckon/ (gut-xi lhcl.
I Joy gil lhc \t'nuc. llpui Mun. £8 lwlorc midnight; £lll ul'lcr. ‘) .'\Pl'. Monlhl}. l'p—li‘onl. dirt} hoin grooxcx on (“C umin l'looi' li'oiu .-\l;iu & Maggie Jo} and Brcu King: to \xoi'k )oii up iulo il lulhci‘ on lhc mum lilHUl'. l’lu\ 'l'rcml} \chl) illlti Sull) l5'x chock} llll\ ol' \olll. lqu and chart in lhc tln\\ll\lilll'\ \uilc. Nolc lhul .lo} ix u cluh l'or gu} pcoplc uml lik‘ll' l-l'lcmlx.
I Luvely ul lhc liquid Room. Nut ilulc 3.5 :\pl'.
I Messenger Sound System at ilic Bongo ('luli. llpm 3am. U». 2 Apr. l'oi'lnighll}. liuxx ol' lioucl-xhil'liug pl‘upnl‘lltllh us lhc might) Mexxcngci‘ Sound Splcm hluxlx out lhc lk‘\l in i'iglilcolix roots :uul duh rcgguc. liluxliug out culx liom Ihc likcx ol' l.cc Scrulch PC”).
I Mingin’ ;u lhc \‘cnuc. I lpm .iguu. £5 hcl'orc midnight; £(i :il‘lcr. lo .-\pr. Moulhl}. R£‘\ltit'lll\ Brian |)cmp\lcr and :\l;lll .lo_\ hoxl llk‘ uxuul Mingiu' lliiltilit‘\\. lillh) houw :uul m l\iL'Li u'uucc l‘or u l'rixk} and pi'cilominunll) gu} ci‘oml. l’lcnl} ol' ili‘inkx pl‘UlliUN li‘om llpiu \o \wll uorlh turning up call} ux lhc} mm 0 up the road to lhcir
I Mission Jnr ill Studio 24. 7 lllpni. £5. \Vcckl}. (iolh. rock. punk and. ol courxc. ull lhul nu inclul \lull lhul thc hl\i\ criuc \o much. So it~ _\ou m or \HmtlL‘l'L‘tl \\llL‘l‘L' all [how black-(Ind )iiiillix l'rom lhc lop ol' ('ockhurn Sli'ccl “cut ul‘lcr «lurk look no l'urlhcr. 'l'hc l‘C\l and original unilcr l.\'\ mclul gullicring in Um”.
I Mission at Studio 24. llpm 3am. £5 I£-l lllL‘llllX‘Hl. \Vcckl}. \ighl ol mclul mu} hcm. goth rock and mom li‘om lhc tlui‘kxitlc u rcul litlinhurgh inxlilulion. Still will u lo};il llmlmxc and an opcu door polic} l‘or ;m_\onc “llll u |o\c of rock and mclul. 'l‘hingx urc L‘crluinl) ul'ool down \lixxion \m) ll\ lhcir ncu top floor polic_\ kickx into your \\ ith the ham icr than thou Void lllltl (iolh floor on ullcrnulc \\ Cd“.
I Musotica til “10 \t‘lillL‘. \CU Llulc lo .-\pr m illi Km in Suuntlcrxon l.
I Progression ill ihc liquid Room. .\'C\l date 30 .-\pr (xx ilh Tom Middleton).
I Rewind at lhc Liquid Room. .\'C\l tlulc lb .'\pr.
40 THE LIST 3‘ Mir—31 Ag" .‘Ct‘f‘
I Sophistifunk .ll( it). lilziihiiigét ll! ‘Hpm 1.1111 £5 \\ci‘ltl_\ lx’cxiiit‘nz wuth i),i.iilillliilllulllv'll[‘l.1:~\llllll.\‘\llii‘ Rtkliit'i111\t'\.iiulhouxcluuiwro;
amid. (mull. \oitumriii,‘ M i \ il\' \(ii1.;iiilllltl.. -‘-i;l:\
\laflilt l‘lli\ h:\ :11;
hmulilul trouil lox'ph on hoiii I Sumo .ll licilm iilk‘lll.1ll\ .:\ hc t.:l.c\ Ilic hat in root: Io: .; ‘Ipui Kim £5 i‘k'i‘llk' llpm. Lh .illci " llucc hoii: piiu'r. luuk \‘l
:\[‘l \olt'iuuxlt'xht‘oll \l \I.uI\ .: iii-1*. VEGAS! .:l l to l” 1"piri i t 1H
i‘.(illli‘lll_L'il it'xulcut} [oinul h} Il.iii§_ r151? ‘tiiluilomlx ihqwqil‘i " \pi (‘iiug Suulh .lllti Slum-u \\.1llik'\\ li‘l i: \louihlj. llcp \liulii} \‘muz'. tl‘llllil} loiiiiit'} lhioufgh houw. \H.lllll‘_‘ \oi.:l\ t lmxit \.lil\l\l\'.1/} lNcmu-J \‘.lill tom and unplug lmomc lll:'ll ltitltmg luwa l lullth \lllllilll.:. I Tease Age .1! (illllh ("luh H1115} \xiz'ull. l)lll\‘ \iilllllll .iml lhc llplu Kiln licc lwloit' ll illpui. £1 \Iunmu: \cviix \llI‘k\','lll\ \uil \lo ll_\ .lllL'l. \M‘ckly llll\ uiihc \l.ll\\.lll Io multi- .:u t'lll‘ll uh lhc ihcw unlit kl|\ik'\ up t‘xciuhiug lioui \\\lll_L'lll“.' ch'
(ilk llll\ lo buggy} \lullt'htwli‘I Low .l\ I VEGAS! .ll l L mm Icimiiml
\xcll .l\ u ilU\l ol t'llllk'lll \ \II \il.lli Ill illpm ;.llll {ll \pi oult l‘Hlllk'lL‘l\ \Kllll l).l \loukcc \litkm- ilillli\l\'\lllll.lllil.iil1155§ \uiz'ull. lhuo lxihuhuigh'x longs-xi t‘oiiliiiuulh \l.ulim .lllki lhv \t-z'm \llw\‘._'_'lll\ hmI llllllllllj; iuihc llllell. oui' ol 1h; l\'\l punt-x lll lH\‘.ll month I 2H0t ul I'.;_'o (i.-l5 ‘l -l5pm £5 lll month out. illlti huic [hi-t pull or .i “vi-kl). Nu“ umch l.\\ nigh! ol hip ‘\t'\\ \oik tomcx Io \cz'iix“ (\t'lll. hop and uilmu lx’ikli ll.l\.l\ \xuh lx’itlui' lClllllf.‘ m the \\oilil l .lllll'll\ l’oul.im RllliUllL'. I).| l)i//lc. .lu}. \ouu). lc/ \l\lt'l\ lo pciloim \omt‘ ol lhi-u
ulul lzmt‘t‘c l’lolixt‘t' lxlllt‘l .l_L'\' t';,'i‘iiil.ii} i‘llli\'\\lllt' It‘llllll\'\ .lll\i lhi‘ l’k‘fll‘lk‘lltlll Ni ii l—‘l. .lx‘l \t'l \|\ Ir” \Ulllk' ll\\' .ltllHll l’lll\ I UFreak At my \k‘llllk' \k'\i \idlk' 31 .ill lilk' ll\ll.ll m.il.ul\o\ .lllti \m
:\ H'. .\_\uiht'.ili' lll lllk' /iut lidl .um .\i'll I Ultragroove .ll (‘iilmici \olmm- lil.5(l|\lll imu. £lll LIZ «LM ‘l \pi 'l'hcit' mu} lw u no“ lmm i‘L‘illllti the (Kili hut l'lli'ugi'oow ain't going: uouhcrc. lailiuliuigh'x [X'L'llk‘\\ null
il.l\k' \‘llk' ilk'ii ol .1 p.ul§
I Velvet .il (‘ouuiipltw lllpm .‘.uu Hi 3 \pi \loulhl} \\oiiii'u\ lllt'lll loi gm} puhm .lllti lilk'll \pci'mll} lll\ll\'\l ho} liicutlx llllk'll tuui oul} f._'.llll
Hosts the Utah Saints invite another double bill of top _ guests to their beats and breaks mash-up. Rolling break beats often taking film soundtracks as their core from Deadly Avenger (pictured) as well as mutated electro acid house from Lee Coombs should keep the standard high.
g‘;:7~"".;71\c .1ol‘.‘.€‘:; Input: lltizittiticix I Wiggle .:t l \cxt liai- .‘1 \p:
I Xplicit vii 73:5 ll~"‘.t‘\\\‘1‘ “
1'1""\pt ll:;‘
.::‘.:tu xv,th 121‘.‘ Marin-3 Ihc (it"‘\".:' ..:til I \(l
I G Spot .:: \zilw..:\ ( silli-
il'pzt: :Jlli llix' lx‘fii'; ll lilpm. 1_
xi “gt-kit ( h.::: .uiil p.ul\ ":‘ht i‘im Troy nook: In: {no lli‘lll\ lux
t\ :‘oii il“ .: mm“ ouc
Edinburgh Sundays
K ll I BootyLUSHous .il \lcilim lllpiii ‘hii t“ lit-tot; Hirilmz'hl 1;.lllt‘l “Guilt \il‘ltil‘l.1\iili\iil\ \ix lill lll.lll .i lull oh -_'l.iiu .lll.lll unil‘i Ill lhlc l (3le \llllllltlllt'“huh.lll\i*‘\\.1\i\‘ll.llt'llt'\l \upmlm Illl\lll:' up |\’\\li l‘ip hop \oul .lll\l limit I The Doghouse .ll \iilw..i\ ( alm ;.llll licc i \pi loiimx'hllx lot loxch ol ll.ul ltk l_ .lll\i lllt'l.l| liom lllx In.ch .lllii ( 'hioiuc I French Konnection ill I “.‘U Ill illpm Kim film-low nuiliup'hl. t5 Iii L in .lllk'l ‘ \pi lhi' lx‘xl m uplioul. \ill\lll_1', luultx houw lion: \iolI | it‘uth .lll\i ,lll\llll (pm- \l\ \ Him/wt l\lli\|\'.ll I’llpptl I Hobo .ll lhi' lioiig'o ( ‘luli lllpui Kiln ilk'k' ln'loit' I 1pm. 2 i .lllk'l \\i'clil\ 'I nc mum .lll\i .lllk'lll.lll\\' ihxio loi Ill\illlk'\l \iuuvix' 'i‘.lll\i\ llkl I Kayos .il ()piulu llpm ;.llll lim- \\\'k'l\l} \lx'lul .lllil huh l),l\ ( Il.ll|\' \loll.u .lllti lohu lloiu llox'xhinul LAW-P lilk' \ l('\\\i\ ii lll\'\lllll_‘,‘ I The Littler Hobo .ll llli‘ lion-no ('luli _‘ lllpiu ilk'k' \\i'cl\|_\ ('uiiox lk'lldlllk' [ht-ii .lil il.i_\ ltlll} lh.il\ .i \‘.t'li\l \\llk'l\' ihlluii'ul |)l\. mum mm .iiul [‘k'lli'llllk'l\ p.1ilz'i'l loam-Illa .iuil \lk'Jlk‘ Ill .1 lk'i.l\\'ti \uuil.1_\ \\‘\\lHll ()llk'll .lll\i «lulu mum poliq 4|)lx .lllti hw .iilxi li' lll.lltll lllk‘ f.‘.llllt'\ .lllll ilt'tlll .u lH\\ lilk' ion-Jo
Locomotive .ll (pilmii-i \olmu- ‘lpiu Run thUH ‘ \pi oult \i.l\\l\t' un'hl \llmlilhujx \.lllHll\ 1'K'lllk'\. .ill lll .ml ol lilt' \uil.u1 \ll\l\ \ \'llll.ll \xho\ \'-.ho ol l ihuliuijgh \ luh iuluui- \kllll \h.i~.'|. (J \i.llli\. \Hiiou iilltii'k'. lloh ( '.lllll\. (iiuo. \.l\l_\ l’. lhi' \li'ii} [minim-i» loxi'ph .\l.ihli .iuil ( i.ll\'lll \ouli'nilli- I Neon .ll \ulmii} (immunit- llpiu Kim liw Ill \pl it'llllli'lllh iilk' \ulmu} \ lolliuz'hll} z'olhu «\pi‘iii‘uit‘ Ll .l (illlli‘t .lil llii'hl I Step it Up ill ()ilxm-i \olmm- lll illpui {.uu 9. i lit-lon- lllltllllt'ill. l_~l .illci Ill \pi lullH\‘.lll_‘_‘ lilk' hufgt' \ll\\k'\\ ol lilk‘ll liixl uijnhl. lilL‘ \lt'p ll l p I).|\ umlw .i um ili’illk' .ll lllk' ( 1m pl.i_\ui;' touxtioux lHHl\ [trinit- \th .l I‘k'l‘Pk'llli‘,’ ol \lh .iiul \liohml I Tackno .ll laso \i'\l il.m- 31 \pi I Taste .1l lilk' l upuil Room llpiu 4.1m £5 i‘k'l‘llk’ ll illpui. £3 .lllk‘l lhi‘ t.ipil.il\ llll.ll|lHll\ \uuilu} lllL'lll \i-xxiou Li‘llllllllk'\l1‘\k'\'. up lilk' l.l\l lllL'lll ol the unlit-ml Ill Ihi' \JPIlJl I l\llt‘l i\ l’IIu' \uppl} .l piofgicviw llll‘. ol il‘lll\K' .iiul grungy lll iilk' 11mm loom ‘-‘.llllk' \l.ul1u \.li£'llllllk‘ moan Ihc Hum-«l 5:.1} tio'ml \kllll luuk} l \ hoin _L'L'lll\ lhioufgh lhc huh .TipSVul \i.l\\.li lll illplll iitlll L1 IL it \\L'Ci.l_\ Rikl’. .lllki hip hop lioiii icxulculx \1tl.(i.iuilI’M/«In! nuhul lhc} prouuw iaill lw 'lhc ilHHL'\i \uuilu} night {Mill} lll [min I Twisted .1! Po \.1 \.i llpiu Run £3 lit-lon- ll illpui. £~l NJ» .illci \Kct-H} Hmuil lit-v. night “Hill the lollt who 2.1m- }ou 4‘ -l5 Ill.llllCl} [you Loin. \lki» \\iil\ou .uul lxthhc \illlL‘l l llll‘.lll_‘_' up tluwig up li'oul hull.) and wuhul houw.
Edinburgh Mondays
Club
I Casino Royale ;il ("alum-i \‘oliuirc.
NJ) iiii'iillwiw \M'i-H}