Events are listed by date, then city. Submit listings at least ten days before publication for Glasgow to glasgoWlist.co.uk and for Edinburgh to henry@list.co.uk. Listings are compiled by Mark Robertson, Fiona Shepherd and Henry Northmore.
Ticket inionnation
Tickets for most shows can be obtained in advance from:
Tickets Scotland 1/ r: Arm“: ‘st'wl. (ill/‘10:, “ll-11 1/17. “73‘, Tickets Scotland tw,’ Hrm- Stuart. l'llrllnirllll. lrl'll .91”) (field.
Ripping Records ’it Sleuth thump.
(Il'll 1/2“, Will;
Way Ahead (ll-'11 .lflfl ‘lJ-léifl
Glasgow
I Biffy Clyro, Hell is for Heroes and Ghostride ('tirllng :\L‘iltlL‘lll_\. III liglmlnn Sim-l, (NUS ()2ll 3000/0370 77 2000. 3pm. £12. Thu-xt- gun tirc \o popular lll llll\ arm. and thix l\ prool. 'Hlt'
II) ro drop homhx l'rom thc \tugc. \\ llh \uppol't ll'Ulll (ihoxtridc.
I Englebert Humperdink Rtl};li ('onccrt Hull. 2 Sullchichull Slrccl. 353 Htltlll. 7pm. BUSH/£27 'l’hix lillm-xclling lcggcild ol‘ the ltldtlxlt‘} pil_\'\ u long oxcrduc \ iin to thc concert hull.
I Arab Strap King 'l'ut'x \Vuh \Vlrh Hut. 372:1 St Vincent Slrccl. 331 527‘). 8.30pm. [I I. A kind ol houlccollling lor thcxc gll}\. l.cl lhc prow :lnd hcziutil'ull} crul'tcd muxic
llotil .iround )ou incr} bod} hid-x ti good \ltlr}
I Tsunami Fundraiser iilL' .-\r;hc\ Midland Slrcct UV” 244' “'55 lllpm L5 \lothcr and lhc .'\ddl\1\ plti} .it lhl~ ghtirll} cwnt. .ilongxldc R.tl\lll:..' Kdlll. l'nt‘lc John. \Vhltclock. l)th \ilclllc .ind DJ \llngo-(io I Gold Chains and Sue Cie, Shit Disco and Surface Emp Mono. 12 King\ (’ourt. King Strcct. 55“ Lilli hpul Llht. lilct‘lrohunk hip hop ultidncxx trom .\1r(‘h;un\ turd lll\ i.llL‘\l plirtncr in griml- Stir (in Scc pgincl.
I David Alison Tchgu ()Hld. ()ldgo ldllt' 53f» 3905 Split. L2 l);i\ id :\Hl\tlll illl\ ux mlh ilh loopcd and lint-ml guitar wund. \\ llh llw lllultr-tmt'kcd L'tllllptl\llltlll\ and tllllltl\pllL‘rlL' hurllloulc»
I Free Candy Collective l.lt|llltl Ship ((irctit \chlct'tl Rogidr. 5.30pm. L'lht~ 'th grcall llL'\\ lllllle‘ (luh uwd to cnllt‘c \UlllL' ol lhc llllL‘\l underground guitar .lCl\ lo plii} tit lhc Liquid [.oungc. but no“ the} ri- branching: ollt \xcxl to pct .i 'l’hurxdti} night pull on. Soulcund} and l-.\ol\t'r phi} ltllllghl. The} 'rc looking; lor hulldx lo Pitt} on luturc tltllL'\. too.
I Harriet and Amy Correia lircl. Axhton lunc. 3-12 4mm, lell. l’rcc. 'l‘xxo cntrrcl} drl'lcrcnt lcmgrlc \lngcr \ongurltcrx \hurc the hill tit Brcl. (ilnxgou -h;i\cd Harriet l\ \ultr} and ltlood} \ihrlc Allicrlcti'x Am} (‘orlcm our hc ;i hit luggcd Ill it Tom \Vuilx kind ol \Hl}.
I Madeleine Pritchard and her Band 'l'hc (ioul. I287 Arg} lc Strcct. Kchlngrow. Spill. l'rcc. l‘rmh hour the Bull ('luh and licnr} \ J;i// (‘cllluz thix _\oung lud} '\ \ongx huw rcccntly hccomc ptlrt ol lull .-\ndcr\on\ \olo rcpcrtolrc. Much i\ uh} \hc \\1l\ :l litttlllxl in the [K \ong writing contut.
I UK Deathcharge, Chargrilled Squirrels, ATP, Screemer, The Times, Way of the Exploding Fist :lnd Standy Burll}. 3m (‘lylc Strcct. (Ml) 007 out»). 7pm.
I The Glory Hole Studio ()nc.
(llt\\\cl‘.l‘l' Hotcl. (ilowcuor 'l‘crltitt‘ olt B}rc~ Rt‘dtl‘. IJl Mlo ‘Jplll l-lcc
I Will Hanson ’l'mtlcrlxox. 1W li}lt‘\ Rl‘dd. 1“) ill“ "l‘lll lit-c .\gou\tlt vet I Jam Session Mmucl [lou K. h" "l Mlhuluh‘ Rodd. «'2‘ tllll“ \ illpul i‘lL‘t' Hmlud h} lndcpcndclltc
Edinburgh
I Fred Eaglesmith ()uccn‘x lltzll. ('lt-rk Strt‘ct. NW Illl" "pm {X ('.ill.idl.ui xlugcl \onguritcr (\‘lllt'xlldll did“ in; on mrl} L-r.i younlr} illltl root~ chucking ill the odd ollc Illicl hctuccll tightl} t'ltiltt'd lllllt‘\ I Born to Be Wide 'l’lit- Sim-l. 2 Fraud} l’ldpc. “ox”: "l‘lll ltull l-lct‘ \luxit' llltlthll'} \ot'ltil gluh thtit pltulx to him; lllll\tl\. It'lllll.tll\l\. prolrlott‘lx. lk'tl‘ltl \hop \xorkcrx turd lllll\lultlll\ togt'tlit-l \\ rlh d \giltcd \(‘Ulltllltluk llolll luduxtl} hodx Shall I\ Hi'( A/x'x \llllld} \h’Kt‘tul. uho llllll\ l)cg_'l'.i\\l\ Tom and \llt‘hdcl 1“ him lolloucd h) tlL‘lUI' (Mr) \ltt'orllldt'k .uid l’lt'lixh ’l‘mil‘x .lohnn} hutch l i .\l.u'l
I The Dyad Thu 1 clt “link. i" (illlilllt' Strcct. 325 9744 ‘lplu \cu night lol “11km Hollxc'x llL‘\\ ;l\;illl gill‘dc It'll Hunk but ;l\ lht' I)}.ld. .-\K ‘\ (.lll'h RH\\. Ht'llldllull Sghogglcr. l’.iul Kt't'llt'. |)d\t‘ Row and \lt' tilld 'l'lm .\loolc luw t'lcctloulo urth llllltl\;lll\L‘ llhll'tllllt‘llldl groom-x
I Out of the Bedroom \ng-rl) “til. Sr .\l;ir_\ '\ Stl’cct. 55!» 8855 ‘lplll ()pcll nut \t‘\\ltlll l'or lzdulhurghhawd \illgcr/xonguritcrx. l’olk. punk. lullk
luxt brill}: :ilollg )otll' original \ongx ttlltl \Ign up to pin) zit H-hll.
I Rieser :md Amplifico llt-riol-Wull l'luwrxit} l'nlon. Rlccurton. 451 5333. 0pm. l'rcc. l)ouhlc hill ol~ llltllt‘ lxludcnlx and Hit” gucxlx old} I.
I Sugardaddy, Clayface and Spiral TV Billlucrlllzul‘x. \ltldl‘} Strcct. 550 3254. 9pm. £1. litix} llltilc/rtk‘h.
I Dresden Dolls and Giin 'l‘hc \‘cnuc. l7 3] (‘tiltoll Rtltltl. 557 3H7}. 7.3llplu.
L' It). Btlxltlll duo pl;i}iug_' till ulllikcl} hlcnd ol' tiltcrnuliw pop-rock. not grrrl and
(it‘fllldll gunucl
I Cobra Grade. Dieselbone and Hejira \\ hhtlt'l‘lllklcx. -1 o V‘tlllt Hildgc. “" <l 1—2 "l‘lll live “at “MN. gulltux
tolloxwd h} tullk llolll Ht‘lllu.
pCLlilVingP
I Ian McNabb lhc Will. to \t.ltlcm\ \tlcct. Hi I in 4-11 1"] \plll 11H \lt \zhl‘ \ltllit‘tl out ill I l\t'lpudlltlll pxlt’hcdcht pop lurid lht' Itltlc \\olk\ l‘ctol; lolfgur: .i \olo t'tilccl \xhlt'h htix lutludt'd hour; ixltld'd l‘\ \t'll \oullg'x lugt'llddl} h.uld (ll/l Hi‘l\'
Friday 18
Glasgov.’
I The Bravery ( ll.l\‘_'l‘\\ \t‘llmll ol \ll lm RUNNER \‘uct-l *3 WM L" u *4»
I hid ullld hip \t-xx \olk pullkxtt‘lx pl.i_\ .it the cplt't'llllt' ol the llt‘“ (il.i\;_‘o\\ tool \Vhdt llli‘lt‘ do _\oll \\.illt. ll loll'lt‘ uudt'l ,‘ll _\t'.tl\ ill .tht" I Ed Harcourt .md Stephen Fretwell Klllj; lut'x \Mh \\.ih Hut 3‘34 .\t \ rutt'ut \tlt't'l. Ill ‘3‘" h illplll tl.‘ ill (it'llllh \ollgxxlllt'l “MUM” lll.li\t'\ .iliotht'l .lpptxudutt' lll (ll.l\}1\\\\. llll\ lllllt' \uppoltt'd h) \lt'pht'll l'lt'lm'll \ hot gr: llolu tuo git-.it \lll_‘_'t'l\
I Shooglenifty H.illo\\l.illd. .‘l-l (l.l||ll\\:__',l[\" QT: Milli ‘ ltlpm Uh lhl\ lolk .ud night lk'.lllllt'\ the \t‘l_\ illlt' "tutti. uho how .i gnarl tollomu; .uld .il\\.l\\ \plmd il.ll‘[‘lllt'\\ lll ti tt‘ltlt’ \lilt' \xht'u lht-t PM
I Hood, Simplestorm .mtl Kasule Stcrt‘o. Kt‘luuhduuh Sllt'ct. Vt) *lllh 1th Spin ()uulttht'ntldll} llljjlhil iotk lurid llltikc .i \l\ll to thc lllo\t qulutt'xxculmlh (il;l\\\t‘f_'l.tll \llltlt‘lll \L‘llllt' oil lht-u l K tour. Tht'} 'rt' \onut'ldltu'x. .uld lhc} Lip into their ltml\ through lilt‘ll' luuxlt‘
I The Acoustic Affair .ll l'ht- lion M 'I'rollgutc. \lt'rt‘hullt (ll). “2 42h” Spill {the lily \t'r} lint' Ruth .\1;ulrn .ippt'.il\ \Hlil Sturxk} at lill\ ilk'l‘lhllk' t'luh on \lggill Sll'L‘L'l.
The new album
Includes the forthcoming single ‘The Widow’
www.makepovertyhistory.com
78 THE LIST 17 Feb-3 Mar 2005
Produced By: Omar A Rodriguez-Lopez Mixed By: Rich Costey