Visual Art
I NATIONAL GALLERY OF MODERN ART
75 Hcllord Road. (‘34 (CHI) \lon \\cd & l-ri Sun Illam 5pm. 'l'hu Illam "pm :3 Ed Ruscha oooo l'nnl Sun m Jan. £4 IUI; Ircc to undcr l2» l.o\ .'\lij._'L'IL'\-DAI\L'(I lad Ruxclia I\ onc oI lhc mosl mllucnlial arlixix oi lhc Ia\I 4H )carx. lxnoxxn lor Inx pionccring u\c oI Ianguagc and Ior nnagcr} drau n Irom popular culiurc. 'l‘hix c\hihinon mcludc\ \korkx Irom l‘lollx lo loda}. I 238’ CHAIM/i I”) Si?
I NATIONAL GALLERY OF SCOTLAND
'l‘hc Mound. (ill (QM), .\lon \Vcd & I'l'l Sun Illam 5pm;'l'hu IIIam 7pm. The Vaughan Bequest of Turner Watercolours I'nnl .\lon 3| Jan. 'I'hc annual dixpla} oI 'l'urncr'x magmliccnl \xalcrcoloun hcqucalhcd in Will) h} ihc London arl coIIchor llcnr} \"aughan.
Works on Paper from Flemings Display l’nnl Sun l3 l‘ch. l‘rcc. .\ \L'IL'CIIUII HI \kiii'lx\ on papt‘l' I‘L‘L'L'IIII} \ccn al lhc l‘lcming (‘ollcclion (iallcr‘) in London.
I NATIONAL PORTRAIT GALLERY
I ()uccn Slrccl. (334 0200. .\Ion \Vcd & l‘ri Sun Illam 5pm1'l'hu Illam 7pm. Modern Women 0.0 [mil Sun I?» I‘ch. l‘rcc. li\hihition draun Irom lhc collcclionx oI lhc Scollixh National Portrait (iallci'_\. charling lhc \llt‘L'L'\\t‘\ ol' modcrn \mmcn. including Rohcrl ('apa'\ imagc oI .lcnn} I.cc and Moira Slicarcr by Karxh.
Keeping Faith I'miI Sun 0 I-ch. l’rcc. l’holograph)‘ h) I.ukc Walxon I‘ocuxing on Icadcrx/inI‘lucnlial mcmhcrx oI lhc major world I'ailhx praclixcd in Scotland loda};
Signed Tour of Modern Women Sun lo Jan. I lam noon. 'l'our h) Mar) Kilpalriclx. inlcrprclcd I‘or pcoplc “ho arc dcaI' by David Summcrxgill. Modern Women \Vcd II) Jan.
I245 I.l5pm. l.cclurc h} al‘li\I .lo) cc (iunn (‘airns and pocl and loundcr oI th‘ Scolli\h l’UL‘ll'} Lilll'ill'}; 'I-LWMI Ransl'ord.
I THE QUEEN’S GALLERY
l’alacc ()I' llol}1‘ood|iollxt‘. 550 5 Hill,
‘lc Warn 4. illpm :5 it ‘-L~1I.I.IIIIII_\ Ilcht‘l l 5.
=21 Holbein to Hockney: Drawings from the Royal Collection 0000 l'niil Sun I) \Iai: .\ lanlalmng glimpxc mlo Ihc ro}a| lrca\urc\ Irom a \iud} oi a grc} hound h} Durcr lo l)a \inci'x I (/c'lugr and \icolm l’ouxxinK lln 'lr/Iun/i/I Hf I’d/I. Scc “MN.
I ROYAL BOTANIC GARDEN Imcrlcnh IlUth'. 553 q l " l, Dail}
Illain 5N)me
3:3 Mat Collishaw Sal I5 Jan Sun I“ l'ch. Illam 3.3“pm. licc. 'I hc ‘lurncr l’ri/c nomincc in lnx llI\l Scoliixh \hou. hrmg\ lux haunlmg nnagcx lo lnxcrlcnh llouxc. Scc prc\ IL'\\ and Illllhl.
ELI ii
I WESTERN GENERAL HOSPITAL
'l'hc (iallcr). II.IIII\ (‘orridoi hcluccn :\nnc lci'giixoii and .v\Ic\anch‘ Donald Blllltllllgxl. (int c Road Soulh.
You are Here l'nnl .\lon In Jail, 'l‘rading plach: Rchccca .\larr lll\ llt'\ \laII lo hc parl oI ihc gallcr} and lhc gallcl'} lo hc a part oI lhc \IaII a\ par! oI' liuncnonxuilc.
I WESTON LINK
llaulhorndcn |.cclurc 'l‘hcalrc. \alional (iallcr). 'l‘hc Mound.
Making Faces: Eduardo Paolozzi and Self Portraiture Mon 10 Jan. I345 l.3llpm. .-\ Icclurc h} Danicl llcrrinann. curanr oI lhc (iallcr} oI .\lodcrn :\rl'\ l’aolo/Ii (‘ollcclion Lunchtime Lecture Inc I I .lan. l3.-l5 l..‘~llpm. Dr .\'ci| .\lulhol|and. lcclurcr in (’onlcmporar) .'\rl 'l'hcor} al Iidinhurgh ('ollcgc oI' .'\rl. gi\c\ lhix lcclurc on ‘ScII—porlrail ax Kurl ('ohain. ax .-\nd_\ Warhol. ax .\l_\ra llindlc}. ax Mar‘ilyi .\lonroc' h} Douglax (iordon.
From the Himalayas to Heidelberg: Images of travel by JIVIW Turner l~'ri I4 Jan.
I345 I.3(lpm. .-\ lcclurc h) Daxid Bro“ n. curator oI' lhc 'l‘urncr ('olIcclion al Ihc 'lalc.
Gaudier-Brzeska: An Absolute Case of Genius 'l‘uc lh’ .lan.
l2.-l5 1.30pm. .'\ lcclurc h} l’aul U’chl'c. arl hixlorian. pcrI'ormcr and author.
Private Galleries
I HANOVER FINE ARTS 32.1 I)IIIItI.l\ \ll‘t‘t‘l. 55" :lhl Ilam hpm. hat I“ ‘Ham Jpn] Small Paintings for Christmas I‘nnl Sat 2" Ian \ \cawnal \clcciion oi ~malI IMIIIIIIIIgN h} gallcr} arnxlx plux piinix. cciamicx. It‘\\L'llL‘l}. cngiaxcd gla“~ \culpnuc. lc\nlc\ and Rmoan cialluork
\Ion III
I I2
U \hcrciomh} I’Iacc. 555 ‘IV: \lon l'ri Illam hpm. Sal lHam ~1pm
Alan Davie - Gouache Paintings and Brush Drawings Sal .\ .lan ~\‘ai l.‘ l‘ch ,\ \cric\ oI gouachc pamlmgx and hruxh dra\\ mgx madc m ('ornxx all during
lhc \ummci oI ZINI-l,
S" .. I INSTITUT FRANCAIS D’ECOSSE
I i Randolph ('rcxccnl. :25 53M»
\lon \\cd «K II! ‘I Mam .‘Ilpm; 'l‘hu noon 5,3llpm; Sal I) Roam 3pm.
Paris Dogs l'nnI \Ion III Jan. l'i‘cc l:\hihinon oI documcnlai} photograph} h} icccnt l~.(';\ gradualc .-\in} ('opcland Iocuxmg on lhc l’arixicn pooch \Vool \Mml' I/«Sl Vii/«I135 l/ SEE
I OPEN EYE GALLERY
34 .'\hcrcromh_\ l’lacc. 55" IIIZII. .\lon I‘I'I Illam (\pm; Sat Illam 4pm.
Call of the Sea Sat 8 \Vcd In .Ian. 'l'lurl} conlcmporar) arnxh including John licllan}. (‘alum ('ol\ in and Donald l’roxan gix c Ith' rcxponxc lo lhc \ca
Mia! 11 mcam lo than and him il\ \Iiapt‘tl IllL'II' II\L'\. St‘t' PICIIII‘L'. NI
SI UN..."
I RED DOOR GALLERY
4: Victoria Sirccl. 4'77 3255. Mon Sal Ilfill 5.50pm; Sun noon 5pm.
Urban Collection l'mil .\lon 3| Jan. .-\ L‘UIIL‘L‘IIUII HI \MH‘k L‘\]ilnl‘llig \t‘\ L‘I‘al lidinhurgh-Imxcd arlixi‘ pcrxpcclncx oI thc modcrn cil_\. lhc pcoplc \\ ho Iixc lhcrc and Ihc ohjcclx and \hapcx thal I'orm our urhan cm ironmcnl.
I SCOTTISH GALLERY
In Dundas SII‘L'L‘I. 553 lllll). Mon l'il‘l lilam (llllll'. Sal Illam 4pm.
Pat Douthwaite 1934-2002 Mon In .lan \Vcd 2 l‘ch. .-\ mcmorial c\hihinon oI paintingx. drau ing\ and printx h} lhix
Scollhh lcgcnd \\ ho \\a\ h} num \lhlllll‘llig‘. charming. mmng and
\I‘k‘k‘ldl 5LT [‘Icilnc \E ya .,
Artist Spaces
I THE EMBASSY "hl'axi('roxxc.m\c\\a}.Il"’f\il~ll1‘5"
l'hu Sun noon (\pm
Ronnie Heeps In M Jan ~\‘un h l'cl‘
Solo \lnm oI nu“ \xoik h} lIll\ (ilaxgou haxcd al‘IN '
I GAYFIELD STREET LANE
l \ (itl'\llt‘hl Sllt‘t'l l .IIIL‘. IIH‘INI Slwllh Stuckists Punk Victorian Lite If you Can’t Be Bothered to Co to Liverpool l'nnl \\'cd 2 l'ch I~icc Sclcclcd ainxh liom lhc \hou .u Ihc \Valkcr (iallci). lixcipool including ('hailcx 'lhommn. ltlIa (illill. l’clci \lc:\rdlc. Scuon \lmg. l’aul llanc}. l’lulip .\l\\olon. l:|\a Da\. Dan licllon. .loc \laclnncand .\nnc l‘oilc (all to makc a \IL‘\\ mg appomlmcnl
I TOTAL KUNST @ FOREST zBlion l’lacc. 33” ~15 ‘53 noon lllpm Tim Taylor - Daily Bread .0
l‘nnl Sal .\' .lan \cu \xorkx on papci [along lhc daiI_\ IIIlI.lI\ oI lca. collcc and cigaicllcx ax lhcir \Iailmg pomi alluding to d.ul_\ rounnc and Ihc human nccd Ioi mcnlal and pInxical \llIIlllIl In onc piccc a lht‘d lt‘allag I\ illoppt‘d II'HIII a Iit‘lg‘Ill HI .\'I'l on lo a \hch ol papci oxci a [no xxcck [‘t‘l'liuli St‘t' l‘t'\ lL'\\.
I WASPS STUDIOS
l’alriolhall Sludim. 48 Hamilton I’Iacc. Slockhridgc. 235 123‘).
Teena Ramsay Sax I5 \Vcii I0 .lan. \cu \xol'k
Outside the Cities
I DUNDEE CONTEMPORARY ARTS
l5: NL‘lIlt‘l'gaIC. (ll .53.: ‘III‘NINI. 'l'uc \Vt‘d. Sal & Sun 10.30am 5.30pm; 'lhu & I‘l'l Ill.3();iiii 8pm.
Gronlund\Nisunen l'nnl Sun 27 l'ch l-‘innixli duo 'I'ommi (ironlund and l’cncn Nixuncn launch lhc Kill Your 'l'umd Notion \xcckcnd at D(‘.'\ \Hlll an c\hihnion oI lhcir mxlallanon \xol‘Ix \\ Inch ix \omcuhcrc hcluccn archilcclurc and \culplurc.
Donald Provan
94 THE LIST 6420 Jan 200:5
‘Large Shoal’. Slick little fishes swim across this panel in grey oil. The shoal form part of a sea of work by 30 artists on the theme of what lies beneath, beyond and within watery depths. I Call of the Sea. Open Eye Ga/leri: Ed/HDUfg/i. Sar 8—Wed 26 Jaw