Visual Art
Tommy Perman
I {Ina} l "fr.
I EDINBURGH GALLERY
Illa |)unila\ Sli'ct'l. 55" 5WD.
.\lon l'i‘i Ilain Spin".
Sal Illain lpin.
Christmas Exhibition l'nnl in RI lk‘c. ('hi‘ixlinax mhihnion including: \\Hl'l\\ h) gallci‘} ai‘li\l\.
I HANOVER FINE ARTS
33a l)llllklél\ Sli'ccl. 55h ZIXI.
.\lon l'i‘i Ilani opin;
Sal llHllain inn.
Small Paintings for Christmas l'lllil Sal 3‘) .lan. .\ \L‘avmal \L‘lL‘L‘liHll ol \inall paintingx h} gallcr} ill'll\l\ plnx pi‘inlx. t'ci‘ainicx. icncllcr}. cngi‘awtl glaxx. \(lllpllll'L‘. lL‘\IllC\. howx and Rll\\l;lll Cl'tlll\\()l'l\.
I INGLEBY GALLERY
0 ('ai'llon 'l‘ci'racc. 550 44-: I.
luv Sal lllain Spin.
Callum Innes COO l'nnl Sal Ix Du: lnncx painting hax Plhllt'tl hix llllllk‘kl ahxli'aclioih l'nrlhci‘ and further. l{ilinlmi'gh-l‘axul al‘lixl \\ ilh inn'i'nalional icpnlc mlnhilx here and call} llk‘\l _\C;ll' al 'l'alc (iallct‘) SI l\c\.
I INSTITUT FRANCAIS D’ECOSSE
l3 Rdlltllllpll (intent. 235 5300.
Mon \Vctl «K l'l'l ‘lfillain 5.30pm: ’l‘hu noon 5.30pm; Sal U..i(lani 2pm.
Paris Dogs l'nlil .\lon Ill .lan. l‘iu‘. l".\llll‘lllilll ol tlot‘nincnlai'} phologi'aph} h} i'ct'cnl li('.\ grailualc .\In_\ ('opt‘lantl l'ocuxing on [he l’ai‘ixian pooch. \\'ool' \xool'l Sec pit'lni‘c caplion.
I RED DOOR GALLERY
~12 Vit‘loi'ia Sli‘ccl. 4'7 3255. Mon
Sal llfil) 5.30pm; Sun noon Spin. Urban Collection l'niil l-‘ch Jnns.
.-\ collct‘lion ol' \\Ul'l\ mploi‘ing wwi'al Iitlinhui‘gh-hawtl ai'lixlx‘ pci'xpccliwx ol the modern cit}; the people \xho Inc lhcrc and [he ohicclx and \hapm that form our urhan cnx ironincnl. Scc piclui‘c caption.
I ROXY ART HOUSE
2 R0\l‘lll‘:_'ll Place. 550 “222. Hail} llani 5pm.
A New Look at the Slavonic Tradition l'nlil l‘i'i 2-1 Dec. l lain Spin. l-‘rcc. \cu \\oi‘l\\ h} Rll\\l;lll. l'ki‘anian and BL‘lill'lhldll contemporar} ;ll'll\l\.
1 15 THE LIST "5l‘:=c.f§§~1-'Fw:"
I SCOTLANDART.COM
2 SI Slcphcn Place. 325 0355. Mon
l‘i'i Illain (\pllll Sal Illain (ipllll Sun noon 5.30pm.
Christmas Group Exhibition l'nnl l'i'i 3| Dec. One hundred ncxx al‘l'oi‘dahlc paintings and \ll';l\\ ingx h) \ClL‘L'lCtl gallg‘l‘} al'll\l\.
I SCOTTISH GALLERY
lo Dundax Sliu‘l. 553 llllll. .\lon l'i'i Illain (\I‘llll Sal lllain inn. OrGold l'nlil l-‘i'i 3-1 Dec. .-\n mhihilion ol conlcnipoi'ai‘) liin'opcan goltlxinilhing cnralml h) .lacquclinc .\lina.
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7HA7‘ 015p /N U? 00-5.
It‘s just the kind of urban detritus that makes a very cool print. This image of road-side clutter is one of the artworks on show and sale as part of Urban Collection.
i .‘Nh’dpligfi. a/x‘f/ / (’2, HUN"
Artist Spaces
I AURORA
Scwnlh l)a} .'\\l\t‘llll\l (lunch. 2 Hl'hli) l’lilL'L'. “77:” 304533. Christmas Special! Sal I.\' Du: Spin lo lalc. l-inal x\lll'Hl';l nigh! ol the _\cai‘ lcann'ing l)an Sincrniclo and liiliilh .\lc.\'aii' \xnh \ilc \pccilit' \\Ul'l\\ in the halt‘on} and other ail lll\l;lll;lllHll\ and pi‘oicclionx. [lllh l).l\ and liw innxit‘ li‘oin l’cannl. l'xin‘pci' and \Vonnilcil Kncc.
I THE EMBASSY
7o liaxl ('i'oxxt‘anxcua}. ll“)th .l | 3—H”.
"—4 i5/‘ I
You/z GoLpEA/ /73* cuff/zip Alt/MP, /
show.
Mick Peter Drawing entitled ‘Sucking Mussels’ as part of The R
ings of Saturn
I ( V \1 \t \4 \ t \4. a . v.1.
lllll Sun noon opin
But N’ Ben C. l nlil Sun I” lhw l’\llll‘lllHll ol \\Hll\ In .llll\l in icxnlcnt‘} Kenn llL'.l\_\ and nth \xoiL |\_\ Km in l’ollot‘k \u' im um
I GAYFIELD STREET LANE
| .-\ (ia\licltl Slim-l lanc. H‘USI flotilla.
Stuckists Punk Victorian Lite If you Can’t Be Bothered to Go to Liverpool l‘nnl \\t'll .3 l'L'l‘ l-iw St‘lk‘t'lk'il gll’ll\l\ lllllll lllk' \liH\\ .ll lllk' \Vallxci‘ ( iallci}. l.l\k'l[HHll int‘lnihnp (‘liailcx lllHlllMlll. lzlla (illlll. l’t'lci \lt‘;\nlh'. Stwlon \lllljJ. l’anl llaiw}. l’hilip .\l\\ololl. l'.l\.l l)a\. l)an lit'llon. .loc \laclnncantl \nnc l'HllL'. (all to llltllxk' a \ IL‘\\lllf_' appointincnl.
I TOTAL KUNST @ FOREST
3 lll'hlo l’lglL'C. 3:” l5 :3. “Hull
Illpin.
Tim Taylor — Daily Bread l nnl Sal 3 la”. \cu \kt)llx\ on papci “xiii; the tlail} l'llll;ll\ t'ont't'i'ning.‘ lca. t'ollu- and piggai'cllt'x a\ llicii \lai'linj: point alluding; lo ilail} l'HllllllC and [lit lnnnan (ll\[ill\lllllll lo \L'L'lx onl int'nlal aml Pll}\lk'§ll \lllllllll. In one lilt'k'k’ a nxul lcaha): l\ tli'oppml li'oin a hmyln ol Ml (ill [0 ;l \llk'k'l Hl [llllk‘l' H\ L‘l ;l l\\ll \\ L'L'l. pci'lotl Splat. I’ll i)? ‘u’
I WASPS STUDIOS
l’ali'iolhall Slmliox. .lN llainillon l’lau'. Slockhi‘nlpc. 335 IZH‘) Lorna Fraser and Gerry McGowan l'nnl 'luc 2| I)ct~ u'i‘annt‘x and paintinjgx.
Outside the Cities
I DUNDEE CONTEMPORARY ARTS
I53 \t-ihcrgaic. HI *3: (mwoo. lut- Wul. Sal & Sun ll). Wain i illpin. 'l'lni «k l'l'l ll). Wain ani. Gronlund\Nisunen l‘nlil Sun I" l-ch. l'lllllhll \lllH 'loinnn (ii'onluinl .llltl l’cllci‘i \l\llllL‘ll launch lhc Kill Yoni 'l'Inntl \olion \wckcnil at l)( ‘.\ \I. llll an mlnlnlion ol Ihcn' lll\l;lll;lllilll \ioil». which I\ \HlllL'\\llL'l'L’ huluccn arclnlcclurc and \(lllpllll’t'.
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I THE CHANGING ROOM
35 The Stirling; Arcade. H1730 47‘) Ml. \Vul Sal Hall] 5pm.
Rings of Saturn l'nnl Sui Ix Du- \cu \xoi'k h} lour )oung (il;i\j_'o\‘.» haxul :ll'll\l\ \ nlco uoi‘k h} \launcc l)ohc1'l}. xt‘ulplui‘al \xoi'k h} Mick l’clci'. a wulplni‘al llllL'l'\L'llIIUll h} ()ucn l’ipci‘ and a \Hlllltl PlL‘CL‘ and \ll';l\\lll;_'\ h} l)a\ nl Slici'i'}.