Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Ruth Hedges.
Glasgow
I THE ARCHES
3‘ ‘ flip} it Slii'i'l. “5 “’3;
Iiiuin Iiipin; Snn noon Iiipin
Simon Machabeli: The Devine Body l'niil Snn 2S \ox Ii‘t'c \lui'iiuhi'li. u llii'uiii- di'xijgnvr iioin (ii-oijgiu. hu\ i'oininncd inx knoxx lcdpc oi \iujgi' und L'llSIlllHt'. ulonyg \\ Iiii .nn'n-ni It'llleth und philmopim'ul lliiillt'llk'k'S. io piodnu' iinx mininlion oi ii'onii' inodi-rn Inulc nnupi-x. l’uri oi (ii;i\_L'gi_\'
I BURRELL COLLECTION
3W)” i’ollokdiuux Rodd. SS“ 3R5”
.\lon Iiill i\' Sui Iliuni 5pm; I“ i\' Snn iluni Spin. i'ini
One Million Days in China l'nnl Snn lil’ch. I'i'u'. .-\ inuioi t'\illi‘lllilll iiiui inlrodni'cx und uploii'x -1. iii” _\i‘ur\ oi (‘hini'xi' Inxior} und \‘iiliinifl linii'r llironggli (‘inni'xi- pun-“up. hi'ur IIIL‘ \Il't‘t‘l \(illild\ oi old Shunghui und lw irunxporicd through innc und dixiunu' lo il dilli'i'i‘lll \\ol‘|d.
I CCA
350 Suncinciiuli Sin-cl. 352 .Will),
'l‘nc \Vi-d & i‘ri Snn lluin opin; 'l‘hn Iluin Spin.
Noonday Demons 0... l'nnl Snn II No\. li'x u lot-ling ihui cun gci to )on ui [his iinic oi _\cur llit'lilllt'illliiil. l‘onr Icclundii' iii'li\l\ t‘rcuii- \xork iiiui mplorcx uxpu'lx oi lilix \nhilc cinoiion ll\lll_‘_' uniniuiion. druuing. puiniing. \cnlpinrc uiid \idL‘o. 1A8] (Ii i/\N( Ii ii ) Si i ARTSPEAK! MARK NEVILLE 'l‘hn lH Ni“. 7pm. i'l'L‘L‘ hill liL‘iu'lL‘d. ’IVIIII\ ii’niii \idco uriixi Murk Nu lilt' inn-\iiguiin}: tho \\;i_\ in ninth lilin und plioiogruph} in conccplnul uri i'roin iiic (iiix und 7()\ hux hccn rcconiigniui. Holl iw \iiim lllj._‘ iu‘cni lilnix. including cwcrpis i'roin his “ink in pl'iigl‘t‘\\ in l’ori (iluxgou. FOSS Tools for Artists luv 30 .\'m. 7m. i-‘ri-i- hui iickcicd. .\ uni i'roin sound uriixi. nicdiu uciix ixi und diiu'ior oi~ ihc linpnlxc it‘xinul. Dorck Hol/cr. go ing un own iv“ oi' l-‘( )SS ioolx und ho“ ihC} i'cluic io uriixis.
I COLLINS GALLERY
Iilll\L‘l'\ll'\ oi Siruihcinic. 33 Richmond Snu‘i. 5-18 2558. Mon l‘ri Iliuin Spin; Sui noon Jinn. l-iu'.
Image 28: The Best of British Illustration l‘niil Sui 2i) \o\. ()wr Si) originul illnxlruiionx h} lllL‘llli‘L‘H oi iiic .-\\\ociuiion oi Ilill\ll‘;lliil\ 'l‘hc cuicgorics urc udwriixing. hookx. childrcn'x hooks. dwiin und ncxx incdiu. cdiioriul. \indcni und nnpnhlixhcd. Christmas Narwhal Sui 37 .\'o\ 'l'hu 23 DCL‘. KL‘il ilild Iin Malilt‘l oi. lilL‘ Nuruhul (iullcr) cnruic iinx mhihiiion oi sculpinrc und prinix h} lnnii uriixix l'roin (irccnlund und ihc .\'nnu\ nl ’ll‘rriion oi' ('unudu. ' Gilt Edged Sui 27 .\'o\ Thu 3‘ Hui .-\ \\ idc rungc oi wnlcniporur} imiilc uri in lllL‘llli‘L‘H oi lidgc. I
I GALLERY OF MODERN ART QllL‘L‘li Sll'L‘L‘l. 3:" i900. .\lon \VL‘d & Sui Ilium Spin; Iilll Ilium Spin; l-‘ri ik Sun llum Spin.
Glasgow’s Art: Recent Acquisitions l'nnl MM 3005. \L‘“ ucqnixiiionx oi' (iiuxgon \ rcccni \icllur gcncruiion :li‘li\l\ including work h) ('hrixiinc Boriund. Rodcrick Blichunun. (iruhuin l-ugcn. Tob} l’uicrxon. Ru“ Sincluir und Hunnclinc Vixni‘x.
Toby Paterson Tim I.\‘ .\'o\.
030 7.30pm. l-‘rcc. licckx l-‘niurm pri/cninncr 'l'oh)‘ iulkx uhoni ili\ \\oi‘l\ us included in ihc cnrrcni Rum! sin/uninom mhihiion.
Visual Art
are taking over Portland Suspension Bridge. Putting a new twist on singin' in
the rain. ten actors carrying umbrellas and hidden CD players with Glasgow stories criss cross for selected winter dates. The performances coincide with the Rabita Project at Tramway.
-/(",i1, t'f‘lr' 1")". kl,1'~t'i .I.‘ il.;
I ‘yil\)4:. ’i)!i." ‘ '.
I GLASGOW SCHOOL OF ART .-\lriinn (iullci'_\. I'Hllil\ Hnilding'. ISS lx’cniri'u Siri'i‘l. 54-1539 .\lon 'l’hn Ilium Spin; i'l'l liiuni 5pm.
A Thirst for Materials l'nnl Sui -1 HM. liiuin Ilnn. l'i'u', .\n uxxi'iniih oi niuii'riulx conipili'd Ill u ioiinui lo inxpirc und iriygwi’ t‘rcuiiw t‘onnu‘iions ior no“ (iL'\lf_‘ll\.
Design 1860 to the Present Day: Bonhams Auction l'nni Sui Iii .\'o\. lh'xign und du‘oruiiw uri mhiiniion und illlt‘lliili h} lionhuinx :\llt'll0llt‘i‘l'\. including: \xorkx Ii} Rt'llllit' Mut‘kiiiloxli und \iui'fguii'l (iilinoni‘. pins picu's ironi Ilk‘ .\ri\ i\' (‘rui'ix .’\ri \onwun. i\ri Hm) und \iodcrn Duran lllH\L‘lllk'lil\.
I HILLHEAD LIBRARY
HM'LN Roud. ii" "'33 i. .\ion. 'Inc i\‘ Iilll lluin 7pm; \Vcd. i‘l'l «K Sui
‘iuin Split
Crackle’n’Streak l‘nnl Sui _" .\'o\_ ii\|iihiiion oi hulik \un'k h} Sk'l‘HISII uriixix.
I HUNTERIAN ART GALLERY l'niwixii) oi (il;i\f_‘o\\. S3 Hiliiicud Sll't‘i‘l. “ii S-iil. \liili Sill
Wilkilll 5pm. i-rco
20th Century Painting from the Permanent Collection l‘nnl in RI Dun :\ \clu‘iion oi ilic Ilnnicriunk iinc uri yollu‘iion oi Hillhil .11! Mom ilic Iiiih ccninr}.
Mackintosh Architecture l'nni Thu 23 Doc. (2.5”. In ihc Mucknnodi Honw. u icinporui} \il\[‘i;i_\ oi
druu ingx \xhich churucicrixc lik' tihllllt‘lHL‘ dcsignx oi ('Iiurii'x chnic \Iiit‘kililinil.
=31 Avant-Garde Graphics 1918-34 0... l’niil Sui 2" .\'o\. "Milkim Spill. i‘l'CC, ;\ (UHL‘CIIUH H! WHICH. Pl‘lllh. himk dt‘\lj_‘ii\ .Ilid poliiicul und connncrt‘iul cphcinciu. iogcihcr \\llil originui iu_\oni\ und phoio-inoniugcx. including \xork i\_\ liuliun l‘ninrixix. (icrniun und l'rcnt'ii I)udui\i\ und lllUl'L‘. Scc IIllihi .:'~\1' \‘iMN ‘E ix SEE
I HUNTERIAN MUSEUM l'niwixii} \wnnc. iiii ilfl ‘i. iiiuni Spin. 1 rev
Historic Bloomers - 300 Years of Botany at Glasgow University l'nlil IN 3-1 Hut lln- lnxlorx oi lioiun_\ ui (iluxggoxx l‘inwixii} l\ lold linonjgli un t'\IHI‘IIIHH oi [‘L‘l\iili;iilllk‘\. pluu'x illlii t'\t‘|ll\.
\lon Sui
I THE LIGHTHOUSE
ll \iiii‘lii'll I,.l|lk'. Ill (Nil. \ion i\
\M'd Sui Iii iiiuin Rpin; luv
iluin 5pm; Sun noon Spin U
lUiSli).
Donna Leishman l'nnl Sun _,‘.\' \‘m
\mx mchd .il'll\l oi ournhoowi i‘oni
\lio\\\ unnnuiiom \xint‘h wit-ll .ind
niodciniw iun_\lu|c\. [ilnx u [Hm I\'\\ oi
In'i ioillit'onnnj; [‘liilt't’l ‘l)c\i.ini lin-
i’ii\\t'\\liill oi ('lnixiiun Sliuu‘ U HAHN 7 “if
ART NOUVEAU EN PROJET
0.. l niil Sun 3 i ,Iun ()n|_\ l K
\hoxx Hi“: oi iinx ioniinj: mininiion
i'cli'inuiinp iiic lt'jgut‘} oi (in \ii
\onnuni niownu'ni Ill i work: ii'.llllllllt' ( '!iiioid\ pinpoxulx ioi Illt' i\)ti}.li lninniuii. \lui kiniodi \\.i|ion\ lini'iiunun Siin'i Ik'.l lx’ooim .nid |’.i:'v .ind l’.iik\ ii'di‘wlopini'ni oi Si \ndivo '\ ( 'lnni’li Hull \i-v rm l\'\\ Glasgow 1999 Design Medal 2004 Exhibition l niil Snn iii Lin Siioillhii'd k'lllllt'S ioi iln' .muid iiiui u-Ii‘inuicx .\onn;k ionii'inlmiuu limit-n \xoik
I MCLELLAN GALLERIES
."'ii Sum incliull Slim-i. V5 lliiii iii .\ Snn ii.illl Rpin. \ion Hill A‘ Sui
liiuin gpin
Art Treasures of Kelvingrove
l Hill \m 9W” \\ Illt' Ki'lxint'iow \Ill\t'lllli i\ \ii (iuili'u il.i\ no“ \ loxi-d ll\ doom ioi inuioi li‘illliihililii‘lll. owl .Tiiii oi ll\ [i;illlllli_'_'\ iulu‘ up I\'\|\I\'I|\_\ .11 Hit" \Itl cilun ( i.iiii'lli‘\ lilt‘ duplu} ini‘lndm iiiillll.i\ l .u‘d‘x 'lin' l .l\i oi [Ilt' ( 'luir .ind RvnrinundiK '\ \l.iii Ill \inioiii'. [iilh work in (II-IIIK'\ l<vnnic \iui'kinlosli. i)lil\’il .ind I lt'llli\i| .nl
SLCOJJk
-'- THE LIST 113