Edinburgh Public Galleries
CITY ART CENTRE
2 \lgiikt-i Sim-i. S20 W): \lun 8.11 “Lilli *pm
Cecil Beaton: Portraits 00.0 [mil Sun 3/) Sup l'll\l \llH\\ll in pit-.il .ltk l.lllll gil lhc \giliniml l’Hllldll (i.lllt'l} m I niidnii. 4m t'\llll‘|llHll tclt'hmliii; lllL' \uirk nl lllL' lllllllt'lllldl [Nillldll phiiliigigiphci (ii-til lit-.iinii 1 Will l‘lhlli i/"(‘il (,l l/‘rdid My LIE
From Castle to Palace: Artists on the Royal Mile l‘iilil Sim Sh Sop. .'\ll t'\llll\lll1ill liiicmj; lllt' lll\l(il} ml the Rn);i| \lilt~ imd the UM 'l’mxii lhiniiyh lhc t'}t'\ nl ,iilixlx. including: lll\lHl'lL‘ Allltl t’lilllt‘lllpllldl} [i.llllllll_‘_‘\. [il'llll\. \ciilpliirc. plinlnpiuphx. limit-ix. hook and \iilllltl 1.50”)! Cl :;‘«l.’ l W,
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Titanic: The World Class Collection l'iilil Sun In St'p x\ll c'\hihilinii lmliiiiiig lllllltll't‘tl\1il .IllL'lélt‘h and limiting lllL' \liii'} nl lhc (llilllllt'll Ht't'dllllllt'l gmd ll\ tragic \iiikmg: m I‘lll l/‘a‘d hll/Jill ll l ‘ill
COLLECTIVE GALLERY
33 DH (‘iickhiii‘ii Slit-cl. 33H Illill 'l'iit' Sui mum 5pm,
The Birthday Party .... Sill ‘) ()cl. ll'x 3i) )t'glh \lllt't' Illt‘ ('iillt'cliu‘ Illtlt‘lit'lltlt'lll iii'lhlx‘ :igt‘iic} ;md giillt‘i‘) npcricd |l\ dimi'x. ’lii cclt-hi'ulc. t'\l£|l‘ll\llt'(l and up and coming; .llll\l\ \xhn ll;l\t‘ mlnhrlcd ht'i't' mci lhc l;i\l It'll )mrx cumc lllfJL'lllk'l' liii' Illl\ group \him. The llllt‘ up includes lit-giglt‘x (k Riimw). .lgicqiicliiic l)nii;ichic. Kai} Dow. Minna l‘llllllllgllll. l.Hlll\t' llupkmx. .\lll\t' Nclwii. l);i\id Shriglc}. Huh .md Riihcriu Siiiilh. Simon Shilling. Kll'\l_\ \Vhilt'ii and Richard \Vl'lglll. St‘t' I'L‘\ lt‘\\.
l‘iilil
DEAN GALLERY
73 Behind Rudd. (ill (illlll. \liiii \Vcd & l‘ri Sim Ilium 5pm; lhu lll,im 7pm. 0 Paolozzi at 80 00000 l‘nlil Sim ,‘il ()cl. l-i'cc, Arranged lll clii‘iiiiiilngicul Hl'tlL‘l'. lllt' mhihilinii |\ :i di//_\ mg (ll\]il;l} of die llllt‘lll ;md inlcllccl lhgil l’uulw/i lll\L'\lt'tl m ll|\ \uii'k. l’uiiln/n look the lt‘lit‘l\ til \iii'i'culixiii :iiid mlcndcd lhcm in hclp t‘l't‘dlt‘ lllld (lt‘\ t‘ltip l’iip .'\I‘l. ilillt' t'lillllgt‘\ lllltl \t‘l't't'll prints on dixplu} :ii'c It‘xliimt'iil in die l|l\|ill';lll0ll he dci'iwd l'riim ptipllldl' ciilliin' and lil\ dclcriiiiiiuliiin llllll that I\ no lllllll in tho iiiizigingiliiiii. lhc' cciilml miilil'x iii l’unlii/li'x \mi‘k ciiici‘gc ;l\ \tiltllt‘M. cliickx :md \Pilt't‘ limcl'. llitlil} the} produce :i piilciil llll\l£ll:_'l;l. Paulo/Ii \\;l\ :ihlc‘ in not Ulll} dt‘cuiixli‘iicl the harder hclchii hiin and hm ;ll’l hut iilxii Ihc lillllldli hud} in mpmc ilx l'i‘;iill_\_ lhnumic. lll\|ill'lllg and lkiiilllcx» Soc llllli\l.
Richard Demarco Focus 2: Edinburgh Arts 1972-1980 Sun
3 Oct Mon 3 Jill]. live. The \ccuiid in it
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E . w . '5 . . a f7 .~ < ‘. .-= .23 ~ I: O U m g 0 m
\k'llt'\ ml [hit-t- tll\[\l.i:\\ \ll.l\~\ my on lll.llk'l|.ll linm lllk' I)t‘lll.lltl‘ \ltll|‘~k' .ziid liicihmj.‘ Hll l)t'iii.irui\ t'\[‘t'lllllt'lll.ll ixdirihiiigh \i‘lx \llllllllL'l \tlllll‘l\ iil lht~ l‘rlh and lil\ wirk \\llll l ‘l\lk'lll Iziirnpmii .Illl\l\
Picasso’s Nude Woman Lying on the Beach in the Sun \lnn 1 ()cl. ll -15 l l5pm I'icc Scmm tllldlt‘l at lllc' (i.i||c'i} nl \lndciii \ii. l’hillip lung; :_'I‘.L'\ .i Iccliiic Hll l’itmwK
initith lMlllllllf.‘
EDINBURGH PRINTMAKERS 3i l‘mnii Slic‘t'l. iv 11“) inc Sal lfl.im (mm
A Printer’s Miscellany Sal 3* St-p Sui {HUM .\l.i\lci' iiiiiiliimkci .'\lllili\ ll_\l.ml;i\ u'lt'liidlcx 3* _\L‘;ll\ .il lltlllllilllleI l’iiiiliimkt'ix u llll .i \t‘llt‘\ ml [ilt't't'\ cligii'lm}: lll\ can't-r .md ciillgihniuliu' \xni'k \\ illi .ll'll\l\ \llt'll .I\ John lit-Hum. ngd} \lnll.ii .md li;ii'h.ii;i Rae. Ni fir if if.
Graham Flack: New Prints mi 35 Sup Szil 3‘ ()cl. \cxx \xiii'k h} (il'dlldlll Huck Ni fii l< i‘\.'.'
Hilary Paynter: From the Rivers to the Sea Sui 35 Sup Sal 2i) \uv \Vimd t'ligim mgx li_\ lli|;ii‘_\ l’;i}iilt'i t’L'lL‘lH'lllllljJ lllt' 35lllh :iiiiiixci'xui’} iil 'lliiimm Ilcu ick. \tht‘ \Mii'k pni'li';i_\c'd 'l'} llL'\ltlt' ;md lhv llHl'lliC.l\l. Ni W Eal ll
FRUITMARKET GALLERY
~15 .\l;ii'lu'l Sli'm'l. 335 3 {Hi \liiii Siil Ilgim (rpm; Sim llUUll 5pm
Fred Tomaselli - Monsters of Paradise O... l'iilil Sim l()cl. l'i‘cc. I'll'\l Hi'iiixh win t‘\llllilll(\|l nl New York hiixcd lll'll\l l'il‘t‘tl linnuwlh. \thc lllt'llt‘llltilh ll_\lil‘ltl [ilt‘llll'k‘\ haw gaiiiit'd him ll i‘t'piiliiliiiii ;I\ one (ll llic iiilcr‘iiuliniiul :ii‘t \uii‘ld'x mm! I'llliltll} l'l\lllf_‘ \l;ll‘\. [ASI (Ll l/\N( Li H ) Si l
NAPIER UNIVERSITY .\l;ll'L‘lllllUlll (iilllt‘l'). \liii‘t‘liiiiniil ('ziiiipiix. (il \lgii‘c'liiiiniil Rudd-155 5203. Mon Hi ‘);im 5pm, Limelight: Self-Portraiture & Performance l'niil lit 5 .\'m. hilcriiuliiiiigil :ii‘lixlx. pliiiliigi'uplicrx. \llltlt‘lll\. [ilhl grudiiulcx and \liill' looking iil lhc‘ i'c'pi‘c'xciilgilinii ml w“ m lc‘li\ li;i\t‘d lil’dt‘lit‘t'.
NATIONAL GALLERY OF SCOTLAND
The Hound. (ii-l (illlll \liiii \Vc'd «k l‘i'i Sim Ilium Spiiifl‘hii Illgim 7pm. Tuscan Drawings l‘niil Sun H .\'n\. l‘i'cc. Some of the linch Hull and l7lh (it‘llllll') 'l‘iixczm digm ingx li‘iiiii the National Guilt-r} '\ ciillccliim.
After Hours: Music of Scotland Thu 23 Sup. (i (i.3(l[iiii. l‘i'u'. Simon lir'udlc'} :md lulw l’liimh pi‘m idc li\c|_\ liddlc :md huii/iiiiki music.
The Ouarrel of Oberon and Titania and the Reconciliation of Oberon and Titania By Sir
until 26th Sept - DEMARCO ARCHIVE : Scottish Artists gallery talk: Saturday 25 September - 2pm
lst - 10th October - DARKSPACE : new film works gallery talk:Thursday 7th October - 6pm
admission free
Royal Scottish Academy Building, The Mound, Edinburgh t: 0131 225 6671 www.royalscottishacademy.org
Noel Paton lll 3~1\ci‘. l.‘ 5pm I'lk'k' lllllclllllllt' lt'tliiic llHlll I).lll|\l.l ()iiiiplicll HI I diiiliiiigh l lll\t'l\ll§ Everyone’s a Poet \lmr : (m lin- ("unilc _\i‘lll mxii pwciii lxm'd .iiniiiid uric vi the [‘.illlllllf.,'\ Ill lht‘ ;_'.i|lt'i_\ In \k'lk'l‘ldlt‘ \.llli‘ll.ll I’m-in Ila) \pcx .\ .iiid int-i
NATIONAL GALLERY OF MODERN ART
fl; lit'lll‘ltl I\,ll.lll,(l:‘1(‘:l"l \Iilll \\t'tl i\ l‘ll \im llldlll ipm. lllll
Ill.im "pm
Andy Warhol: Art, Death and America ... l'mil l'll zl liu l'lt‘t' l).llllllll_‘_‘\. \t'llllillllt‘ .iiid [illiileJldplh hi \\.ii'hul. [‘llltllltt‘tl lll.lllll_\ in tho l‘li'llx .md .\'ll\ it‘llt'tliii; lll\ lllt'lt‘.i\lll_‘_' Ul‘\t‘\\lilll \\Illl dailli .iiid miiildlilv [illh pni'lidilx iil .lll|\l\ \llt'll tl\ lim-ph lit-tin. \l.m I\).l_\ ,md ( illl‘t'll .md (it-nigt' 8w l\'\ l\'\\
Curator’s Tour: Andy Warhol l'hii ill Scp. (mm lice, 'l‘hc (Lillcu ul \lHtlt'lll ,\il\ Kt'llll ll.iil|t-} piwx llll\ lHlll til \xiii‘kx li_\ I’iip \il It'fgt'iid \llth \le‘lllll
NATIONAL PORTRAIT GALLERY
1 Queen Sliu‘l. (ill (ifllll. \liiii \M‘d t\ in Sun lllam Rpm; 'l'hu Illiim 7pm Modern Women coo l‘niil Sun lil'ch. l'icc, l:\hiliiiiim dumn llUlll Illt' t'llllt't'llllll\ (il Illt' Sciillixh Ndliimal l’ni'ligiil (i.lllt‘l'_\. charting: lhc \llt‘t't'\\t'\ iil lllUtlt'lll \Milllt'll. iiit‘hidiiig Ruhci'l (‘;i|i;i'\ iiiigigv iil .lcim} lu- gmd \lliiigi Shuu'ci' |i_\ K;ll\ll.
Keeping Faith l'iilil Sim (i l-t-li l‘rc'c, l’hnlnggi'uplrx li_\ lukc \Vlllvill luciixiiig Hll lht‘ lt‘dtlt‘l\ (ll lllk‘ lllllll) (’hi'ixlmii dciiiiiiiiimliiiiix .it'i'nxx Scotland,
Women of Worth: Marjory Kennedy Fraser \Vt-il 2‘) Sop.
“stings Art
l: 1* l l‘pm lict' \lll\l\i‘l\“‘_‘l\l l’ci \llldlltlc'l gum llllltlllllllt' talk on lllll\l\l.lll \l.iii«~i} I\\‘|lll\'\l_\ ll.l\t‘l
NATIONAL LIBRARY OF SCOTLAND
(imiigt' l\ Iiiidgt‘. .‘,‘ti l‘il lll.im *iiiii. \im _‘ *piii Read All About It! l iilil \im il (kl lhc \lui) ml ihc llt‘\\\ m \ti‘lldlltl l\ \'\l‘ll‘lk‘\l m llll\ t'\llll‘llli‘ll \\lll\ll 1.1km tun H” ,i li‘lllllt'_\ lllliillfjll hill _\\'.|l\ “i ll\'\\.\
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NUMBER TEN THE GALLERY lll I\)ll'\.ll lt'lldt't'. §§h (\‘li‘l \liill \Jl lll.im llim
Chased Chopped Stabbed Blasted l lllll lllll 1H \cp Iii.iii}_'iii.il t'\il|l‘llli‘ll nl lllt' \tnilixh I t'llt‘itiillt'ix' \\\Ht'l.ll|(‘ll l \qiimit- \xurkx Ill \luiic. \‘.lHNl .md glam .llt' Ull \hnu m lllt' fjdltlt‘ll .md llllt‘llldl xixiccx nl llll\ ll\‘\\ _‘_'.lllk‘l_\ lllt' iii.im .iim nl llll\ t‘\llll‘lllt'll |\ In \hmxt .l\\' .i \.ll|\'l\ «il t'llllli'lllliill.ll_\ h.md \lll It'llt'iiiigf \lxlll\ m .l mndciii \Ulllk'\l
OLD ST PAUL’S CHURCH
(ii .lt‘lllt‘k \llt't‘l. S‘h iii.‘
Still .... l'iilil \.il .“ St'l‘ liiimciixc lHlll Ixmcl iii\i,i||.iliuii li_\ '\ll\iill \\.ill. \'l\‘.ll\'tl lHl lllt' \lcmuiml ('h.ipc| l < llfw‘.‘ i ii _)i l
THE QUEEN’S GALLERY
l’glldt‘t‘ ()l lltiltliii‘tllliillv‘. RR“ 5 lllll
‘) ilkim ‘1 illpm l" ilfi ljli. l;iiiii|_\ llt'lu'l [I i.
Enchanting the Eye: Dutch Paintings of the Golden Age .... l'iilil Sun 7' \m. ,\ \t'lt't'llllll nl l)lllt'll |‘.l|llllllf_‘\ llHlll lllt' I7l|i t't‘llllll'}. \\ Illl t'\.llll[ilt‘\ h_\ Ri'iiilimndl. \t'i'iiict‘r. ('ii_\p dc llmich .md 'It-rlmit h. lt'illllllllj: \llll lllk‘. t'\t'i)il.i} \t'k'llt'\. pni'li'uiliiic :md l.llltl\t'.ll‘t'\
a Scottish Arts Council
exceHence.
to apply.
Further information: www.5cottisharts.org.uk
the arts for Scotland.
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Creative Scotland Awards 2005
Scotland’s most prestigious awards to artists are transforming Scotland’s artistic landscape and enhancing Scotland’s reputation for artistic
Up to ten awards of £30,000 each are available to individual artists with a major record of achievement to experiment and create an imaginative project.
Artists who live in Scotland and work in the fields of crafts, dance, digital media, drama, theatre, literature, all forms of music, visual arts, and artists working with photography, film and video are invited
Closing date for applications is: 29 October 2004
Help Desk: 0845 603 6000 (local rate)
The Scottish Arts Council champions
,' 02‘ 22’»: THE LIST 95