m tllc llapp} \lltlltl.t}\. hctorc llltl\lll‘._' to lcclantl. c\hih|t\ unagcx ot I{c'}k|.i\ 1k. coulimlmg coloutlul architcctutc .Illtl
«Iciclict \ni iv. \ccucx
CYRIL GERBER FINE ART
l-IS \\L'\I Rt'fjt'lll \llt‘t‘l. JZI III”;
\lon Sat I) illain 5.illptn
First of the Summer Wine l'nul 'luc iI .-\ug .\ \c.i\on oI changing \Ktll‘k\ on .i \llllllllL'l lhciuc including paintingx h} l)\' ('auicron. loan Izartllc}. .ll) l't'lg'lhvtll. \Vilham (illllt'S. \nnc l<ctlpath. .loxct Ilcl'ltlall. I’Iuhp Rccxcx. 'lom Sllttlllw and man} othcrx.
KELLY GALLERY
IIS l)ougla\ Stlcct. IIS (l {Sly Carrara to Glasgow l’niil Sal 2| .r\ug .\l.irl\lc \culptorx \xho mcl at (‘aiiata m llhcall} c\hthtl thctr \xarcx.
PANIK DESIGNS
Iia \lam Strcct. Killcarn. Ill Will
l(i()_
New Gallery Launch and Opening Exhibition I‘nul 'l‘liu It) .\ug. :\ ncu gallct‘} \cl up h} :\llllll\;t Sunpwn and Paul llroun. tlcxotctl to \houiug \xork h} ctucrging talcnt Irotu Scottish art collcgcx l’u'xt up I\ .lamcx Sttuth uho \llll\\\ nc\\ painting»
PENTAGON CENTRE
in Washington Stt‘cct. III 2 l 23.
.\lon l'll ‘latu 5pm.
Martin Mclnally - A Measure of Life l'util l‘l'l -7 .-\ug. l’olariticx oI tltc human condition cinotional and rational. \uhicctn c and ohjcctix c torni thc corc thctnc to .\lclnal|_\ \ \xork uhich has tlcwlopctl a good rcputatiou in gallcricx in thc \litltllc liaxt.
STREET LEVEL
In King Stt‘cct. 552 2l5l. 'I'uc Sal
IIIam 5.,illpm.
Virtual Migrants - Terminal Frontiers l'ntil Sat 2 ()ct. (iroup inxtallation pt'o|ch\ h} artixtx Irotu \lallx‘lk'flCl'. l.l\L‘l'ptMll tllltl l.ttlltlttll \xhoxc inlcractn c clcctrontc \\ttl'l\\ tacklc l\\llL‘\ oi as} Itttu antl glohalixation.
Glasgow Artist Spaces
MARKET
323 & 33-1 Dukc Strcct. l)cnni\toun. 55h ~17ol'uc Sal noon (rpm.
Improve the Shining Hour - Cath Keay I‘lllll .Stll ll 3CD. l'ill'\l \olo \him Irotu thix (ilaxgou -ha\ctl artist uxing hcc hncx as an analog} ol thc human marm. Shc has lllUtlL‘llL‘tl I‘Hllx huiltlingx I'roiu \hcctx oI‘ I'ouutlation ua\ “Inch \hc introduccx to thc hn c and lctx thc hccx gct to \\ork. :\rli\t\ talk Sat 4 Scp. 4pm.
THE MODERN INSTITUTE
“5 RUIX‘I'IMHI .SII‘L‘L‘I. StlllL‘ (t. l'IIUUl’ l. 348 .‘CI I. Inc l-‘ri noon 5pm.
0 Mark Handforth 0000 I'ntil Hi It) .-\ug. Miami-Itascd artist c\hihit\ “ork I'rom thc laxt thrcc _\car\ that incorporatc\ \cxpax. \lrcct lamps and ncon tuhcx. Scc llit I.i\t.
SORCHA DALLAS
5 St .\lat'gat'ct\ l’lacc. (PSI: (IIISTJS. 'l‘hu Sat I 5pm.
Henry Coombes l‘ntil Sat I I Scp.
l SPIN. l‘il'L‘C. \L‘“ \c‘l‘lt‘x (ll \\ttl‘I\\ Ull [Mlpcl‘ llUlll lllL‘ l'L‘c'L‘lll (il;l\go\\ .Sc‘ltttttl ol- .-\rt gratltiatc. cmphaxixing thc cntrcnchcd political. cultural and class connotations OI lllL‘ traditional lllL‘LIltt Ul' Ull llltll llL‘ \\ot'I\\ in. (‘all tor an appointmcnt UlllSltlt‘ normal gallcr} opcning hourx.
[VSF]
Vacant shop trout. |.\‘ \Vootllantlx Road. (I'll-l7 HUSIS.
Neill Sheasby l'util Sun 2‘) Aug. .\'c\\ wlo \ho“ callcd \Vintloxx Shopping tcaturing pagcx Irom Shcaxh} \ local llL‘\\\p;tPCl‘ in .\'c\\ca\tlc.
Ally Wallace Sun 22 Sun 2‘) :\ug. NC“ \Uln \ltim.
Mark Handforth Last chance to see the show by Miami-based installation artist whose Vespas and neon beams light up the Modern Institute with flickering symbols of Americana. 7/)(2‘ Moder/i Institute. Glasgow. until Fri 20 Sep.
Glasgow’s Art: New Acquisitions The substantial fruits of the underground scene explored in Social Sculpture (see feature) given the recognition and posterity they deserve. Gallery of Modern Art. Queen Street. Glasgow. tint/l Sat Sep 25.
Steven Campbell Elaborate. fantastical paintings drawing on ancient and modern mythologies. It's densely packed and you‘ll love it or loathe it. but it's a significant new show of his works nonetheless. G/asgow Print Studio. until Sat 25 Sep.
Outside the Cities
THE CHANGING ROOM
35 'l‘hc Stirling :\t'c;ulc. Stirling. 0an 4703M. \Vctl Sat llam 5pm.
Wendy McMurdo l'util Sat 2S .4\ug. Photograph} c\hihition I'rom \;ll'ltlll\ \cricx madc in thc latc I‘Ntlx.
DUNDEE CONTEMPORARY ARTS
l5: \clltcl'galc. (HRS: t)uwnu.
'l‘uc \Vctl. Sat a Sun IIHIIam 5.3”me 'l‘htt a l-‘ri IIIJIIam .S'pm.
Natalie Russell I'niil Sal 2t .-\ug. l)ra\\ ing\ and graphic pattcrnx comhincd in thix c\hihition cutitlctl li’i'Ht-r (mil Sui-ct. uxiug monoprinting. hlock printing and \crccuprinltng.
Nahum Tevet Sat 2| .-\ug Sun 3 ()ct. ’l‘hc Iirxt I'lx' \liouing ot' \xork h} \ahum 'l‘c\ct \xhoxc \xork \xa\ incltttlctl in thc \‘cnicc Bicnnalc laxt }c‘;ii'. I'caturing a largc-xcalc inxtallation \xhich rctcrcuccx litc in l\racl.
MOUNT STUART GALLERY Mount Stuart. (IIPIIII 5038". Mon. \\'ctl «k l-‘ri Sun Illam 5pm.
Langlands and Bell I'ntil Sun 3h Scp. .-\n installation It} Langlands and Bcll. rctcrcucing thc tin_\ t'amil} chapcl LlL‘tllL‘ttlL‘tl 10 SI .lUllll lllL‘ I{\angcli\t and LlCSIgllL‘tl in 1853 It} thc architch William Burgcx at Mount Stttart.
s‘. "as Art
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