Art iISIIH’y;
Edinburgh Galleries continued
THE DAVID YOUNG GALLERY .1I\l.11n‘( 11111' Ilnnxc. 3‘) \ll‘aII} \III'I'I. FR "11in \lnn \aI lILnn 5pm Edinburgh Sketching Club I 1111I \aI l \m \ llll\k'II \hnu nl unik l1} lllt'lllllk‘l\ nI IlII- l 11111l11112h \kcltlnnf:
( l11l1
THE DEAN GALLERY
III'llHIIl I<I'-III1'lj'l(IEIIIIIIK.\IIIIIKIII InInIInaIInn 1‘3 33M». \lnn \\c1l1\
III \1111 IIIanI 5pm. H111 ann "[1111
0 Advertising and the Artist: Ashley Havinden’s Designs and Collections l nIII \1111 13 Jan I'IL'C .\ Illkll\ 1111 IhI- \InIk nl \xhlc} Haunilcn IIIIII W" i, Illlt' nl Ihc 111ml \ll\’\\‘\\llll ;11|\1'1l1\1n;' .Illl\l\ and III'\l}7llt'l\ \killl'xlllj.) 111llIIIaInInIhI'3Illhpvnllny l)1'x1§:nlnf_' InI \l.11I1n1. Ii1llI-II1: llmlk (‘11\I.11Il and \1111pwn nl l’IIIthIl}. lnx IIIUIL' lannlial’ \\I|ll\ .Ippvalnl 111 IIII‘ Wile \xilh lnx '|)11nk \lllk' .1111] 'Hch 1x HINI' I'.1111p.11_:'n\ IllI'I'\llll\|llHll l1'aI111I‘\n\1'1' .‘IIII .111\I-1l1\I-1111‘11I\. \ka'I\Ilk'\. |l.IIllllllj_‘\ and I1°\IIII'\ \I'I' Illlll\l
Scottie Wilson and Outside Art l lllll .\nn I l [M l-Icc \11c\|11l11I1nn nl ‘I )11Ix1111‘1 \ll.. .1 I lI'll\'Il [I‘llll I'nlnml l1} l)11l\nlI1-I 111 I‘ll ' Imul In \It'\\'III‘C “111k pnnhnnl IlllI\lII\' IIIt' k'\l.ll‘II\Ilt'tI .1II \I‘I'nc ()111' mph .11I1\I \\.1\(i|.1\§;n\\ hnln SI'nII11'\\1l\11n. \klleI' “111k \\;I\ admired h} IIII' \11111‘.1l1\I\ .1111] Icallnnl 1n Ihc l’a1'1xlnI1'1n.1l1nn.1| |:\l11l11I1nn nl \1111c.1|1\111 111 I‘ll",
After Hours — Solo Cello lhu [(1 (RI (111111 \ [unplannnv nl .lIlt'l gallon llIIlll\ I‘m-11h I1'.1I1111n§:axnlnu'lln pulnnnam'c I1nn1\\1-111|_\ “Ulla-1h),
THE DI ROLLO GALLERY
IHa I)11111l.1\ .\III‘I‘I. 55“ 533“. .\Inn 5111 Main 5.IIlp1n.
A Selection from Europe I’nnI $111 I ,\n\ l .1111lxt‘apcpalnlingxinnll h} \;l\ll\‘ l \‘IlIIIIQlI. (ici'hanl \I'uadha. ('l111\I1.1n \I~\\;11ll1;1;1111| .\laIlgnl.
THE DOME
III (ix'IllfJI' SIII'CI. Ill-I .\(IJI.
Imagine \\1-II 33 5.11 35 (II-11 I.llllllL‘II \‘IllllIlll hlhngglaphx. \cilgi'aphx and \‘Ilplk'l I'II'hInggx hand prndnccd IInIn Ihc IlI‘llellill 111.1\\111g\ l1} Jnhn lumnn. 'I'hc (\lnhmnn 111I‘l1111I-x “nib lI'nIn Ihc I\’1’ul /.UI1'l111nl\.;IIlIl \Ini‘kx \Ihich 1m cal lll\ aIIIInIlc In c\c1_\1la_\ MC and lll\ \cnw nl hInnnnI \‘E :31 II ‘2'.
DUNDAS STREET GALLERY na IlnnIIax SIII‘I'I. 55X ‘HIH. .\lnn Sal IIlaIn (111111; Sun nnnn 4pm.
A New Look at the Old Town \\CII 3" ()1‘l I‘llll (I \II\. SHIN mlnlulinn nl unrk h) \\'1|l1anllllg_'th ll .\11'l1 \lx’ \IS “llll a Illilltll‘ \\Ill'I\ nl Ihc lll\lIlIl\‘ l\’11_\a| linl'nngh nl lidinhlnph l’InIlnu'Il mm a pound nl Ihn‘c §L‘.II\. Ihc linal plum: pnI'II'aMng SI .\l;11}K .\‘IIu‘I up In (‘axllchllL I\ In Ihc walc nI .Ippi'nuinalcl) l:lIlIl. IlIhcr \Inallm pnnlx “Ill a|\n I11“ nn \ 1c“.
EDINBURGH PRINTMAKERS 3; l nlnn SII'I‘I‘I. 55." 347‘). Inc Sal |Il.1n1 (1111111
Masereel: Ten Years of Prints l‘nlll Sal X \n\_ .\11c\hIhII1nn highlighllng Icn _\c;11\ nI' pl'lllh Inadc aI Ihc I'l'illl\ .\laxci'ccl ('cnlnnn 1n Hclgnnn l’hc \hnu Icalul'm Iliwrxc apprnachcx In I1'.1IlII1nnal prinunaklng.‘ Icchnlqucx Including; ulkxcrccn. Inlaglin. “mulclu and lllllngraph}.
EDINBURGH SCULPTURE WORKSHOP
35 lla\\Ihnrn\alc. 55] 44W). .\lnn l‘r1 lIlaIn 5111111
ESW Open Day $1111 II) (M.
3 8pm. 0me Ila) aI lidlnhurgh Sculpnn'c \Vni‘kxhnp gn 1n}; Ihc nppnrlunil} In 1nch Ihc arlixlx and Ialk ahnuI Ihcn “111k. .\lxn a talk I») paIrnn (icni'gc \\'_\ll'1c nn .»\cccnu1aI1nu llIC I’nflllu‘. ‘
94 THE LIST _~‘_
FILMHOUSE CAFE BAR
SN l.nIhIaIl RnaII. 33‘) 5‘H3.
Same, Same . . . I'1111I8111250I1 'l'I‘axcl phnlngiaph} anIl ill'l\\11lI\ l1} .lcnnl .-\1nnI.
No Place Like Home 8.11 35
Ilcl Sal 3‘) .\'n\_ Ina l’cIIchnn prcwnlx an ll'Illllk' cnnnncnl nIl IIIlIllC\IlL' \pau-x 111 ha I‘\Illl‘lIlIlll nl “111k
Static - Narratives of the Still Life in Photography and Film 'l'h1133Ilcl. | 5pm. L' *5” 1(31. .\ \clnlnar mplni'lng Ihc lll\l(ll'} and Ihc currcnl \Inrklng.‘ pracllcc nI \llll lllc IhI'nngh lcnx haxul Incdla, Spcakvi‘x Include Sara SIcu'nxnn. chicl unralni' nl Ihc SI'nIIixh \aIInIIal l’hnlngi'aph} ('nllL‘L'lInll.
FRUITMARKET GALLERY
~15 \lai‘kcl SII'L‘CI. 335 3333. .\lnn Sal
I lain (1pm; Sun nnnn 5pm.
Visions for the Future VI [1111! Sal 3‘) .\'n\. 'l'hc llnal 1n\IalnIcnI nI Ihc gallcr} \ acclanncd \L'l'lt‘\ nl mhlhnlnm ltaIunng Ihc \Inrk nl l21l1nl11n'gh haxul £ll'll\l\ ('haIl .\lt‘('ail and Paul (Halt-1'. (';1I'Ic1‘\ ncu \Hll'k. [11/1'1' n! Harlan-xx. cnmprlxcx Ihrcc IINallalInIh \\ 111111 1111ag_'Inc Scnllaml ax uncharch Icn‘llnr} In ho mplnrcd h} adwnlnrcn. .\lc('ail. \\llIl hax |ll\l cnlnplclcd a lnur-InnnIh I‘cxnlcnc) aI BalIIc 1n (iilIC\IlCilII. \hnxu 1.1/1‘ I\ (Ir/1171 In [/H' (/l'HH' lnr plulumz Ihc culininalinn nI a Ilnu‘ )1‘111'111‘1111'I‘I Icaluring.‘ wwn \L'tlllL‘IlL'C\ nl' Ilignal pl‘lllh III-plain);- t} (In nl lllc. “111k and plcaxui'c-\ccklng
Paul Carter 'l‘hu ,iIl()cI1 (1111111 l’aul (‘aI‘Icr gun a Ialk nn Ill\ nc“ \xnrk rum-ml) nn \hnu.
GOLD
(iallm') 1k Shnp. 77' l)nnda\ SII'ch. 55I1 315‘). .\lnn l"1‘1 lIlanI (“1111:8111
IIIaIn 5pm.
Personal Landscape I‘nnl I11 31 (RI .v\n ulnhinnn nl “Mk I») Ihrcc lamlxcapc painlcrx. Km 1n l<_\an\ \\Ill'l\\ arc 111xpn‘c11 h} Ihc \\.'I_\ Ihc lanIIwapc hax hccn alIcu-Il l1} prcx 111m I—‘cncralinnx l’aul \\L‘l1\IcI"l'hnlnxnn t‘nmlnnm Inulninnal and ncxx mulla 1n llI\ \\nI'l\ and .v\1111u.\l;11‘11- R);111\ \l1n\\\ richl} I‘nlnniul and Iqurcd [lillllllllg\
HANOVER FINE ARTS
33a l)IInIIa\ SII‘CL'I. 55h 3l.\‘|1 .\lnn I'l'l IlanI I1pnI;SaI IIIRIIaIn Jpnl.
Gary Bonn [1111! S111 Ix ()u. .\ \L‘ICCIIUII nl' land and \caxcapt'x l1) (Ear) llnnn \Ihn |Xlllll\ 111 ml nn alnnnnnnn. alnng \\1Ih 113411111111 c \Ini‘kx l1'nInl11\ [‘l'L‘-lll\lIll'l( wrch
Regina Fernandes, Katriona Shale and John Watling $111 25 (la Sal 15 .\'n\. chularg;1|lcr} al'lhlx chma l‘crnandu and Jnhn \Vthng.v \him Scnluxh Iandxcapm 1n nil. \IaIcrcnlnur and ;1c1'_\lic\ and new cnlncr. Kalrinna Shale prcwnIx Ilnral. liguratnc and \IIll lil'c ~1111hc~ 111 ml.
\llr ‘.'.’ SI KW.
Personal Space by Zoe Maxwell on show at Napier University
I2
i-l;\lwl\1nxnh\ l’lau'. 55X ‘l1\53
\lnn I'll lIlaIn (111111. .\aI lIlaln lpln Le Corbusier l 11I1l \InII III \11\ l II" l\\n\1n.111;.'111.1|mlnhlIInn lll lennx picnimw lc.1I1nI'\/’m~nu 1/1 /‘\1:-;/1 l’ll’ll.1l\k'll\'\IllIlllylllJlllIIllH'lIII‘IH L'M‘x'lllx'xl 1n l‘l55 I1} Ihc lL‘IIn\\II\'1l .1I'I'l11II'1‘I.aI'I1\I anIIIlnnla-I. l 1' (‘nIhancI
INGLEBY GALLERY
(1('aIlInII 'II'I‘Iau'. 55h H-H Illk' \aI lIlaIn 5pm.
0 Susan Derges I 1111I 3.11 x \m l’rnnanl) knnun InI lm cxnI'aIIw and lunnnnux phnlngl'aphn‘ Pl'lllh nl \Ialcx. SIIxan lk‘lycx hax ucaIcIl cannaalcxx “naggwlhalI'npagcmlhn.1I1nc Ihinughnnl hcr (.11ch In Ilk'l \I'I'nnIl wln \hnu aI Ihc Inglvh} (1.1III'1}. I)I'lj._‘k‘\ \hn“ \ .1 I'I'u‘nl \cm-x nI \\Illl\\ InaIIc nn Ihc Rum I'lllIlllUI'll 111 SI‘nIlanIl \Ihnh t‘apIun‘ Ihc hgghl nl Innnn.1111|\I.11\.1111l \\Ill'l\\ IhaI haw hum-n(1111\I1111'Ic1l 1n Ihc IlaI'kI‘nnnI. Scc llnth.
INSTITUT FRANCAIS D’ECOSSE I3 Ramlnlph (II-wall. 335 5 VIII
.\lnn In 0. *Ilaln I11§II11111;.\’;1I
IIIaIn l5Illel.
Henri Michaux I11 I" In II (111 .\ dnunncnlar) c\l11hiI1nn nn Ihc lilc and “Ink nl MIN. \1. “IL-1‘ and pncl. llcnn .\hchanx
ITALIAN CULTURAL INSTITUTE N3 NICHIVHI SII'I'I'I. N13 33 ‘3, .\11111 In lIlain lpIn 1k 3 5pm.
1950-2000: 50 Years of Italian Graphics \VuI 33 (II-1 Inc 2 Her .\11 ulnhllinn nl I'nnlcmpni'ar} llahan ;11I \11Ih \InI'kx h} ll111'1'1.(’.11'nn.l)ni.1/1nanI| .\lclnIII alnnnj: HlllL'l\
LEITH GALLERY (15'l'thhnI'c.|.1'1Il1.55§5355 Inc ['11 11am 5pm; Sal IlaIn ~1pm
Autumn Colours $.11 Ix (m \.11 I \I1\.,-\ 1111\c1lxhnu nl \Inlk l1} gallcr} aI‘INx 1111111111113: P;Illlllll_‘_‘\. pmanno and 1c“ cllci'} nn .1n .111I111nn lIlk'lIlC I’k'dIIllllIL' \\Ill'l\\ h} .\acl llanna. (icnign- Ynnnjg. l’cIcI‘ \anlnn and Ian .\lc“ lIInnIc
MERZ
N"B1'nu§_'hInnSIIu'I.55h N"~\ “1'11 Sat nnnn (1pm.
Mixed Show l'nIIl I“ ll (M. ,\ changlng \clu'linn nI \Inrk h} 3IIIh ccnIur} .11I1xIx “winding: .111 call} pmc h} 'l‘rau'} lznnn. [ll'lllh h} \lan l).1\1c pllh \\UI'I\\ l1} .\lai'k lanxnn. l'ch I)C.ll\lll. lain l’aIII-rmn .1111l.\nn I)1'1n.1n
NAPIER UNIVERSITY
.\lan'lnnnnl (1allcr_\. \larglnnnnl (‘ampux (1| .\laIghnInnI Rn;11|.‘155 53II‘ .\lnn I'I‘l 9am 5pm
Static [11111 ['11 " \n\. .\ ginnp \llnv. nI \I1ll lllL‘ phntngraph} h} InIcI'naIInnal phnlngraphcrx \IudcnIx. p;1\I gradualm and \Iall aI Napier l'nncml}. .\I'Il\l\
1111 hulc \laltnltn llcn/II‘. /nI' \l.1\\II~El lx’nnIl'llnnncll. \l.111.111111*\l1.1\\ .11111 l'.111i \ IIIII'Ix
NATIONAL GALLERY OF MODERN ART
Iik'III‘lII l\'IhI1l. “:1 It‘ll“ IIIKHIIII'II 1nInIInaI1nn “3 331111. \lnn \\le .\
[11 \1111 Illaln 5pm. lhn III.1111 11111 Boyle Family I 1111I \1111‘1\.w. 1,1101, llllIlI'l l_\ IICC Illk' Inxl \'\k'l IK'III‘5P\\II\\‘ I‘\llll‘lllHll nI Ihc unle nl IInIII' l .11111|\ \lalk ll11IlI'. lll\ \Kllk' lnanl|11|\.111IlIl1I'11 I'hIIIlII‘n .\Cl‘.l\ll.Ill .1111l(11-nI§,'1.1 \panninz' Ihcn unlnc IaIcI'I llII'} .111'l11'kanannIn: Ihcn lnphl} lI'.lIl\Il\ lt'IlIIlIIll\llIlll\ nI Ihc I'.1IIlI\ \Inlaufi anIl Ihc \III‘IKK Ix .11I‘ \clu'lnl .1I 1.1111111111 In llllI\\\lll‘.‘ II.III\ Inln .1 111.1pnl Ila-“111M llnln IlI'xI-IIx In Ilk'lllllllllllll \Il\'\IlI1'.\ ICPIINIIKC .lIlII lll\L'\ll}'Ill\' Ihc \InlaI 1' nl IIIIII'II'III I1'11.1111\ Ilt't' I'nIII Inpcnplr\IIIhIlw\1121111111I‘x IlnIII'. Il'lInIlc. I IIIJIIIJIHII n1 I I'Hanlll nn 8.11 IN .\ .\nn 1" I M
The Fashionable Man: Ashley Havinden and DAKS Simpson \lnn 3II()1‘I I3 l5pin \nhmxl .\IIIIII‘IIIII' (1111\l1111p _~:1\1'\.1I.1|k nnIhcadwtlhnn' .11I1\I .1111l1l1'\1_~_'111'1. \xhlc} lla\1111lcn
NATIONAL GALLERY OF SCOTLAND
lhr \lnunIl, (13-1 li3IlIlIIcu111lI'Il InlnIIn..IInII “3 33I1IH \lnII \\I'II 1\
III \1111 lI|.1In 511111. lhn IIIanI ~[1111 Drawings by Allan Ramsay I 11111 \1111 -1 Jan I‘Icc .\Indn'x lnI [1111”th l1}. Ihc l',1|111l\111f_'h hnIII .11I1\I. .\llan Ranna} Ilqli .\-11_ \Ihnh \pan Ihv It'llL'lIl nI l11\ (.11ch and1l1'111nIN1aII'Il1cn.1I111.1|1\n1 llI' ayhlmul 111 III\ 111.1I111I- \xnik
Many Happy Returns: The National Gallery of Scotland Celebrates 100 Years of the Art Fund I'll 3-1011 \1111 H Um \11 (\lllllllltill Inphhphunr \Illllk' nl p.11nI1111'x, pnnh .11111111.1\I111;:\ l1} 1111111-1.l<.1pl1.1c1, Rcmhtandt.l’1111\\1n.[111'1I'\.11111Hunnn uhnh Ihc \aI1nn.1lI1.1llv1} nI \nIlanIl l1.1\ apqunul v.1Ih Ihc hvlp nl IIlI' \II l and
Building a Collection: The Royal Institution lII 3'1I)II 13 1511111 llI'II'n \111.11|c~ III‘IlllIlk' ,\'.1I1nn.1lI'1al|I-I}. nI \‘nIlanIl :1\.I'\.1I.1lk nn IIlk'II'IIIIIIlll\lll[l lwluccn Ihc \aIInnal Iiallcm'x 11! \nIIanIl and Ihc Rn}.xl Ill\Illll[lIlll 111Il1rl111111hncnl lI\ \.l\I \IIIICLIIHII
After Hours - Renaissance and Baroque Music 'Ihu Inna (111111 \ ptnglannnc nI allci gallct} llIllIl\ k"-I'III\ \kllll Inuxn‘ lInIn l11l1nl11112h I much”) l<c11.11~\.1n\'c\IngI-Ix.IIIII-Imlh}. \ncl I)‘Rc;_'.1n
NATIONAL LIBRARY OF SCOTLAND
(icnlgclV “1111:1233le5il .\lnn \aI IIIaIn 511111.811113 5pm Wish you Were Here!: Travellers’ Tales from Scotland 1540-1960 I nI1l I'l’l ‘1 ()1I. :\Il
C\llll‘lIlIlll L-\.1nnnlng_' Ihc changlnj: lau-