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PROJECT ABILITY
('I‘IIIII' IuI III-\I-IupIIII'nIIII \II\ In \II‘IHII \III'I'I. “3 :53: Hull Ill IIIIIIII ‘Inn Full of Life I “III I II II \In \II L'\IIII‘IIIIIII nl \NIIII .III\.II1IIIII'.III\I' \xIIIIng; In nII'nIIII'h III IIII' 'IInngdtI' \IIIIIIm IIIIII \Inxnuh I’m-II} \IIIIIIIIIII
RGI KELLY GALLERY
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STREET LEVEL
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5“ (III Km}; XIII‘I'I. 55* IMN Jean-Marc Milliere I'nnl Sun In ( III I’IIIIIIIgI'IIpIIII' IcnIIIII' pnIIIIIIh In .IL'IIII \IIII'I~ \IIIIII-II‘ IIIIII'II IlIIllI Ile IIIIIIII (fin/m (/I’ III‘IIIIII' IIIK‘ \\IIl’II\ (\IIva IIlI' IIIIII III)” (II IIlt‘ IIISIIx
TRACEY MCNEE FINE ARTS
I" I’.n'nII' SII’I'I'I. 552 5037 Inc SIII IIHIIJIII 5 IIIpnI. Sun I 5pm.
Peter White 'l'IIu III ‘l'IIu IIIIIII. .\ \UIII \IIH\\ III IIC“ \uII'II In I’Clt'l “IIIIIC Scottish Artists I'IIIII 'l‘hu Ih (III \II t'\IIII‘IIlUII III pIInIIIngx In .I;llllC\ II.I\\IIIII\. (iI-I.IIII lIIII'IIx. I’III SI'IanI'. I’I‘II'I IIU\\\IIII. I).I\III SIIIIIII. .'\II\IIlll' I’Ian'II' SIIIIIII .IIIII \I'IIIIIIIIII‘ In SunIIIII III‘II IllItI \It‘ I'.III|IIIII\IIII
TRAMWAY
:5 \lhcll I)I'I\I'. UNIS .HII ISIII 'I'llt‘ SIII IIUIIII 5pm; Sun IIIIIIII (IpIn.
Monica Bonvicini l‘nIIl Sun III (III In .IxxIII‘IIIIIIIII \\IIII \IIIIII‘I‘II .\I'I ()\IIII‘II. III-ul} \"IIIIIIIII\\IIIIIC\I .IIIII II-I'I‘III \mI'II In IIIL‘ IIIII'I'IIIIIIIIIIIIII} I‘I‘IIInuIcII IIIlIIIllI IIIII\I \IIIIIII‘II IIIImII'nII. ‘I'Inuugh llI\IIIIIIlIlIIII. \I'quIIII'I‘ :IIIII IlIllI \IIU I‘IIIIIII'IIgI'x IIIIIIIIIIIIIIII I‘IIIII‘I‘Ile ul Ulll IL‘IIlIllIlINIIIII III IIIL' IIII'IIIII‘I'IIII'I' .IIIII IIIL' I‘lllIl I'm IIIIIIIIII'III .AS? CHANCE YI‘ SEE
TRANSMISSION GALLERY
_‘\’ Km; XIII-cl. 553 48” Inc S.II
IIIlIlI 5pm.
Group Show Inn] 8.11 X \In .-\ gmup
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TRONGATE STUDIOS
IN \II‘II‘II \III'I'I. “I .‘M‘: \Inn III IIIIIIII 5pm
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VACANT SHOP FRONT
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WELLINGTON FINE ART
I I I \\t'\l RI'IJI'llI \IIL‘L'I. ‘IIII‘I
\Inn In III zIIIIIII ipnI
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Glasgow Museums
This section lists museums currently showing temporary exhibitions. For details of other permanent attractions, see Glasgow Life.
AULD KIRK MUSEUM
I'III' (.IU\\, KIIIIIIIIIIIIII'II. v\ III-H
Illt' XIII III.IIII IpIn Ik _‘ ipm Fabulous Fibres I IIIII S.” .\ \III \II mlnlnnnn III \mIII In IIIc \\C\I (II \I*I~I|.IIIII (IIIIIII III \VCIHL'I‘. SpnnII‘Ix IIIIII I))I'I\
BURRELL COLLECTION
ZIWI I’IIIIIIIIxhgmx anl. 33“ 355“
.\Iun 'I'InI Ik XIII IIIIIIII 5pm. In I\ Sun IIIlllI 5pm.
Whistler and Burrell l‘nnl Sun I.\ Jun. ;\n I'\|III\IIInn III mm 3” \\IIIII\ In \VIIIxIII'I'. I‘IIIII't'II'II In Sn \\'I|II.IIII IIIIIII'II O Whistler in Venice 8.” I.\ (III Sun I.\ III!) ;\II I'\IIII\IIIIIII III :IIIIIIIIII 5H I'II‘IIIIng IlIIlI [IIleI'Ix In .IIllIIL‘\ \II‘\I-II \\'III\III'I‘. I'I'I'IIII'II IIuI'nI; In\ H lllIIlIIII \IIn III \I'IIII'I‘ III IN“) I‘lllIIllI}! IIIIII\\'II Ill IIIII' IIIIIIIICIIII \IIIIII\. \VIIIxIII'I. IIIIIIIg; \\lIIl Inx IIIuIII'I .InII llll\Il't'\\ \IIIIIII I'lIllIIIIlII. IIIIIII II‘lIIgI‘ III IIIt' IIIlIIIllI I‘II} 'I'III-II- IIC [\IIIIIIII‘I‘II Illl I‘\II;IIIIIIIII.II'_\ had} “I \\UII\ \\ IIII‘II I'IIIIIIII‘I'II IIII' IIIIIgIIIlII'I-III'I- III IIII' IIIIIIIIL' p.II.II'I‘\ In \(t'IIC\ nl I'\I'I}IIII} lIlI'
SCI" IIlIIl\lV \E
THE HIDDEN GARDENS
'II'IIIII\\;I_\, 25 \IIK'II I)II\I-, (Ix-IS HIIhiIIl Illk‘ Sun IIIIIIII I\pnI
The Hidden Gardens SI-IIII.IIIII\ Illxl \;IIII'III.II‘) gIIIIII-n III-IIII'uII‘II In III-.II‘I‘ I'I’I‘IIII‘II III t'IIIIIIIIIIIIIIIIIII uIIII II\.I III‘gIIIII\IIIInII. IIlII\I\\'Il[I\‘ .III'IIIII‘I'Ix (‘II_\ Duran ('nupcl‘ulnc. IIIL' IIII‘III I‘IIIIIIIIIIIIII} and II It‘IlllI III Ill'll\l\ 'I'I';In\InnIII'II IIIIllI .I III‘I'I'III‘I IIIIIINI‘IIII \IIL' .IIIIIIIIIIII; Il.llIl\\.l.\I Hm I\ II I‘IIIIII-IanIIInI' ;.IIIII'II \\ IIII IIL‘IIII‘IIIL'II .Il'l\\IIl'II\,
THE HILL HOUSE
I'ppI-I ('ulqnhuun SII‘I-cl. III-II-IlennglI. IIIJRIIII‘KIIIIII I);III_\ I III S :IIpIII {II IL-II
Rest and be Thankful I :m; I z: 1 (III \ \I'II'IIII~II III I‘IIIIIIIIIII‘ In \I‘IIIL'II‘II‘I‘IIII} III‘\:;II.‘I\ :IIIIIIIII; ‘.'I IIIII.IIII IIIIIIIIIIII; I HIM: III\;I:I.I\. Ix';.ZIt InngII IUII_\ III'mnII. \In.~. \IIII‘iII‘I, IIInIII \InInII'I\ .nIII I’I‘II-I Ian;
HOUSE FOR AN ART LOVER III-IIIIIIIIIMIIII I’.III>I. III I)IIIIII‘IC\I\ Ix’I~.III. I“ 1”; IIIIII} IIIIIIII *I‘III 1““
IL: <III
Hugh Gillan I IIIII \IIII I” \In Ix‘I‘II'III pIIIIIIIIng In (iIIngun \IIIImI III \I'. QIIIIIIIJII'. IIIIL'II (IIII.:II
HUNTERIAN MUSEUM l III\I'I\II} \\k'IIII\'I 41H 1_‘_‘I ‘I I'LIIII <pm
Lord Kelvin: A Life in Science I IIIII \\I'II l| III-I \II \‘\IIII‘IIII‘II I‘I IIII‘ \IIcnIIlII III\IllllII\'lII\,III\I‘III1\‘II\.IIIII I‘IIICIII\ II\t'\I In (iI.I\§;In\ \ I.lllIHII\
\Inn \II
I‘II‘I\'\\III “I [\IanII, \\ lIIlIllII IIInIIIwII The Passionate Collector: George Rae’s Fossils I IIIII \III M IX‘I \II I‘\IllI‘lIlI|ll III IIII' II‘\\III‘\ III (iI‘nIz'I' Ix’III'. .In .IIII.III'n: I'IIIIIll\I.l\I \‘uIIII IIIIII'III'II IIIIIInyIIIInI III\ IIII‘ .nIII III‘I .IIIII' .l II'xI‘.nIII II'IIInx .II Inc IIIIIIII'II.III \Ian'nIII
PAISLEY MUSEUM & ART GALLERIES
IIIyII \III'I‘I. .\.\‘I zl‘l InI' \II IIIIIIII <Inn. \nn .‘ *IIIII III-I- Artists Astray I “III \IIII .‘(I ( )II \ IIprln} III \\I‘II\\ nn Impn \Ik'I‘I\IIII_‘_' I'\I~III |.IIIII\I‘.I|II‘\ In \IlllHll\ IllII\I\
Fresh I nIII \nn .‘h ( )II Ix'I-II-III IIIIIIIIIIIIh III IIII‘ I‘HIII'IIIIIII
Paisley Patchers I “III \InI III ( III \II \'\IIlI‘lIlIIll \IIImI‘INIn' my \Iqu nl Ilnx IIII'.II gmle
PEOPLE’S PALACE & WINTER GARDEN
(iIIngIm (iII'I'II. RSI I133; \IHII III“ I\ SJI III.InI 5pm. III I\ Sun ||.IIII *IIIII Joan Eardley: Paintings and Drawings I’IIIII Sun In \In I’.InIIIII;,-\ and Inn“ llI_'_'\ In _I|I.lII I'.IIIIII"\. IIIIInn IlIIllI IIII' ('.\( "\ III'IIIIIIIII'III I‘IIIII'I'IIIIII IIII' \I'II'I‘IIIIII Ik'IlIlIIC\ III'I IIlIIlIIIIII INIIIIIIII\ HI (iI.I\3_'In\ (IIIItIICII .nIII IIIIIII .IIIII \CII\\IIIIC\ InxpnI'Il In my Il\Illl1_L' \IIIIIggI- \II (‘IIIII'IIIIII‘ “III-II- \IIC II\I-II Ill hm hm _\t‘.II\
Doorway to Trade I'IIIII III” 3H \m \\III’II In SJIIIII (inl II‘IIIIIIIII \\II1IC\|‘IIIIL‘\ IIIL' \k‘II\t' HI III“ III] .I III‘III.I§,'I' III‘II III .III'IIIlI-I'IIII.I| III‘IIIII} I’IIII \II |II.IIII III\IIII} \IIIIIIII
POLLOK HOUSE
I’IIIIIIII (‘IIIIIIII_\ I’IIIII. IIWI I’IIIIIII\\II.I\\\ RUIHI.(II(\(I~IIII I).III} III.IIII IV!”
The World in Blue and White I'IIIII Sun III \In L“ It" "RI. IIIIIIII} III'III'I {I ‘5” \II \'\IIII‘IIIHII lII \‘.'IIIIIII\ \ IIIIIIIIy I‘k'I\\t'CII I 1IIIIIIIII I.\.‘.II IlIIlll lIIt'lIlI‘t‘l\ III IIII' ( )III'III.II (I'IIIIIIH \III III}
ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART 3(‘IIxIII' XIII'I'I. “I 35*" \Inn Hm I\ S.II IIIIIIII 5pm. In I\ \IIn IIIIlll ‘IIIII Faithfully Yours III“! III“ IIIIII-I \ pIIIIIIIglIIpIn \‘\IIII‘IIIIIII IIIII'nnII'nIan: \IIIICIL'III IIxIII'I'h III II'IIqunx \'\I‘Ik'\\IIIII IIIIIIIII III and .nnnnII (IIII\_L'H\\
St Mungo Inspired I “III In II (III \ I‘IIIII‘I‘IIUII nl It'\IIIt'. \IIII p.IIIIIIII;:\. \\III\IU\\ .IIIII .IIIIn II.III§.‘III;_'\. I'II‘IIII'II In \IIIIICIII\ IlIIlll I',.l\IlIIllIl \I'IIIIIII
Etching by Ray Richardson as part of Hitch on show at Glasgow Print Studio
Edinburgh Galleries
ARTESIAN ARTS GALLERY
"* IIII'.III \III-I'I 2‘,‘\ \II‘II Il' II.nII *sz1. \II Il.nt‘. 1pm.
Sympton and Symbol ll: Art as Healing Process I IIIII \II I \III \ :‘IIIIII‘ \IIIm I'\I\II~IIII;' IIII' IIII‘I.II\I'IIIII ILIIIIII‘ III I II'.III\I‘ I'\I\II'\\IIIII
THE BONGO CLUB
\II‘I.I\ III'IIM'. III‘I\I\‘I‘II I\‘I‘.:II
‘\\ ‘(IIIL
Under Fire I IIIII \Iun IIl \In \I: \‘\IIII‘III\III I‘I I‘III‘II‘i'IIII‘II\ .nIII \IIIIII\ In \InII'III' I IllIII‘III .nIII II.I\III I \IIII ‘I\III‘ ‘I\I'II‘ III II.III IIIlIIlI‘,‘ IIII‘ II‘.IIIIII‘II IIIIIIN'
BOURNE FINE ART
I» IIIIIIII.I\ \III'I'I. “' III‘II \IIIII I II III.IIII (\l‘lll. \II II.IIII .‘IIIII
Haidee Becker and Philip Archer I IIIII I II II (III II.IIIII'I~
III‘I III‘I I‘I\'\k'III\ III‘\‘. l‘.:lllIIlI','\ III III'I lnxl \IIInx .II IIHIIIIII‘ I IIII‘ \II .nIII I’IIIIIp \IIIII‘I I'\IIII‘II\ III-u '.\.I~III\ III IIII I\.I\II'I
CAMEO CINEMA BAR
‘5 III‘IIII' \IIKKIII .‘.‘\ II II
Plane Spotter I “III \\I-II I‘m \II‘. I HIIII .nnxl \InI I IIIIIIII'I IIII'xI'nIx .I \I'III'\ I»! \I II'I'II pnnh .IIIII .IIIIIIIIInm III\I‘II\'\I In II ‘_‘ I‘I‘IIII‘I‘I\
CITY ART CENTRE
.‘ \I.IIIII'I \III‘I‘I. \“I W"; III.IIII ‘pm
0 Editions Alecto: A Fury for Prints \III I\()Il \II III.I.III \ \k'Ik'I‘IIlIII‘II ul Inn .IIIII IIIII‘I' IIIIIII'II\IHII.II g'IIIpInI .III III IIll\ I'\IllI‘lIIIIII \‘.IIl\ II Ing'IIIIfnlnx IIII- \MIIII III IIIIIIII-I'IIIIa' [‘Illll [IIIIIleIII'L I lIIIIlIII\ \II‘I In. \‘-III\ II [\IHIIIIII'II \'|IIII\'III|IIII.II\ .IIIlex' [IlllII\ Ill IlnLInI IIIIIIII;' IIII' (Illx .nIII 'III \lIl\I\ \‘IIIII \xIIIIII'II \\|III \II-I'Iu IIII IIIIII- I).I‘.III IIIII'IIIIIn. I IIII.IIIIII |’.In|n//I. I’.IIIII L ('.IIIIIII‘|II. Ix’IIILIIII IIIIIIIIIIHII .nIII ( IIIIIIIII \}II'\ \I'I' [III-\II-n .nIII IIIII|\I
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Monumental Edinburgh \.II Ix (III \II .71 |.In \ II'II'IIIIIIIIIII HI
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COLLECTIVE GALLERY 3: 3.\ ('III HIIIIII \III'I'L .‘V‘H I.‘(IH IIII' \nn IIIIIII *IIIII
New Work Scotland Programme 10 \II Ix (M \II“ II» \In \ III-n \I-.Iwn III IIII- I IIIII.IIIj. Ilk't IIlIIIIt‘tI \1 I‘. Hill; \1 Ill/Ilt'lll/ [Dwain/nun. IIH\‘. III le IHIIIIII j-k'III: \xlnI'II \II(I\‘-\Il\k‘\ IIII- \‘IHIII III _\uInI-.', HP and Iunnnj: IlIII\I\ \I'II'III-II IlHlll SIHII.IIIII\ IIIlIl In.nn .nI IIIIII'2'I'\ I ll\I up I\ KI'HII IIIIIIIII'wII .nIII kII\II.III
KHIIII-I ‘
COLOURS GALLERY
-1I I)IIIIII.I\ \III‘I'I. ‘V‘ IVI‘I \Iun III III “LIIII * zUpnl. \II III “Lnn RInn Kate \III IN (III \\I‘(I \II\ \ IHIII'IIIHII III [IIIIIIIIIIL'x In Kn.‘ I’IIIIII
DANISH CULTURAL INSTITUTE II)IIIIIII' II'IIIIII: 33* SIH‘) \Inn III “III”! <Inn
My Private View: Selected Danish Artists I IIIII I II II (III I’II\.III' IIIIII'IIHI IIlIIIL‘\ \\.IIIICI \k'Ik'k l\ .I Int“ \L'kIIIIII HI InnII’IIIImIIII} I).nn~|1 .nI nII'lIIIIIng \MIIIIx In ('IInxnIIn I,I'nnIII‘I/. \IlgIIIlk'I KHIIIII. I’I.I .\II\IL'I\IIII .IIIII IIlHllIII\ II.nI§_'
THE LIST 93