Glasgow Mondays

Club

I Burn IIl \l \\ llpIII ‘IIIII I II'I' lt'l xlIIll wt IIII} puh I'l Iluh. :1 In L"-Cl_\l‘llk' I'lxI- \\L'k'lxl:. l)lx \Illllldll .IIIIl /I'ux pII'xIIlI' mm the lIIjgng'xl .IIIIl lI'lljJL'\l llllllllllL‘ xIIItl IIIj.'hl uul III lll\lltl_\ llk't'tll‘lll lnI lhI' \IIIIkI'Ix. .IIIIl lhI'Ic'x .len .I :uI-xl .IppI'IIIIuIII' I'II‘I} llH\‘- .llltl .lj,_'Illll

I Breakaway IIl lhI' \lIIIIk llpIu ‘IIIII t.‘ ILM \\I-I'l\l} \lI'I .llltl \IIIlI Ihnp lhI-II IIIIIIIIII- lIII'IIII IIl IhIIIl t.I\IIuIIlI'x I)I.'tIIIIlI'l} IIIII- lHl llII- pIIIl} \Cl

I In Bed with Jim Da Best .II llIIIIIkI'l IlIIIIIII'Il} lit-Ill IlpIII {IIII Ll I!._‘I \\I'I'kl} .lllll III\IlI-x _\IIu to hIx lIIIuIlIIII lIII .III I-\I'IIIII3: IIl pIIplIleII lIIIxh. luIIk} xlul and .I uhnlc lIIl I'lxI' hI'xIIlI'x

I Budda .Il lluIlIIII IIpIII {IIIII LlhI' \VI'I'H} RI'IIIIIIII‘hI'II \t'llllt' hIII‘lI Hll IIIII'k “llll IlI-lIIle xlIll thy

I Passionality IIl (‘uhI' l l illpIII {.IIII Lz ILII \\L't'lxl_\ I).l ShIIIIII RIIIII'le I'IIquI-x lhIIl thI' “L'L'lxk'lltl Ix \lIl}lll_‘_‘ .Ihw \IIlh lhIx pIIxt III-I'lIIIIIIl llllell IIl pII'IIxIIIgg I'hIII‘lleI} tIII lhIx ya} IIII\I-Il I'Iuml.

I Undercover .Il lilIuIlIcl. llpIII .iIIIII. Lil ILCI \\I‘I'kl} SI'I'I'I'l IljJL'lll .lIIII I)II liI'xl pIIIIx luIIk} lllllhk‘. IIuIIlIl) Rtkll IIIIIl pI'I'lI'I'l pup lllllL'\ NI )0“! can nul} I’II'IIl} IIl IhIIIlIx pInIIIIIx hunt _\Ile thIkI'II IIIIII xlIII'I'Il. llltl SI'I'II‘I .Igcul llII-IIII'Il pIIIlch III'I‘ IIlI lhI'II' \III}.

Glasgow Tuesdays

Club I The Beat Delivery IIl l.II1uIIl

lounge IllpIII ‘IIIII. [-1 IUI. “Ix-kl}. [)1 MIN l’lIIIl IIIIII llI-II lI‘qu BIIIIIII \luukx plII} IIl lhIx IIIghl IIl lunk I'clcclII'II lhIIl Ix IIIIIkIIIg: II I'I'III IIIIIIII' lIII' lecll. RI'III IIquII‘ [ll;l_\L'Il ll} lllIth' “lln ll“ I“ ll lk‘\l. I Tuesdays at Bamboo III ltIIInlmu. llpIII iIIIII. [3 till. \Vcckl}, I)J .\lI;_'ucl Ix III the Rat RIIIIIII [ll;l}lll:_' lhc llllL‘\l Rtkll IIIIIl IIIp hop. and III the luungc \Ic llIl\L‘ RulIIII ll plII_\IIIg_' IIIIIl lIIII'k xuultul gI'uIIxcx. I Budda IIl BIIIlIIII. llpIII iIIIII. (the WITH). RI-IIIIIIII‘III-Il \cIIuI‘ luck Ull lI‘III‘k \\llll IlI‘lIIIIx xlIll the I Escape Route III lllL‘ Sub (‘Iuh llpuI 3IIIII. I‘I'cc III-lurc IIIIIlIIIgIIl; [3 Intel. \Vcckl). .'\ III-u IIIgIIl IIIIIkIIIg II pI'upcr xlIIh Ill IIllI‘I'III; II guml clubbing IIpllIIII Ull II 'l'uc, lzchIpI' Ruulc hIIx gut II I‘uhcr'cnl III-xlhlec. II hut-l} xkcxwtl IIquII' puhc} IIIIIl \ItlllL‘llllllg IlllllL‘ \L‘I‘I'L‘l Ill‘UllllIl L'\ L‘l'} \‘l‘l'llt'l'. Slt‘II/I lquxc \ IhI'x “llll II l\\lecIl t\\le. III IIxxIII‘IIIlIuII \\llll hIIgI'I'II' lllIl\lL‘l\ .\g_'cIIl I’I'IIIIII'IIlcuI' \\lltl \\lll hc gu III; IIuII} luIIIthl I'IlIlIuII gIll pIII‘kx IIIIIl I'IIIIIIIIguI'x on 7' (la. [in II" I-IIIxx. XII [ll't'l It’ll. I FUN .Il ('uhc. ll.3tlpIII .iIIIII. £3. WITH}. l-unk) IIIIIIIIII' IIIIII \I‘I'} IIIIught}. pIII‘kcIl \\ Ilh pII‘IIxIIIg pup IIIIIxIc. ll‘tllll SIIIIII ll Ruhcrlx IIIIII ShII/lII-llIIllIucIl IIl lhIx gII) IIIghl. I Laid III llII- SIIIII‘lI. Illillpm .“‘Illll. £5 IUI. \Vcckl). ‘I‘hc hcxl IIIIIl lIllcxl IIIIhc- pup-ruck-guIlIII‘-hIp lIIIp»RI\ll-I‘IIIII't-IlIIucc lhc IIllIIIIIIlc xluIlcul line I Juicy Tuesdays III BIIIIIIcI llltl‘lllL‘l'l} Bull. llpIII .‘IIIII. L11 IL‘II. “'cckl}. StII} tI'I'xh. xlII} _\quIg_': pet Mn lIcIl IIII 'l‘uc \\llll BIII} .\lI|h;_'IIII III the hr; back III'III'IIIIIII \\llll IIIuIIlh-IIIIII'I'IIIg; xluIlI-IIl lIIquI‘Ilcx uhIIc Scull ‘l‘IIIgcrx' .\lc.\lI||IuI pI'InIIlcx \UlllL‘ lull llquuI' l'IIII III the ll‘ulll thlI'IIIIIII. I Fool’s Gold IIl .\l.-\S. llpIII ,iIIIII. £5 IUI. “Ix-kl). .-\x “10 llIllllL‘ might xuggcxl. lhIx Ix II IIIglIl ut' llltllL‘ IIIIIl I'uck‘u'rull lIII' IIIl ut' llIIIxc \Ihu lxlll‘“ lIIIIl I‘IIIthIIg IxII'l IIIl IIhIIul ham and hI'cIIkx. I Snoopy Tuesdays III lllIInlIcI llpuI FIIIII. £5 IL‘SI. \Vcckl}. JIIIII l’cIIIIulx IIIIIl (‘hIII'IIc Bum II C\ cr} ’l‘uI-xIlII) uIIIlcr II \IIII'III. cux} xI'cuI'It} lIlIuIlIcl IIl xludcul \‘l;l\\lL'\. pup and RIkB t'I‘IIIII Scull 'l‘IIIgcrx' .\lc.\lIllIIII IIIIIl BIll} \hlthuI. JIIII l)II llcxl Ix IleII lllL‘ IIIIIII th‘c. I TIT III 'l‘I'IIxII. IlpIII SIIIII. ‘5 IN I. \Vcckl). l’IIuI X'JII‘ plII_\x out RIKB IIIIIl lIIp hop. (EI'III‘IIII‘ l'I'I‘guquI hle _\Ull \\ Ilh lhc xluIlcul I‘IIIxxch III RUUIH I and Rob B Ix III the lhu‘Il I‘IIIIIII plII} In; pIII‘l_\ IIIIlthIIx and hat lllllL‘\.

I Tuesdays at Bamboo III Huntxm llpIII ‘IIIII L‘ IL: “CI-H} Ill \llguI'l Ix III lhI' Rut RIIIIIII l‘l.l}lll:_' thI' tIIII'xl RAM and hIp hop. and III the loungc kw h.I‘.I‘ RHl‘lll ll pl.:_\1u;_' l.‘.l\l lIIIIl. xuultul pIImxI'x

Glasgow Wednesdays

Club

I Allure In my lllllllL'l ll zHpIII *IIIII Li “cckh (iIIngIm 'x III‘II.I-xl j_'II_\ IIIgghl \\llll lhI' IIIIIIIgg .IIIIl \I-I) lIllk‘lllk'tl I).l l).;III'II \Hllll}: pl.t}III;.‘ xIIIIII' \lll‘I‘ll‘ lllllk'.l_‘_‘\' to .I llllL' (III_\ I‘lImIl

I Bennet’s .Il llI'IIIII't'x

ll illpIII ‘IIIII Ll SHILI <III “ct-kl} SIIIII IIIIxcx I'IIIIlIIIl IIIII‘I' IIIIIII' III lhc I‘luh TIIIIIIqu lUl IIIIIIhII-xx IIIIIl .III. .IhI-III. hlII-IIII I‘hIIl up pIIIII')

I Budda .Il liIIIlIIII llpIII ‘IIIII Lllu‘ \Vcckl}. RI-IIIIIIII'III-Il \cuuc lIIII'lI Ull lIIII'k \IIlh IlI'tIIle ml! the

I Blaze IIl llIIIIIlIIIII. I lpIII §IIIII Li IL'II. \Mm‘kl} SI'IIIIII‘ ll llHlll\ lhIx III;_'ht IIl luuk lucllctl \tllll .IIIIl RIKH \ gIml \I‘IIIII‘ lhIIl Ix II‘IIll} \IIIIkIII; llj._'lll no“ I Boiling Point In IIIIIIIII I,IIIIII;:I‘ Ill. illpuI .‘IIIII. L" tilt. “Ix-kl} .\ III*\\ xluIlI'IIl Iug_'hl lUl lhmc \Iho IlIIII‘l lIkI- lhI- uxIIIIl I'hccxc Hll IIlch'. \\ Ilh II'xIIII'IIl l),l (it-IIII‘Il \lIIIIIIIIgh plII}Iu;_' xI'\). lIIIIk} huuxc IIIIII ultI‘II l\\ leI'Il Ith'II.

I The Edge IIl lllL' lxlgc 1(‘IIIIllIIIIljgt'I llpIII .iIIIII. £3 IlI‘I'I-I. “CI-kl}, l).l .IIIIIII-x (‘uI‘I‘II‘ pIII_\III;_' IIll lhc hexl pIu‘l_\ lllllC\ ll‘ IIII up»lIII'-Il out IIl-[mm I‘IIIIIII.

I Elastik IIl llIu'tl} IIIII'IIII'I'I} llII‘ I {III \IItc ('luht. I lpIII .iIIIII, LC. “Wkly I).l ()IIII IIIkII :\lll;llltl;l lI'IIIII llIxI IIIIII l).| \lIIIgII-gn. lIIkc Incl lhI' IIquII‘IIl \L'lt'k'lltlll lIII’ lhc lIII’I‘xI‘I‘IIlIlI' luluII' \\llllC 303 lIllxcx II lII'I'IIk lII I‘IIIII‘I'IIII'IIII' Ull IIllII'l‘ llllll_‘_'\. hut-cling; xIIIIIc lllllL‘ll III'I-Ilcd walrugcu IIIlII lhc \mI'III IIl l).llllj_‘ IIIIIl plII_\ III; \lllllL‘ IlIIIIIII l'uIc I‘lu'lru llll\k‘\l IIIlu II I‘IIIIIIIIIIIl} xclcclctl \Ulllltl\CIlPU.

I FAB IIl lhc llclu. llpIII .iIIIII. l‘lk'L‘ lwlurc I Him; [-1 IL‘RI IIllI'I'. \Vcckl}. I’IIul RI'II. (inI'IlIIII .\hllcr IIIIIl ('I‘IIIg: KI'IIIIIIII hlcnIl qu'IIgI‘. lell IIIIIl tuuk} houxc. plII) In; to II IlI'I‘xxI'Il-up I'I'ImIl u ho hclp to IIIIIkc lhIx llllL‘ III the huxII'xl lllltl\\L‘L'lx lllghlx lll (illegIm.

I Fire in the Disco III .\l.-\S.

llpIII .iIIIII. £5. \Vcclxl). (iIII‘IloII RI'Ill} IIIIIl Huhh} l)l}!ll;ll plII} out llIc mm! huuxc.

I Fourplay IIl l'.ll\_\. llpuI .iIIIII. Lll IL'ZI. \Vcckl}. No“ rughl ul IlIIIII‘I‘lI'I‘III tnI' lhc (ilIngIm xcl. (‘IIIIIhI‘IIlgc Sll'ccl “Ill I'III‘k.

I Jungo IIl .'\I’L‘ll;ltl\. l IpIII .‘IIIII. £2 Il‘I‘ch. Wet-kl}. Sludcul I‘IIIxxII‘x. llltllL‘ IIIlIl L‘III‘I'xI‘ III'I‘ lhc III'III‘I IIl lhc IlII_\ IIl lhIx \\ I‘L‘kl) “I'll.

I Joints and Jams III ('uhc.

llpuI .iIIIII. £3 IL'ZI. \VL'L‘lxl). 'l‘hc IIIIIII'Il- \\ IIIIIIIIg cluh hI‘IIng )uu lhc hcxl Rtkll. hip hop and xuul !).lx III lhc (It). RL'\ltlL'lll\ .\lIII'lIII llI'ku'llI. JIIhII 1.}IIIIx. l’uppII SthIgu IIIIIl l).\l(i IIII I'IIlIItIuII owl) \VI'Il. \Vilh I'cgulIII' gIII-xt l)Jx IIIIIl l’.v\x. Il‘x IIII \IIIIIIch' lhIIl .lnIIle IIIIIl .lIIIIIx Ix lhc lIIIIgcxl l‘lllllllllg Rtkli IIIghl III (IlIngIm.

I New Flesh IIl I’I‘Iulcgc. ‘lpIII ZIIIII. £4. \VL'Clxl}. Rock and IIII IIIclIIl IIl lhIx llupc Sum-l huxlch‘). 'l'lIIx Ix II IIIghl lhIIl I‘cl'lcclx lhc IlIwI'xIl} IIl I‘luhhmg IIl lhc

I Shackass Ill SIIIII‘Ix.

Ill..‘~llpIII 3.30am. {5 H43). Wall}. The IIIIIIIIlIIhlc |).l ‘l'IIIle xpqu lhc llllL‘\l III cth'l clIIxxch. “llll II III-Illlh} xIIIIIlch'IIIg Ill, t‘llL‘LNL‘ Illxu.

I Stud’essential III Junglcurx.

‘lpIII .‘~IIIII. l’I‘cc. \Vcclxl}. l‘I‘I'xh xtuIlI-IIt IIIghl IIl lhc cIIIIIcIl) club III the lug building. l'I‘cc L‘llll'} and II thtlIIIIIl IIt III‘IIIkx pI'IIIIqu mean that “It I‘I'mul \\ Ill lk‘ lll l-Illc‘ l-L‘lllk‘.

I Traffic Light IIl Blanket ItIII‘IIII-I'l} Bull. l lpIII BIIIII. £5 IL‘SI. \Vcckl}. Slop Illltl lllL‘ llgllh Illltl gel lllltt l‘L‘Il L‘\Cl"\ \Vcd. 'l‘hcrc‘ll he IIIlIIIIIIlc leIIm lIIlk III the trout hcdruum IIIIIl xc\) Rtkll IIIIIl pup III lhc hIIclx III-III'IIIIIII. \VIIluh IIul tIII' lllL' [lull-lg” puhcc “lltl :_‘l\C ll‘cL‘ Illu‘HllItl [0 III] lhIIxL‘ “ho dam to xll lll the fill xCIIt.

Events are listed by city, day, type, then alphabetically by name. Submit listings at least ten days before publication to clubs@list.co.uk, by post or by tax on 0131 557 8500. Edinburgh listings are compiled by Henry Northmore.

Edinburgh Thursdays

Club

I Audio Tourism Ill l’n.» It.” (‘lIle ‘thu iIIIII I II'I‘ \\I'I'k|_\ SIIIII lllC \II-I'kI'IIIl IIlt IIIII' .IIIIl Inul} \\ Ilh .I \k'l\‘\'ll\‘ll IIl lIII‘IIl lIIlI'IIl

I CC Blooms .Il ('(‘ HIIIIIIIIx

Ill illpul :Illll lII'I- \Mx‘lxl} lIIp lhI- hphl IIIIIIIleII to ill \|\’(I IIIIIII'I‘ III'lIIIII .Il lhIx k'\k'l pIIpulIII pa} l‘IH

I Daysleeper .Il ()pIqu I lpIII ‘IIIII l II'I' \\I'I*kl} .\u IIII-IIII. llllIl\ll IIII'IIII. IIIIluxlIIIIl IIII-lIIl .IIIIl IIle .Ilmul k'\\‘l) nlth l}pc IIl IIII'IIII )uu IIIII lllllllx III

I DEFinition .Il (I‘ll‘Jlk-l \IIIIIIIII‘ leIII ‘IIIII. {h ICI *) ( )I'l \lIIIIlhl} \Ile} I’. .ll’ .llltl l’ Sl}l/ IIIle .I Might IIl luIIIIIIlIthII hIp hup \Vllll xpcI'IIIl gucxl l.\lI.I pII-xI'IIlI'I RmhIc} l’ llc‘ll uIIIlIIulIlI‘Ill} hc pcIlIIIIIIIII; Illlllk'll|\ qu‘h IIx "lmghhghl ut lhI- (IIIle‘ and '|)I-IthIlIIIII' \kllllk‘ .IIII' llIIhIlhII IIIIIIIx lhc tuI'IIlIIlIlI'x.

I Dfrnt Drum .Il (.Ill‘dlk'l \IIIIIIIII'

I lpIII .iIIIII. Lil IUI 2 (M \lIIIIlhl} \cu III;_'hl \\llll II ku'uI-Il lIIkI- IIII lllL' I'luh lIII‘IIIIIl \\llll the 'l InulIlc l).lx III lull cllccl. l,I\c xcl lI'IIIII ()pI'IIIlIII’ IBI'IIIII‘I'IIIIII xlIImIII; ux hIx III'I’I'I'I xIIlI' Ull \}lllll\. \III'IIIlI‘I' IIIIII .\|l’(' 20””. \u' (iIIllII\\.I_\ lIleI‘x I'IIIIlI‘IIl IIl lhc xI‘I‘IIIIIl I'IIIIIII IIII' xIIuII‘ lull IIIIIII‘I‘ llIIIII' ruck

I Dope IIl I’I'ppI-I'IIIIIIl lounge

IllpIII iIuII. £3. “Ix-kl). .\ pure IIIIIIIlullI'I'IIlI-Il lIlI'IIII IIl (lil\\lt' IIIIIl I‘IIIIII'IIIpIII'III'} hIp hop lltllll Rob 'l' and Sixlkl.

I El Barrio IIl lxl HIII'I'III. lllpIII iIIIII. MW [5. \Vcckl}. SIleII IIIIIl IIII-I'I'IIguI- \\Ilh l).| \IIIIII Ik thc l.IIlIII l’ll\\k'.

I All lllI‘ liltllglt (illlll,

lllpIII ,iIIIII. [5. ‘) ()cl. .‘\lllllllt'l' huge ll Ho} III;_'|Il \\llll hII' III‘lIIIII. I).lx. plI'IIl} IIl hIp hop. kuIlc lIlIIIx. I'IIIIIpI'lIlIuIIx IIIIII pI'I/I'x.

I Genetic IIl ('ItI'ux ('luh. llpIII 3IIIII l’I'cc lII'l'III‘c l l..‘(lpIII; {I illlL‘l'. \Vk'k‘l’xl}. SlIII II IIIIghl) pnpulIII' xIIII'I‘I- thIII \llII\\L‘Il\L‘\ Illlcl'llzlllu‘. lllIllI‘ Illltl lII ll. NU xIIIIIkIIIg: IIl flu. but. IIIIIIIl.

I Groove City Radio III lhc Hung” ("Iuh lllpIII .iIuII. l'l'I‘L‘. ‘) (M. The two xuqul IIl Ihxco \\ Ilh I‘I‘III III‘III Ihqu I‘IIIxxII'x IIIIII II Iluxc (ll hI'In} luIIk.

I lndigitous IIl thc \I'IIIII‘.

lll.3llIIIII .iIIIII. U». ll» ()I'l. l’x}I‘lII'IlI-|II‘ lI‘IIIII‘I‘ pIII‘l_\ III the IIIIIIII I'IIIIIII \\ Ilh Iluh III lhc (‘IIIIchz

I MIBZ IIl (‘IIWIIthxh/DHII. IllpIII ZIIIII. l'I‘cc hclI-I‘c IIIIIhIIghl; U IIllI'l'. \Vcckl}. ’l'hc III-x1 III 1 S hIp hop. I‘IIggII IIIIIl RIkll ll'tllll ’l‘cc-lN’l‘ IIIIIl Mr H. IlIII'k \\llll lhI' xIIIIIc lllll\lk’ )IIII IIll luxctl xII lllllL'll IIx lhc} tIIkc Incl lhIx III-\I wuuc.

I Nexus IIl Sluthu 24. lllpIII XIIIII. Ll \Vcclxl}. .\ III-u IIIghl lhIIl llll\L'\ lhc huxl IIl rock. metal. IIIIluxlI'IIIl IIIIIl goth \\ Ilh II touch IIl I‘hccxc. l'I‘IIIII )IIIII' huxlx SIIIcll}. K}llnll. llII/ IIIIIl Rt)\\.

I Noche II! (It): IztlIIIhuI'gh.

llpIII SIIIII. £3 lIclnI'c IIIIIIIughl; H IItch'. \Vcckl}. .\ IIIghl IIl lIIuIIlIIII' I'lIIxxch to cullng L'Ilgc I'I‘II'IIxI‘x lI‘IIIII ‘I'nlquhlu \\llll Inc pcrcuxxIIIII tI'IIIII l’cpc SIIIIlII .\l;ll'l;l.

I Opal Lounge IIl ()pIIl Lounge lllpIII .iIIIII. £3. \VCL‘lxl}. (‘lIIxxII‘ IlIIIII'c IIIIlthIIx IIIIIl tuIle) \ncIIl huuxc tI‘IIIII HI I Sanitarium IIl SulmII}. 5pm 5IuII. l-I'cc, “CI-kl). \cu ruck IIIghl lI'IIIII liIlIIIlIIII'gh Ruck. chIluI'ng hIc hIIIIle IIIIIl IIIlI-I‘III'IIxc l)Jx I}IIII cIIII tut _\uur I‘chICxlx and lhcrc \\ Ill be lug xcrchI

\ IquleI plux plcul} IIl tll'llll\\ pruIIqu.

Isteutrs Clubs

Friscodisco ll»..- r~

l(:.l(,"'xrtx Li‘ilfl,’ It'd .l‘I;l~ lrultx

.ItI-u IIII'IIt

iltllt’?:.’ l’l't‘» ‘.I'I‘-.'.I:33 IIIIIII‘. IIIIII'

'lIIthIlII, III: l‘).n’:{l ll‘li) 4. III: ms (1 Sl)€:(?l(li treat ‘l‘ stop: I; l lIIIIr ItlII: Slll) CIII'lII ;II.I‘.~I (In: IIIII'I, Hum/I. f'l/ 3 ()IT.’

30 presents: Roni Size ‘.‘.’I: all hate Pop lrrlz 7" IIIIIl .'.'ItII (JOIN reason. But t'I‘IIt's III, ltu’lfi’fl‘. to Illslrke tlIIs Inc-x: l) l st; I sac-arch. The Joy of Deg-«ans. r35); )t:(ll(lll')' when (MW! 8. hast; legend HIIIII SI/e Is lll\.'()l‘./(tt I'. The Venue. Tu 3‘ Oct.

4hero More legerI-II'III‘. IIII.I:I 2". bass figures are ill tou'xn for yet more oIIeIIIIII; ‘.‘.€;I’:'I\’(:ll(l (ZelelIIatIons III the ll(:.’.’ iI/I'Ix'. III;.'. locatIon Bongo. Stucl,’ the, 'II: SDOlllllg us. The Bongo (I’lll), III 3 Oct.

Manga Jesus. ,m. '.'.'£lll for II kIller drum 8. bass; IIIIIIIt and then three turn up at once. Arlrlrng further quanrlarres to ,our Clubbng clIOIce toIIIIIlIt are l / Rollers IIIIIrl II lll‘/,_‘)l(:T‘,' questl kIckIrIg off at Mange. The Honeycomb, I II it Oct.

Bio-rhythm presents F Comm v Compost Two of EIlII‘Iburgh's most popular. Elllfl III demand, producers 0st (In head to head, Auua Bassrrxo rpscturerl; steps up for l: Comm :rhrie Ilo MalIk deleutls Compost's honour. The Honeycomb, Sat 4 Oct.

Messenger Sound System The suhlrrue rluh cluh settles; Into Its new home. Skanksng, The BOIIgo Club, Sat 4 Oct.

Access Access Jumps across the street to Its he permanent venue. Dahbltng In a on of DetrOIt techno. electro and deer) o'rIvIng house. It has Creme de Menthe and Rob Dylan on hand for Ms Freshers Relaunch speoal. The Honeycomb, Fr/ 70 Oct.

Super Saturday Just one month old and already gaIrIIm a reputatron for Itself. Three floors of drrty funk. breaks. trance. R88 and urban soIInds to trckle your fancy. The Venue. Sat 77 Oct.

1'. 1 THE LIST 79