Music rock 9) nor, ismgs
Monday 13 continued
I The Sleepy Jackson, the Delays .mll the Cribs km; link will “AllIIllI,:—3.1\I\Illcclll\llL'L‘l.33l 53“) \ ‘Ilpin :5 Ilic \Iccp} .I.I\I.\l‘ll.1l\‘ IL'lI ll} Ilic L'ka'lllllx I ukc l.ltI.\l‘ll. nnIc II IllIlL'jJ} \‘-.I\IL'l. HIM .xll L"-.lll:_'L'Il\lI\ llllhlcal PIL'IILIIL'I \c‘.\ xinjglc "I ll'llkl Illintci' ‘J-lII umkc )nu \Unulll. likc nnl} lllc I Idllllll“: I.lll\ uxuall} In.ui.lj_'c
I ltch, All My Logic .Iml In Car Stereo llic I‘ll} \nlc ('.llc. 5” NI Kllij.‘ \llccl. 55‘ In“ \pin L‘ I run punk
I Blues Buddhas \IIIIIIII ()nc. (ilH\\I‘llHl llnlcl. (illNM'llHI Icrmtc mll llucx l<n.ulr. HI h5ll~ ‘lpin licc Illum I Acoustic Jam \iII-‘anI-a/l. ljl Sautluclmll SlIch. ‘41 W» ‘5 \pnl I icc “uh I! lrcc Illink m iutcnlnc lnr [Mlllxllhlllh
I Kealer ll.”in :nu ( ‘IIIII- \uI-I-i ux‘u Ill)" ll‘N‘) Rpm Uhk \cu Inuk \lllgcl \nnggxxiilci [‘lUlllUllllL' lux \nnn In lw lL‘IIIlllltllk'll Ilchul .lll‘lllll. ll‘. Hun Ilmx: Izm'lm
I Open Mic luluul I nungc, ‘l-I \\c\l chcnl Slrccl. ‘5‘ h“; ‘lpni I Icc x\cnu\uc lllll\l\'. pncli}. clc
I Open Mic (-lllklllillx‘ Ilk‘l.ll‘_\. \l‘l‘UII Sliccl. M3 5nh5 l‘Icc lll‘\lk'\l In I \Ith. lnriucil} \I»\‘,Ill\l \\llll \\IllUll Illnc
Edinburgh
I Athlete, Alfie, Repairman .mIl Tahiti 80 ‘l lIc liquid Rnnni. ‘lc \ Iclnim SIIch. 335 35M “pin U) IIII‘ l.ll\'\l cIuIIcII imlic .u'l linnl Ilnun \Hlllll \\IIH\C Iilluuu If/lll It \ ImI/ Inmm/x \\.I\ unnumchl lni Ihc \lcicui) .\lu\ic I’n/c “huh I\ nicc 'I'Iunk Illll} Bragg: Incch Squcc/c Iucclx IIIc ('li;iil.ll.in\ Scc plc\ icu I Whitmore, Sonic Boom Six .uul Chairman of the Bored 'l‘hc \cnuc. I7 3I (lillnn anl. 55“ ill“ " illpiu Ur Ska punk Iluccl linm \\ lll\llll'\‘
I Rockin’ on Heaven’s Door l’I;I}lIllIl\I'. IN 33 (iiccnxulc I’lucc. llhqll OHM-I34. Spin [I3 5“ L In 51) Inhulc ln lilux I’chlc). Rn} ()iluxnn. IluIlII} Ilnll_\ and lerlic ('ncluan
I Acoustica Ilium-I \‘nlluuc. Ir» :.\ llluu Sum. 33” MW Illpnl I'Icc «\nlunlur) t'llllll'll‘l'llillh nn cull Scc _\Inn (x
Tuesday 14
Glasgow
I Travis (Ruling; .\\'Il\l(‘lll}. l3I I'.fJIllllHll Sll'ccl. Il‘lll5 Iljll 3W)” llhqll "HI :Illlll
5. illpm LI” 5”. Illc nulIl nmnncrcII |;IlllIHl'\ IcIui'n qul Ilux quc Illc} xii} ‘I’cacc IIIc luck ()ul' .lIl\l nIlIcI l\c\\ IlIlcnnfi llungx nu Ihcu’ ncu album. [3 .l/(‘IIIUIII \ I Keith Emerson & the Nice RIM! ('nnccil Hall. 3 Saucluclmll Slim. ‘5‘ SINNI " illlllll £35. Duck iI‘x Ihc I:I.l’ man ulin ll\L'\l In \Ilck knncx inln lux kc}l\n;ull\. Icunichl \inh llic Ixuul \\III\ cncnumgcll \uch urcxlmnuhlc hcllp inur I Athlete, Alfie, Repairman ImII Tahiti 80 'I'I1c(i;u'.Ig_‘c. J‘lll Saucluclmll SII'ccl. 553 ll3ll "pin. S()I.I) ()I’l Scc 'I'uc I-1 and prcx icu.
I this Girl King IlII'\ “ah “ah Ilul. 3‘3Ii SI \‘mccn? Sliccl. 33I 53“) .\pm in ()\cr- I-lx \hnu .‘\\\I\\\.llkll.\ Inucl' L‘IhL' I)pngr.rp|l_\ \hnuIIIn'I puI )nu nll Ilux mcInIIic. cIlg} .lll\l c\prcxxi\ c \\ cc langlixh cmn rnck nulliI \\IIU cul Illcu' lcclII \\ llll \ninc linc I'clc.I\c\ lnI lhc nughl} linc I"mcc I’IInIIa I.Il‘L‘l
I Whitmore, Sonic Boom Six and Chairman of the Bored lhc ('Illhnuxc. l5 I‘Iunn 5‘11ch 345 («mu “30pm to. ()xcr- IJx \llnu \Vluunnic .uc II \ku punk nuIliI linm \\ lll\llllL‘ \\Iln Ilcxcl'IcII IIIcu prc\ lUll\ lxuul l uclc Ilium \xhcn lhc} \\cnl .III wlI and punk pnp
I Seven Stone Lighter liar-II}. jun (Iulc Sum-I. ux‘u till“ now 5pm 5: IAK‘III punk pnp
I Phil’s Session l'ixgc III-lulu. :32 \Vl‘tltlllllltl‘ RUJxl. SIN IS‘lh ‘ll‘lll I‘IICL' \VCCIsl} ~[all].
I Live Music III-.Imccnc. Ill Skimng Sum. (\33 SIM). Spin. I‘Icc luullxick lmckgrnund \nunle.
56 THE LIST .‘ "I
#1
Edinburgh
I The Jeevas IlIc In]qu Ix’nniu. ‘K
\ II‘InIm Sliccl. 335 35h~l “pin hcc Sun I3
I Four Tet .uul The Animal Collective I'llc \cnuc. I“ 3l ('.iIInn Ix’n.ul. 55~ ill"; a {len L") I I\c I.Ip Inp .iclinn linni clccllnnlm .Icl I'Ulll Icl IlkJ Kicicn llclnlcn |\\IIU lmx luxl lnurcll \\Illl R.ulrnl1c.ul .ll I'Iinui \nrch Inxixlcnccl \\ull pml inck \Hlll\\ Ill \lll‘l‘tlll linin Ilinnkl} n lmml quailcl lllc .\nun.il (.HIII'L'IIH‘
I Christ., Slowloris .md Nimrod 33 (Kilxucl \'n|I.uIc. ‘0 ‘5 ll|.uI SIIch. 33llnl"h "pin [-1 {5 .\nc\cnin;_'nl .IIIcIn.iIi\c clcclinmm \\Illl ’;In\icI} .llltl uppicllcnunn' llnnl Ilcullccula \Ignlnj: (‘Iuixl.. \uccl Illltl \Ulll lllt'ltllllt'\ liniu Slnu IUll\ .inIl Ilixlurlun; (III qul mec cIchInnicx linrn \unInIl iulin .uc nllcnng lllllll ('I)\ In lllc Ill\l 5H llunugli Ilic Ilnni'l. I Ox 'Ilic Villagc. In Snulll I'Ull Sli‘ccl. I,cIlII. JEN "XIII, ", illlllll, Ur, ’I'Iucc piccc IcII ll} ()\ luku .\l;u'k lirnuningl \xhn PIII} II \cnxilnc hul \cullcll’ IilIxt‘ nn lllc .IIII'nunIr} \nquI.
Wednesday 1 5
Glasgow
I Vonda Shepard l{n_\;II ("nut-cu “J”. 3 Sdllt‘lllcllllll SIIL'L'I. 55 5 Xllllll. Spin {3ll/LIK5H. \‘nu knnxx lIcI' li'nni lici nuncn .ippcumnccx nn II//\ .‘ll [furl \tlllllIIllllL‘klllf: lllL' IlL'l‘HlllC.\ IIL'llIU\C\, ’I'Iml \IlUlIltI hc \\.ll’lllll:_' cnnugh.
I Four Tet, Animal Collective .qu Reverbaphon 'l‘lic l-cn). 42 (Ink Plan: 43‘) Illlll. ‘lpnl L‘l. Scc I'uc I5
I Loudon Wainwright Ill I’;I\lllUll 'l‘llL‘IIIIC. I3I Rt‘llllL'lkl XII'L'L'I. u: INN). ". illpnl. {I3.5Il (Ill. Sinch \nngurucr cum-.iclni. Inn\I lnnIII} i‘cincinlwrcd II\_\ Inc. .In} \\.I_\ l lni luxlul p.ul\1n
II .I .\ II. III\ nc\\ Ii\c album .\n Ilium: l/Irp/n includm cnnu'ilmllnm lrnnl Richard IIIUIIII‘MHI .uul \Lin |)} kc I);ll'I\\.
I Dead Men Walking (Lu-ling; \cmlcim 3. l3] Izglinlnn Sll'ccl. H‘Nl5 nln 3000 mm “1 jnnn ‘_ znpm
I; I 3.5”, Illc unich Air-punching: lnicc nl Spcar nl I)c\un_\ \ Kirk Iliguulnn. lllc (‘ulIK Bill) l)ull_\. Ihc .-\IIu'ni'\ \Ilkc I’L‘IL‘h. lhc SL'\ I’hlulx' (ilcn \IIIIIIk‘k .InII Ihc Sun} (lux' Slim Jun I’Imnlnin ()ku). \\ c \uri'cnIch:
I Six by Seven King 'I'ul'x \Vall \VIIII IIuI. 3‘3IISIV1nccnl Sli'ccl. 33l 53“).
Alfie play as support to Athlete at the Liquid Room, Edinburgh, Mon 13 Oct; the Garage, Glasgow, Tue 14 Oct
" 81: .III"
tits
X. illpui. £051). I’crcnnigill} inlcnxc nulic cninhn \\IlU\L‘ ncu \Inglc 'llncluun' lcallucx I3 \Illllltl lnnpx Including nnc callcll ‘( iluxgnu '_
I The Tussle XIII-'n‘SlI-a/y ~Ill Snucluclmll SII‘ch. “100‘”. 0pm. L5 I)c\cthcII .l\ a Iluhh} .lll\\\ c1 In pnxl I'nck lll.lll\ ‘l‘nrlnlxc.
I Scott McDonald Slcl'cn. I: 1.1 Kc|\ Inllaugh Sllccl. 5‘0 5M8. Hpni. L" V \lhunl launch
I The Sorrows, Malaise, the Strand and Public Order 'l'hc (‘gilllnuxu l5 I‘ninn SII'ch, 348 ()(Illh —..illlllll, LII ()xcr l-l\ \hn“. liulic I'nck. I Kain lli'cl. .'\\llIHll l.;Inc. H3 JUN). lell. L3 Scc I’l'l is
I Open Stage 'I‘lIc llIIIl I‘lIIl. Ihll \VnnIlIunle Rngul. 504 I53". Spin. I'rcc. \\'cckl_\ \c\\ln11 lnI' lncul lllll\lL‘l.’Ill\.
Edinburgh
I Shack and The Stands ‘l'lu- lulqu Rnnni. ‘lc Viclnl'la SII‘ch. 335 350-1. “pin. U3. l.i\crpuIl|I;in IIIuIIIch nl Ihc currcnl lungl} lwcal pnp \ccnc IcIurn \nlll .I nc\\ gilhunl [In-("x /nm
N 11/1 l/Ir‘ Ili'ui/u'r \xluch Innk ,I Incic \CH'II \\ cckx In “I'llc IIIIII l'CL‘nl'II
I Closer, Mercury Tilt Switch, Won Mississippi and Chocyamo 'l'hc Ilnl1;_'n('luh. \Inm} Ilnuw. lInI}I‘nnII anl. 558 "(ill-1.35llplll. L5 lL-ll. Huh} ’l'lgci‘ pI'cxcnI Ilicu' u\u;II uu\ nl' llUl I‘nck IInII uullc \\ llll I).l\ .'\\II‘HI\n_\ .uul \Ir Zunlmlm c backing: up lhc In c
Thursday 1 6
Glasgow
I Shack, the Stands and Eastern Lane Ihc Art-hm. 254 .'\I‘g_'_\lc Sll'ccl. uwul HZ: mun. ". illpln. L I 3, I.I\crpuIlII;In lunglc pnp \clcranx \\llU mcillalc lwluccn duunniul llk'llkllL'\ and uninxpu'cIl I'clrn Illr'gcx nn ncxx ulhuin Hunk Inn: Hill! (In Ili'ul/u’r:
I Charlie Landsborough Ring! (‘nnccrl Hull. 3 Suucluchall Slrccl. ‘53 soon 5.30pm L‘l‘x’L‘IS, Imh \Ingcnxnngu riIcr \\ hn cnInluncx c;l\} ll\IL‘lllll:_‘ cnunII'} and lnIk Inllucnccx lll lux cnnuncrciall} \ucccxxlul \(llllltl.
I Sydney Devine Inn lIlHll 'l‘hcuu-c. l3l chlicld SII‘L'CI. 5.52 I340, “Hillpllli LI I.5Il«"L().5Il. \VL‘ \Klll l)\ L‘l'ltmk lllL‘
nhx lUlh clash \\ uh .\Ir I.;InII\hnrnugh\ In nnIc IhuI Scnllund'x rluncxInnc cnuhn} I’IIIc\ Ilggun.
I Regenesis llx l I-zzx. .1: (“mk- I)I.l\\'. -13"il":l' \ptn :23 (icricxxx llil‘uIc_ lnl film; :lnl mics; ?‘_\ 1'31: :clzl lezn; I.:\I \\cck I Sluts of Trust \icc :t'\lc.i.'\. #31 mil. ll]CII.:II \ucct. “1% 1‘
(ilaxucgmit ~_'I
“pm 1‘
naps \Iun. ictcnllx \zgrnctl In (‘Ilcnnkal I nIlclgrnunIi and Iippcl‘l lni Inutli laxnuzal‘lc .lIICIllll‘II
I Kunt .lnll MIA IlIc (flzllinuxc. l ninn \liccl. 3»2\ mum " lllpin L k \Ilnu \Iclal l‘lll
I The Fast Camels .mll Milestone I nmlcili l Iquul I nunfgu "v1\\cxl Ix‘cccnI \liccl Illpin 1: L 2 nn III‘HI‘ \\cckI\ \II\‘\\\.I\C l‘l IHIIII .llll\l\
I Unkle Bob III1.:1(l\n.x. I3 (ll.l;'n lauc. ‘55 1531 \pln :le \cc I n 1 I Acoustic Open Mic l .m killmII; \le (culls. HIII (mm lx’nml. I .l\I \I.un\.
I .l\l Ixilluulc. MI ‘553 (\IINN' \pin 1 l [1“ “MI llwi» l’.ul nl lllc I’( ll' pnp lcxlnal
I Johnny T’s Big City Blues Band \Iullin I Inc. (irnucnni Ilnlcl. (ll\‘\\\'lli‘l CIIJtI' mll lllrcx Ix’nml'. ill n5ll~ "pin llk'k'
I The Vagabonds lhI- mum
I I3 I ll \lnIkucII \uch. 553 \l\\l "pin Iicc I’npullu Inwh
I Pearlfishers \Inun, 1.? I’\lllf_'\ (mil. 55‘ 3-llNl l» illl‘lll Iicc \n lll \Inlc pcilnlumntc \cc \III II lni Innic Ilcl.ul\ I The Devotions, Paperback Throne, Symbolics .lllll 3 Days Born I um \Illll_\\. "h \l.i\\\cll \Iiccl, 331 “51 I ‘lpiu L-l‘ nu lulluiy cnu_\ In pml 311:: club liiplc lull nl uptnnuug' lnI.II iiulic I‘IIII\I\
I Jam Session \mmI-I hmm. u" "I \iIII\II.l|c anl. ~13 i lllllfl .\ ‘Hpin I icc IIU\II'II l\_\ Ilklk‘l‘k'llxlk'llx L‘
I Open Mic III]... In in. .13 (III-3n I,.ulc. 5” I531 \pln Ilcc
I Live Music \I\( "Iluillx ll! Ill;'ll \IIch. 553 3| ‘5 ‘lpin licc \cu l‘.lllll nIgIII. linc up In hc \l‘llllllll\'\l
I Live Music IlllIlCIl‘lW. IW Hum RUJII. H" illln ‘llllll III‘I' \I’thllt \l‘lllltl\
I Live Music Vachnilcp. -13 Lunar“: Slrccl. 3~I.\ 85M 5pm IIcc In lw cnnlinncil
I Live Music Ilcauxtcnc. 5 ("rcxxucll I..inc. Hrl (\“h \piu I'II'I' I.uIlI\.ick Ixickglnunll \nunle
llwr
Edinburgh
I Schism SIuIlin 3-1. 31 3(»(‘.illnn Rn.ul. 55X V55 5 ‘Hpin Lllu‘ \lnic Inck .unl Inclal linin /.c.ilnu\
I Tandy VI Ilc \lllagc. II) Snulll I'Ull SIIccl. IciIIi. -l".\ “all! " illpin LS .'\\'llll\ll\';lll} Ilincn [Huh .inIl pnp linrn \Ilkc I't'lllll, ulin hm cxcn l.Ikcn .l lcu IIII'.I\IIHIIIl1l\IllllL'.l\.llU.lIllL'IUI Ilic IluIIIlnlc Surlcix
I Fester, Concession 101, Dirtbox, Stalemate and MUWK Ihc \cnuc. I“ 3| (lillnn anl. 55" ill": " illpni L5 Rnck Illltl inIlic linui
;\pl lt'dl) pxc
I Wendy Rule and Hoochie Fig (IIIIL' I<U_\.ll Ilhlln IlIIl. I“ “INI I<L'_‘._'I\lt'l Slrccl. 55' -l"‘)3 " illprn L5 I)It';llll}. Ilccp x\ll!I'llc;Ill.I lInIn \uxualian
xiii;ch \HllfJHI'IIL'l Rulc
I Intricate, Operator and Solotempo \\cc Rcll llal. l'.(lllllllllf_'ll (‘nllcgc nl .r\rI. I..IuI‘I\Inn I’Iacc. 33‘) I~1-l3 ‘lpin L'Ihc ()uI I'I‘Icnllx l2clccuc plcxcnl llu\ llllelI nl IcllliclII clccunnica lrnin llcnlwcula .qu Spc/ial .\I.iIcn.il
I Singleskin and Amateur Guitar Anti-Heroes Ilcrlnl \\;Iu I'mwmn l'ninn. Riccarlnn. 5| 5 i I ‘. ‘lpiu l‘lL‘I' I'.\nc.III\c indic lInIu Singlcxkin ululc llungx .1” ;n a lul punk Inck mlh '\(i.‘\ ll I\lll\lL'lll\ .uul llicu gucxIx nnlp
I Weird Attractors v the Ruffness 'Ihc IlHllfJU (lull. Mina} llnuxc. IInI_\rnnIl anl. 55“ "(M1 Illpin L5 lLJi ()pcning; lllfJIll cxIrInIIan/a le I‘.;Il'llnl' Inincx In lhc Ilnllgn'x ncu prcnuxc~ mm .1 Inc Iich-nn Ulllhlllll nl lllthll'Ulh Ik'dh and Hill IrcaIx
Greenock
I The People’s Alibi [ma l.nun§_'c. 3 .-\nn SIrccl h .‘llpin. £3 InIIIc \nunxlx uI Ihc I‘lcalcluh