‘ Non-fa r folk and continued» ‘
Thursday 28 continued
I The Gossip, Origami and the Cheetaras ll.illl\. jiiiii'liai- \llccl. (LVN UH" ll‘N‘) Spill L1 Scc pic\ic\\ loi llli' (I(l\\|l)
I Welsh llli‘ I'i'll}. (‘l'\ili‘ Plato-13‘) 111111 K llllilll 81 )1 I) ( )l '1 SH" “Cd 3“
I Park Attack and Michael Dracula Slcico. 13 1-1 KL'lHllllalllel Sliccl. 5"“ 51115 ani L11 Sci-8.113z l)l\\Hll.llll pml iock \ll.i[k'\ lioni 1’aik .\llack anil li'lucli‘lh clcclio piink lioni llic \xonilcilull} nionikcicil \1icliacl l)iaciila I The Underclass and the Keep llic (Iillioiixc. 15 l mini Sliccl. 3-1-\ ()(illh 5‘, illpiu L1 1L5 on iliioii ()\i'| l-l\ \llll\\ Rock lnll
I Pettybone .iml Orko \icc‘n'SlcaA. ~13l \auchicliall Sliccl. 1H UM” ‘Ipin. U lnilic iock.
I Definitive, Jeepstar .inil Milestone l,il;uli'il. l.Ii|lllil l.illlllf_‘i'. 1” \chl chcni Sliccl. lllpin. U ill on «loo! 1. Show caw 01 local ;illl\1\.
I Susan McCann (ii‘anil ()lc ()pi_\. l’alxlc} Roail loll. 13‘) 5 W0. “51mm. L31 ilc'i lllL'llll‘ClH. ('ounli}.
I Open Mic 'l'cliai ()\na.»13()lag_'o l.anc. ‘5." -153-1. Xpni. l'i'cc.
I Sticky Fingers Siiiilio ( )iic. (ill)\\\'ll(ll llolcl. (ii'imcnoi 'l'ci‘i‘acc ioll |l_\i'c\ Roaili. i-11 (i5lo. ‘lpin. l‘i‘cc. Rolling; Sloncx llll‘lllL‘.
I The Vagabonds ’l'lic Scoiia.
l|3 ll»1Slock\\cll Sli'ccl.553X(iNl, ‘lpin. l'i‘cc. l’opulai' co\ci'\.
I Battle of the Bands Mac-Sonic». -13 Jamaica Sliccl. 318 X581. Spin. 1'icc.
Edinburgh
I Fountainbridge Collective, My Electric Love Affair, Private Jackson and Insular ‘l'lici- 1'nilci'\\oi'|i|_ llanncrmank \iilili‘} Sii‘ccl. 55(1335-1. H.-15piii. [1. local hip hop collcclix c \\ illi loiii' 1';l]\|k‘l'\ li'oiu llic 1'11 (‘olllcciuc \\lll1lill\ pgcluwlchc ll;l\lll‘;IL‘k\ li‘oin .\11il .v\.
Friday 29
Glasgow
I Degrassi, Ten Percenter and Cat Kills 6 King: 'l'iii‘x \Vali \\ali llul. 3‘3a SI \inccnl Sliccl. 331 53“). Nillplll. L5 lalinl‘ui'gli coniho nunng poxl punk and po\l rock. and no“ lcalui'ing C\*l\llt‘\\ll(l iiian lloli l'aii‘loull on liaxx.
I Scatter and Lucky Luke Sim-co. 13 1-1 Kcluiiliaugli Sui-cl. 57» 5ll|.\'. .\'pin #1 Scc Sal 33. Scallci' an" a Hill} aiua/ing.‘ looxc iii/l lolk likc ’l‘oi'loixc in iiioioi'\\a_\ pilc up \\ llll \ina .\'a\la\ia and \Vill ()lilliain. .\ lllllxl we
I Whole Lotta Led 'l‘hc Ir”). .1: ('l_\ilc l’lacc. ~13” llllll. ‘lplll. Llll. li‘il /.cp li‘ihulc lo \liakc )oui' l'ounilalionx.
I Guitar George, Eva and Vera Cruise .\'icc'ii‘SIca/_\. -131 Sauchicliall Sli'ccl. 333 003“. ‘lpm. {3. (iiiilai' (icorgc \\;l\ uuiuoi‘lalm‘il in llic l}i'ic\ lo l)ii‘c Sli'ailx' ‘Sullanx ol Smug'. .\1oi'c I'L‘L‘L‘llll}. allil ;|ll\[‘lL‘lilll\l). llL' ll;l\ l'i‘dillcil anil pla_\cil kc}1\oai'i1\ loi' 'l‘ccnagc l'ancliih.
I Achren and February Solution Haul}, 3M) (‘Iyilc- Sin-oi, nx‘u no" own Spin. [-1. .\lclal.
I The People lhc lilccli‘ic ('ii‘cux. .‘\tl l.ll‘. ll l llopc Sll‘L‘Cl. 348 («1.15. Ilpni. £5. l’~)chci1clic pop \cl.
I Bob Cuba, Sound Development Agency and Kirby 'l‘hc Sounilhaiix. J" Il_\\lC 1’ai‘k Sii'ccl. 331 4650. Ufillpm. £5 (£5 incinhci'xi. Monilil} \llU\\C;l\C ol' local haiiilx \xho i'clicai‘xc al thc Soiinilhaiix coinplc\. including l'aial lcininiw Kll‘l‘}.
I The Lucky Number 95, Stoor and Nero liii} \lllll_\\ ‘Hi \la\\‘.c'll Sliccl. 331 (i511 ‘lpiii 1-1. incluilinz'
cnli} Io poxl jgij; cliih Iiiplc l‘lll ol iipcoiniiij.‘ li‘\,ll111\llt'l‘.lll\l\
I Toofus, Scott McDonald, John David Mackay .iiiil Barrie Iiiiiiiiaic. llic lilg'c.('oc|1iaii \liccl. 553 1-311! ‘lpni L1 lx’cpiilai \lli\\\c.i\i‘ ol acouxlic \lllg‘i'l \illl:;\\llli'l\
I Boots 8. Saddles (llallil 1 )li- i )po. l’.il\li'_\ Road loll,-13‘l5§"(i 3 :“pm 11 it i iiiciiilwixi ('ounli}
I Tennessee Hotshots \lci'liiiillx. -1l|lli_-:li.\liccl.55331:5 Illpin licc Rockal‘lll}
I Esther lcliai (him. 13 ( )lajgo I anc. ‘5" 1531 .\pm local \iiipci \oii;'\\iilci I U-Know-Hoo \lacx'oiligxx. 13 Jamaica Sliccl. 3-1.\ .\5\l. .\pin licc
I lsis Sainiicl l)o\\\. o" 31 \lllhilali' Road. 13‘ 11111“ .\ llll‘lll licc
I The Fusion Experience I lillllil 1.oun;_'c.‘l-1\\c\l lx’cggcnl Sliccl. ‘5‘ 1i“; (ipiu licc chiilcnc} lioni llll\
/ liiiik liio
I Frank O’Hagan I’Iii- Scoiia.
3 | 1-1 Slockucll Sliccl. 553 MM ‘lpin. l'icc ('o\ i'1\ ol 1)}lan.llic11.inil. (li‘i'ili'llc'i'.
I Live Music l‘hi- I *ih .\olc(’a1c. 511 (ill King Sliccl. 55‘ lhih. ‘lpin. l; i.
Edinl’nii‘gli
I Gillian Welch ()iiccn‘x llall. ooh 311111. ". 5111‘111. L15. Scc “ml 3",
I Julian Marley lllc l.l\|lllil Room. ‘lc \'icloi'ia Sliccl. 335 35o-1. "pin. (1-1, 'I lic \on ol ilic Icggcnilai} llol‘. .liilian pl;i_\\ a \llllll.” llll\ ol l‘llellL'Ulh anil l'imlx l'i‘ijJili' ;i\ lll\ lulllL‘l.
I Omerta, Eleven Mile Creek anil Single Thought Disorder 'llicc l'iiilciuoilil. llannciinau'x. xltltll'} Sliccl. 550 ;35-1. X.-15pni. [-1.12clcclic night \\ llll olil \cliool rock in a lcil /.cp \cin li'oin ()incila.
Saturday 30
Glasgow
I Rinse, the New Rosy Jewels, Stickman and Insular King: 'liil'x \\'a|i \Vali llul. 3"3a Si \‘inccnl Sli‘ccl. 331 53“). 8pm. (-1.511.
llunipci local l‘Jllll lull.
I Terra Diablo and The Aphrodisiacs llalll}. 3m (lulc Sll'ci‘l, ii.\'"ii nu“ own. 3pm. 1; K
(11am cgian poxl i'ockci‘x \\llU hau- al\o conxliuclcil a \\ L‘lNIlL' ilk'illcali‘il lii local hcwi'agc. lliicklaxl, llanil} \lilk‘llllk‘ il ilic holioin lallx oul llic pm! i'ock inai‘kcl. ch ' I Punkstravaganza 'I‘hc- l Kih \olc ('alc. 511 (ill K111}: Slich 55‘ HHS. 1pm. .-\11 ila} lcxl ol punk hamlx li'oin aioiinil llic l'K.
I Julia 13 and Small Enclosed Area \icc'n'Slcal}. ~131 Saucliicliall Sli'ccl. 3 ‘3 ‘10 i“. ‘lpin. 1; \. l-.\pciiincnial inilic guilai' aclx.
I Springfield (ilallil ()lL‘ om. l’aixlc) Roail 1141.12115100. 5’. illpiu. L31 iii incinlwi'xi. (‘iiiiiili‘).
I The Gift .\1c('liiii||\. -1ll llllel Sliccl. 553 3135. lllpin. l'li'i‘. (illx and iioi'llici'n \Ulll \Hllllil\.
I Ten Miles Tall \l;lL‘Si‘l'lL‘}\. 12 .laiiiaica Sli'i‘cl. 318 8581. 31‘!” l'i'cc.
I The Why llic- llall l‘lal'. lhll \Vooillanxlx Road. 501 153". 11pm. l'i‘cc. I Rock’n’Reel Saniuc-I liim‘c, if ‘i \illixilalc Road. 133 (1111". N, illpni, l-i'cc.
Edinburgh
I The Rab Howat Band lllL‘C l'nilci‘uoi‘lil. llannci'inan'x. \iilili'} Sll’L‘L‘l. 550 5354. 3pm. I'IL'C. SL‘L‘ Sal 3.5. I Julian Marley 'l‘hc liquid Room. ‘lc \‘icloi'ia Sli'ccl. 335 3504. _[‘IH. £11 SCC Ill 3‘).
I Legacy .l|l\l Tigerstyle I’ilii-g l’aik. l’ilii;' \liccl. 55" 111111 1" llic pionccix o1 \\l.lll pop lllll\l\ picxciil llicii cclcclii 1111\l‘lll.l\lllli'll.ll l’uiilaln. lx’.\ll. ilancc. llHll\i' anil j.'.ii.i-,'c I’ail ol l1lin|niipli\1cla3lNH
I Bombskare .Illtl Stovepipe Ilic-i- l lltlk'l\\l)ll\l. llanncunan'» \iilili} Slim-1.55M {351 .\ 15pm 9.11 L5 \iiic piccc local \ka oiillil coinplclc \kllll lioin \cclion. \xlnlc lliinfgx incl .i 1‘” iockici \\Illl.\lil\i'l‘1|‘i‘
I Doves: Disco DJ Set 'l'lii- \i'llllx'. I" 31('.i|ioii|{o.ul.553 ill"
‘lpni lalll 113 loiuaik llic lt'l.lllll\l1l‘l llic \pocal}pu* Scollixli (‘iicuil llli'k ‘\c iliallcil Ill nonc ollici llian llic lll.lj_'lllll\‘i'!ll l)o\c\ loi a DJ \cl \\illi |i\c pciloinianccx lioin \Ilou/o. l’aika .inil
Glasgow
I The Sights .lllil the Needles \icc‘n‘Slca/y 131 Sauclucliall \liccl. 1H ‘lh l" ‘lpiu U» llic lli‘.l\llllli'1\ iuciyc (illx p\_\clicilclic inllucnccx \\ llll illl\lllf3 gaiayc i'ock. \lucli likc llicii .'\l‘t'ltllllll.lll \iippoil l‘.lllll
I RPM, the Alpacinos, Calcium and Sooth nuilx. Inn ( '|\ilc \iii-i-i. ovum)“ omit) “pin 1‘ l’llllk} local band linc up
I Opal Sky, the Haze, Grace, Blamed Influence and Voodoo Blue llic ('alliouxc. l5 l mini \liccl. 31.x (mun ” Kiipm {-1511 ()xc-i ll\ \lli\\\ Rock and pop linc up
I Cnut auil Motormark llli‘ 1 ml ol lllu' \Illlllll ('lllll lllx' l ;111 \lllk' (Lilc.
511 (ill Kin: Sliccl. 55‘ Io“ “pm 1‘ llo/illa llH\l llicii inoiillil} cllll‘ lllL‘lll lcaluiinj.‘ \cl\ lioni ccccnliic Spaikxquuc iliio (‘niii .inil ho} ‘j,_'lll illlH .\1oioiiii.ii‘k \xlio .iic \cl lo iclcaw ilicii tlt'l‘lll all‘lllll I’m/i I p l‘lll lHllllell pciloiin a liiliiilc lo 1 l\l\.
I Engine lllc Scoiia. I I2 I H Slik'kfii'll SIICL'I. Ollxl ~ll‘lll l'l'i'i'. Rik'k ci‘\cl\ l'i'flili'llc‘}.
I The Cobramatics 'I In \coiia. l “1 Sli‘xl\\\k'll Sll'k‘k'l. \(‘\1 H1311]. l li'i'. Rikkill'li‘ll l'k'\lil\‘11c.\
I Acoustic Session I iqiiiil I HllllL‘C. ‘li1\\c\i chcnl Slicci. ‘5‘ (iii; "pin llCC. \\ llll lllk' I'IL'L' (.Qllltl) (.l‘llk'k'll\L' .illil giicwi lllll\lcl.lll\ \lonilil}.
I Big Blues Jam Siiiaio ()nc. (iIU\\ C1101 lliili'l. (il'i\\\i'llUl' Ilk'l'le L'. 5>1l 051!» “Pm. l'icc llmlcil 1‘} llic .\'c\\ lllucx Siii‘lcix \\ 1111 \‘Ullll‘ll‘lllliilh lioin Sluilio ( )nc icg_'ulai\ \ucli ax Rm l)oc anil llic \iiunio lli'oilici'x.
I Phil’s Sunday Session l'iyx licallia. 3 z3 \\Hl‘\ll.llltl\ Rikiil. 564 15‘)“
a {MPH}
Button Up featuring Justin Currie play 92, Glasgow, Sat 23 Aug
is: "as Music
v \5 \ v\\l‘
lipiii licc Iliiu): _\oui ouii lll\lllllllL'lll
l (liiiliiii'iili
I The Discipline, Sheer Kahn aiiil Howard llic Mann: 1” 3| (alloii Ix’oail. 55" ill"; “pin liiplc lull ol inilic and 11k k lioin lnilclililc \Ullllll\
I Nerve, Binatone and Domestic Discipline Sluilio 31, 31 3h ( ‘alloii Road. 55\ V55 3 illpui {5 La 1 p lical punk 1 oiiiplclc \\llll \llUlll along:
\ lli‘lll\i‘\
I The Fuse, STML, Tennessee Kait .l'lll Kain lllcc l'nilciuoilil. llainiciiii.iii\. \iilili} Sliccl. 55h l35-1
.\ 15pm {.1 local f_'.ll.lj_‘i' iock oullil inol 1H l‘i‘ \ l‘lllll\\'\l \\llll l ll\t'l
(3 £1S%(]()\.‘-/
OThe Rolling Stones and Idlewild \1('(‘. l'llllllk'\1illl ()ua}. 1157'” “ll! 111111! 9.1511 llcki‘h oul} lcll .ll lnnc ol :‘oiiiir lo picxx 1p and \‘UlllllljJ yum}: \I‘l'11‘i' ulio pla} lhc liip ncu iliiiliivi'ii'liliicx \oiinil \\alcli oul (‘liuck llciix. _\oii‘\c pol coinpclilioii,
I Rufio King: 'lui'x \\ali “all llul. .‘“.‘.i \i \inccnl Sui-cl. 331 53“) hpin Hi l)\i‘l |~1\ \1iou l’op/puiik coinho lliIIH \IIIPIHC. \lllpl'hi‘ Sullllli'lll ('aliloinia
I More Metal Sim-o. II M
kc|\ lllllallL‘ll Sliccl. 5"!» 51115 Spin L3 (‘oiilil l\c .i \ unninj: li‘ick l)oc\ llux \hou ioc k oi iiol ’ llcxl yo and linil oul
I Them or Us, Bovine, Column 1 1 .illil HR" 1 5ll) \iili‘ (111C. 5” till klll‘.‘ \iiccl. 55‘ HHS. ‘lpin L'l l’iiiik lull
I Roger Sutcliffe Sliiilio ()nc. (iliI\\i‘llI'l lli‘li‘l. (iioxu'noi 'li’l’l'aL‘L' 1011 ll}li‘\ Road». ‘11 (i51o.1)pin. l'lL‘L'. lllll\'\
I Acoustic Jam \ic-c-'ii'Sli-;i/}. .13I \aiiclncliall Sli'ccl. Ni 110*" .‘x‘pin l‘i‘cc. \\ii1i .i licc ili‘ink ax inccniuc loi [\illlclllallh
I Open Mic liquid 1.oiing_'c. ‘H \chl l<i'_‘._‘i'111\lli'i'l. i5z 0‘” ‘)piii.1'i'cc. \coimii iniixic. pocli‘}. clc.
Edinlnirgh
I The Ouireboys, Crash Kelly and Le Blowski 'l'lic \cuuc. 17 31 ('alion Roail. 55" ill" l. Spin. LN. llrilixh liaii inclal hand li‘oin lhc Kllx i'clurinng: packcd liill ol iock‘ii'i'oll \uaggci'.
I Acoustica (‘al‘arcl Voltairc. V) 33 “1.!!! \iich. 3311(117). lllpin. l’rcc i\o|iiniai'_\ c‘Ullll'lllllllUlhHllL'\lll..'\110“ llllell ol .icthllL' \Ulllltl\ ollci'ing \aricil Iinc-iip\ lioin lailinliurgh’x l'incxl
~in_i_'ci \oiipurilcrx. .-\nil rcincnihcr. no con-i \i'[\li)l]\ allimcil.
N»: .' :THE LIST 95