Music "MM 9, poi) listings
Tue 29, Glasgow continued
I The Needles llu- llali Hat. Hui \\mitll.itttl\ Road. “ll I53- ‘lpltl l lL'L' St't' Sal 3“
I Catherine O’Halloran lit-aiixu'no l‘l Slaninfg Sttt't‘t. (‘13 MN” Spin llk'k' landliat'k .ltllll\ll\ \k'l I Marc Deeley ‘ltliai (him. 4: Htafgo I any. ‘5" 4531 Split L‘. 5” Siiipct/uiiiyuiitct
I Phit’s Session l l\j,'t‘ llk'dllld. 3 5: “midlandx Road. 5(i-l l5‘Ni ‘lt‘lli l'lk'k' \\k'k'l\l_\ |.tlll
ltlinmtrglt
I AC Rid, Legless, lnveigh Katharsis and Little Amber Iht-
l iquid Ronni. "\ \ lk toiia Stit'ct. 335 3503 "put H L5 lot'al l.l\UlllllL‘\ \(‘ thl lltnl .llllllllk'l tiit'lx lltylll
I Band Showcase \\ lll\llt‘llllll\lt'\. -l () South lliidgtt'. 55" 5| 1-1 ‘ipin Su- luv .73
I Lyrics to Go ('aliait-i \‘oliauc.
{(i {S lllati Sttt't‘l. 33” M7).
llpiii 1am llL'k' \n opt-n lllllu' hip hop |.‘Illl \t'SSIllll llllSIt'tl lt} l.l\t' Sk'lt'lluW .tlltl I).ll<k'tl(l \\ llll duh and it'jgjgac in lllt' lll||_‘.'t' lioin ltt'h) Soul ll! [-1,
Wednesday 30
Glasgow
I Dan Hicks 8. the Hot Licks llit' l't‘n}. -l_‘ ('l_\dt' l’lat'c. ll‘) llllll. Spin L’l3.5ll l)an lllk'le \laitt-d out ax tllllllllllL'l \\llll lllt' ('hat'lalanx tllit' l’S hand lioin thc (ilk. not thy baggy} llt'ltlt'Sl hut l‘k‘t'éllllt' mint-thing; ol an \int-iit‘an lt'yt'nd “hon ht' lUl'lllt'tl thc lllllllk'le “how \ound L'llk'l‘lllPdSSL'S ia/I. lolk, \“ing and lilucgiaxx \l} h'x. It’ruluf/ln' Ila/I. lll\ lnxt \tudio alliuin in EU _\\‘.Il\. lt‘;lllll\‘\ ductx \\llll loin \\.lll\. Rick} lu- .lllllL'\. Bk‘llt' \lltllt‘l and l',l\ IS (iHlt‘llH. St't' [Hm It“.
I Lightyear, Captain Everything and Skarsoles King: 'lut'x \\'ah \Vali llul. Zia St \inu‘nt Slit-«1.3M 53“). Split. [050, ()wt‘ Hx \lto“. Ska punk ti'iplt' hill. lt‘atui'ing Huh} \ l.ig_'lit_\c.ii' and lhcu llouxchold \anit' Ru‘ot‘dx lalwlinatt'x ('aptain l-.\ci"\thingg.
I The Koreans and Sucioperro llttl'll}. :(ill (.l_\\lk' Sllt‘t‘l. “3"” UN? 1100‘) Split. {-l. llit' Koicam ai't‘ a South | ondon llltllL‘ im'k quai'tct \\llll dual \ot‘al harnionixing and \lll‘Slillllldl thct'cnun aliuw Ill lht'u‘ wt.
I Acoustic Night the l5lll thlt‘ ('alt'. 5” (ill King: Stt'ct't. 553 l(i3.S'. 0pm. I i. lli'ni; _\oui‘ oun guilai and pla} lot a pint.
I Open Stage the Hall llat'. tho \\'oodland\ Road. 5(vl I53". Spin. l‘lt'L‘. \Vk‘t'lxl} \t‘SSItlll loi' loyal lllll\l\'l;lll\.
Edinburgh
I Singleskin, Super 8 and Amateur Guitar Heroes the liquid Room. ‘lc Victoria Sti'ccl. 225 3504. ."pni, H. Strong: local rock and iiidic hnuup lcatui'ing \otiic i'cti'o-ttngcd lock ti'it‘kx l'i‘oiii all thru‘ liandx \\ ho all \hai‘c llll' common ground that tho) i'u'oi'dcd thcn alhuiih at (‘hanihcrx Studiox. SupL‘i' S “I” pct'loi'ni \ongx lt'om lht‘it' dcl‘tll li'l ltnn U/Ulll' .llt'lmlim. Siiiglcxkin \hmx caxc .lli/lium o/ (inn/omit: .lrmx. \\ lulc -\tnalcui' (iuitat' ;\ttlt llt‘l‘tKN d0 lllL‘ \ainc limit 1']! iii \‘umln'n.
I Psychid Bongo (’lul‘. IJ NC“ Stiu‘t. 55S "(ill-l. ".Rllpm. (5. This} \hai‘c a lalwl \\tth lilccti'ic Solt l’ai'adc and Tom \lacRac and llll\ ()\ll\l'kl quai‘tct \\llll countr} rock inllct‘tionx haw \uppot‘tcd thcu‘ toummcn Rtltllnllt‘dtl and “MC _|ll\l l'L‘lL‘thL‘d lltt‘lt’ \cllltitlcd dcliut ;|ll‘lllll.
I QC Country Band Quccn (‘hai'lotlc RUUIHS. 50a Quccn (‘hai'lottc Stt‘ccl. 555 (wool). .S'piu. £25“ HQ lllll\lcl;lll\l. Soc \Vcd 33.
I Live Bands 'l‘hcc l'ndcmoi'ld. Banncrman'x. .\'iddi‘_\ Sti'cct. 55h 3254. 8,45pni. £4. Scc l‘i'i l.\',
70 THE LIST ' ‘
I Charles Wood “Malt-twilit». l h South lliidgc. 55— 5l H ‘lpni llL'Sll. tnodt-tn luno liotn \\ood \\llll midnight hand \llll tlu
I Chaos Theory Southt'in (tom ('alc. n 5a ('ogl‘liutn Stict't. of: WC: ‘lpni nndnight llk'k’ St't' “Cd 3‘
I Fleamarket Funk (".il‘ait'l \‘ollaitc. Vi KS Blah Stit'ct. 3le Man llpin 5am ltcc Scc \\cd 3‘
Thursday 31
Glasgow
I Chikinki and The 885 King lul\ \\ah \\ah llul. I‘la St \ int't'nt Sttctt .‘II 53”" .S Wpiii L5 lllt' llt'dtlllllk'lS .llk‘ a lliixlol liaxcd quuilt't inllucnt‘cd h} diuin t\ haxx. hip hop and llltlllSllldl llHISL‘. although lllk' handx thc) haw \uppoitcd aic inin in an indic tot'k Man I Electric Eels Shock, The New Rosy Jewels and The Gems \It‘c'n‘Slca/y elll Saut‘litt'hall Slim-l. :H 00:" Upm Lil St). ('ta/t'd .lapant'w yaiagv iot‘k lioin lllt' licadlint'ix
I Psychid, the Barbs and Five Stories High Ital-ll}. 3m (tutt- Slt't't'l, “Hall Uqu llllll‘), .Spm. LI-l SL‘L' \Vt'tl 5”.
I Splitbac, Keyanti, Bladderpatch, King Rolo and Seven Stone Lighter 'l‘ht- (‘alliouxo l5 linon Sti'cct. 2-13 (mth ". illpin Hill. ()xci' l~l\ \hou. \lt'tal llllk' up
I Hoboken \lono. l3 Kingx ('ouit. 553 I-lllll. ‘lpin. Lilith .\tnio\pht'iit' t'lt't'tioint‘a lioin m loopci‘ incnilwi St‘ott 'l'\\}nho|in and liuddicx pionioting: (lL'l‘lll \inglc llotcl l,l\l\tl;|
I End of the Month Club 'l’lit- l5lll \ott‘ (‘alu 5” (ill King: Sttct't. 55‘ HHS ‘lpin. [ i. ,\ \uininci'tiinc \pm'tal lcatut'ing i'cgulai' hoxtx lio/tlla. hootlcg.‘ Illl\L‘l' llll'lllSIIUP \l .. clu‘ti'o punk rock \oundx lioni .\li\\ .\ll\\llt‘ and claim pop dtio lllL' lilt'cti'oltnx.
I Friction FX, Versity and Dexter Slt'aulwn‘) l‘tcldx. 5(i ()\\\;tld .Slt't't'l. (LS-1,5 H53 UZS‘), “Hillpm, [-l, ()u‘t‘ l-l\ Slit)“. l’unk pop line-up.
I Definitive, Cage and Scott McDonald l.oadcd. liquid loungc. “4 “mt chcnt Stu-ct. Illpin. [3 1“ on dooi‘l. Slioncaxc ol local itl'llSlS.
I The Daniel Smith Blues Band Stttdio ()lll'. (ii‘oxwuot‘ llotcl. (il'ti\\t‘lltil' 'lt‘l'l'at't‘ loll Bum Rmtdl. 5-ll (fill). ‘lpin. l-iu'.
I The Vagabonds 'l‘hc St‘olia.
l l: ll»l Sltk‘lxucll Sll't‘t'l. .55: ShSl. ‘lpni. l'i't'c. l’opulai‘ (H\Cl'\.
I Battle of the Bands
\lacSot'lx'} S. ~13 Jamaica Stt'cct. I-lS‘ S5Sl. Spin. l‘i'co
I Open Mic 'l'chai ()\na. J: ()lago lane. 35" 4534. Split. l't'cc. l‘oi'tniglitl}
I Jam Session Saiiiucl l)o\\\.
(i5 “l \lllhdalc Road. 435 lllll—fl N5llplll. l'i'cc. lloxtcd h} liidcpcndcncc.
Edinburgh
I Shootin’ Goon and Misled Youth 'l'hcc l’ndcmoi'ld. Baniicnnan'x. \tddi‘} Sti‘ccl. 550 335-1. S-l5pni, H. .\loi'c rock domi lth l'ndt-i'uorld \\ ith iiioi‘c artx thy.
I Stuart Clark \Vliixllclunkim. 4 () South lli'idgc. 55" 5| l-l. 0pm. \lodci‘n \‘l;l\\l\‘\ and boat \pcciah linidnight hand llk‘l.
I Out of the Bedroom \\‘.ncrlc_\ liar. I St .\lai'_\'\ Sti‘ccl. 55" “5”.
“pm midnight. l-i'cc. Scc Thu 1".
I The Dirty Chamber ll . . . even dirtier Bongo (‘Iulx IJ \t-u Sti‘cct. 55S "(ill—l, lll..5llplll 3am, L5 .r\l'tcr part} loi' thc \ccond annual gi'alliti iani tat \Vawi'l} (‘at Park li'oin nooni lcatui'ing thc lth in hip hop li‘oni RIL‘lllk‘ Riilltonc. the Abdominal Show mcn and lllL‘ St‘tilldlld Ytll'd .\l(.\.
I Future of Junior 'I'ht- l‘ntlcrhcll}. \iclot'ia Slt'cct and (1m gala mm ‘45 3083. lll.3llpiii. £5. l.ondon-ha\cd tour- piccc gai'agc rock L‘\plo\ion drawn; inllucnco ti‘om Sonic Youth to Stipctgi'aw
Events are listed by date, then city. Submit listings at least ten days before publication to Ruth Hedges at ruth@list.co.uk, by post or by fax on 0131 557 8500. Listings are compiled by Ruth Hedges and Kenny Mathieson.
Thursday 17
Ciasgnx‘.’
I Lynne O’Neill Trio \d I in 1 ll llopt' Sticct .‘1\'\hl5 \pin 1.‘ ll not Callllif linttt'll'\cill lt'.t\l\'ll1\'l!«‘ \ingin‘: lita/ilian lllllk'\ and i.t// \tandaidx I Cafe Source Supper Band (at.- \lllll\k'. St \ll\ll\"\\\ lll tltt' Sqtiait', St \ndtt-ux Squatt'. oll Saltinatla-t. 5vl\ (\llfll \ ‘llptn lx’t'launz' ia// cxc'anj:
l"(lllll)tll'§lll
I Mckenzie Medboe Duo and Guests llt-nix'x la// (\‘llai. \ \loinwn Slim-t. in" <_‘titi \ ltlpin 95 Huh ldtnliutpli _-_'i_~_' l\t't\\.t't-nl S \ and l).tlll\ll \l.llk'\ l\_\ tln~ \a\op|ioni\l and _'.‘llll.tll\l l’la)iii;.‘ ht'tc \\|lll \lgfll} latol‘xdotln
'I‘L'lk i. l,\|.att \t'inal iliaxw and t'lt't lionh a l‘} llk'll '.t\llH. l).tl\Htl\
I The Bridge House Band ll.itt\ x Hat, lx’andolpli l’lau'. ‘ “l \ lllll
\ ill llpiii lit‘c \ tt'j.'til.ii ll\\' pint" \kllll .i \.lll.ll‘lt‘ ltnc up pla} inf: \pt't l.tll\ goinunxxioncd aiiaiig'ctnt'nh taking on lllk' \pnit and qualit} ol thc old liiidpt' .l.l// llai
I Live at Human Bein’ llutnan Ht- lll._‘ .\ \\t‘\l (.lti\\\tlll\g'\\.t.\g (\h: \.\(ill ‘lpin lit-c \Mx'ld} llllllStld} ll\k' nig'lit \liout'axin; l tlllll‘lllg‘ll.\ undctyiound \u Soul and lunk lllll\|\'l.tll\. tonight lt-aluiinj: .lt'tt'tn} (ioddatd\ l‘alhl \ppat'lit'. an lllSlllllllt'llldl and tan tlll.lll\'l
I Out of the Bedroom \\..\t~iltg\ Hat. 1 Si \lan\ \‘tm-t. SS" In<n
‘lpni nudntght ltt't' ()pt'n init' \t‘\\ioii lot ldinliutjgh hawd \ingct \t‘lljJ\\lllt'l\ l)!lf_‘lll.tl inuxit‘ onl} \\llll thc t‘lianu‘ to lL'\lll\l a \t't on lotii tiat'L |ll\l hung a blank lapt-
Friday 18
Glasgow
I The Fusion Experience lllt'
l iquid loungc. \\t'\l l\)k'i't'lll Slit-cl.
5 Split l'lk'k'. \t'“ (il.t\j_‘ii\\ l‘axctl llllt‘t‘ plu'c dt'ltl |.t// lunk hand lt'Jlllllll’.‘ R.i}iiioiid ll.tlll\ on llainniond Hlj_‘.tll. Slcll \l\( "luku on lia“ and .lannc ('tiiiit' on tllllllh
I Cafe Source Supper Band (‘atc Soutu'. St .\ndic\\\ Ill tht- Squaic. St .'\lltllt'\\\ Squaw. oll Salttiiaikct. 5-l.\ (illltl .S. 5lll‘lll. Scc l'hu I"
Edinburgh
I Tangalgo llcni} \ ,la// ('cllat. «S \llll'l'ISllllSilk'k'l.~1(lq 53”“ S illpin L5 'l‘ango lllL'k'l\ |a//. lioin thc \t}li~h \\lUl l’i.i//ola to innoxatnc oiiginalx. I’hil \lt'\.llltl\'l Ipianol. \laiio ( ‘atilw «liawu and ,la\ ict (‘hctniltoll Idiuinxi ll.tll\lHllll the tango in to a nut and d_\ nanih toiu' I Atlantic Records Tribute Featuring Niki King lit-mix ,la// (.Clldl. \ \ltllllulll Sllx't'l. ~lllq "l midnight L5 l’.i}tl1f.‘ llUldeJk' to thc lcgcndai} will. |.t// and R.\H lalwl
hoinc to Ra} (hath-x. \ictha l iankhn and ()ll\ Rcddin; ax \xcll .t\_ltil1ll (’oltianc l’ci'iici‘ \natd “inning xingt-i \iki King: IS iotncd l3} l’aul llat‘timn on le‘}\. \lan \lt'lx'cmxn on j_'llll.tl. lad Kcll} on ha“ and Stuart Brim. n on diuinx
Saturday 1 9
Glasgow
I George McGowan and his Orchestra \lctchant'x (aunt-i. lS John Sti'cct. 553 Will: Ill 5, ;“pm. l-icc lh'unttnci \lt‘(io\\an lcad~ lll\ l‘lj.‘ hand \\|lll gum \ogahxh
I Lynne O’Neill Quartet Hit-l.
“’ 1“ \\lll\\ll l anc. ‘1: l‘lrm 1 opni
l lt‘k' (il.l\j_'\‘\\ l‘.t\\'\l \\\\.lll\l lll‘lll\ llll\ llllli‘\.tll\\‘ lotawnit' \\llll \ongx ncu .tlltl i‘ltl
I Cafe Source Supper Band latt- \l‘lll\\'. St \ndit-ux in tlic Squan St \ndtmu Sqtiatc. olt Saltniaikcl. 515 fillfl' \ lHpni \\'\' lhu l“
I Lorna McLeod mattanan. ‘m lit-ll Stit't'l, 55,‘ 5".‘1 " zllpni ltt'c la// \I.tl1\l.tt\l\ l\'\l l‘_\ \a\opliont~t l oina \‘kl t'i‘tl
l (lllll‘lllllll
I Soundbone and the Funk- Out-Fit llt‘nti \ ,la// ('t'llai. .S \l-Iiiiwii Stitx‘t, 1h" 5_‘llll nndnig'lit
15 \cu l‘atld lioni llUllll‘Hllhl ('luix (itcnc \\ llll dininnici l’atil \llll\ that \pt't l.tll\t'\ in will. lunk and ia//. unxtnptixinglt
I Toto’s Jazz Quartet Ilam \ Hal. Randolph I’latt'. 5 i" Slllll i ;ll tipni
l lk'k' \ll‘.'l\'l\lll_‘.'|l‘|l1\llll\ll|lll\) \[lLlllt'l to pto\ ltlk' llit‘ \l‘\.l|\
I Bill Kyle’s Backbeat Band ('ahan't \oltant'. in VS lllaii Slit-ct. .‘.‘|l til.“ " ill I“ ;“put llt't' \ niodt'in \clt't‘tion lioni llll\ t'lt‘t'tiit |.t// qtldllt‘l It‘d h} tllllllllllt’l l\_\lt'
I Jamie Oehlers Guintet tlt-nn\ la// (’t'llai. .\ \lillllMlII Stiu't. lo" 5_‘llll .\ 5llplll L5 \u\tt.ili.i\lop )ottiig' lk'lll‘l \.t\ul‘llHlll\l lll.tl\\‘\ ln\ llt'ni} '\ dcl‘nt \\llll |n\ lll\liill ol int'lodn llllk'S and \UI‘I‘Hlllllt' hainionit'x
I Kim Proven Trio Kn ()llt‘t‘ll Sltt't'l “.1! and Rt'SldlllJlll. SH ()ucvn Slit-ct. .‘3h5ll‘l5' ‘lpin llk'k' l.t\} lixtt'nin;' \tandaidx. mung}. tiad. l‘lllk'\ and l.tf.' lll‘lll llll\ \tK'Jl lt'll lllH
l"(l|lll)tll'g]ll
I Jazz Afternoon ()Ituma H ('.t\llt‘ Sltt't'l. H“ 55.)) l alplll l'lt't‘ \likt' lx’oz't'ix. \ll\.lll ll.llllllll_‘.' .iiid l)a\id l’.llll\'l\ on piano l‘llh put-xix Ill llll\ ll\'\\ “ct-kl} it'xtdt‘ut'}
I Toto’s Jazz Trio llit- (lull lawin. l)ul\t' Slit-cl. l k‘llll.
3 ill -l 5ll|llll llt'k' llll\ lllllt' il\ .lnnin} (illlllHIL' |ounn§3 l'oto ax punt \iu'.tll\l
I Open Mic llt‘ni} \ _la// ('cllai. S \lt'lll\iill Sltt't‘l. lo" 53”” S illpni, L5 \ t'liaiit't' lot .t\[Hllllj.' lllll\l\'l.lll\ and \lllj.‘k'l\ to pciloiin \\llll a piolt'xxional ili}tlnn \t't‘tion
I Bill Kyle’s Sh" Hot Jazz Quartet Iluinan lh' In. I .S' \M'xl (.lti\\(.lll\t'\\.l_\_ (ill: Nthl
‘lpin lllltllllfjlll lit-o lhuuunct Hill K}lt'\ l.llk'\l pioupini'. lk’.llllllll_‘_' (ioidon \lt'\t'il (\aww. Stuail (ioinian ijguitai l and iicu 3H )cat old liaxx \L‘llSJllUll Km Ill (il.i\;_'o\\,
Glasgow
I 4 Jazz (iaxink \lill. Hiaxin‘x \lill Road. \lllllfJ.t\ lk'. ‘)5(i 3355. Split llt'k‘ ()uaitct lHHtlllt'lllL' \\\lll;'lllj._' |.l// \l.llltl.tltl\ lt'atuiiiij: _‘_'llll.tll\l Huh Sloan and \tl\.lll\l (‘ainplwll ('onxidtnt'
Tuesday 22
Edinl’JUrgli
I Lazy Bones lluiiian Ih- ln. 3 .S \\ t'xl (.[H\\L‘.|ll\L'\‘.;l.\. (if): Nthl UPIIL l'tcc. .la// \l.tlltl.tltl\ and \\\lllf_' \ot'alx li‘oin llll\ guitar. \a\ and \ogal tiio,
Wednesday 23
Glasgow
I Mullen .'\tlt'l.tltlt"\. 3W) Hillll Strccl. 34S 49"” Spm L") III adxaiiu’. L' Ill on tlic dooi‘. (iuitat‘ lllitL‘\ll'H Jitn \lllllL‘ll IS ltat'lx Ill lll\ lioinctoun mth lll\ organ trio. lcatui‘in; Jini \Vatwn on llatntnoiid It: and Matt Skclton on \ll'llllh
I Three Candiru 'lt-Iiai ()um. 42 (Mayo lanc. ‘5" 452-1 Spin. H50.