Edinburgh Jaz & Blues Festiva
25 Jul-3 'Aug 2003
listings
All tickets can be bought by calling 0131 668 2019 or 467 5200. Hub tickets available on 473 2000. Usher Hall tickets available on 228 1 155. Information online at www.jazzmusic.co.uk or by calling 467 5200.
I Green Juice llumx I..//( cll.u. \ \lnlllwn \llwl. WV 5““ nndnlghl 1‘ llnllnnn hlcd l‘l'dl |.x// llUlll (iln'n lllnc. lmllnlnu \.l\|'[‘lll'lll\l \l.nlln Kclxlmv. .lnd [H l lml}
I Scottish National Jazz Orchestra Play Swedish Music lllk' llllh. ()lxllvlnll. Raul \lllc. l"i .‘llllll \lnn tll *ll lllllllll} \nnlh Inunlx lhv \ li'.llll ml \ull.lllll\ l‘l}‘ l‘.lll\l l.Ilk'lll l0] .1 pullulnmnu' ml \l.lll\l.ll\l\ I‘llh lhv llIIl\l\ ul \‘J-Cxlhll \l'llll‘ll\k'l (mun \lmndhclf: \kllll z'ul'xl \HlHl\l\ Junknn \lllllt'l t\.l\nphuncl .Illll \l.l_‘_‘llll\ Hum llllnnpvll \u' [mncl [nlfgc (C,
I The George Penman’s Jazzmen l<l\}.ll llu'l \l‘.l\ l C.l_L'llk'. lll” l’llll\\'\ \lln'l. ~lh' *lllll hpln L-\ \n \‘M‘lllllf.’ nl \nll.l;:c \mx ()llmlh l.l// \\Illl .l lunmnln lllclnc llunl (lulljgc .md to
I Jazz Barbecue By the Sea .\\'\l (icncmlmn Huh. 5‘ .\c\\ll.l\cn l’l.lt‘c. lb" i‘llll Kllln tlll ll.ullllnn.ll mundx lllllll J.l// l).lnlc|\ l’uddlclnx llUlll l'lllllt'k' .lnd lllk' llllll \M'llllc li.lnd llHlll llu' l S nl
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I The BIG Chris Barber Band ()lu‘cn‘x llllll. (ll-1k Sln‘cl. hhh‘ Illl‘)
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I John Rae Collective Ill-m} \ .l.l// (-CllnL \ \lnlllxull hllk't‘l. lb" 53”” “I‘m
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Saturday 26
I Tony King Collective llcnl} \ .l.l// (k-lllll. \ \lnlllwn \llcl‘l. UV iIll“ lnldnlphl in l lawnll' lunk \\llll \nmh Hill“ Inn} l\lll_;'.l«‘ll11cll} nl
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I Jimjammers l\'«~_\.ll Um \l'm
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I: lllpln L‘ \mngnlp \l.lll\l.ll\l\ .Ill\l nl.nn\llc.lnl |.l// lcd h} ,lnn ll.nklc \L'lt'l‘lllllllf,’ mcl *5 )mn «ll h.lnd lmdlnj.‘ I Tommy Smith and Brian Kellock lhc lluh. (".nllclnll. l\’l'.\lll \lllc. l": .‘llllll I: zllpln U \clllng.‘ .l mu lllll\|L.Il \l.lnd.ud \xllll luu ul \(ullnnd'x glmlwl |.l// lll.ll‘\llll\ lk'l lmm‘ nll mlnc nld \l.llllllll\l\
I Mardi Gras (ll.l\\lll.lll\\'l. l ~lpln I'ln‘ lllc (ll.l\\lll.lll\t'l ll.lll\lllllll\ IlllH .l \ulngglng. hllx/lnfg \mx ()Ilt‘.lll\ high \llL'k'l \xllh lumdcx and lmndx .lll .lllL'lliUUll
I Lynne Arriale Trio lhc llnh. (llxllchlll. lx’u}.ll \lllk'. l"; .‘llllll ll‘pln tlll lx’lxlny xi.” on thy lllli'llldlllllldl |.l// \u‘nc. [ll.llll\l l,_\llllk' \llldlt' nmkcx hm Mulllxh dchul. pld} mg: mlh l‘.l\\l\l .lll} .\ndmwn .md dlnlnnu'l Slew Hm I\ Sec [il\'\ lt'\\
I 10th Avenue Jazz Band: Bob Crosby Revisited Raul ()m Stun ll‘Jlelk‘. lllll l’llllt'tN SllL'L'l. ~l(\—' 53”“ Xpln t5 ('.llllulnl.ln h.lnd ku'plng: lllv \pnll nl (huh) lhmllm ul limp! .lhw
John Rae ups to Henry's, FrI 2 Jul; Sun 3 Aug
I Jubilee Stomp lliC llnh. ('.l\lll‘lllll.l<l»}.ll\lllt'.-1“‘Illllll Rpm
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I Carol Kidd at the Movies (‘)llL'k'll-\ ll.lll. (.lt'llx \lm'l, (\(lh .‘lll‘l
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I Jim Mullen Organ Trio Ill-m) \ .l.l// ('cllnl. N \lnlnwn \ln'ul. 1h" ‘34"! ‘lpnl tlll lh‘cp lnnk} algal] \ll‘L‘\ lllllll
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I Late Night Jam Session until
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JAMIE CULLUM
The last artists to Mp straight from Henry's Jazz Cellar to the Queen's Hall were the Esbjorn Svensson Trio. but It is indicative of how fast things are moving for singer Jamie Cullum that he is doing the same thing here. The young jazz singer has been signed in a big money deal by Verve after only one album on the Candid label.
and is clearly being groomed as the all
next big thing on the jazz vocal front. He already has an unusually young (for jazz) fan base in London. andwill belookingtoaddtohis admirers - and maybe win over some of the sceptics - here. (Kenny Mathieson).
I Jamle Cullwn plays we CI.» " ‘5 Hall, Tin; ‘31 Jul.
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I Jazz on a Summer’s Day l’llnu'x \llwl (l.ll\l\'ll\. lb“ i‘lNl
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I Joe Gordon’s Ragtime Banjos lx’nml ( )H'l \mx l alum" lllll l’llnu'x \llu'l, ll)" Rfllll l3. lllpln U l<.l§.'\. \ll‘lll|‘\ ‘llhl l‘.lll.l\l\ llUllI lhv \clclun nl lllt' \\ hllc llmlhcl (huh
I Ed Hull’s History of Jazz Piano l<n_\.ll ( )wl Sc.“ linlyllt'. llNl I’nnlcx \llwl. I.“ I‘lll l2 lllpln t" (lulllnlnmn pmnlxl l'd llull plcwnlx u ll}'llllll'.lll\'\l look at lhc lll\llll‘_\ ul Ill/l I George Washing Machine ‘l‘lu- ||uh.('.l\llclnll. Rn}.ll \lllc.~17i_‘llllll. l.‘ Hll‘lll U) Rll V\ll\\lL‘ lltltllt'l ),'HC\ llll ll llHl \pnl \\ llll hlyll lL'Illllt'IdlllIk‘ llnl ('lllh \l) lc |.l// pl.l_\ In}:
I Dave Milligan Trio lhc lluh. (lullclnll. l<n_\.ll \lllc. ~17; jllllll
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I Scottish Guitar Quartet '1 hc lluh.(‘.l\l|cln|l. Rn}.nl Mlle-17i lellll
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I Fat Sams lhc Huh. (llxllvlnll. Ru).ll \llly. J”; Illllll il‘pln L7 JUIll l'.ll ~\nn'x \ulny Hand lUI Int-lapping: lllllL'\. gnu-ml}: |lllllp nu' In «my. lruln |;l// f.‘ll'.ll\ llkc (ilcn \llllL'l und l'lll\ l)unnnn.
I Dionne Warwick l’l'lnu'x Sim-l (I.Il(lL'll\. 4!)“ ‘20” HI ZZH IISS. " ~15pln. {2‘ ll. l Sl l'Hlll llL't'lltlLN (ll \lm‘gll llllllllplh .nc t'clchlult-d \kllh llllx nnc nll lIHlll lhc lcgcndul) (llHl. 'l‘hc \wndcllnll} \Mll’nl lllllxll\ nl 'ludd (inldnn upcn th' \ll(l\\
I Brian Kellock’s Front Room (‘)llL'L'll'\ llilll. (.lL'llx SllL'L‘l. Mill 2”“). len. L'lh Sll all Sm, .\ \hlmulxc lnl‘ pmnu lililL‘\ll'U Kcllm'k. uhu plu)\ III a \lll'lcl} «ll \Cl llp\ \(llll. (lUL'l\. [flux and a lull nn purl} hand L'clchrzlllng.’ lhc lllll\lL ul l'ulx \Vullcl.
I Mart Rodger Manchester Jazz l<ll_\;ll (Mu-Sun l.c;l;_'uc. lle l’nngcx Sllccl. 40" 53‘)”. Xpllll £3. NC“ ()llt’dlh and pnpulur ];l//
I Tommy Sampson Orchestra lhc lluh. (lullchlll. Ru};ll .\lllL'. 473 jllllll lell. {l2 fill l.cg_'clld;lr) hlg hand lmdcr 'l’ulnln} Sulnpwn cclchrulcx hlx 55m hlrlhdu} llil\ )cur and dircclx his hand lhmugh grcul \lundurdx and w“- pcnncd luncx
2 THE LIST 61