Medium and Message Sal S

Jul 'lhu IX Scp \rlxmrkx lll;l\\ll lrnln lllL' yallcr} '\ pcl'numcnl cullcgllnn. lmuun}: un lhc llupullancc ml lhc allth (llulu' nl uu'llluln Ill lclallnn In llu' \uhlccl lnallcl

MANSFIELD PARK GALLERY

5 ll}lllll;lllll Slrccl. 5"!) (WI? “ml l‘ll llaln ()plll'. Sal l lam 5pm; Sun

nan Jpln

Contemporary Scottish Landscape Paintings l'uul Sun 3n Jul, ’I IN lll.lllf.'lll.ll aluhumn ul llux ncu gallcl} \cl up h} l'ldllk'kW lllu'hanan. \xhn lullncll} lan lllc l‘nnlclnpnlal‘} allx ul'galnxallun knmxn ax 'l'lu' ()n \lum \\ Ill hc a \L'JL'L'IIUII nl yunlcnnpnral') pillllllllgx h} Junalhan .\lcu|1.Janu'\ (MUCH. I.) nn .-\hl'cn\. Julla Jclll‘c}. lllc lalc l.ll Ncllmn and Small Buchanan

MCLELLAN GALLERIES

270 Sauchu'hall Sllu'l. ‘31 MM.

Mun Sal Illaln 5pm; Sun llUHll 5pm, Art Treasures of Kelvingrove l'nlll lalc 2005. .v\\ lllc Kclxlngnm‘ Muwum and .-\l'l (iallcl‘) hax mm L'lthtl ll\ lluul'x lnl' lnalnl‘ l'clulhlxluncnl. m 01' 201) palnllngx lmln lhc Kch lngrmc wllccllun lala' up rcxulcnc} al llu- .\lcl.cllan (ialll'l'lcx. 'l'hc llhpla) Includm 'l'llnlnax l'acd'x l'lu' Ian! n! (In ("Ian and Rcmhl‘anlll‘x .rl .llun III :lrmnm:

THE MODERN INSTITUTE

73 Ruhcrlwn Sll'ccl. Sllllc (l. l‘lunl‘ l. 248 37| I. luv I'll nmm 5pm.

Dirk Bell l'nlil l'l'l 4 Jul. NC“ painlingx and \\l)l'l\\ ml papcl' h} (Ecrman lll'll\l Dirk llcll. in lllx l'uxl wln \hmx Ill lhc l'K: licll t‘llllllleW lllllt‘l'k‘lll lL't'llllltlllL'\ ul panning; \\ llll papcl' lll‘au lugs and \culplulc. lnllucncml h} gulhic and l'mnanllc ll'alllllnm Ill (icrlnan all.

Family Group by Ian McCulloch forms part of Sons and Mothers on show at the Collins Gallery

Duncan MacQuarrie l n I l Jul 1 u 5 Aug \cu mu'k

EWAN MUNDY FINE ART

22l “(NI (icnlgc \llL‘L‘l. 215 "—55

\lull l'lI Mann 5 Wpln. \al lHanl 2pm The Scottish Colourists l um I u .; Jul l’.llllllllf_‘\. \MllL'lullHllh and mild“ mp h} lllc SL‘llllhll L'UlHlll'l\l\ (Lula-ll. l'cl'guan. llunlcl and l’cplnc Whistler and his Adherents l nlll l'll J Jul. l’.llllllllf_'\ h) \\ lll~llL'l. l)\ (allu'lnll. .l.llllL'\ \lcllc}. \luulu'all Hour and :\l'llllll' .\lcl\ lllc

PENTAGON CENTRE

m \Vaxlunglnn Sllccl. 22l 212‘ \lun ll ‘laln 5pm

Hugh Gillan \lnn _ Jul l'll l \u; (ilaxglm Sghlml ul -\l'l :Jldkllldlk' llugll (‘nlllan \llU\\\ a \cllcx nl ncu painllngx «lcpu‘llng: llu' l'.l\l\lllk' lllulgc and Hit \url'nulullng alca

PROJECT ABILITY

(‘cnll'c l'ul' l)c\clnplncnlal :\ll\. IN _~\llunn Sllu‘l. 552 2322. Mon l’ll Illaln 5pm, Me, Blue and You . . . Against Discrimination l'll ll 'l'hu l" Jul ()wr 5U arlmukx h} lllxahlcll .ll'll\l\ 1mm 20 L‘nunll’lm ax pal‘l ul llu' lzumpcan Mun Ul l)l\;ll\lCll l’L‘UplL'

RSAMD

llll) chll'cu Sll‘ccl. 3 ‘2 505‘. Mun l’l'l 9am 4.30pm.

Foundations Sal 5 Jul luv 5 :\u;_'. Origin All plcwlllx a wln \lum nl palnllngx h) Jauuc Mada) uplnllng cnluul. lUl'lll. lL‘\llll'C and lnclaphnr.

SCOTLANDART.COM

llurnllcld Road. (illlnnck. MS I20“. 'l'uc l'l'l Ilam 5pm; Sal Illam 5pm; Sun nunn 5pm.

Summer Show Hm I“ Iu‘: \lll‘. l‘ \llf.‘ \ \ClK-kllllll Ul \\l‘ll\\ “\x‘l 2‘“ galll'l} .llll\l\ nu lulllng \alall (alllllglwll. l’al\_\ \L \lllllll_ l’clcl \alllllll lilan lllnlnwll.( huglcnc l))l'l. Ian l lllUl. l’al lxlalnck alul \lm; .luhnxlun

SHARMANKA KINETIC GALLERY

:lllll'llllll. l-1l\ln_~: \llccl. 552 7N1 \un. Inc A lllu nunn (\I‘lll

Old Haunts New Work l nlll \uu {l \ug \ «lupin ul Hllfflllal llllllllll'k‘ lIl \\l‘\‘\l h} lllC l.llk' lun .\lc.ul

Without Sanctuary l uul l u l< \ug \ llm'unu‘nlal} mlulullnn \lk'dlk'tl h) llu' Rll\\l.lll \lclnullal Sm u‘l}. luuklng; al lllc and llL‘alll lll l\’ll\\l.l unlch alul allcl llu' L‘Ullllllllllhl Ivyunc

STREET LEVEL

20 King Sllccl. 552 2l5l luc Sal llldlll 5 illpnl

Gillian Steel: Come to My House l‘lllll Sal 5 Jul (illllan fill-cl C\|ll0lL'\ lllc (Ullll‘llelltW ml (Ulllllllllllx’dllllll \\lllllll llu' lanul} llllll Ill llux ncu lmll} nl \xluk llu- \lum \‘lllllpll\t'\ llllk‘L' lll.lll] \kullw .lll anllnallnn \cqul'nu'. pllnluglapllu pllllldlh and all lll\l.lll.llll\ll \\Illl a l)\ l) pllllt't'llnll

Dalziel + Scullion - Aura A Sal 13 Jul Sal 2 ‘\ .\u;.'. .\lll\l \llll‘ Dal/1c] Sl'ulllun plcxcnl lUlll ncu phnlnglaplut pllnlx and a \ ulcu plt'x‘t' cnlulul In [In ()lu'n.\u1.(‘nnlululnglllcu mplulallun ul llu'lnl'x MI MN nalulal cm uunlncnl .uul lnan'x lclallunxlup mllun ll. llu- pllnlngl'aphu' [ll'llll\ \‘llll\l\l nl all'luw black and \xlulc pluuluglaph} llnln lllL‘ lllln nl llu' ccnllu} \\ llll culuul pllnlnglaphx ml llu' lanllxcapc

8! V

st "as Art

TRACEY MCNEE 8x PIVOTAL ARTS

~15 l’alnu‘ \llcql 55.‘ "‘2‘ luv \u

l” mam 5 5l'l‘lll, \lll‘.l ‘l‘ln

No of a Kind: Robert Burns and Bill Ellis l lllll \ll‘ll 1 Jul lax; plluluglal‘llu l:llaj_'c~ lfix lx’mlx'l: llulm .uul lllll l lll\ "a l, /l.

l! \.'.'.l.‘

TRANSMISSION GALLERY

2‘ l\lll:_' \ll’x't'l. 2;) ;\l5 lllt' \Jl

llalll 5pm

Michael Fullerton: Are You Hung Up? l nlll \al 2“ Jul \ wlw \lluu ul nun \xnlk ly\ (llaxylm lxm'll l‘alnlm \lullacl

l ullcllun

TRON THEATRE

h: llunyalc. 5‘.‘ ~12!»~

Gavin Piercy l lllll \un h lul \ \I\ll.ll lk"l‘|‘ll\k' In la// mum lluln ( .a\ 1n l’u‘lq

I’ll/:4“, l"l.‘( (Illi‘Lfl'u'. In It \.'.".l.:

TRONGATE STUDIOS

l\ \lluun \llccl. 55.‘ 2522 \lun l H Illaln 5pm

Vapor l H J lul I ll \ \u:‘ \ wlu \lum nl \lcnl ll all l1) llnnx'alv \lulllm llu‘nllk‘l

llalnc l \Mnul

VACANT SHOP FRONT

\\\‘|‘\ll.llltl\ lx’uall lul nuul‘ llllI'llllJllUll \\\\\\ l'nu'lpl-ll :u'l Ul clnall

cnu‘lggull -‘ llHllllJll \«un

rooted l nlll lllll ‘l lul \lll\l lllll |||}'.lll|\.lllllll l nu'lg'c l) [\lcwnh a llllllllz‘ pllurlalnnu' nl l'\llll‘|lll'll\ llUll\L‘\l Ill l|u\ \ll\ll\k'\l \hup llnnl nu \\“l‘\ll.lll\l\ l{|‘.l\l Saul llUlf,‘l.llll \lum \ \\Hll\ lllllll h lul. lullnunl h} lanuw llml;:wll oh lilul». Rulll l «1:3: u ll 2” lull. \lu} \lalll'lla l2“ 2“ Jul) .lllkl \lmu' l)u lac «2' ;I lulu

WELLINGTON FINE ART

ll :\\\'\1 l<Cthlll \llx'x‘l: .22l ‘ll‘l" .\lnn l'll Ill illaln 5pm

Summer Stock l lllll Hm ‘I Jul (‘nnlclnpnlau \lnlllxll .uul anluluc palnllnyx nu lullln; \ll.l\\ ||1;'\. \\ llll‘llllk' alul lllllllk'kl L'lllllHll I‘lllll\

WHERE THE MONKEY SLEEPS l5: “(WI l<k'_‘_‘\'lll \lll'k'l. 22h l-lllh

Mun l'll fialn "pm. Sal Illalu "pm lam the Law I lllll lllll ll .lul \n mlululmu nl (lUllJlk'tl \wlk h} \lu \l.u. \xlln lllcu ll'l 2lllllI.-\l) lu'lulv lu' \\.l\

\ lt'lllll ul an all.uk lhal plcwnlul llllll llUlll (ll.l\\ 1n}: llu' lax! nl \ ll.ll.l\l\‘l\ lnclllllm .lullgl' lllulll. llalnlan. lank (iul and In \\ lln

Glasgow Museums

This section lists museums currently showing temporary exhibitions. For details of other permanent attractions, see Glasgow Life.

ART GALLERY 8: MUSEUM, KELVINGROVE

(‘lmcll llll lnalnl ll'lllll\l\lllllL'lll alul klllL' lu lcwlwn Ill 20”!» ,\ \l'lu’llun ul KL'l\lllleH\L"\ ulllullnn l\ on \lum al llu' \ll‘l ,cllan (iallcllcx. 8w ll\llllj_'

AULD KIRK MUSEUM

l llc (‘lmx Klllxllllllllu’ll. 5‘5 llH-l

’luc Sal Illaln lplnlk2 5pm Painting Partners l uul Sal 2!» Jul Sulllhll lllll\l\L'.I[lL'\ lll Ullx \Mllk'lx Hlllllh and an} llu h} lluxhanll alul \\ llc lcaln Huh alul \ullna Ranha}

BURRELL COLLECTION

2W)” l’UllHl\\ll.l\‘. \ Ruall. 25“ 255”

Mm] lllll & Sal [Hall] 5pm. l'll & Sun Hall] 5pm

National Treasures: Masterpieces from the National Gallery of Scotland l‘nul Sun 1" Aug .4\n mluhlllun nl luclw lnaxlcl‘plcu-x on loan ll'nln lllc \(iS. lcalullng; Jan \tllnccl '\ ('llrnl m [In lluuu u! .llml/m and Jim JHllll Slnycl Salgcan lml‘. 43qu ul Ian lllllll‘. alul pnl‘lldlh h} l'l.lll\

llalx ' THE LIST 89