Art Itsttng‘s
Edinburgh Galleries continued
NATIONAL GALLERY OF MODERN ART
IICIIHHI Road. (til (C‘l‘i Itcuttdt‘d tnlottnatton “3 22h!” .\lon \M'd A
I‘ll Sttn litatn ipm. 'ihu lllatn _l\llt Recent Gifts, Loans and Bequests i'nttl Sun 1 i Jul 'i iik' ground lloor oi lltt' {Jaiit‘t'} Ix dcutlt'd to a dhpla} ol tut-n! jJIIIS. loanx attd I‘k'tlliL'SiS attd llltilltit'S \‘.Hli\ it} John \Vt-llx
t I‘HW :lliillt, ('cttl (‘olltnx I‘NlS S‘)t_ Jatttt'x (‘ou Iv t ISM) WSW and i'.d\atd Muntit t lShi I‘M-1t
Scottish Colourists \ton to Jun l3»15pttt Anny i)u|au trotn iiit' lillllit'lldll Art Hallct} ttt (ilaxgou :1th a talk on thc lotn Stotttxh patntctx i’cploc. iitnttt‘t. i't'tguxxon and (‘adcil
NATIONAL GALLERY OF SCOTLAND
Ii lk' Kitttlllti. 024 (CW) ilt'ulttlt'tl tnlottnatton “2 320m. Mon \Vcd & in Sun lilatn Spurrl'ittt liiatn "'tnn Gainsborough's Beautiful Mrs Graham l'nttl Stttt 23 Jun. Li ([3): .\ idSL‘IllaillljJ minintton (it‘HllCti to thc Nattonal (ialict') ol St'otland\ \totld» laillHUS porttatt ol Ilit’ l/ultuultl/t/t' .lln (I'm/nun it) 'I'ltotnax (iatnxhotough
t I727 SS). (‘utatcd h} Hugh ilclxc}. t'ttt'atot' ol (kttnxhotough lioth nt Sudhur). thc minintton union-x thc pctxonal. \Ut'ldi attd inxtot'tt‘ai t‘otttmt oi titc [llt‘llllt‘ Ill dcpth attd l'caturt-x a \clcctton ol grcat portratlx it} (iantxhorouyh. Rcytoldx. lantt‘cncc and \an [tn-k.
After Hours Thu 5 «k 'l'htt 1‘) Jun, 5.30 7.30pm. 'l'itt' .-\ltt'r ilout'\ progrannnc cotttntttcx \Hlil tnuxtc it} thc SL'UiIlSil (itllial' ()ttartct ntxpn'cd it} tht- Nattonal (ittiiL‘l') "x collcctton on 'i‘hu 5 Jtttt lolloucd it} l't‘atlllth oi ('laudc .\lonct'\ \trtttngx ttt lrottt ol lnx palllllll): I‘ltt’ ('lttm It at li't/n'tul on Tim I‘) Jun The Artist’s Wife (Margaret Lindsay of Evelick) i’rt (t Jun. llJSptn. .-\rt illSlttl'lalt i’atrtcta .-\ndrm\ talk about .v\llan Ritltha} '\ patnttng.
NATIONAL LIBRARY OF SCOTLAND
(icttt‘gc i\' lit'ltlgt‘. 33h 453i, Mott i't't ltlatn 5pm; Sat liiant 5pm; Stnt 3 5pm Wish you were Herel: Travellers’ Tales from Scotland 1540-1960 l'ntti i-‘rt .‘l ()ct. .-\n minintton cmnnntng thc changing: law oi Scotland through thc C) CS ol \ lSliUl'S to iht‘ counlr}. lcalttt‘tng.‘ trawl non-x l't'om tltc litth L‘Cllllll'} to hotnc rum to ol' thc I‘lotlx.
NATIONAL PORTRAIT GALLERY Quccn Slt’t‘t‘l. (C4 (33W) tt't‘t‘ttt'tlcd tnl'orntatton 333 326(1). .\lon \Vcd &
i-rt Sun liiatn 5pm; 'l'hu ltlatn 7pm, (all-C.
Portrait Miniatures from the Daphne Foskett Collection l'nttl Sttn l5 .iun. 'l‘hc tinrd ttt a \ct‘tcx ol attttttal cxininttonx cxplortng thc “Ul’iti oi the
i
94 THE LIST ix 1:3 van-q
iillillditlit’ panned t‘wtllatll \l‘iikKiit‘iil‘i i).tl‘l1ll;‘itt\i.\’ll\llll\'ttii} on
saftartt; tit; Ion; tttnc loan ' ' -~ . : :r The Daphne Fos ett Collection of Portrait Miniatures \\\-a t 1 Im l3 l‘ptn \iL'l‘ilk'ii | loyl plan a talk on iLtl‘illlt' ittxixciiS \l'iik'kiil‘ii Hi [ttttltati
Maud Sulter - Jeanne Duval: A Melodrama l nnl Sun it \u; \xotk it} [titotoytapitt-t. poct and \ lliittl.tl ill\ittll.tll .\i.tlltl Sttltct t'\[‘ittlllt}‘ iiit' k'ili\|\k' ltputc ol lcatntt' l)ll\.tl. lilt‘ ltlat'tt nnxttcw attd tnth ot titc l‘itit \t'nttnj. i'ik'iikii port (‘itaticx llattdclatn~ Su-
High Society: The Life and Art of Sir Francis Grant (1803-78) 1 int 1‘) Jun Stttt H Scp. L51 ttit. ililtlt'l l5 iit'k‘. .\n minintton \‘t'ik'i‘idllllf.’ tit" ingcntcnat) ot the intth ot Stt itanttx (itant. a it'adtn; \ot‘tt‘t) potttatt pattttct ol tltc \tt'tottan att \totld tt'atttttng p;tllllllt;.‘\ on loatt ttottt ptnatt' coilt't‘ttttttx. \kt'tt'hhookx. pltotogtaphx attd than my» NE f9 v" '
After Hours Hm I: .lun S it) “pm Thu .\iit'i litttIIS progtannnt' \ Hillillllt'\ \xtth iilll\l\‘ trotn titc Suttttxlt (ittttat ()ttartct ntxpncd it) iiik' \xoth ttt lilk' l’ot'tt‘att (Ltllt‘t) \ t'oliu'tton
NEWINGTON LIBRARY
l7 3| i'ttllltlalllllaii Road. 53‘) SS it) .\lott 'i'ittt Illatn Stun. in Want iInn. Sat (lam lptn.
Heather Lucchesi \M-a I 1 Sat 3S Jun 'l‘mttlt‘x and collagc it} iicatitct I.Uk't'iit‘\l.
THE NOMADS TENT
3| St |,cottat‘d'\ i,.lilk'. (to: loll.
.\lon Sat Iliatn 5pm; Sttn noon ~lptn. The Menagerie Stnt 15 Jun Stttt 3” Jul. 'i'itc ltlth attttual gatdt-n attd conxcnatot') C\illi‘lilttlt It'atttt’tng a \L'IL'L‘ttott ol Alt iialta potx. ptt‘tnt‘ rnyx
and cooktng: potx, Ni ‘.'. ‘3'r tt’ 1.
NORTH EDINBURGH ARTS CENTRE
15a i’cnnpwll (‘ottt't. HS IiSl. Oyster Wars: The Exhibition .\lon ‘) Jtttt in -l .lul. .’\n minintton lcaturtng thc \tork ot' owr 2H“ pcoplc l't‘otn iiit' North lidtnhutglt arca ax part ot a neck-long lcxtnal cclcin‘attng thc htxtor} oi iiit' at'ca, Ni til i" t‘.'.
OCEAN TERMINAL
l.vtlit. 555 SSSS. .\lon Sal Iliant (tpnt. Sttn noon (tPlll.
Exposed 03 l'nttl \\'cd 35 Jun. .-\n cxinintton ol' photograph) it} final _\t-at photograph) \tttdcntx on thc admttccd dtplonta attd ii.\'l) cottrxm at Stt-wttxon (\tiit‘gjt.
128
IDS i’ttt Stt't'ct. l'l'l (l ‘lpttt; Sat t\' Sttn llatn (tptn i-"or lllUl'L' Ililttl'lllallttlt
\\ \\ \x. l ZSptttxtrt'ctt‘otn
Arran Ross i‘ll l3 Stttt I5 .ltttt. Sct up it} i’aul Bock attd Suc (Eu). lZS l\ a nun
I )une.LOO.~'
:allct} llt‘ll\'tl ttt a lottta't \tccl lwtttttltj. ott i’ttt Sttgct i’tcwttttttj; .: \cttcx o! xtct'kctttl c\ittinttott\. tltcj. lt.t\\‘ a it‘lllli ot Sittt‘.\lll_:‘ .tlil\i\ \xito itau' .tll 'ttttctcutttz' («l-st innit ot Roth iHSI up 1\ \ttatt Ru“ \ito‘attt; \tllil‘illlt' and l‘.tllllll1_:'\ ' " '
OPEN EYE GALLERY
i‘ R" ( 'tttttix‘tlattd Sttcct *" \iott ltt lttant httnt. Sat i“.tltt Jinn William Birnie Sat " \\t-.t .‘< Inn iattdxtapc ttatttttttpx and than lllj.‘\ i‘_\ \\tlltatn Iililllt' \patttttttj: lHS *t' Mutt
|ttjtt
Alexandra Knubley Sat " \\t-a 3* Jun i).tlllil|l_‘_‘\
Michael Lythgoe Sat \M-a 3*
Jill] \tllil‘illlk'
PATRIOTHALL GALLERY
t\\ \Si’St l’atttotltall \iiltllttS. otl lS liattttitott i’lau'. .‘3‘ If-S‘l ittt‘ Stnt ttoott (\pttt
Susie Reade Sat " Sun 1* Jun Sttxtt' Rt'adt- t‘\[‘ittl\'\ ito\\ to \.l}‘iliik' tno\ ttty \lii‘lk'\ tx ttt lll|\ c\itthtttott ol ottgtttal \t‘tt'cnptttttx iii :Jt‘ '
PROTOACADEMY
Room 3 VS. i dtnitutg'it (‘ollt'gt' oi \H. “) 'l'ltt' (ii.l\\lll.tli\t'i. _‘_‘l hfhl Sunday Sessions at protoacademy Sun .S Inn _‘ tpm (‘ontctnpotaty atl i‘.l\k'ti tt‘xt'att'it ttntt PiHIHJCtHit'lil} PIL'Sk‘lli a \ltout‘aw ot lik'“ \\ttti\ it} Sattt lilii attd .l\nd.\ .\itllct lolloucd It} an at‘t'otnpan} Ill}: (iiSK'lISSIllil group
THE QUEEN’S GALLERY i’diilt't‘ Hi ltttltiitttIISt'. SSH Hill Hall} ‘) Want hptn.
Faberge l'nttl Stttt I) (lit. Ll
IL: I it; i;tlllli} ttt‘lwt (It); undt't 5x lt'cc. ’i'itt' ilt'“ I} opcncd ()uct'tt'x (iallct) ptt-xctttx an minintton ot owt Vii) plat-x did“ It ttottt lilt‘ I{(l_\;li (‘ollu‘lton ot \xoth it} (‘ati i'altt'tyt'. iiit' gtcatmt RUSSIA” |t‘\\t'iit'l attd goldxnnth ot tltc latc l‘ltlt attd Illth t‘t'tttur}. i'aht'tyt‘ tutu-d ttadtttottal it't'iliiitlllt'S ol t'ttatnt'lltny. ntulttcoloutcd gold dct‘ot'attott attd lilt' liSL' oi (atu'd \ctnt pt'cctottx Itardxtont'x. intngttt}: lilt‘llt togctitct ttt lnx oun llllltlllt' \t} Ic.
RANDOLPH GALLERY
-l(t i)unda\ Stu-ct. 55h JESS. lint «k l‘ll ll.3i)ant 51ntt;Sat l I. Want ~1pnt. Mixed Show l'nttl Thu 13 Jun. ;\ nnwd \htm ol ncu p.tlllltllf_‘\ tttt'ludtny \\ttl’i\\ it} .'\ll\tttl lhntlop RS“. Sand} Roitit. l)a\ td Stnclan RSW. .'\lllll;t Rttxltln‘ook attd aqttattntx ttottt i'go littl'uL‘L‘tt.
RIAS GALLERY
l5 Rutland Squaw. 3.“) “5-15, .\ion in ‘iant 5pm.
Malcolm Fraser Architects - Retrospective l'ttttl I'll 2" Jun .'\tl L‘\itli\lllttlt ot \otnc ol lllt‘ yontplctcd protcctx ol lllt‘ \xtnnct ot thc Ri.-\S .>\\\ard lot .'\iL'illit'k‘iliit' I‘ll”. licxt iitttldtng lll Scotland lot Hatn‘c IIJSL' tn titc (iraxxntat'kt-t attd rtntncr up oi thc Sttt'lntg :\rt i’tt/c 204D.
Scottish Society of Architect Artists l'nttl i‘l'l l i it!” .-\ tll\pi;t_\ ol armorkx on titc lilt'illk' ol St‘otttxit landwapc attd \ IC\\\ ttottt abroad.
ROXY ART HOUSE
3 Ro\itttrg_'h i’lat‘c. it“)le iS2775. Omnithology l'nttl 'i'hu 5 Jun
(4 Sptttt. Sculptural ltH'ltlS umtcd ttottt collcctcd oincctx tm'iudtttg in'tckx attd tttottld it} a group ol iadtnintt‘git Art ('ollcgc \tudctttx. i,»'~‘)l (,t lid.” Li H) Si i
Annual HND Exhibition 2003 Mon lh Thu 1‘) Jun t.\lon \Vcd [Ham 4pm; 'l‘htt lilatn Sptnt, i~’.dtnintrg_'h\ ‘iL-ltotd ('oilcyc pt'cwnt thc School ot (‘tcatnc .'\rt\ atnntal \itou lcatttrtng tin~ \xork ol \tudcntx trottt \tttyitcd iL‘\iliL‘\ and taxinon.
[tui‘ln att and l‘llx‘lt‘fjlal‘lh .‘
ROYAL BOTANIC GARDEN lttwtlcttit ilotm', Iil\\'iit‘iiil i\'n\\‘ \S_‘ ‘l ‘l \M'd \lon lHattt * ilttnn 0 Simon Periton: Mint Poisoner l ttttl Sun 1‘ ‘ .lttl londott i‘dSK'ti .tlil\i \tttton i’ctttott. I‘C\I ktnmn tot ttcattttp Lugs xtalc [MPH ‘dotltt'x'. :ctx lnx ill\l minlntton ttt i dtttltutplt Gary Rough: Mantelpiece l ttttl Sun Y” lttl \n mlninttott ot \\ttti\ tttadc \puttttallt tot lttwtlt'ttlt ilottw i\_\ tinx \ottny Stotlattd i‘.l\k'\i Myths, Magic and Medicine l'nttl Sun |‘ Jun Ii \inlnttott iiall datl} itlatn *[nnt i\ini\tttottol i‘t‘.tllililli \xootl t‘ll}'l.t\ mfg l\_\ Illiik' t‘itaptttan \\ ttlt tltc \ itant‘t' tot all titt- l.tttttl\ to tout ttt a \\ttli\\ilt'|‘
ROYAL OVER-SEAS HOUSE I.llltilll_‘_'\ ( iallcty liltl i’tttttcx Sttt't't. 33* l‘lil \lott l‘lt Illatn own
The Competition l nttl I u <t (hi Sputth tottnntxxtont'd ‘lwlnnd iiik' \(k‘IiL'\. pitotoptapltx ol In t'nt i\’( )Sl \ttnual \iIISM‘ (‘otttpcttttott illl.tl\ it} ttltotototttnaltxt ix’tt‘ltatd Sttnllt
SCOTTISH GALLERY
lit i)lllltl.t\ Sttt't-t. *‘S 1.7”“ .\lon l'll litatn hpttt. Sat litant -l|ntt
Sir William MacTaggart (1903-1981) l nttl \Mwl _‘ .itli \ \‘Cit'ittalltttt l‘i Iiit' “wk til lhl\ muyh tt‘xttu‘tt'd tnctnlwt ot “it” i tillti\lll_1'il St‘itool. Sn \\t||tatn .\i.l\ iaypatt
tl‘ltii l‘lSl t. lcatttttnj: lnx mu Hum llouctptt't‘cx. \t'axt'apt‘x. t‘otttltt-ldx attd
Deirdre Edwards - Land and Sea l ttttl \\t'(i 3 Jul \c“ \\.lit‘lt'tlitllll lattdxt'apt‘x attd dtau mp tn ( 'inttt'xt' tnk
Sarah Parker-Eaton and Louise Hibbert - Plankton t‘nnl \\'t-d .‘ .lttl .\ \‘HliaintlttlHt' ptonp oi lunt'ttonal and \t‘ttlpttttal oinu'tx lllSIlllt'ti it} my t'oiotnx attd lttllll\ ol [lidili’xilililk' otgatnxtnx
SLEEPER
Rctat'it attd liall .v\tt‘|ntt-t l\, o i).lllt;t\\.t} Stu-ct. 33S SH-l .\ion ill 2 5pm.
Sean Shanahan: Rarae Aves l'ntti i'lt lilun i)lli\illl horn ;tlilSl Scan Sitattaitatt t'lt'lliL'S tun \\.tii \toth lot iiiL' gailt't} \pau‘
TAG TEAM EXPERIMENT
3| i.l\lllttlt' (‘tvxu-nt. i’atxonx (ilt't'ii. hjtt H-ll
Jim Hamlyn: Reverse Circuit l'nttl Sat 2i .lun. .\ nt-u \t-awn ol la): 'Icatn i'.\pctttttt-nt ixlk'ixS ott \\liil an tnxtallatton it} ill!) ilatn|_\n
llana Halperin lull] in IS ,iul llatta lialpct'tn IHIIIS the la}: 'icattt l:\pctnncnt \kllil ilt'l mplotatton ol tin: tntctwt‘tton iwtut-t-tt pctxonal t'\\'ili\ attd natural pin-nontt'tton
TALBOT RICE GALLERY l'tnxctxtt) ol itdtttittnggit. Sotttit iittdgt'. 050321”. 'illL‘ Sat [liattt 3pm, Object Lessons Sat 7 Jun Sat I‘) Jul. 'i‘ht' (litalttlS ttottt ixdntittnggh l'tnu'txtt} \clu't tinx \pcctal dtxpla} ol il'CuSlll'CS lrottt tin~ l’tnu'rxtt) \ t'lliit't'illlHS lllk'illtllll}: attclactx. chtgtt (tittcctx attd t‘at'c lligtlllISL'llplS. iltyitltghtx tncittdc titc onl} illliilt'illlt’ panttcd pot'ttatt ol Joitn Kno\. (‘itarlt-x Damm'x (law and» thc \lxull ol St‘otttxit lllllllttlllSl tinnkcr (it-orgy litlL'ilgtllétll attd a pinal ot Str .'\iL'\ilil(iCi i'lcntntg‘x PClttctllnt Hi ‘u't 40;".
Joy of Discovery: Supermodels \Vcd ll Jun, lptn l)r i-.lt/ahctit Sta-\cnxon. i)r Rohcrt (iould attd Dr “and |)r}dcn \itou ittm IlltKiL’iS lront ihL' School (ti L'Iit'iiilSil'} UliiL'L'iltlll t‘clalc to paxt attd ptcwnt rcwarch,
Alice and the lnfanta Sat 7
Jun Sat 1‘) Jul tround rootnt. Nun