Films screening this fortnight are listed below with certificate, star rating, credits, brief review and venue details. Film index compiled by Miles Fielder
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pla} \xI‘Ilet/xt‘rvcn“I'III'I/Ilut't‘tor \lt'l’thonI. \xho \lll“ Cll\ thc tum-nu“ pothItIal “llll hI‘IllIaIItl} IIIIIlt-I'xtatul humour. .-\IIII thctv'x an .lxlUllhllllljJ pL'I'l'oI‘IIIaIIL'c lroIII \taIIIl up \‘oIIIII‘ .\loIaII SCL' t't'\ It“. NI’IH IH/ I't'lt'rlu'. Adaptation. I ISI 0.. ISpIkI- .lUll/t‘. 1'8. 300‘) Ntt‘olax ('agc. .\lct_\| Strt't'p. (‘hrIx (‘oopctp I HIIIIII 'l'hc (U t‘t‘catotx ol IiI'utu .lulI/I VII/Am II /I_ \xrttct (‘harhc KaulIIIaII .IIIIl tlllL‘t‘lUl .lUll/L'. “Ulllkl haw ux lwlIt-w llll\ \tor) ol KaulIIIaII'x L‘llnll\ to adapt Sttxan ()IlI-aII'x popular llUll’llt'llUll hook I’III- ()II [III] I’IIII'I to lw true. ()1 (ourxc. It‘x an clahoratc prank; tlIv llll\ ol lac: aIIIl lII'tIIIII. rcal INC and rccl lllt‘ IIIakcx loI a conxolutctl L'Ulllllltll'lllll. But \‘lt'\t'l clcwr ax Kaultnart‘x \Cl'lpl l\. It lackx thI- [ll.l)llllllt'\\ that IIIaIlc thc IIIIIIIl hI-IIIlIng .lIII/LIII II II \uch a lo). .-\IIIl llllt‘HlHL'llllHlMl ax thc plot l\. It qurckl} hccotnvx pruhctahlc. lIoIIIt'all} cnough loI a llllll \n olm‘xxctl \\llll plot, thc \taIIIlotIt cchIIcIIt l\ a pcI'lorIIIaIIcc. a I‘cIIIaI'kahlc onI.‘ h} thc grcatl} tIIIIlcnalucIl ('oopcr ax thc cntgntatu~ Iarc llIm L-I' collcclor. (II/nut. lit/utlturqlr.
Aliens IS) 0.... l.l.tlllt‘\ (‘aIIIcIoIL l'S. Wh‘m SIgoIII'IIC} \Vcawr. \ltvhavl BIclIII l V‘llllll. RC\I\L'(l lI'oIII a 57V.” \lltm/L‘ Ill \lL'CP \Pat‘t‘. \Vat'l'altl ()lllt'L‘l “an or I\ carolul IIIto IoIIIIng .I IIIaI'IIIc l'k'\(llt‘ ltll\\lUll to thc planct that l\ lIoIIIc loI' thc ortgrnal ahcn l‘t'thllt‘. l'III‘clcntmgl} pact-I1 \\ Ith a tI'I‘I'IlIt‘.Ill} gutx} pct'lormanu' lI'oIII \\'ca\cr. llll\ ncn ("\lll‘L'tltllll‘L' \cqucl not Ulll} lll.ll(llt'\ ll\ pt‘t‘tlt‘t‘cxxut' l‘ttl (ttltltll) \lll'p.t\\c\ H. .-\II ()xcar \\ Inncr l'or \pcctal cllu'tx. ()I/I'Irn It! IIII' an. (i/Inuuu.
Check out the great
Offers
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Antwone FisherI IN 000
ll)k'll/Cl \\a\hIII;.'toII. l \. .THHII l)L'l\'l\ lula'. l)\'ll/t'l \\a\|IIII;'toII ll ‘IIIIII HIM \\a\hIII_L'toII (how \lll\\Hll\‘ I I\ht-I\ autohIog'taphItal lllt‘lllHll lot hrx lllle'lUllJl Ilchut I\ .III I‘\tI.II>rIlIII.II} \toI} l‘l\ll\‘l \\a\ \\oIkIII;: III tlII' \IIII} \tIIIlIo'x Ittlt \hop \\ll\'ll lltc ( )\\'.ll \\ IIIIIIII;' at toI t'tllllllllllk‘tl lIIIIIxcll to lk‘lllll}‘ llll\ ll.llltl\\lll_‘._' lIIIt tIltIIIIatcl} IIII' .IllIIIIIIII;: \tot} ol \lll\l\.tl \haIIIloIII'Il h} lll\ IIIothct to thc (arc ol a lll\lL'l hoIIII'. \\|Icrc hI' \ullI-Ictl )carx ol ph_\ \Ital. lllt'llldl .IIIIl \I~\ual alum: l‘l\ll\‘l I'IIIlI-Il IIp III lllk'l S \a\'\ llcrc III" loIIIIIl a \uIonatI' laIIII|_\. hut lll\ lllllt‘\\'l\t'tl pa\t lllt'dlll that llt' \\a\ al\\a_\\ III llt'lll‘lt'. IIontl) loI llt'lllllltf \uth a \II-I). III \thI h a \)lll|‘.llllt‘llt‘ \llHlllx llk'l|‘\ a )I-IIIIfn Nat k IIIaII (Ulllk' to tI'IIII~ \\llll thI' \ll.tlll\' .lll\l aIIpcI t‘ll},‘\'ll\lt'lt‘tl h} a I‘IIII-l I'IIIIIlIIooIl. could c.I\Il_\ haw lwcn II'IluI'I'Il to I\
IIon lk' [ll.llllll\lt‘\ \\a\hIII;_'toII\ lt'\ll.llll\‘\l IlIIcctIoII. human. I\ IaIIIlIIl hut ll\‘\\‘l L‘\[‘l(‘ll.lll\k'. lll\]‘ll.lllHll.tl hut ll\'\\'l \t'lllllllk‘llldl SI'I' l\‘\ lt‘\\ \. /I I II I! II [I “II L’Auberge Espanole (Pot Luck)
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Michael Caine and Dylan Moran attempt to
The Blue Room III'It tlu '\.tIlI'll\.
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The Breakfast Club IN .00 IlohII IlIII'lII-\,l \. l‘lN‘I l tIIIlIII l,\tt'\I'/. \ll} \hcctl}. .lIIIlIl \t'lv'll. \lo|l_\ lx’III_-_'\|.altl ‘Y'IIIIII lhI' llllll that hI'IpI-Il l.lllll\ll thc lltat l’atk. \thth .IIII‘t a \Itllll‘lllllk'lll ll‘-\‘ \IIIcIItaII tI'cIIaz'I‘Ix punk. «not. [till taxt'. I‘tt \pI-IIIl a \attIIIla} althIIooII III \Ihool \lk'lk'llllltll‘ \‘-ll\'l\‘ thc) ;.'I~ thIottjgh a llll‘.tl hoIIIlIII;' (\l‘k'llk‘lhk' \xhtlc \pI-\I.III;' all lll.tllll\'l ol tI-I'II aIIggxt It\ all III_\ paIuIIh latIlt .IIIIl l‘lllk'l IIlIl tltt'xttttth (Iumu II."II:/)Iu://I Bulletproof Monk t.‘ \I O
Il’atIl lllllllx‘l.l \. .‘lNHM'hov. \IIII lat. \k‘alll] \\ IllIaIII \ott. lxarcl l\)l'\lt'll lll‘IIIIII l'thIIall} _\otIII_-,' hut IlnIIlI'Ill} onxl} lIhutaII tIIotIk \IIII lat l\ tt'atIII'Il \xIth totlx}. thtxcl IauI'Il \I-‘J. \otlt llllt‘l \kl‘ll logcthct thy} ltlll\l Imoch thc \Ioll ol thul llllll.llt‘.\\llltl1\1'lllt'l\ .Ilmtltttu PUV-t'l oII uhocu‘r lk'.l\l\ ll. lIoIII .I;_'I'III;_' \a/I \lll.ttl1 Karol RoIlI'II \lklk'tl
out-thesp one another in The Actors
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Chicago I II‘ \I 0.. IRIIII
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Chicago(12A) ’ a»; " " 10:" : r-. / 3m ‘.'/' /',L" '.l'.'. Frida (15) '12:," Th Hours(12A) ’ ,:/:,.- " " :04" i 05:," *3 / 50.9"
Tickets and further information from The Steeple Box office
(Tel: 01324 506850)
or on the day from the hall
-.. . THE LIST 27