I The Kamikazes and Minus 3 llic (’cllai Hal. Ramada .l.il\ l\ iliigiami lion-l. lllll \lillci \ln-ci lmo 55‘ Z5l5 \ ‘Hpm l'n'c
I Ashton Lane Hit'l. \xlnon 1,.IIIL'. ll.) il‘Hifi Rpm i'lk'k' llic l any an- iiiakmj: a llal‘ll ol [‘l.l}lllf,' m lllL'll \llllllllal llHlln'
Edinburgh
I Counter Attack, Social Insecurity and Miuku Studio 3-1. ('allon Road. 555 V55 5 1“pm L1 l’mik myln \\llll Ill-lymm‘x ('oimlm \llatk Ivadmj.‘ llic chargi-
I Fleamarket Funk ('aliaici \ollain'. Vi W lllan \ln'cl. 33H (iliii lliim ‘am liu' 5w “ml 3
I Lebowski lllk‘t‘ l iiili-nwilil. llaiiiii'iiiiaii'x. \iddr} \liccl. 550 ‘35-1, .\ rl5|im L-l hill on \ladllllli \i/cd im'k liom l.cl\o\x\ki
Thursday 10
Glasgow
0 The White Stripes and The Whirlwind Heat ( 'ai llllfJ Noah-m}. III lylmlon Sliccl. ll‘lll5 “3H mownx'ir ""l jiiiiu “pm S()|,l)()l”l. l lltlt'l lilx lo lic at't‘ompamcd h} an adull llol danm' lliow l‘Ulelx \ililingx lilaxl hark mlo llic \lialmplicrc \\llll llicii llt'\\ .lll‘lllll /,/l‘/’/Ililll lcalmmf: mut'li llic \amc lnand ol nouwau lilncx paiayi' [wk and ,Iat‘k \\ lulc‘x ncai \lt'lllk'lllt'tl \Ht‘.ll\
I Astrid and Snodgrass KIM}: 'l'ul'x \\ali \\a|i llnl. 3‘3a81\'iiit*ciil Sliu‘l. .‘II 53"”. .\ illpm Ur. \ll-Iodit~ indu- iangrlmg' liom llic “aim and lll//_\ ,\\liid,
I Colditz \lono. l‘ Kmyx ('oui'l. Klll}: Slin'l. 553 2-11"). lllpm. l'n'o (‘oldil/ onc man and lll\ laplop plulllnlt'\ lll\ dcliul alliimi Hr \n' ,lumm/x la l’~)t'lii;ili'it' Rct‘onlxK'i'ccpmg llcnl production) al llnx launt‘li
I Dreampowder, Viva Stereo, Manrib and The Freesoul Aspiration Haul}. :(rn (lnlc Sim-i. “Sill UH" ll‘l‘l‘). Hpnr lmc up ol hands liom l’aixlt'} l‘nnci'xil}.
I Dirtbox, Who Shot Jonson?, Gopherwood, Veda and PMX 'l‘hc (‘alliouxu l5 l'mon Sln‘cl. 3-15 («inn
5‘ illpm. H51), ()wi l-lx \lioxv Skalc punk lmc up.
I Chase, Blacklisted and Castro llic ('c'lai‘ liar. Ramada .lan l\ ilngi'ami lloh". lllll \lillci' Slit-vi; lnlo: 55.i 35l5. N. illpm. law.
I Sticky Fingers Studio ( )nc. (il'inu'llnl llUlL‘l. (il'uxH‘llUl' 'l-L‘l‘l'at‘L‘ loll Hum Roadl. i-ll (r5lh. ‘lpm, l'icc. Rolling: Slonm lnliulc hand.
I John Alexander ‘l‘inllci-lmx. IN) lliitw Road. KW .illlhi 0pm. l'i'cc. \L‘Ulhllt‘ \t'l.
I The Vagabonds l‘lii- Sum...
I ll Il-l Siockxwll Slit-cl. 55.‘ Mixl. ‘lpm. l'rcc. l’opulai L'U\t‘l\.
I Open Mic l't‘liai()\i1a.-lZ()lago Ianc. i5" »l53~l 8pm. l'rco
I Jam Session Samucl l)o\\\.
h- 5| \illhdalc Road. .133 illil".
.\'l illpm. l‘icc,
I Live Music \m-‘n‘SIt-a/x. ill Sauclncliall Sli'ccl. iii Uni". ‘Ilpm.
I Live MUSIC \llvl. lllt' l.“lll \UIL' (‘alo 5“ (ill King Sliccl. 553 In“. 0pm {3,
I Live MUSIC SIL‘I'L‘U llUl'lllL‘l'l} \VCxl liilii. I: H lx'clnnliangh Slrccl. 5‘0 5lll.\'. Spin l-i'cc. \c“ monllil} \lioucaxc night. callcd Your Sound, ('omat‘l _\oui‘\oundw liolmailuim.
I Live Music Mat-Sorqu “x. 42 Jamaica 8mm. 24% 55M. 8pm. l-rcc. 'l'lircc llll\l:_'llt‘tl local l‘alldx
Edinburgh
I Electric Tibet and Masamune 'l'licc l’ndcmoi'ld. Banncnnan'x. \iddi‘} Slrccl. 5.50 3354‘ .\_45pin Hi Sophixlicalcd mdic lac .v\l\crdccn.
I Out of the Bedroom “kiwi-IQ liar. l S! .\l.ll'.\5\ Sll't‘cl. .55— “)5”
“pm midnight. l-rcc. Scc Thu 2"
Events are listed by date, then city. Submit listings at least ten days before publication to Ruth Hedges at ruth©list.co.uk, by post or by fax on 0131 557 8500. Listings are compiled by Ruth Hedges and Kenny Mathieson.
Thursday 27
Glasgow
I Craig McMurdo ()mplc} K.
l5-\ lNi Halli \liccl. Hl Minn
"pm midniglil L15 \ niggln ol \L'lli‘lhl} («ml loungt' lllll\l\ liom lllt‘ icpviloiic ol llic lllxt‘\ ol \al Km; ('olc and I'iank ~\'iii.ili.i. \img; |\_\ \l\‘\lmdo \\llll lnx liagkmg lilo llic Sum; Klllf.‘\. ch h) [‘l.llll\l Iom l-mla_\. plux \Pt'x‘lal put-xix lln' Suing; ('al\ l’in'c myludt'x (liampagnc yoyklail m llic Kcll} (‘oopci Hal lolloxwd h) a lliiw t'i‘lllu' mcal in u'lcliiil} t'licl lolm ()1!lf_‘lk'}
Edinburgh
I Zoot Money llcmx \ la// ('cllai. \ .\lorii\on Sin-cl. lo" 53lill 5 “Wm L") Sinch and kcflnmid plam /ool \lonc} lll'\l limxl onlo llic llimxli ilnllim and lilncx aunt" in llic Mix. and l\ knimn .i\ an c\lio\crl. In i'ncig} [wiloimci Hm I\ a l.llL‘ \olo pcrloimant‘c liom llll\ ouli'agconx Rik” \lai
O Millar, Spencer and Travis ('ommplm iloimcil} ('Iiili ,la\al. ill ('ommci't‘ial Sin-cl. |.cilli. 555 5(r33.
8. ill Ill. iilpm Lil Ianint'limg.‘ a llt'“ |a// \cnnc llnx ladmlimgli hawd liio ol \a\. piano and \ll'llllh pla} yonlt-mpoiai} mnxit' inning; \landardx and original L‘lllllpn\lllnll\.
I Apache llnman llc In. _‘ .\ \\c\l (.l'll\\\‘illl\t'\\.l'\, (iii: HM)”, ‘llini lll\ll'lllllL‘lll;ll and |a// qnai'lcl diaxxmg on llic I'mih ol hip hop and nu will
I Out of the Bedroom “mull-5 liar. l SI .\l;ii'_\\ Slit-cl. 55" “Ni
0pm mrdmghl l'i'cc. ()pcn mic \t‘\\l\lll loi~ ladinliurgli liaxcd \mgci \ongm'ilcix. ()i‘igmal mnxit' onl} \\ illi lllt' (llallu' lo round a w! on lom lrat‘k iuxl l‘l'lllfJ a blank lapc.
Hamilton
I Clyde Rhythm Jazz Quartet Non l)oug_'la\ l’ai'k. ("ad/o“ .\\L'llllt'. nlmx 2mm; .\' I Ipm. l'rcc. ‘l'hc llamilion Ja/l (’lnh l‘t‘lilllllt'lltN u llll a \kal) \L‘\\lUll lllal \xclt‘omcx gut-xi
Friday 28
Glasgow I The Fusion Experience 'l'lic l.lt|lll(l lounge. \chl chcnl Slim-l,
Us
i- A" - IA
5 \pm lict~ \c“ (ilagou haxt'd ‘ I‘leC at id ia// lmik l‘alld [Calming l\).1}llli‘ll\lllallhi‘ll Hammondorgan. \ll-l? \lpi’lnxkc} on l‘.i\\ and Jamie (mm on \llllllh
I The Glenn Miller Orchestra lx’oxal ('ontcil llall. _‘ \allt‘lllt'llall \ll-«cl. ‘5‘ “NM 5 lllpm tl.‘ 12H l’opiilai ial/ and \um; llll\ liom llic ilk mtliidmfg II." in Him." and \Ilwisi'igiz: \( n mail \\ llll llnx icnouncd oitlicxua \\lli‘ ix'ilozm m lllllli‘lllh ol llit~ limc
Edinburgh
I Yush Records Showcase Night llcmi '\ la/I (\‘ll.ii. \ \li‘lllM‘ll \llk't'li in" 5jtiii \lidmyln :5 llll‘ hop. limk .llltll.1f_‘:.'.l liomhixli \ll \l.ll\ and lx’al
I Heather McLeod ('ahaii-i \ollaiic. iii ‘5 lilan Sliccl. 33H hl "h
5 ‘lpm llt‘k' lx’it‘li when \m‘.il\ liom lln\ ll\lllf,‘ \l.ll on ihc ~\‘ollixli ia//
I Fionna Duncan chn‘x .la// ('cllai. .\ \loiiiwn Slit-cl. in" 53H“
.\ illpm Ur llll\ icnonncd \"ollhli |.l// \Ut‘.lll\l [\li'\t'lll\ a \aiicd icpciloiic \\lll1 ~omcllimg: loi all muxn'al laxlcx
I Lee Paterson \\ llhllt'l‘llllklt'x '1 n Soulli lliidyc. 55~ 5| 1-1 ‘lpm ilt‘k' ldmlnngli l‘.l\L'tl \mggci wnjguint-i uni-x lnx umquc l\\l\l on Mum lolk and
L‘iHlK‘l
Stirling
I Soundbone and the Funk- Out-Fit \lat'Rolicil. l lll\t'l\ll} ol Milling ill “Rh ~l(i(i(i(i(r 0pm Ur ( Lvil \c“ hand liom liomliomxl ('liiix (iiicw \Hlll dinmmci l’anl \llll\ llial \pu‘ialixc m \iilll. lnnk and |.l// llll\lll[Hl\lll}_‘l}.
Saturday 29
Edinburgh
I Soundbone and the Funk- Out-Fit llcm} \ _|a// ('cllar. .\ \loi'l'ixon Slit-cl. in” 521M Midnight. L5. Scc l'i'i Sh.
I Fionna Duncan llcm} '\ .l.i// (it'lldl. 3 \lm'l'luln Sll‘t't‘l. Mi“ 53m), Nillpiii. Ur. St'c I‘M 33.
Glasgow I Graham Scott Quartet Bil-l.
3‘) ii .'\\l1lnn lanc. HI JUN». ~ (rpm l'icc, Young modci'n quark-l,
Glasgow
I The Michael Deans Quintet ('ollicr‘x. 0‘ W5 ll_\lltllglll\l Slim-l. ‘5" 5335. l3“ “Swim. l‘iu'. \lodcrn |.l// qmnlcl lcad h} lcnoi' \a\man lk-anx \iilll Slcwn llankm on lluuclliorn.
I Kesha ('alc (‘oxxat'liok Rll\\l.lll (‘ullmal (‘cnlnu ll) Km}: Slim-1.55i
H" i i. 5.30pm. [5 an \iut-l (‘laik
GILAD ATZMON AND THE ORIENT HOUSE ENSEMBLE Saxophonist Gilad Atzmon has been a fairly regular visitor to Scotland in recent times, and returns on the back of his newest album with his Orient House Ensemble. Atzmon has never been slow to speak his mind on controversial matters, and Exile is a powerful political statement as well as a searing fusion of contemporary jazz with striking influences from his Jewish patrimony. The saxophonist is an Israeli living in London, and describes the album as ‘a call for attention to Palestinian suffering. Jewish history is an endless story of
persecution. so how is it that people who have suffered so much can inflict so much pain. and be so blind to the same desire for return in the Palestinians?’
Atzmon leads a six-piece instrumental line-up featuring violin and accordion in addition to his own saxophones and clarinet and the standard rhythm section,
augmented by the powerful singing of Reem Kelani. (Kenny Mathieson)
If: NH...» ‘. . ,_
‘
Millar, Spencer and Travis
Niki King 'x' i: "a: ,:'--i:. ~~2'..:: i"
"M '»'i;: l'lill‘iil li."~’f° "' ' lla- ’ ' '- ‘7" Steve Hamilton 5 53'3"." l1;l""°.5,"'t ":'.l."".' ES ','..l"2"12\ lt‘5"'"l: r'. ' '-’ " "W ILJl' " M :w' ~'°",' :l'ii' Km r ' °" ‘) "“ ’\i(:""(i l' ’l' '-‘;'_';i l‘ . l:'. 2' l' ‘ :‘r\ r . 'l . , 6,; , . ..' L“, 1‘, . ii (iii ' i. ' i' l: i ' / i " I' Illi; (' i'r'r/‘iii ) I i ' “(Iii/xlr'y'yj : l‘ii (I'Vi ii‘mi"): l) ' r)" "3' ' (l' Jw'a 'La‘ua'v: ’\ .' (/ ir' ' ) i, 1' ‘1 i" I ' i/iri.’.4 fx‘ilii’. ’ 1":/«1,/" n‘ I. i ".1 '///.‘l';,
spun.” i. (No: l’onoman'x l\ iolmi and in \ll.l\ l\ iolmi pci‘lolm a llll\ ol l<n\\ian. gin) muxit‘. lal/ and Klu/mci
Edinburgh
I Gilad Atzmon and the Orient House Ensemble llcmvx .la/l ('cllai. N \loiiixon Slim-l. in“ .530”
X, illpm lg" :\n m'lt't'ln' lll\lHll ol \Ullllil\. liom ncu lakcx on |a// \landaid\ lo .\iiddlc l'..l\lt'lll mllu'lcd |a// oi'iggiiialx
I Bill Kyle’s Usual Suspects Human llc ln. 3 H “(M ('imxgauwua}. (in: HM)“, 0pm. l'i'cc. K}lc\ quark-l. llic l'xual Sinpcclx. lcalnrinj: a iolalmj: lines-up ol Ilic lit-xi ol lzdmlim'gli‘x ia/l pla'wrx will a\ (‘olin Stu-Iv. lliian Slncl» Brian Kcllot‘k. and Jmim} \Vood pla} a \wckl} \C\\l(lll llClL‘ allcr lllL' ('onualc lii'c dulro) cd K} lck 1>\\ll \cnuc. thc Bridgc Jan Mar.
Glasgow
I 4 Jazz (ia\m\ Mill. 3 (iaun'x Mill Road. \lilngaxiv. 05!) 3355. 3pm. l-rcc. ()uai'lcl produt‘mg \\\lllf_'lllf_' iaI/ \l.illd;ll'd\ lcatm'mg guilarixl Bob Sloan and \ogalixl (‘amphcll ('onxidmv
".'r:' ‘ '. 'THE LIST 53