MUSIC ".004 d {All ‘8?"‘73‘5
Saturday 5 continued
I Open Stage Blues Jam \iu-‘ii‘Sliui/y -1_‘l \dllxlllk‘llJll \liccl. ‘11 WW“ :Plll liu' \M'ckl} plum l‘.l\\'kl
I Soul Saver \itc'iiNlm/y ill S.iu\liicl1.il| Slim-l. ‘11 Wil— ‘lpiii
I B Movie Heroes, the Cherrykicks ml The Alpacinos \lmulwin l |(‘l(l\_ 5h ( )\\\.ll\l \Iiccl. 'l\-15 “5‘ 0359'" illpiii 15 UN"! l-lx \liuu
I Trampas (imml ()lg~ l )pi}. l’.ii\lv} Rinul lull. -13‘l 5 “Hi " ‘Hpiii {-1 IL: lllk'llll‘L'lH ('uiliili}
I Jamie Barnes and Cochise \l.l(\llllk"\ K. ~13 .l.iiii.iit.i \liu'l. fix \5\l (ipiii. l'icc lliicu \clx lli'lll lllk' l{,\li
I Peer Group Pressure Swim-l l)U\\ '\. (\q “l \llllMlJlt' Rikiil. l: : lllllq X illpiii, l'icc
I Open Stage 'lhc ll.ill llJI. Inn \\(Nl(ll.lll\l\ Rikltl. 5(i-1 I53" -l \piii llcc \M'ckl} \L'\\lHl1lUl Imuil lllll\|\l.lll\
I Live Music lllL' ll.lll IL”. lhll \\iiii(ll.lllil\ Rind. 504 l53" ‘ll‘lll l'ln' 'ln lw u'tlllllllllL'il
I Live Music \liw. llli' I iili \uic (Kilt. 5” (ill Kin}: \"liccl. 55‘ lhix ‘lpiii [i
I Live Music VA 'liiiill'x lll lligli
Sliu'l. 553 _‘l ‘5 lllpiii l-icc
Greenock
I The Bluetones .iml M.A.S.S. “on! [p lel l).lll}lll|\lk' SllL'L'l. (il’i'i'llik‘lx. “ll—‘5 Hllhll ill l'llL' 'llillkw .ll'L‘ \‘llll'k‘llll) k'llll‘glllklll}: on .i iii.iiiiiiinlli l'K lniii ul .ll'llllllkl 5U ll.llk'\. Liking llicii' lllk‘lHillL' lll(llk‘ pup .ill m m Suilldiitl iii llk' prim-xx. 'l‘lic) iiiiglil lw iii iicul nl .i (All ul Rcil llllll ll) llll\ \l.ifJ\'.
Edinburgh
I Crazy \fincent, Toledo .iml Rangan SiilmJ}. (N (‘mxgalu 335 NM» ~.5ll[llll. L11. liiplc l‘lll ul llltllk'.
\\ llll ('i‘.i/) Viiiu'iil .iddiiig.‘ ,l i‘cliu \l.llll. I Classic Crooners Grand Finale l.L'llll ‘l'imii ll;ill. 7 :llI‘llli (‘li.iiil) k.ii.inkc \‘Ullll‘k‘llllllll. ('clclii'il} iiiilgcx ,lllkl .i L‘llullu' In l‘C 'lll'JlL'il lllu‘ .l \lJl' lL 5”“ L'.l\ll. iiiglil iii .i lii\iii'} llUIL‘l .lllkl \lllkllH lllllL‘l liii' llic “llllk‘l'. .ill pim‘ccilx gn In l)l\;ll‘lk‘lllt‘lll liiuiiiic (liniip Scullnml.
I Elkin, Chapman, Endorphin, Roguestar .lllkl Sugar Daddy ('uiiiiiiplm illii‘iiicil) (’Iiili .l.i\;ii. ~lll (‘iiiiiiiivi‘cml Sliu'l. lyilh. 555 5(8). .\piii_ (5 (Hi. .'\IlUlllL‘l’ lll|\L‘il Ixig ul qii.ilil} Inuil .iclx li‘niii :\puc.il_\pw laiilt'i'pi'iwx. I Douglas Kay 'l'lic 'l'iuii. ‘) lllllllL‘l' Squui'c. High Sli'ccl. 330 ll‘lill Xpiii. £2. K.i_\ i'cliii'iix In llk‘ liw \u‘iic iii \iippui‘l nl lll\ llL‘\\ .ilhiiiii. Hill/111i lull/M [4i Slap Iii.
I Live Bands 'l-lk‘L' l-lltlk'l'\\\ll'l\l. lliiiiiig'iiiiun'x. Nltlkll'} Sllt'k'l. 550 3354. 8,45piii. Lil, Soc Thu 3
I Raff and Liza Marie Ohagan (Kilxiivl \ulluii‘c. 3h .‘H llliiii' Slich 33“ MW». I lpiii Rim. LIN it"; llilll pi'iu' lwlui'c midnight i. :\ll‘lllll Liliiicli p.ii'l} lUl' lidiiihiii'gli \iiigci'lwngni’ili'i' Rdll .iiid lllx ,/\/)Illlll.‘(‘il 141’ ml wul. hip hop l‘L‘.ll\. luiik .iml iii/L
Glasgow
I Three Colours Red, the Donots and Lucky Seven 'l‘hc (Lu-.igc. J‘lll Sulit‘liiclmll Sli'ccl. 332 l llll, "50pm, 9), (her 1* \llU“. \Vitli lll\[‘ll'.ll (Iii'pclx ,llltl lllL‘ lllllclilllLN ;Il\il (loll); lllc l'mlllxlx ll'x Gill'lyllllil-‘lllx iimiulgiu Iiii'iiiiglil, l‘lii'cc (‘olmii'x Rcd “ci'c .i iiimlci'ulcl) xiiccmdul iiiuxciiliii' melodic i‘wk qimi'icl .iiid Ul\\lUll\l_\ \Illl .ii‘c. mm lli;il llic_\ li.i\c l'k‘l-Ul'lllt‘tl .il'lci‘ i'c.ili\iiig lli;il llic_\ |ll\l couldn't lw \.lll\llL'\l li§ l‘llk‘l' lllll\l\'.ll p;ll'lllL‘l\,
0 The Rapture ()pliiiiu_ Sub Huh. I: Jumgiicu Sli'ccl. 348 Jhllll. llpiii. '4'. \‘il.il No“ York punk funk l'i'oiii lllL' high ciici'g} Ruplui'c. 'l‘liix \\ lll lw ;i l‘lh} one. .I\ llic hand illl't‘iltl} ll;l\C ii cuiixulcixihlc cull lUllUHIIlg. nut lc;i\l illllUll}! ()plimu
52 THE LIST .‘ ' ".‘qi' ‘ A: '
M.A.S.S. play King Tut’s, Glasgow, Sat 29 Mar and with the Bluetones at Word Up, Greenock, Sat 5 Apr and Liquid Room, Edinburgh, Mon 7 Apr
icgiilJix Hm I\ llii'ii‘ \u'uiiil liw .IPPL'JIJIICC .il llic (llll‘ 8w pm it“
I Stars in their Eyes Ru}.il (mm-ii ll.il|. I SJllx'lllk'lldll Slim. ‘5‘ hllllll
" illpm. Ll" 5U Uh, lllmlln‘} \\.il\li .\l(\ llic luiii‘iii; \k‘l\lUll ul lllL' liil lxilxcli l'\ \ciim iii “llk'll iii'iliii.ii'} lucx gcl In \llt‘\\ iip .lllil pi'clcnil llic} giic llicii l.i\uiii'ilc pup \l.ll. hailui'iiig \l\ [‘I'L‘HUlh \‘Ulllk‘\l.llll\ llllpk‘ mic ul lliciii l\ .\ll\'C ('niipci'. llL' \\;l\ .i liiligli
I David Mead, Roddy Hart .iml Daniel B Shenkin Km; l‘ui\ \\,lll \\'.i|i lliil. 3-34l31\lll(clll Sliu'l. III 52“). .\'.3llpiii. [5,
I Donphobia .md Irrelevant ‘l he (Lilliiiim'. l5 l‘iiinii Sliccl. 3-15 (i(ill(i
" .“ll[\lll L31. Rock.
I Boris .lllkl Opaque we I iili \ulc ('.ilc. 5“ (ill King: Sliccl. 553 l(i=.\. ‘lpiii U, liniix .ll'L‘ .i .l.l|‘.lllL'\L‘ lllU \\llii \pu'mlixc iii \lL'lllllL‘kl giiilJi'x. \l.i|\\ nl \lll‘ l‘;l\\ .llltl xiigiil-likc lciiipm building: .i \lllklgk') lwuxl .ikiii iii \l‘ll'll .lllil \l) lc in Smilch ltgcmlai‘} .\lcl\ lll\. 'l‘licu‘ iu'unh .II'C lllll‘ll\\ll‘lt' l0 llllkl llL'l'C \U lllU\k' \lldlp pccpx \l(l\\ll .ii Suuilicrii llllkl ll.l\L' i'c i‘clmxcll lllL'll .lll‘llllh :\l‘\Hlllle_‘U .iiiil mm ,lm/i/ilirr Hun/up. ;\ l'.|l'L‘ \ l\ll llll\ \llll“ \\lll iiiidniiliinll} lw xiiiiiclliiii; ul .i ll]ll\l\‘.ll \pcclaclc. .llltl u illimil llic .llkl ul miiilu‘liiiicx. \lll} umlumm \‘l lccnagc lL‘\l‘l.lll \t‘linulgii‘lx kixxiiig iii lllL‘ i';iiii.
I John Dickinson 4nd Chris Rogers 'l'llc llmuuiml lnll. .\l;iili SII'L'L‘I. llmumml iic.ii' .lillllhlilllc. lll 5H5 "IN II”. willan l'iu‘.
I The Cobramatics 'l‘lic Swim.
ll: llJ Slm'kucll Sliu‘l, 55: Mix], 3.3(lpiii. l'i'cc. Rikli RCHKlL'llL'},
I Big Blues Jam Siuiliu ()nc. (il'i\\\L'l)Hl' lllllt'l. (ll'ii\\L‘llUl' Il-L'l'ldk'k'. 5-ll (filly “pill, l‘lL‘L‘. ll\‘\lk‘\l l‘_\ [llc NC“ lfiluo Sliilci'x \\ illi (Ullll'll‘lllli‘lh li'uiii Studio ( )iic icgulJi'x xiigli iix Rm Dug .llltl llic \iiiiiiiu lll'illllL'l'N
I Phil’s Sunday Session lim- l‘lL‘Jllld. :5: \\(N‘\ll.lllkl\ RU-lkl. 504 liq“ 0pm. l'i'cc. Him; _\uiii‘ nu ii iiNi'iiiiicnl I Live Music \lJCSUl'lL') \. J: _l.iiii.iig.i Sll'ccl. 24.x" .\‘5.\'l. .\piii, l'i'cc 'l'lii‘cc llll\l:_'lk‘Ll lik‘dl l‘illlilN
Edinburgh
I The Listening Room 'l'lic llluc BlJ/Cl'. 3 Spill.il Sli'ccl. 33‘) 5ll3ll 5pm {I xiiggmlul \lUllJllUll. Soc Sun 3”
I Nurotica llicc l‘iixlciwnii'lil. ll.ii1iicriii.iii\. \lklkll'} Sli'cci. 55h 335-1 8.45pm H. Um lxiiid‘x \lL‘l‘lll .ilhiiiii
\liuiilil lw lll\l liilllii; llk' \llL'l\C\ .l\ llic} 3:0.” up lUl llll\ gif: ul RJillHlk'Jxl luxcil im‘k .ill lliv \\.i} llHlll (".iiiiilcii lil\\ll
Glasgow I Placebo illlkl The Faint ll,iiin\\l.iiiil. 3-H (Lillmxgdlc. 553 -l(\lll ' illpiii \( )l l) ()l "l ()wi lelx \limx llic ulli'ii iii.ili;_'iicil \lll.l\l _L‘i‘llll( pmu-i llli' l;‘llllll \\llll .i llL'“ .lll‘lllll \z'i (Pm: '-'.l."l1 (himzx \\lll\‘ll hlcmlx Illllu'llldl iillnl.i \\llll Illi‘lL‘ iiilimpmliu' p.i\\.i;_'c\ Judging; h} lllC \ulil uiil xigii. llic l.ll]\ \\lll \iclmiiic lliciii \\ illi npcn .lll1l\ Suppuil llUIll L'.lll_\ Mix lllllllt‘llx'k‘il cluliu mp wiiilm llk‘ l'.lllll
Brendan Benson .iml Drew Km;- liil'x \\.ili \\,ili lllll. 2—34 81 \ Illu‘lll Sllk‘k'l. Ill 53"” .\ 5UP!“ L" l)cli;_'lilliil lh‘linil iiiilic xiiijgci \«iiiguiim iii Ilic llmll} l)i'.i\\ii liu} lullinl ~\iiiilli Illi‘lllxl. l‘lll \xilli .ltltlk'\l may} lll\ lll.llL'\ llic \\ liilc Sllipm ll.l\L' L'|‘\k'lt'\l lll\ lilllllt‘l \lllglc ‘( iiiilil In .\lc' .l\ [he ll \l\lL' ul llk‘ll li‘llll\’i\llllllj_' \lllglL' I Rx Bandits, No Comply, the Exit .lllkl 0868 Hit (Iilliuim‘. [5 l iiiuii Sim-i. :~l.\(\(\ll(i “ lllpni 1.x ()wi Ht \limx l’np piiiik I Diefenbacher, Los Destructos .iml Pencilhead Sluicn lluiiiicil} \\c\l l5llll. l3 |~1Kc|\iiili.iii;li\liccl.57‘ 5ll|.\ \plii £3 l’liiik iugk l.l\\' «ill iii\ul\ lll_‘_' l‘.lllil\ liuiii Micilcn .lllil (i|.i\g;ii\\ I Necrophagia, Man Must Die, Blob .iiiil Labrat SILiulmn llk'l\l\. 5“ ()\\\.llkl Slich “5‘15 H5: ‘le‘l " 1llpiii L\ l-.\li'ciiic liniiui llk'l.il I The Leper Nuns, February Solution .inil Latonic lllc l iili \nlL' (lilc. 5“ (ill Kin; Sliccl. 55‘ ll\‘.\ ‘lpiii L" \ii lllL'lJl liiic-iip I Deke McGee and the Blue Rockets Sllilliu ( )iic. (iimwiini llnlcl. (iiuxwiini lumpy mll ll)ic~ Rmiill. i-ll h5lli ‘lpiii licc I Acoustic Jam \m'n‘x’lL-J/i. ljl Sdllt’lllk'lldll Sli'ccl. 1“ ‘lhr \ lllpiii l i‘cc \\ illi .i llL‘C \llllllx in llltL'lllHC lHl p.:i'ligip.iiilx
Eclmburgh
I The Bluetones .md M.A.S.S. l'lic liqunl RiiiiiiL ‘k \ iglui‘m Slim-cl. 33h llllllll. ~piii. Scc In 5 I Alfonzo, Playtone .md Emergency Red (Lllmi-ci \nlimc. {h 35 BLiii‘ Slim. 32“ M7» \piii L5
l: 5‘ lizplc 'f‘zi': ftnzi‘ \l.::‘..-.i:\'!‘.: l :ulclczuiirlil I Alison Moyet l \flct Hull. 1 l‘ZI‘?.;Zl
l\’n.iili_‘:\ 1'155 \plii :l\‘l' :ih5'lr
\l\‘_\\‘llt'lllllhli‘llh‘i1\\‘\\\‘li,'.:ll\‘f .-.:i \'l_;'lll \Cdl lll.‘.l.l\ \\'El‘. .1' tliim' \lllll§ li‘ll\‘\ Iliiz'. -. liiih .aluiij; Ills \\.:§
I Acoustica i .1l‘.1ICl\Ull,lllC in i\ l‘ll.:l! \liccl‘ .‘.‘H (\l "~ llpii: liq; I'H‘llllll.:l\ \i'llllil‘lllli‘l‘A l‘ll c\:'. \x‘ \lwil ;l
I Live Bands [lit-\-
lliaiiilciiilaii’x \iilllm \licul 55“ 3‘51
\ 35pm 1. \cc lllll \
Tuesday 8
(\llgl§\‘§lll\...
0 Massive Attack ( mm: \\.ulclii_\. l.‘l lglliiluii \liccl. WW‘ I‘."' {llllll ll\ ‘li "I _‘l|llll ‘3‘“, \( il l) l )1 l l iiilci l1\ll‘l‘\‘.l\\\‘llll‘,lll|\'\ll‘\ .:i: ,lllllll \‘v pm luv.
I Spiritual Beggars .mll Clutch
l llc ( l.ll.l‘.,'\'l 1"" \ilh lll\'ll.:ll \licul. 55‘ ll.‘ll 5lll‘lll L\ ()\,-i [A \lll‘\‘.
I Hope of the States .lml Spleen lxiiij: lill‘x \\,lll \\.:li lllll. .‘ 1‘». \l
\ lll\\'lll \Iiccl. _‘_‘l 5.‘ 5" \ ('ll‘lll t.‘ lll‘l‘x' \‘l lllx‘ \l.ll\'\ .l!\‘ .: ll\"i\ l‘.:ll\l \‘.ll«' l.ll\\' llicii luul lli‘lll tltc k'lllx‘li'Jl lll\\‘\ ml \llell Rm l‘lll ll‘m' lu mini .: l‘ll izluic .iiiiiii.iliuii lllli' lllx‘ll lllll\I\ .lllil pcilniiii.iii\c\
I The Unknown, Barefoot .ml The Cherrykicks \icim 'li'llllx‘ll\ \M'xl I‘llii. l: lll'\\'l\lllll.illi'll \livcl. 5‘0 5l|l.\ I\piii 1‘ Punk pup l‘.lll\l\ llHlll (‘lc\cl.iii«l .lllil (il.i\_:'u\\
I Phil’s Session l mu Hmilii _‘ K‘ \\\H‘\ll.llltl\ l\,|'.lkl. il‘l lgllll "I‘lll l lk'x' I Live Music llil- l 5lli \ulc (1m: 5“ (ill Kim: \llx'x'l. 55‘ llilfi “pm 9‘
l Itich "\I‘l lll
l:f(l|lll)lll'§}ll
I Acoustic Underground ( .lxlln‘ ,\iiii\ ll.ii. .lUlllhli'Il lcli.i\c .\ “Ipiii llk‘x' SUV lllx' l
Wednesday 9
Glasgow
0 Massive Attack ( .llllll}.' ,\\'.i«lciii\. l_‘| l pliiilnii \lin'l. ll‘ll" 'L‘ll UN‘) llXL'll ""l jiilili "pm \( )I “(ll 1 l lltlk'l l-lx In N .I\\H|ll[‘,llll\'il lyx .iil .lklllll \CL' [‘lx'HUu
I InMe ()iln'ii \l.ii;'.lii‘l l iiiuii. .‘,‘
l iiiu'ixil} (l.ll\lk‘ll\. {W ‘l"\l ' llll‘lll U) ()\L‘l le \lilm ‘llllilx'l llix In lw .iu‘niiip.iiilnl li} .iii .lillllll lliiliiuk liin \xliu .llk' \‘kllelljfl iip llic \uiiiilivn i.il l.l\l(lk'l \xilli cwi} \iiiylr lliv} iclmw
I The Star Spangles .lllkl Pupkin Kill}; llilk \\.i|i \\.ili lllll. ."'.‘,l \l \iiipcnl \liccl. ill 5.7“) \ llllllll Hi \luic \I}li\li \cv. \Hllxi'h l‘llll‘.‘lll_‘_‘ lliilm \‘li.ii3_'cil iuulx‘ii‘iull lll llic l>\l\l\ lll \lippiiil ml ll\'\\ \iiijglc ‘\l.i} \x‘..l_\ llHlll \lk'.
. Joseph Malik \iil\ ( lllll‘. .l.‘ ,l.1lll.ll\'.l,\llk‘\'l. 3-1\ llillll lllpiii !_\ l.iliiil\iii_-:li liiml \llliln‘l wii-_:\i.iilci ‘.‘.lli| iii.i\lciiiiiiiilcil llimc lll.ll'-k'llllll\ (Lili- (ii.illili \llll\lllf1lll\ Ill llic‘lllx l‘lll l\ iin‘u. “Liking; lll\ man l‘ldllll ul m, i.ill_\ puiixpium wul lllll\l\ lllll\'\ l’clciwii “L
I Melaleuca lmilx. 3m ( 'lxili- gnu-L llx‘ii ill)“ “will xpm 95' l)‘.i'l l‘lx \llim
I Tennessee Kait .mil Boomhauer \ln'icu llililllvll} \M'xl lillii. l.‘ H Kcl\iiil1.ili:li \liccl. 5"“ 5lll\. .\piii .\llci'ii.ili\c imk
I Hokum Clones, Aidan Smith .md King Creosote llic I <ih \lilc (Lilc. 5‘! (ill Kin; \liu'l.551 lliW ‘lpili L: Siiillli l\ .i iu'ciil \igiiiiijg In Hull} l)l.i\‘-ll Bu} \ l‘~‘-I\lnl \k'l‘-k' l.ll\‘l \.-.l1ilv. lwluccii IllL'lll. llnkuiii ('luiim .lllll Kin: (-l'cHMIlL' ll.l\\' \llpl‘illlml l,U‘.‘., _l.illlc\ Yni'lmlnii. lllL' ('ni.il .lllkl l<lkl1.llll .'\\ll\'lllll
I Nutonic, RPM .inil Snudge Sli'uulwli'x l'lclilx. 5h l)\\\.ll\l \llL'x'li ll.\-15 “5 i '02.“) ' zllpiii L5 lllL' liglilci ciiil nl iiii lllL'lJl