Clubs listings
Edinburgh Wednesdays continued
I Bling .iI P“ \.i \.i lllpiii Kim
l lL'k' “i'i'hh l).l\ Iil ('I.iIf._' LI} \ iliiuli Ihn' llllk'\l RAH .lllil hip hup lIHIII Ihc l.I\l lI'lI )L'.II\
I Fleamarket Funk .Il (‘.iI».m-i \Hlldllk‘ llpiii Kiiii licc \M'ckl}
leJlll l1l\.lliillllll pl.'i_\iiij_' llicii H\\Il Liiiil n! his l‘dlltl Iiiiik lIl llIl\ iimx “ix-kl) lk'\l(lt'll\_\ \Hlll .i \llI.Illk'llllf._' nl l).l \llppilll\ .lllIl nihci Inc .ix‘Ix .lniin'il h) llli' lluupnlnn hiu'xlifgiiluh .iiiil llk'll liw plcu' luckhml Iliiik III] 5 HM
. JOkO .ll lllL‘ llHIlL'}\'HIIIl\
i A '75”
GLASGOW
Pre-Club Venues:
I Air Organic ‘(i kch iiijgiuxc \IICL'I. 5(i-l 53”]
I Blackfriars 3h IiI-II Him-i. “I 5031 I Bar 10 lll\lll\'l1\‘ll I .IIII‘. 5"3 |~l-1.\ I Bar 91 ‘ll ('.Ill\llk‘llf,':3\. 553 53l|
I Bar Ce Lona -l”3 \dllx'lllk'lhlll Slin'l. H‘ ism
I Bar 3 5" \iiIllI llllll}'\'. 3ll-l llilh I Blackfriars I!» III-II Sim-i. <53 SID-I I Brel W \\lI|UIl l..lll\‘. H3 INN»
I Cuba Norte I~ _lHlIIl Sliccl. 553 um
I Cul De Sac .-\\lIlUII l..lllk'. WI 471*) I Elliot’s 3m 305 Imh Sim-i. 3.1.x jiiiiii
I 54 Below ikclxiiigiuw SIICCI. ‘5" 545-1.
I The Griffiny 3m [Lilli Sim-i. HI 5l”l
I Groucho St Judes I‘m Imh Sim-i. “I 5l7l.
I Havana SH lliipc Slii'i‘l. 3-i.\ Hm».
I The Living Room 5 llui'x anl. HI) .\5ll
I The Medicine Room In I: (‘Jllk‘illdl Squaw. 553 ‘5I‘I.
I Moloco I33“ .\I;.‘}h‘ Sim-i. HI .1313. I Nice ‘n’ Sleazy III SJIKlIIL‘lIJll Sliccl. “Hm V
I Polo Lounge .\'-I \\ Il\i\ll Sin-cl.
553 |3_‘|
I Soba ll \lllx'lk'll SllL‘L‘l l,.lllL‘. J” 311”
I Spy Bar is: mm Sliccl. :3i “i I. I Tchai-Ovna I: “My” Linc. *5“ .1524.
I Variety Bar 'llllxdllulllt‘lhlll Sin-cl. “3 Jill)
Club Venues:
I l l l lliII‘L‘ ~\IICCI. 3~l.\' (ill-l5 I Archaos 35 ()uccii Sim-i. 3m leii
GLASGOW FA
"Dammit I can't fill in a form everytime I want to bust a tune"
"Well mibae that isnae how
you do it in Detroit but you're
under Maryhill Jurisdiction
76THE LIST. "-1
BULOUS
flaude you have to do things
now... Jesus will you slow down"
lllpiii \iiii Li \M-ckl} \cu \wckl) iiighI .ll lhc llilllt'}\'llllll‘ .I\ [H l I play Ihc lwxl iii hip hop .Ilhl l<i\ll
0 Low Gravity .ii the I lxllllil RUUIII IH Wpiii \iiii 1:113. Iichn Siihhiiic iiiciiihcixi \M'ckl} (Ln) \l.l\ l\ «mu: IIIHII' lillllk'il h} Ihc llk'.lll\l.l iSiihliiin' :iiiil .\niii.ul icxpmliu'lii l)uii'l IIII\\ llIl\ llllkl \wck 33cm iI )uii lth‘ )niii Iiiiivx pli.iI illlkl Iiiiik} \l.ii I\ .i hi}: IIIHIlllI lHI |(i \\Illl .I liw \ll|‘\\ and [H \t'l llHIII \iiii I I3 \l.ii. plmw IIUlC mill) iliHIH ~piii .lllil Lllu‘i .iiiil llIL'll Ilic lullimiiiy \u'g'k i I” \l.ii Ihc) h.i\c l).l\|\l lli‘llll\'\ \inh .i luv \hmx
I The Arches \llilldllil \im-i mII .l.llll.ll\.l \im-i i. WHI III: MINI
I Asylum *ii ( ‘im:.uI\II-ii\ Ix’imI. Hf, “(th
I Bamboo <l (\l l<i'f..‘k‘lll \llx‘x'l. 5;: lllha .\
I :(‘ll('l.\llk' \llk‘k'l. lllll
I Bed 53” \.Ill\lllk'll.lll Slit-cl. “31’555 I Bennet’s ‘lli ( i|.i\\lHIil \Iici'l.
553 5“(\l
I Budda 1-13 SI \ IIIu‘Ill \Iim'l. 33]
I The Cathouse l5 l IIIUII \Iicrl. 3»1\ (ihllh
I CCA ‘5” Suiiyhiclmll Sllk'k'l. z53 -l‘IINI I Cube U ()iiccii Slim-I. 33h MN”
I Fury Murry’s ‘Hi \I.i\m-II Sim-i. 33l (i5l l
I The Garage I‘M) minim-lull Sum. “I III“
I Glasgow School of Art In“ RL‘IIllC“ Sllt't'l. ::3 “(I‘ll
I Glasgow University Union *3 l'iincml) \wiiiic. “0 MN"
I 92 ~l‘-l Snin'liiclmll SI ll‘L'lllllkl Ihc (i.ii.i;_'w. ‘5‘ {I II
I Life ll\.I\L‘|llI‘IIl nI ('Ulllllllldlll. I‘ll lll_L'I.IIII Sllt't'l. 553 lllll
I The Lighthouse Sh \Iiiqu-II Sum-i. III M03
I MAS 3‘) Rn}.il l'.\\'ll.lllf_'t‘ Squaw. 33l “iixii.
I Media H.‘ chliclil Sin-c1. 5": iiiiiii I Mercury Lounge III Halli l,.mc. 34s I‘“.
I Privilege (N llnpu' Sim-i.
III-I 52 k V
I Queen Margaret Student Union 33 l'iiiwi'xil} (l.lI'IlCll\. ii" ‘VM
I Beds. ‘55 S.iiicliicli.i|l Slit-CI. R| lh35.
I Renfrew Ferry(‘I}III- I’m-c. 55‘ Il(il)(i_
I Riverside Club I-m Sim-i. 5m
I Rocksy’s Basement in .\'m Sllk‘ililiill SIIL‘L‘I. l'.II\lL‘}. .553 55“”
I The Shack I03 I’m Si. 3 *3 “$32
I Soundhaus I” ll}\lL‘|‘.lI'l\ Slim. 33l -l(i5‘)_
I Sub Club 3.‘ Immim Sin-cl. 11.x -l(illll
our way, we like boring techno here - like Test. There's no room for your \ lush Detroit eclectictica...
lIHIII lll\ l ICU \xnu I.Illi‘lI \\Illl.1]‘l\' \llll‘ \\'\\IHII :iI ('iI_\ (\ch "pm l.IIII \xilh lIIII \l.ikiii I\IIIiIl\\"\ .Illil Ihc “Allillll
I Salsa . . . Salsita! .Il I I win.» aliii 1.1m lim' \M'ckl} \m' I II
Chart & Party
I Planet .11 (finciidixh l)l\.I
IIIpiii ;.Il11 15113.llL'\'\\lllI\lI.Il‘l.I\ hcluic llllIllILL'lllI \\cckl\ ('lI.IIl .Illil p.iiI_\ \lIL'lI.IIIIj,‘.III\
I Subway West End .Il \iihup \M'xl l llll "pin :JIII I m- lx'luic ‘Ipiii. L ‘ .Illt‘l «13' \\cckl_\ \cc lllll
I Tempus ( '(' \. ‘5“ \un hich.:1l \Iicc‘i. \x'k' .ll\|‘\\'
I .‘l‘ll('llil\' \lli'x'l. .‘ 2;
3'.” I The Tunnel \1 \IiinI-II \lIch, .‘n: [III III
I Trash I‘I"I’ii1\izcci.<‘.‘ H‘.‘
I Vault .3T ()llLK'll \llx'k'l. :lll ;l\‘l
I The Velvet Rooms STU \m: Im-ImII \Ilu'l. 1:: If“
I The Woodside Social Club ‘3" \I‘llll \\lll‘\l\l\l\' Rikiil R" l“ :5
I Yang H ()llk'k'll \llL‘x'l .‘ l\ \ l\l
EDINBURGH Pre-Club Venues: I (Hi (\5‘ \nth llllil}'\'. <5“
iijiiii
I Bar Union 3<I3<x(‘iiuc.i1c.<<“
_ \li
I Beluga “Li ('h.iiiihcix \Iim‘l. (~31 ~l5-l5
I The City Cafe lilm \im-i. 33H III.“ I Cuba Norte I‘l3 \lI‘IlI\i‘II \lin'l. 33] (MW)
I eh1 l‘l" lliggli Sum. 33“ 5-“
I The Human Be-In 3 \ \M'xl ('[|i\\\'.lll\g‘\\‘l.\_ Ni: .\\(ill
I Iguana -1| li‘llll‘lll Slim. 33“ -13.\.\ I Magoo’s Basement 3‘ “ml l’iIIl. III I-I-1.\
I The Meadow Bar (Moo Bar) llllx'tlk'llxll Slit-cl. Ni" NIH"
I The Outhouse Iiiiviighlnii \Iiccl l..iiic. 55~ (ilihh
I Oxygen ‘ 5 liiliiiii.ii_\ Sin-cl. 55‘ um)"
I Pivo 3 (\(Lilluii kiwi. 55" 3935
I The Pond 33 :1 1mm Rum. in" $15
I PopRokit 3 l'ludltl} I’LM'. 55(«131‘ I 0 Bar 5 I I Iciih Sum. 55" 5M”
I Y0 Below (\(\ R\‘\\' SIICCI. 33H (ill-lll
Club Venues: I Berlin. 5(jllt'k‘lhlk'll} Slim-I I .llh'. 1h“
I The Bongo Club II \I-\\ \im-i. WI am: I Cavendish/Diva “ml Inllmm. 33x
THE AXIS OF EVIL
Look man - you know I've got your back.
k
0 \i w
\ . a fi
60
I can't ask you to put your ass on the line.
You're not asking.
I The Subway .Il \iil\\\.i\
‘piii :dlll :l \\cckl\ \x' lliii
I Sugar Blue .Il \\ h\ \w.‘
aliii l.‘ \l.:i li'IlTll}'lIll\ ('th. RAH .Illi'. limit; .ulinii :Il llll\ iii.iiiil\ \Iiiilciih iii:‘hI I The Sunshine Club .ii l’cppciiiiiiil I uiiiiz'c lI'piii Rim :2 it ‘ \\llll let'i- \M'ckh |‘.«.iI_\ \lI:IIl\ \l‘l\\l\\ll\‘lllklll1'\l\lllll\l'\ll.l\\l \Jl‘lt'l. \inh l{.ll\‘ll\ll Iiiccxch .iI lll\l Ll 5“ .ill iii;'hI
I Tasty! .ll \lmnl ‘Ipiii Kim lice lx‘Iiiic llpiii. 2.3 .iIlci iIicc In IIIi‘IIIl‘I‘IH \\cckl\ \cc \lwii
:.IIIIL‘I1;I
I Cabaret Voltaire in _‘_‘H h] 'h
I C.C. Blooms .‘I <‘A(\ ‘l l :1
I The Citrus ( i: i!Iill.1\ \ll\'\'l 'L' ‘
I The Cocteau Lounge (Ego),
l’i:.iiil\ l’lmc. l‘x ‘Lq
W 1%.»: \Ituci
o (Il\'\'l'.\l\l\' ll..1\ C
I The Commpleiu ummuz: :93. \imi I .‘iIh. 55" in?)
I Ego l’:\.:ill\ I'LIH‘. 1'\ ‘Lll
I El Barrio 1‘“. \\\-\I I'iiil‘ ,‘fii \\II\
I Eros/Elite l IIIIIIlAEII link llllllili‘i‘ \iicci. .‘.‘\ IN~I
I The Establishment 1 \cmplu \llg‘x'l. .‘.\'l "5;
I Gaia l\iii§.' \l.Il‘l\'\ lx'iml 33" "’\'i I The Honeycomb 1‘ I ' \iiiliii \llx‘x'l. \ All IT I”
I The Liquid Room in \hlnim \llx'x'l. I The Mambo Club \\\'\I Inllliim. 1.1" um]
I Massa (formerly Club Mercado) m M \Lilkcl \iicci. .‘.‘r~ I_‘.‘i
I Opal Lounge *1 (iciilg'i' \iicci.
35 35M
. ('|‘\\;'.ll\'_ 3,35 \ {\f I Peppermint Lounge I.: ('lI.ilIIl‘-\‘I\ Sum. 33.5 5H)”
I Po Na Na l‘h l Inlcii: k \Iii'cl. .‘.‘h
I Potterrow lhixln \Illldli'. “5" ‘II"‘ I Prive Council 1' ll.IllI'\I’l \um. 33531‘1
I Revolution *1 I nihmn I<u.iiI. "(Vii
I stUdio ( sillilll l\'H.:il. <§\ l';\ I The Subway ( Riv-inih‘. i» ‘(m I The Subway West End I UllII.iII Raul. 33‘! ‘II‘I‘
I The Union lh'iinl \\.iII l |ll\\'l\ll_‘-. l\'l\’\.lllilll, yl‘l 5 i ‘1
I The VenueI‘.iIii~n Rum. <<" ii I The Wash IIiI- \Iumm. .‘.?< (IN
I The Watershed 11 \I \lcpllx'll \llx't'l. .33” 55ml
I The Wee Red Bar I .IinImini ('nllrfgc ( H \il. l .iiiiNnii l'l.l\t'. 33” l 13.‘ l .‘11l|l\.‘lk.ll\ h \llk'i‘l. .‘.‘ll l.\.‘(‘ I l '6 (ii‘I'IZ'I‘ \llk'k'l. “3:
Kill
The Boss asked me to escort you to the M8. But this time Claude - I'll drivelll
Copyright 2002 D Jackson M Collin