Art lISllllgS
Paintings 2000-2001 I IIlIl \II I \‘p I \i.lul.llllll\ll ( inllt'r}. \lllIlI'I WI \I'u. p.IIIIIIII-_'\ lI_\ .Illl\l III It'sIIlpIIIc l’I‘II'I l,}III'lI
Haiku Installation \II 1 III I~ \lI'.‘ Il’IIIlIIIIII ( I.IllI‘r}I \ :jIIIIIp III \Illllt'llll‘HlAI} .Illl\l\ III-.III' IIIIIII III lt'\llllll\L'[I‘lll\'.l.1[‘.lllk'\k' pIII'III IIIIIII 'lI.IIl.II' IIII' \lIII\‘. lk'Illlllk'\ .I I.IIIgI' III IIII'IlIIIIII\ IIIIlIIIlIIII' \I'IIlpIIIII'. I‘.IIlIllIIj_'\ .IIIIl lI‘II\ l".l\&'(i \kIIle l‘_\ (il.I\_‘.III\‘. l‘.I\I'Il .Illl\l\ lIIIIII \p.IIII. llIIll.IIIIl. ('.III.IIl.I. \IIIllnIIIl .IIIIl LIIMII /’II'I! II‘ /.;/IIIII _"N’/,'.§ .. "
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Glasgow galleries continued
Anna Strachan I IIlIl lllll 3i \le_' ilhpllt'ti h} .I rIwIIlI'III} IIII IlII‘ IIIIIIIlI.IlIIII-Il l\l.'lllti IIl llIIII'nr} III the l )IIII'I III-lIIIIlcx .\IIII;I SII‘IIglInII \lk'Illk'\ \llk' spot lilt ‘.‘.lIll.\ IIII‘lIIIlIIIg [L'\lsl‘.l\k'ti \IixpcnIlI-Il llllllll]‘l\'\. u.;Il| lI;I\I'Il \‘.Hll\ .IIIIl .IrllxIx' lIIIIIlI.\ Diana Ferrari l IIIIl MIN 3* \IIg \IIIlpIIIr'I- and ham] lIIIIlI II-IanIII \ I'IIIIIIIIIIIrIg IIIg.IIIII \lI.I[\‘\ and MM IlI'L'HIIIlIH' lIIII\lIL‘\
THE GLASGOW PROJECT ROOM in!) Hunt. (I-i “\lIIIIIII' \III'I‘I. <<3 l-lfij. lIII' Sal IIIIIIII 5pm
Chasing The Dark Donkey I II
i Sun l2 Aug. .\II I-\IIIIIIIIIIII III p.IIIIIIIIg. IlI';I\\IIIg .IIIII |ll\l.lll.llIHII II} .lI'wII'II \VIIllxIIrI ;IIIIl \lnxxrmu l'r'.IIII'II.
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THE GLASGOW ROOM
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II} up and I'IIIIIIrIg ;II'II\I\ Icnlurmg \I‘IIIpIIII'I'. [L'\ilit' IlI-xign. plIIIIIIgI'.IplI_\. ngIIIIIIng :IIIIl II‘III-Ilcr}.
HUNTERIAN ART GALLERY l‘IIIwaII) IIl (il;I\gII\\. NI IlIlllII-;IIl SIII'I‘I. Hll 5i i l, \lIIII XII
0. \Ilgirn 5pm. III-Ia
Whistler ln Venice I'IIIII MI I Sup. |)I';I\\II II'IIIII IlII' llIIIIII'I‘I;III\ \IIII‘lIl I'I'IIIm III‘Il .l.IIIII‘\ \INI'III
\\ ill\llL‘l I'IIIII~I'IIIIII. .I llI‘\\ Ilixpln} lIII'leirig um ;I gIIIIIp III \I‘III'IMII I'II‘IIIIng I‘IIIIIplI'IIIl |I_\ \\ ill\iit‘l \\llt‘ll lIc II’;I\I‘||I'Il III \I'IIII'I‘ lll IN“). 'l’lII' I'\lIIlIIIIIIII k'lllllt'ltik‘\ \\ III] .I NC“ pIIlIIiI‘nIIIIII |I_\ “I .\l.II'g;III'I \luI‘I )IIIIIIlIl I‘IIIIIII'Il /’II/IIII \ III //II \Ig/I/J \l/lel/I'r III ‘II’IIII I'.
Glasgow 1901 l'IIIII llIII IISI‘p. I~IIr
GLASGOW SCHOOL OF ART
lhI' Mackintosh (igIllI'r). III" RI‘IIII‘IWI SIII'I'I. 353 ~15IIII. .\IIIII i'l'l Illnrn 5pm; Snl llIIIIII IIIIIIII.
G Satoshi Watanabe - Hidden Landscapes I'IIIII MI 35 .'\llf_' I.\I;II'kIIIIII\lI (iIIllI'r‘) I. lx’I'I'I'III p.IIIIIIIIg\ II} .\II":\ gI'nIlIIIIII- Snlmln \\;II.III;IIII'. Illl IIp ;II1Il I‘IIIIIIIIg ;II'II\I lI'IIIII .|;Ip.III. I’.IIIIIIIIg l;IIIIl\I';IpI' illltl III'I'IIIII'I'IIII‘I‘. \\';II;III;IlII'\ lllllt|llL‘ [H'UCL'\\ lll\tli\t'\ IIIIIIII‘IIqul} ;IIlIlIng lllllltil‘t'tl\ III ki()l\ IIIIIII IIII' \‘illl\;l\. Illlti llIL‘II it} I‘L‘IIIIH IIIf.‘ llIL' IlIIl\. ilL' L'I'L'JILN _\I'I :IIIIIIIII‘I‘ IIIIngI' IIl lll\ III‘IgIIIIIl \IIII'k. (il;I\gII\\ \ IIIII'III;IIIIIII.II l.\lIIlIIIIIIII III SI‘I‘ I'I‘\ Icu gIIIII HIIIN. 111'! U, .lIr/IIIII IIIIII. ('lInIII‘x Rt'lllllt‘ .\I;II‘l\IIIIII\lI 3III)/. \IIIIIIIIIII'II pl.IrI\ .IIIIl Ilcxignx lIII‘ Ilic
MECHATRONIC C I R C U S
An exhibition by Paul Hamlyn Award nominee 2001 Fernando Palma Rodriguez
i3 June - i8 August.200i
DICK INSTITUTE Elmbank Avenue, Kilmarnock KAl 3BU
.3.......:..015615543413
OPENING TIMES
Mon/Tues/Thurs/Fri 10am - 8pm Wed/Sat 10am - 5pm Admission Free - All Welcome ° Disabled Access ° Air Conditioning TRAVEL INFO
Transport (from Glasgow). Train from Glasgow Central to Kilmamock (off peak return approx. £4). Bus 4 and x26, both every half hour. The dick institute is 5 minutes walk from the train and bus
station.
\J'II‘i "zw', ." .'_ I. I': . A 198 Gallery and Owl Movsto" (Eu lc'I low 'I;; E\" " t 3" East Ayrshire Council Department
of Community Services Museums and Arts
34 THE LIST. I :.
T'nAUIviA' '
Dundee Contemporary Arts. Dundee. until Sun 2 Sep 0000
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THE INKWELL
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INTERMEDIA GALLERY
In King SII‘I'I'I. 553 35—1”. .\IIIII Snl IIIIIIII (IpIII.
Three Painters SIII 4 SIII 25 Aug. l’.IIIIII-r\ llcnr} (iII}. \IkIIln lrrncr' unIl \lnllhcu SIIII'xlciII \\llU ;Ill \illtilL‘ki ill (il.I\gII\I SI‘lIIIIIl III .'\I'I lIIII arc IIIIII lIxIIIg III (ilmgmx. IleIIIlIIII'gh and Bcrlm arc lII‘IIIIglII IIIgI'Ihcr IIIr Ihix ngIup I'\lIilIIIIIIII III pumlmgx. 51’").'.'
JOHN GREEN FINE ART
Ihl Hull] SII'I'I‘I. iii l‘Nl. .\lIIII l'I'I III,3II;IIII 5pm; SnI llHIIIIIII lpIII. Mixed Exhibition .\ I'hnnglng \I‘lI'I‘IIIIII IIl lr.IIlIIIIIII;I| :IIIIl I‘IIIIII'IIIpIIrnr} paintings IIII‘IIIIIIIIg \IIII'kx II} l'...v\ \anIIIrI. (';II'lII RII\\I. .lIIlIII III-Hun}. _lIIlIII HIIINIIII. \VIIIIIIIII \lilII'r l'rn/I'I and SH \VIIlInIII .\l;II"l';Igg;Irl.
THE LIGHTHOUSE ll MIII‘lII'Il I.;IIII'. Ill (IVIZ. \lIIII. \VI'Il.
l‘r‘i Ik SIII III. KIIurII (IpIII; 'lIII' l|;IIII (IpIII;
'I‘IIII Illillum 3pm; Sun IIIIIIII 5pm £1 llllt'llltlt'\ I'IIII‘} III ;III L'\llll‘llltlll\l Industry Of One LIIlll Sun I: .\IIg I(i;IllI'I‘} l'I\I'I, .-\ III;I|III' I-\lIIlIIlIIIII III IlI'xigII lI'IIrII l‘lhl III lllL' pII-wnl Il;I_\ (hurling IlII' IIIIpuI‘I III .I 'IlI'xlgII and make I'IIlIIIr‘I‘ lII llr‘IIuIII IIII-r IlIc II;le IIII‘III} )I‘nr‘s. iilleIleJlll\ IIII'lIIIlI- RIIII Ar;an II’III ('I ('IIIIII' and Tom l)I\IIII\
.IIII A/Iu/II. as III-ll il\ IIII'IIIIIIII'. lIglIIIrIg. terminus and glass and \IIIr'lII h} SI'IIIleh IlI'xingcr'x I’II‘I'IIIIIx Mullnnc and ()III' l-IIIII iiilllL'l'.
Homes For The Future II I'nIII SIII 23 Sup lRL'\ II-II (inllcr‘) I. .I\II I'\lIIlIIIIIIII IIIIIkIIIg ;II HHIIIL‘\ lIII‘ lllL' l'IIIIIrI- pr'IIII‘I'I \\ high um IIIIIInII'Il Il\ purl III (ilnngIu. l‘)‘)‘).
LILLIE ART GALLERY
SInIIIIn RIIuIl. \lllriguuu. 5‘8 HM",
'l‘uc i'I'I lilitlll 1pm. 3 5pm; Sn! 3 5pm. Margery Clinton mm 8le I I Aug. ('crurIIII‘x and landscapes III \‘IillL'lL'HlUlll' II} Mnr'gcr‘} ('lInlIIrI. Innrklng lIcI‘ "lIIlI )I'ur. (‘lIrIIIIII I\ I‘I-IIIIIIIII-Il IIII IlII' IchcIIIpIIII-III III lll\[l‘L‘ glu/cIl ucr‘urmcx.