Film index
Index, continued
Ilirlt'
Relative Values I PI ‘n 000
Sl}lcx. l'K. 2000I Juhc Andrcxx x. (‘nlIII l'Ith.
Slcphcn H). H‘) IIIIIIx Nncl ('nxxard‘x xaIIrc IIl IlIc BrIlleI claxx x} le‘lII L‘Irca IUSJ xccx xpnIlI hral \Igcl Ilzduard AllL‘l’lHll) upch Ihc Marxlmnnd hnuxchnld \xhcn lIc hrIngx AIIIcrIcan acIrcxx MII'aIIda I'l’rIpplchanII hnnIc In annnuncc hIx cngachncnI. .\lndcrn audrcnccx Ina} find II dIllIculI In IchIIIl} vulh (‘Imard'x IIIm dalcd Na} \IIIlI IIx [)illrIIlllxlan IIppcI' claxxcx. xcr\ Ilc Inucr IIIch and llllxIIg)lll\l aIIIIudc In \InIIIcII huI ll )nu can puI xnur nu II \alucx nn hnld. Ith'c arc xnIIIc laughx In hc had. ()dcnn. l)unlcrIIIlInc.
Rembrandt I III 0.0 I(‘haI-lI-x MaIInII, l'raIIcc/llnlland/(icrIIIaII}. 200] I Klaux .\larIa lirandaucr. ananc llnhrIngcr. Jnhanna IcI' Slccgc. l0.) IIIIIIx. .\laIInn'x hIanc Ix ax much an InII'nducIInn In Ihc \xnrlx nl IlIc l)uIclI InaxIcr ax a I'cxclaIInII nl lIIx pcrxnnal lIlc. panrayng RcIIIhrandI'x xucccxxcx. ln\ cx and lIIxxcx IlII'nugh a pIcInIIal clIrnIInlng} nl hIx lIlc. llIx call) l'anuIInIIx carccr ax IlIc IcadIng pnI‘II'aII paIIIIcr III llnlland Ix \Icll dncunIcnch. ax Ihc llllll lII‘IIng In hlc xnIIIc nl Rcmhrandl‘x IIIan laIIIIqu paInIIIng. RaIlIcI' than quI I'cpI‘nducc chIhrandI'x IIIaxIcI'pIcccx. Mallnn hax Ihc \xIII'lxx hcar l'L'xL'lllhlilllL c In IlIc acInI'x I'aIlIcr Ihan Ihc angInalx. Rl’IIl/H'IlllI/l Ina) pI'nxnlxc hcach dchalcx ahnuI IIx accurac). huI IhIx l'Inc-lnnkIug. \Icll-aclcd llllll cI'calcx a lachnaIIng ccllulnId accnunI nl Ihc grcal IIIaxIcr'x aI'I. 'l'hc l.unucrc. lidInlIuI'gh.
Rien A Faire I ISI COO IMarInn \I'crnnux. lirancc. 2001 I Valcna BI'IIIII .l‘CtlLWL‘lll. l’ulrlc‘lx‘ l)L'll.l\()l£l. Ills lIIIIIx. \VlIII unuld lIax'c lhnughl IIncnIpln} nIcnI cnuld pl‘m c IlIc grcal cqualixcr In lmc'.’ \crnnux (LIII'I' IZlI') xuggcxlx lIIIIh Ihc pnxthIlII} and IIIIpIIxthIlII} III hrcakng Ihc claxx dix Idc In IhIx qud_\ nl a I'claIInnthp lIcIIxccn IIIIddlc claxx l’IcrI‘c (l)cll'lxnlIII and \xnrlxlng claxx Maric I'l'cdcxchII In a nanhcrII l5I'aIIcc cnaxIal
IIIIIII, \crnnux‘x llllll IIughI laclx dcxaxIaIIng cInnIInnal cllccl. hul II‘x a llllt‘l} nuanccd qud} n! \IItlIIl de IxInnx lI'x a film II‘nnIcallx xuggc‘xllllg lllL‘ ‘L‘laxxlcxx xIIc‘Ic'l} . UHHL'x lI'IIIII lnxx nI \xnrlx rthcr Ihan IIx pchIIIIIIl prcxcncc. and IlIaI lIcI‘c. agaIn. claxx Inach IIxcll lclI Scc I'cxchx l‘lllllllIIth'. lzdIIIhurgh Rugrats In Paris: The Movie I I 'I 0.. ISIIg lit-rng IxI. l’aul Dunc} cI‘. l'S. 3001 I \IIIccx nI ('hrIxIInc ('axanaugh. Suxan Sarandnn. l)cthc chnnldx " IIIInx 'l'hc anlch III Ihnxc dIapcI-clad uudcr—Sx. 'l'nIIIIII}. (‘huclacn l)Il. Phil and l.ll. and InI‘IncnIIIIg lug cnIIxIn Angchca. Inakc a grcal lale L‘IIrlIIIIII. llc‘llcl~ Ihan llx prcdcccxxnr. KHz/II“ In I’urrx hax Ihc gang dcxccndrng nu lzIIrIII'cpIarlaud II‘cad lzuI‘ndenc} I. \xhcrc cnnIIII Ing Angchca ll\L'\ up IIInIth'lcxx ('huckIc and lIIx gulhhlc laIlIcI‘. ('hax. \xIIh IlIc \ IllaIIInux ('ncn l.a linuchc \I.hn lIach chIldI'cn. ’l‘n xaxc ('huckIc IlIc kIdx lIl|;lL'l\ IlIc glam I'nhnIIc chlar and raw lnr \nII'c l)aIIIc In xInp IlIc \xcddIng, Incl), \xcllrpaccd cnIcI‘IaInIIIcIII lIII' )nungcr clIIldI'cn. and IIle xIIIaI‘I cnnugh l'nI' IIIan .‘lIlllll\I Sclcclcd I‘clcach
Say It Isn’t So I ISI 0 IJII RIIch‘x. 18'. 3001 I llcaIlIcI' ( ll‘éllldlll, ('hI'Ix chIII. Sall} l‘Icld, ()5 IIIIIIx. IndIaIIa anunal xhclIcI’ cnIpln} cc (iIll) (ch‘llll Ix a lIInd-hcaI'ch Il dIIInh nI'plIan \I hn lcclx an IananI cnIIIIchInn In hcauIIlul hlnndc lIaII'dI‘cxxt-I' Jn I( ‘II’ahaIII I. and xn IlIc dun cIIIlIaI'k IIII a paxxInnaIc rnIIIancc \IhIch cnnch In an ahI'upI halI \x'hcn Jn'x \ IndIcIn c InnIlIcI' Il'IcldI dcclarcx IhaI (illl) Ix lIcI' hInlngIcal xIIII, llll\ Ixn'I. lIIm c‘\ L'I‘. llIc L'Ild Ul‘ Ihc I'IIIId lIII‘ Ihc lII\ L'I'x. Rngcrx and ch‘ccnxx I'IIcI'x l’cch~ (iaulkc and (fur) Suallnn ha\ c aIIcnIpch In rcplIcaIc IlIc gI‘nxx-nIII. xcaInlngIcal huIIInuI' nl Pam and linhh} l‘aI‘rcll} IuhnIn prnduch. \IlIleI IIL'glcclIlIg qu‘lI cxxcnllalx ax a lIglIll) —plIIlchl narrth c and cngaging characIcI‘IxaIInnx. SIIIdIn ('IIIcIIIa. l)unnnn.
See Spot Run (PG) 000 (JIIllll \VhIchcll. l'S. 300l I l)a\ Id .-\I'IIIIcIIc. Michacl (‘lark Duncan. l’aul Snrx Inn, ()(I
clubs - theatre - arts cinema 0 music - leisure tourism - attractions
m'". o 5.
0131 555 I891
www.eae.co.uk "
M u"
publicity distribution nationwide
44 THE LIST 19 Jul—2 Aug 2001
IIIIIIx lllh xhagg} -Ixh dng xInr_x Ix ahnuI I-\:_‘L‘III ll. Ihc l‘vlll'x grcachI xnlllc‘r dng \xhn Ix u anch h} Ihc Malia aIIcr IalxIn; a hIIc nuI nI IlIc hnxx‘ hallx dIII'IIIg an .IlTL‘\l Runmng alnngxrdc IhIx xInr} Ix IlIaI nI haplcxx IIIaIlnIan (inrdnn l:\ftlllL‘llL‘l \xhn Ix III lnx c \xIIh hIx hcauIIIul IIchlIlInuI‘ Slcph and \\ Ill dn Iln)llllll§1 In IIIIpI'cxx hcr and hcr xan Jauch 'l‘hIngx xIarI In gcl all Inn prcdlclahlc uhcn (inrdnn cIIdx up lnnkIng: .IllL‘r .lalllc'x lIII xL‘\Cr.Il Ila} x and llIL‘ [\xn hccnIIIc Ihc nxx ncI'x III a xII‘a} dng uhn. xIIrprIxc. xurprIxc. Ix .-\gcnI l I. IIle cxcapcd lrnIII an aIIcIIIpch Mal-Ia axxaxxInaIInn. SclL'cch I'clcaxc Shadow Of The Vampire I I5 I I... Ili. l'.lI.Ix Mcrlugc. l'S. 300l I \VIlchn l)alnc. lnhn Malkanch. liddIc l//ard. ‘)l IIIIIIx, lllIIIIIInach h} a rcInaI‘lxalIlc pcI'lanIIancc ll'IIlll l)alnc. IhIx xl} hnrrnI‘ lnllnux IlIc IIIIIIIIIg nl l5. W. Murnau'x xIchII claxxIc .\'II\II'rIIIII. .-\I‘I'I\ Ing III liaxIcI'n liurnpc InI lncaIInII xhnnIIng. .\lIIrnau I.\lalknx IchI \xaI‘IIx lIIx crcxx IlIaI IlIc man \xhn Ix In pla} NancI‘aIu Il)al‘ncI Ix a IIIthnd acInI' \xhn InhalIIIx lIIx I‘nlcx cnIIIplclcl}. \\'haI Murnau lIIIxII'l IIIld Illcm Ix Ihc L‘\lcnlIIl-l11x lCIIle lillllllltll'll} \xIIlI Ihc \Ia}x nI IlIc IIIIdcad. .-\x IlIc IIIc‘IIlI‘III-llllc'Il xhnnI cnnIInucx and Human hccnmcx lIlIIIdl} nhxcxxcd \\ IIlI l'IIIIthIIg IlIc pIcIurc. Ihc llllll ulIIIIIaIcI} hccnmcx a Innguc-In-chcck IIchIIaIInn nn dII‘chnrx \xhn \\ Ill dn anthng In ch Ihc Icrlch xlInI. l’(i(' ('IIIcInax. lidIIIlIuI‘glI. Shrek Il‘I 0.... IAIIdrcxx .-\danIxnII. \‘It‘lx'V Jc‘IIxIIII. l'S. lelll I \IIIccx IIl MIkc .\l_\cI‘x. (‘amcrnn l)Ia/. liddIc Murph). ‘)0 IIIIIIx. Shirk \Hll haw \\ all l)Ixnc} IurIIIIIg III hIx c'rIIIgc-IIIL‘ l'rcc/c Ianlt, 'l'lux ll‘lll} \lllWL‘f- xix c anIIIIach llllll Ialx'cx pnI xlInIx III l'aII'yIalc Ill)llIIIlI)g). \x'hilc xInglIng nut l'IIclc WalI'x hclm cIl SIIIIII' ll'lIIII’. (lilI/(‘I'l'l/(l. I’IIIIII/IIII. cI al. l'ndcr IlIc guixc nl a tlUL'\l In rcxcuc a pI‘Inccxx lI'nIII a dragnn undcrIakcII h) Ihc cpnuymnux grccn ngrc (\IlIIch lIIle \\ Ill lnx cI. Slur/I alxn rulhlcxxl} lelagcx cnrpnralc l)Ixnc}. xaurixing IIx IlIcIIIc parlx‘x and cxccu- IIxcx. And \Ihn'x hclund all IhIx'.’ l’rnduccr Jcllrc} KaI/cnhcrg nl l)IxIIc} I‘nal xIIIdIn l)rcaIII\\'nrkx, alxn l'nrmcrly hcad nl. _\cp, Dunc); (icncral rclcaxc. The Silences Of The Palace I ISI 0.. IMnIIl‘Ida 'l‘laIlI. 'l'unIxIa/l5I'ancc. I‘M-l) l27 IIIIIIx. A ynung \Inman rcIurnx In IlIc palacc \Ihcrc .xhc u ax hnr'n and. III a xcricx nI' llaxhhackx. I'clncx llL‘l‘ upbringing III prc-Indcpcndcncc llllllxlu. l‘cIIIalc dII'chnr Mnul'Ida 'l‘laIlI cnIIxIruch a cnmplcx \ Icu nl a rcpI‘cxxIIc I'cgunc. \x'hcrc InII‘IcaIc I‘IIualx rcducc \xnmcn In nhjchx l'nr IlIc plcaxurc nl Ihc prInccx. l'lllllllIIUxC. lidinhurgh. Solas I IS) 0.. (BClllltI Samhrann. Spain. WWI Ana l-‘crnandcl. MarIa (iIIIIaII'a. ()8 InInx. (‘aughI III a crappy rclaIInnthp and Will] th' I‘thcr III In lInprIal. Maria Il‘crIIaIIdc/I Ix alxn quck In a mcnial clcaIIIng Inh. hax hcr mum I(ia|IaIIaI xIII}‘IIIg nvcr III lIcr crampcd chrllc aparInIcIII and nl'Icn lnxcx lIcrxcll~ In an alcnhnl Induccd nhln'rnn. lx IhIx IIcn-rcalIxIII xquarcd‘.’ Zamhrann'x llllll Ixn'I I'Ier and l‘nrcnIan xncIn-pnhucal. huI pxychn-gcncralInnal. Mcaning. can .\1arIa IIIlele In IlIc prnhlcnIx nl IlIc paxI cnnccrnrng hcr l'aIlIcr IhaI rccur III Ihc prcxcnl In rclaIInII
flam- lift!
Sun 22nd Ju/y
Dark Days (15) 5:00pm Traffic (18) 7:00pm Wed 25th Ju/y
A One and a Two (15) 7:00pm
Thurs 26th Ju/y Chocolat (12) 7 7:300m & 7:30pm
Mon 30th Jul Bread and Roses (15)
Wed 75! Aug
7 :30pm
Bridget Jones's Diary (15) 7:30pm Tickets and further information from The Steeple Box office
(Tel: 01324 506850)
or on the day from the hall
In hcr hnx II‘Icnd‘ l‘hc I'IlIn‘x t‘IIllt’llhlIIlI IIIIghI xchII pal. hIII hax an apt cIIInIInIIal lngIc Scc chIcu l'IlnIhnuxc. l-Ihnl‘urgh Spy Kids Il‘IOOOO IRnthI lx‘ndIIguc/~ [8. 3001 I '\lllUlllI\ llaIIchax. \lau ('IIIIIIIIIng. (‘aIla (‘IugIIIn .V IIIIIIx llec aux )nung chIldIcn. ('aInIcn and .lllll (‘nIIc/ harhnur hnpcx nI madcap adxcnIuIc. huI unhkc Inan chIldIcII IthI appaIcIIIIx IInIIIIaI parcnIx aIc Inp IuIcIuaIInIIal xupcI prcx \thn Ihc} ‘Ic lxltllldl‘l‘t'tl ax paII nI a daxIaIdl} plnI In dcxlInx Ihc \xnIld. cnnlxcd up h} ltnnk} IIIaxIcIuIInd l‘cgan l-lnnp I('uIIInIIn;_' I. II Iallx In Ihc clllltllt'll In xaxI‘ Ihc \xnrld RIIc \xIIlI IaIIIax_\. xpchal cIII-clx \xI/aI'dI} and hIgh ncIanc IhIIllx. _\;I\ AIIIK Ix paI'IIculaIl) cnInxahlc lIccaIIxc II'x IlIc chIldI'cn and IIIII Ihc adulIx IlIaI IIlIIIIIaIclx xaxc lllL' Ila) Sk'lk'k'lk'tl Iclt‘IIxI'
Strangers On A Train III I I 0.000 I.-\llI'cd llIIclIcnck.l S. l‘l5l I l'.IllL"\ (iI'anch. RnthI \\allIcI 101 uunx llIIIh‘x appInprIaIInn nl l’aIIIcIa llIglIxIIIIIlI'x nnxcl. IlIc cnnchI InI \xluth Ix l\\II xIIaIIchx \Ihn ch chaIIIng ahnaId a Inn): IIaIn InuIncx and hnlh adIIIII In pcnplc Ihc) \xnuld lIkc In lull nIIc Ix InlIIIIg. Ihc nIth Ix dcadlx xI-IInux \VIIh II'x clInIax .IhnaId an nuI nI \‘HllllIIl laIIgI‘nund mic and Inn xupcIlI IcnIIal lk‘I'lnI‘Inanccx. Ilux Ix nnc nI llIIclII'nI‘k'x lII-xI l‘lllllllnlht‘. lidInlIngh
Sweet And Lowdown I H II 00.. I\\'nnIl} Allyn. l'S_ 2000I Scan l’cIIII. SaIIIaIIIha .\lnIInn. l'IIIa 'l‘lIuIIIIaII 0* IIIIIIx l’cnn Ix quIpl} aucxnmc .Ix l‘) “Ix InuxIcIan l-LIIIIIIcI Ra}. IlIc \L‘ll'IHUt‘lilllllt'Il xccnnd lchI guIIaI‘ plaxcr III IlIc \Hll'lIlI chpch InI IlIc 'gxpx} guIIar IIIaII' |)|aug_'n RcInhaIdI Ix
Ra} ‘x xnlc cchIIcnI nl hunIIlII}. lIc Ix Iudc. cgnInanIacal and IIIIcI'l} xI'llIxh and IlIc nIIc \xhn xullcrx IIIan Ix IlIc IIIIIIc llaIIIc IIhc xplcndId .\lannnI \'IxIIIIll). InuxIcall). dI‘aIIIaIIcall) and c'IIIIIcIlIcIIllx. .\l\('('( jllli/ [1m I/IIII n can xII cnIIIlnI'IalIl) aIIInng \\nndx Allcn'x hcxI \xnrkx, And \I IIlI Ihc p.IxxIII;: nI cIncIIIaIIc IIIIIc. Ihc} \Hll qucl_\ lIc Icllchcd upnn ax lIIx lcad paII”x lincxl hnuI' and a hall. ('aIIIcn. lidInhurgh.
Sweet NovemberI III 00 Il’al ()‘('IIIIIIIII‘. l'S. 300l I Kcanu Rccwx. (‘lIaI‘lI/c 'l‘hcrnn. l20 InInx Rccxcx [alch IIIIIc nll Ihc ph}xIc‘II| challcngcx nl lIIx .lIIIIIII xcquclx In IIIalxc aIInIth xnpp} InIIIancc llc dId IhIx lk‘lIIl‘L' \x IIh .Il ll'II/A In lllc’ ( 'IIIIIIII. and pI‘nx cd In IIx Ix lIaI \x c alrcad) lxnnu Kcanu'x rangc Ix \cI'} lIIIIIch. \cch'IhclI-xx. lIc xIrcIclch lIIx dranIalIc 'I‘aIch' In thc p|a_\ a \Inrkahnllc adch‘IIxIIIg cxccuIIx c \xhnxc hlc Ix xhakcn up h} lIIx lachI nnc-IIInnIh xIand 'l'hcrnn plan Ihc lxnnlx} \xnIIIau \Hlll an an nl lll)'xlt‘l'} ahnuI llL‘l' \xhn xuggcxlx xlIc lIc Rccx'cx' xqucc/c. huI InI KI) Ila} x and nn IIIIIrc. (icncral I‘clcaxc.
Swordfish I ISI 0. (l)IIIllllllL Scna. [8. 2001 I Jnhn 'l‘I'axnlla. Hugh JackIIIaII. llallc llcrr), 9‘) IIIIIIx. ()pcnIng mm a lllilglllllt‘clll cxplannII \xluch nchII'x Illlllll}: I bank rnhhcr} and H“ xlcgc. Sunni/[III llaxhcx haclx III IIIIIc In lcll IIx hnxx IIIaIIch canIc Ina Icrnunal hcad. ('rIIIIIIIal IIIaxIcrIIIInd (ialIrIcl Shcar I'lraxnlIaI hII'I-x Inp cnnIpuIcI' haclx‘cI‘ SIanlc} Jnhxnn (JackIIIaIII In hpr lIIIII xlcal lIIlhnnx nl dnllarx lrnIII Ihc Drug: l'.lllIIl'L‘ClllClll Agacnc} 'x IIInIIc'}'-laundcrIng xcthIIc. lit-Ir} pla} x Shcar'x parIIIcr (iIIIgcr. a rnlc IlIaI IIaIuI'all} callx Inr hcr In rcuInx c hcr hllxllll Inp III a laughahl} gI'aIuIInux xchIc. l’lIIIIIaIcl}. IIIxI annIhcr hIg. hraxx} and pnInIlcxx ‘acIInncr' lrnnI ll()ll)'\\IK)tl Inngul Jncl SIIIcI' and haul- hand dIrchnr Scna Scc rcx lcu (BCIIL’I'IIl rclcaxc.
The Tailor Of Panama I ISI 00. Ilnhn BUUrlllull, l'K. 200l I l’IcI'cc llrnxnan. (icnll'rc) Ruxh. JaIIIIc l.cc (‘III'IIx l0‘) IIIIIIx. Brnxnan‘x And) ()xnard. IlIc anII<hcrn nl BnanIIaII'x black cnIIch) haxcd nn Jnhn l.c (‘arrC'x xpy nnx cl. Ix unaxhaIIchl} xcll- \CCklllgI llax Ing hccn hanIxhcd In l’anaIna lIc xCCx II “41) In turn lIIx IIch panIng III lIIx adxaIIIagc h} cxplnIIIng llrIIIxh and AIIIcrIcaII parannIa ahnIII Ihc laIc nl Ihc xlraIchcall} \ IIal canal. 'l'n IhIx cnd lIc rccruIIx cnclx'nc} cx-cnn IIIrncd hcprlec IaIlnr llarr) Pcndcl IRIIth. 'l‘hc pacIIIg Ix unccrIaIn and Ihc cndIng Ix a Incxx. huI IlIc l‘IlIII'x ccnIral rclaIInnthp Ix IIIIrIguIng, llarr} Ix an udmlrahlc InIl In cnrrupI ()xnard. \Ihnxc Bnnd-likc aIIthuch arc cxaggcralcd unIIl