Theatre listings
Dundee contiuned
Mince? \Vt'tl llx'l llll l2 Jul " ~15lun; 'lliul illpin & ".15pni £5 "5 {lit .5“ it: ‘5 U15llr l'Hll‘L'\ .\l.i\wn l'_'llllll\ in the llllhlL'tll lniinul .lllt'l lllt‘ \utt'cw nl XII/1'. \‘-llll llux \ui‘iml ncv. nllt'iinu \t'l ll|\ltlt' lln' lllllltl nl .l tlk'lllk'\\k'tl llllleL‘ \ii'llt'i. Him 4' ’ lmtuit-x .i Inui'lt'cn \liunj: L'il\l .llltl llllt't'll t'nnut' \llllf.’\ nl lllt' L'.l\_\ ll\lt‘ll|llj_' \.ll'lL'l}.
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Dunlermline
CARNEGIE HALL
l'..'l\l l’iul. ill KM il-JII". [l’. H. \\(~. \\.\I Peter Pan l'nlll Sal " Jul. "jun (Sill nml 3pm l. LN iUn. Starlight 'l'lit'uuc (‘nnijxun [llt'\t'|ll\ J.\l ll;ii‘in‘\ iii.ij:n'.il ltllL‘ .ilmul lllt' lllllL' ltii} \\llU lt‘llht'tl in prim lip. (it‘l )uiuxt-ll nll tn ll\‘\t'l llt'\t'l l.lll\l.
Maybolo
CULZEAN COUNTRY PARK
01055 XXI-155. Il’. \\ ( I \\',\|
A Midsummer Night’s Dream Thu 5 Jul. ".illluu. t7 «H.5lli. Sligikt‘xptuu‘tk aunt-(l) ill low [ltllllllh illltl nuxpluu‘tl .illu'uunx. pcrlni'nictl Ii} i'cnimnctl nultloni' llit'uu‘c t'uinpiui} Ill} l'ltl, Gallowglas Historical Enactment Sun I5 .lul. 3.30 3.30pm. L31 it'll. (‘mlunit‘tl it' t'nnt'lint'nl nl ‘.\l;u'_\ ()llt‘t'll (ll Snilx Ill ('gu'i‘n'k' \L'l III the l'nuntuin (‘oui‘l (igu'tlt'n lwlmx (‘ul/t'un (lixllt'. Alice In Wonderland \\'t-tl Ix ,lul. 7.30 l)..5llplll. [Tit-1.5lli..l\ln'c. lllt'\\'llllt‘ Rabbit and lllt‘ (‘licxllin' ( 'ut .u‘c lH‘Ulllell In lllt' lll ilux nultlnnr [u‘mlucliun h} l|l_\i'i;i 'l'limu't- (‘nnipuny
Melrose
DRYBURGH ABBEY
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Macbeth Sun 8 .lul. ".Sllpni. [II it'ltli. St't‘ ( ilzlxgim. (iluxgmx (lulu-dial.
What big tales you tell, Sondheim: Into The Woods at The New Byre
WYND THEATRE
lillt‘t’lcllt‘ll Sll’t‘t'l. Jllhllh \: 55.51 Moving On 'll1u 5 .lul "pin :2 5H \ tl}n;unit‘ tll\[‘l.l_\ linni \lilln- (' Hanu- (’nnijmn} lll.l\lL' up nl ;:i;itlii.iIt-\ llUlll lllL' Xt‘tillixli St'litml ul (‘uiin-nlpuiui} Hanu- Northanger Abbey I ll (i .lul Npin {5 it'll! including ltilltl .lllkl \llllllx i. \ut'ml \llll't' .I\ North ( hunt!) llimlit' .nlnl‘l lllt' .l.lllt' .'\ll\llll ll(l\L'l.
St Andrews
BYRE THEATRE
.\l‘l‘t"\ Sllt‘k'l. lll 55-l ~l"5llllll
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t'lll L'l5 (L5 Lh5lli. 'l llt‘ llwt' llimuc l'L' (lpt'll\ Ill un .itlwnlui'oux inuntl. \\ uh .i \t'\t'lllt't'll \llHlljJ tux! pun-nun}; Stephen Suntllivnn .llltl .l.unc\ lupinox lt' milking: nl t'l;i\\it‘ lnlkloit' (lunat‘lcix Sonic ci'iln'x ll.l\t' \L'L'll the [New .l\ Suntllit‘lnh lllU\l .iulnlmijgmplutul niuxitul. Sec icx lt'\\.
Magic Bob . . . Unplugged 'l'lm S .lul. Sec Kltl\ ll\lllij_‘\.
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Stirling
MACROBERT
l‘nnt'lxil} ol Stirling. (ll “Mi Alhlllx l. Il’. ll. \\‘('. \\'.\|
A Midsummer Night’s Dream SunHJul.Xpni. £71£i.5lli..\'t‘t‘ .\lu)lmlt.
Alice In Wonderland ‘l'hu l3 .lul. 7pm. (3.50.511‘ .\l;l_\l\itlt'.
The Sleeping Beauty Sui I-l Jul. 7,30an LN (Hi. llullcl \chl PL‘l'lUl'llh llll\ \wll l(l\t‘tl lzilc. :it‘t'nnipniiiul h} llt‘llilllxtfi \k} .\ t'\ Ht‘ullu‘ \t‘iil't'.
JO ENRIGHT
The Stand. Edinburgh. Thu 5 Jul: The Stand. Glasgow. Fri 6 & Sat 7 Jul: and CDT. The Stand. Glasgow. Sun 8 Jul: The Stand. Edinburgh. Tue 10 Jul.
Fame doesn‘t come easy these days. You work for years building up a name for yourself, touring around the country, working gigs in sleazy men’s pubs and then you get your big break: Jaffa Cakes. And not just Jaffa Cakes. Then comes the Chicken Tonight and Citroen cars. Once a highly-respected dwarf of the comedy world, Jo Enright is slowly edging her diminutive frame into big-time television, albeit through the advertising side entrance.
Her first ‘serious’ television acting
comedyolistcouk
Enright edges her elfin-like frame into the big time
debut was at the beginning of this year, playing a social worker with questionable social skills and matching perm in That Peter Kay Thing. But Enright is eager to get back to the live circuit, for the time being anyway: ‘If there are other things that you do, like write or act, then stand-up is a good road into other outlets for your writing or acting skills and this can lead
onto even bigger things.’
Much of Enright’s incisive observational set is derived from her upbringing in Birmingham. The city is an easy target for derision, but Enright’s unique personal perspective makes the jokes all the more cutting. It is these derogatory references to Birmingham which find special concordance north of the border. ‘l’ve got a tape of a gig I did at The Stand and you can feel the empathy there. Maybe it is a sense of being misunderstood, or being the butt of people's jokes; maybe there is a
parallel.’
The latest series of Big Brother hasn’t improved the reputation of Enright’s home city just yet, but she assures that fellow Brummie, and close friend of a friend, Dean, is a dark horse: ‘l’ve been watching Dean and he’s keeping it real for Birmingham. He’s very sincere and I've heard people say he’s boring, but you have to listen to content; I think he’s quietly witty.’ Not even the slightest hint of jealousy? Nah, the ‘famous for being famous’ route just isn’t Jo’s style. (Maureen Ellis)
Thursday 5
Glasgow
The Stand llillk' Slulltl. 5 5,5 \Vlltltllllllth Routl.llhqlllwllllhll55831!anfilth. ('giii;itl;i\ (hug (lunpltcll iiitlulgt‘x Ill \iilllt' \ui'n'ul nltxt'nulinnx. llml l'l'.llll\lt' Ho} lt' .ilw Inli'ntluct‘x local lutl (‘nlin Runinm‘.
Edinburgh
The Stand 'l'lit' Sluntl. 5 Turk l’l;it‘t‘. 553 "3‘3. ‘lpm. L5 «Di. l’llllWl/t‘tl mun-d} \ll\;l .lo lini‘iylil I't'gulm \\ llll lillk'\ li‘uni llt‘l ngilnt' lln'ininglmni. l)c\ ('lni'kc .intl Suntlm .lnluNont‘ \luntl up 1]] \uppni't. \xlul\l Jimll lil‘tmll llll\t\ L'lltll'gt‘ (ll lllt‘ [\I'Ht‘t't'tllll}:\. Noble Comedy \tilwlt-k Hm. .31.: ('niNilunnn Street. l.L‘llll. 55-1 Still. ‘lpni. lit-c. ;\u\\ic count" \lit'kt‘} l) licmllunw nntl \lganiling up in \uppni‘l ;u't' .\l;u'lin l'lll'l‘} and John l.illlt'|olin \\ uh l'L‘\ltlL'lll t'ninpcn‘ llcn l);ut‘_\.
Reg Anderson’s Comedy Cellar l‘lll .\l;n'( .(Nll\. lfil lullunn lx’nntl. (if) "Ill‘l. ‘lpni. l'n-t‘. .\lu\n‘.il urinal} llHlll Sand} \t'lwn. .iltl} \uppni'lt-tl l\_\ lnlil} and Rick} (lillnn.
Friday 6
Glasgow
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Edinburgh
The Craic House ‘I Inc ()uilimmz I34 lli‘ougluon Slit-cl lane. 55" (with. ‘lpin, l'i't'c. (iuilui‘ mun;v Sand} \t-lwn l\ lllk' cwninu'x niuni illllilk'llllll. \xlulxl 'lt-tltl}
This grid includes theatre and dance performances at Glasgow and Edinburgh’s main theatres. More information. including events at smaller venues. can be found in the listings above and over the page. Performances shown in brackets are free or reduced price previews.
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Thursday 12 Friday 13
Saturday 14
Sunday 15
Monday 16
Tuesday 17 Wednesday 18 Thursday 19
John Paul Juncx John Paul Join-x
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