HOUSE FOR AN ART LOVER Hclluhouxion l’ui‘li. Ill Ihiinlu'i'i‘k Roud. 353 «I773. Dull} IIIuin Spin. L' SSH i£35llr
Scottish Artists ’I'hu I .\lur .\Ion .III Apr. A Sclci'lion oi \xork h} conicrnporur} Scoiiixh uriixix on Ioun irorn (Srrl (ii-rhcr I‘inc Ari.
HUNTERIAN MUSEUM
l'niwrxu} .'\\L‘IIUC. 330 .1331. .\Ion Sui 9.30m” 5pm.
Walking With Dinosaurs l'niiI Sun 3‘) Apr. An mhihiiion oi ihc dinoxuurx und pl't'lllSlHl'lt' uniniulx IIIililL‘IS \\lI|L'Il Ii'uiurcd in ihc BBC TV \t'l'IL'S oi IllL' \uinc nuinc. Along \\ iih ihc IIIHiIL‘IS. urc gi‘niiini' dinosuur rcrnuinx. lull-\i‘uIc rcconxiruciionx. u i'huni‘c io Icurn uhoui Scoilund‘x dinoxuur hcriiugc und Iind oui \xhui lhc Skullx oI u 'I'_\runno\unru\ Rm Ioolu'd Iilu' (low up.
MUSEUM OF TRANSPORT
Kch in Huh. I Ilirrnhouxc Roud. 3S7 3730. .\Ion ’l‘hu & Sui liluin Spin; Iiri ik Sun I luin 5pm. Iiri'c.
Canadian National Parks i‘niII l-‘ri 30 Apr: .'\ icrnporur} i'\hihiiion on Ioun iroin ihi' ('unudiun High (‘oininixxioir icuiiiring inurul\ rcprcxi‘niing \L'L'IICS iroin ihc prox inciul und nuiionul purkx oi (’unudu. 'l’hi- \\oI'I\S \xcrc coniiniwioncd ior IIIL' iuinoux (‘unudiun I’ui‘ilic iruinx h} incinhcrx oi ihc Ril}£ll ('unudiun Acudcni).
PAISLEY MUSEUM & ART GALLERIES
High Sircci. SS") SIS I. Inc Sui
Iiluin 5pm; Sun 3 Spin. I-ri'i‘.
Old Friends And New Acquaintances I‘niII .\lon In Apr. .\ ncu dixplu} iniroducing rci'cni ucquisiiionx or rcccnil} ri‘xiorcd \\iiI'I\\. 'l'hc \hon includcx donuii‘d norkx Iroin ihc (‘hurIcS Suuichi collcciion und iIorul puiniing\ h) Slur} :\I‘IIIolII‘ i I903 3(I()(II. Adesh - Andrew McDermid I‘niil Sun IS .\lur. Andre“ \li‘lkrinid iruu-Ilcd io rcinoic urcux in Northern Indiu io phoiogiuph owr I\\L‘lll_\ poriruiix oi lndiun hol) incn iSudhiixi. 'l‘hc i'L‘SiIllS urc u stunning i‘ollci‘iion oi hlui‘k und \xhiic und cihuchroinc prinix. oiicring u rurc insighi inio IIIL‘SC III) \iicul glII'lIS.
PEOPLE’S PALACE 8: WINTER GARDEN
(Iliixgim (irccn. 55-10333. .\Ion 'l‘hu & Sui liluin Spin; I’ri & Sun I Iuin Spin. Building Blocks Of Life I'niil Sun I I .\lur. :\ dixplu} oi \xoi‘lix i‘i‘culcd h} uonicn \\ iih hrcuxl cuni‘cr.
ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART
3 (‘uxilc Sirch 553 3557. Mon 'I‘hu it Sui Illuin Spin; I-‘ri ik Sun lluni Spni. I'II'L'L‘.
Man Walks Among Us l‘niiI Sun 33 Apr. 'I‘o inurk ihc niillcnniuin. Kenn) IIiinicr'x \pci'iull) L‘UIIIIIIISSIUIIL‘tl Iiic \i/c Sculpture oi .lL‘SlIS gocS on dixplu}. IInnlcr “on ihc JCSUS 300i) ('oininixxion ironi u shorilixi oi Icuding uriixlx.
THE TALL SHIP AT GLASGOW HARBOUR
lilil Siohcrosx Roud. 33‘) (I03 I. I)uil} liluin Spin. USU i £3.05 i; uccoinpunii‘d L‘liildi'cn iI‘L‘L'.
Five Thousand Days At Sea .-\n mhihiiion on hourd ihc on|_\ ('lylchuili \uiIing Ship \iiII uIIoui in ihc I'K. docunicniing hcr udwniurcS on ihc high scux hcixwi‘n I307 und I‘II‘).
Story In The Stones il’innphoiixi‘ Muin (I;lllt‘l'} I. .-\n cdiihiiion looking ul ihc iinpuci oi lhc induxiriul ugCS on (iluxgoxx hurhour.
Morse And More il’UIIIpIIUIISL‘ Loner (iullcry i. .-\ hunds-on mhihiiion. uiincd ui L‘IIiIdi'L‘II. looking ul lhc \\oI'Id oi communicuiion. You cun opcruic u \iuic- oi-ihc-uri opiicul iclcgruph llSL‘tI in ihc Nupolconic \xurx. ir_\ oui ihc I'nc-nccdlc iclcgruph und crunk up World War II Iicld iclcphoncx
Edinburgh Galleries
AMSTERDAM
l‘) lirundon 'I'i'rrui'c. 55h I I75 \\cd i\ l‘I'I Siin noon (rpm; 'l‘hu noon ‘Ipin. Functional Art Exhibition i‘niil Sui 3| \lur. Ri-iiiuri'x nc“ guIIi'r} ior ladinhurgh\ \C“ 'l’oun opcnx IIS iIooi \\ IllI u IIII\L‘\I uhihuion oi IlIodL'I‘II uri I\_\ Si'oiiixh und inicrnuiionul uI'lISIS. u IIII inun} oi ihi- \iorkx u\uiIuhli' ior rcni und ioi \uIi'
ARTIZIN
30h l)lIIlil;I\ Sirci'i. Jo? 393'. Inc I‘I'I Iluin "pin; Sui |Iuin 3pm.
A Day In The Country 'I’ui- (» In In .\Iui1 I’uiniing\. \i‘iilpiiiri' und tillpllt‘il mix on u i'oiinir} \idc ihcnii- h} llIk'llIl‘t‘lS oi lhi- ('ounir} \idc .'\III§IIILI'.
BOURNE FINE ART
(r I)undu\ Siri'i‘i. 557 JIISII. .\lon I'ri IIIuni (\PIII'. Sui Iluin 3pm.
21 Years Of Bourne Fine Art l'niil Sui 3 .\Iur. 'I'o i'i'Ii'hruii' IIIL' gulli‘r) \ 3Ixi hirihdu). u Ioun i'\hihiiion ii'uiiirrng SUIIIL' oI ihc Iii-xi puiniingx SIN)“ n owr lhi' )i'urx including \xoi'kx h} .\li‘( ‘nlloi‘h. Bough und (‘udcli
Scottish Paintings Mon 5 Sui 3i .\Iur. ;\ \i‘li'i‘iion oi lliiiiilillf_'\ h} Si‘oiiixh uriNS including :\nnc Rcdpuih. .lohn Ix'no\ und .lohn Duncun.
CALTON GALLERY
Ill Ro)u| 'Ii'i'rui‘c. 550 Hill). .\Ion I‘i'i liluni opin; Sui h} uppoiniini‘ni. Mixed Exhibition I'niII In An .\Iur. I’uiniingx Iroin \IUL'IN including “orb h} (ii'orgi‘ IIUIISIHII. .I.I). l'i'l‘g‘lISSUII. Mucluuchlun .\Iilnc und I’.\\'. .»\duin.
THE CAULDRON
77 (‘Ii'rk Sircci. (r33 7330. Mon Sui noon Iuin; Siin I3.3(Ipni Iuin. Mixed Exhibition .\ chunging i‘\hihiiion oi goihii' uri including \ciilpinrc. druxx ing. phoiogi'uph} und puinlingx h} Iocul uriixlx.
CITY ART CENTRE
3 Murlwi Sii‘cci. 53‘) 3003. .\lon Sui IIIuin Spin. lircc.
Tidemark l'niil Sui I7 .\Iur. I)ru\\n ironi ihc i‘ii} '\ pcrinuncni i'ollci'iion. u look at him Scoiiixh uI‘IISIS IIn\L' Ik‘i‘ii inilucni'cd h} ihc wu. Ii‘uiuring uoi‘kx h} \\'i|Iiuin .\Ic'I'ugguri. ihi‘ Scoiiixh (‘oloiirixix Joun IiurdIC) und .lohn Ilcllun). Observation And Expression l'niiI Sui I7 .\lur. ()wr 5i) \\oi'l\\ drum n iroin ihc Ro}ul Bunk oi Si‘oilund (Ii‘oup .»\ri (‘ollcciion ilL‘IIIUIISll‘iilIIIg him uriixh huw dcpicicd llllilgCS oi pi‘oplc und pliICL'S iroin ihc IiS'ih ccniur} Io IllL' PI'L‘SL‘III dii). l'i'dllli'i‘d iII‘lISlS IIIL‘lildi‘ .loSlillu Rc_\noIdS. SJ. I’cploi‘. l)u\ id lIoclini'}. .Ioun Iiurdli'}. (Eur) lllllIlL'. (icorginu Slurr und ('ullnin IIIIIL'S. Huxian Peasant Paintings I’niII Sui III .\lur. I’uiicrn und hold colour coinhinc in un mhihiiion oi puiniingx h} lhc pcuxuni puinii‘i‘x oi Illt' IIn\iun ri‘gion oi Shuun\i l’ro\ incc in (him.
5 Years - Building In Art I‘niil Sui I7 .\Iiii'. :\ loan on IIIL‘ SL‘oIIiSIi .'\i‘IS (‘oiincil'x iiinding ior S3 uri\ pi‘oii‘cix in Scoilund. highlighiing ihc din-mi} oi nu“. rciiirhixhcd und micndcd uI'IS
COLLECTIVE GALLERY
33 3S ('ockhiirn Sircci. 330 I300.
\Vcd Sui Iluin (ipilll Sun I Spin. Henry Vlll’s Wives Sui .‘~ .\iur Sun .S’ .-\pr. ('oIIuhoruiiw group llcnr} \'III\ \\'i\c\. ioundcd in I907. \IIU“ no“ \xoi'k. I’rm ioux \xorkS included pcriorinuncc— huxcd picccx. hui inorc rcccnil) the group hux ioi'uxcd on Iurgc inxiulluiionx. working \\ iili oihcr pcoplc in the L‘oiiiiiiliiili}. NEW SHOW.
Kirsty Whiten Sui 3 .\lur Sun .S' .-\pr. In ihc I’rojcci Room urc no“ curicuiiiriwd piiiiiliiigS h) KII‘SI} “'hiicn. inxpircd h} cclchriiiu \\ ho rm cul ioo much Ilcxh. \Vhiicn hux rcccnil) rciurncd iroin l’uris uiicr \\ inning u \cholurship ui hcr dcgrcc
show. NEW SHOW.
COLOURS GALLERY
iI'orini'iI} (Lille!) »1II.~1I l)llll\l.iS Slit-vi. 5‘- 45m \lon III III lHuni ‘ 1llpni. Sui Ill zIluin 5pm
Mixed Show I IIIII “ml 7 \Iui I’uiniingx und \xuii'ri‘olouix II} I\'uic l’hin. Sundru Sii'i'li', Iun l‘IuIIIx'. Roanu I .nng und I’uxi'uli‘ und I).lllt'll Ix’i'nixi‘h
Mixed Show Sui Iil \lui \\i‘d -I \pi \cu [‘JIIIIIIIgS h} .\nni‘ \llklk'lSi‘ll. Sli‘xi'n .Iilllt'S und _I I) lli'nili'iwn pIu\ i‘onii'iiipoiui} ii'uclli'i} II} Iciih I-oihi‘ringhuin
DAVID LLOYD LEISURE CLUB S‘III ( iluxgou Roud. 3H» 3 ‘llll. .\loii I II
o illuni leni; Sui ik Sun "um I Ipni Flora London Marathon Photographic Exhibition '1 IIlI
I5 Siin IS .\Iui .\ phoiogiuphii' i‘\lnhiiion i'upiin'ing Iwhind-ihi- \k't'IIK'S ol ihc I'loi'u I.ondon inuiuihon. l’hoiogruphi'rx \iluin Ilinion. In ('oqun. (‘hurli'S IIopknhoii. l’uiil Ix’ogi'ix und (iu\un (ioiiIdci \Ii'ni oni on u 3-1 hour \liool \\IllI ihc hrii‘i oi doi‘inni‘niing ihi' pri‘puruiionx und iioi lllL' runni'rx lllt‘lIISL‘I\L‘\.
THE DEAN GALLERY
lik'lI-Hl'kl Roiiil. 034 (Cilil i Ii‘i'oi'ili'd iniorinuiion 3 ‘3 33M”, .\Ion Sui
IIIuin 5pm; Sun noon Spin.
0 David Bailey: Birth Of The Cool l‘niil Sun 33 .’\pr. U it3i. I‘I‘UIII I.ondon\ ioiigh I‘.;l\I Iznd. I)u\id Buili'} “cm on io hi'i‘onii- Briiuin'x hi'xi knon n IIISIIIHII unil i‘i'li'hrii} phoiogruphcr. l-‘oi'uSIng on ihc curl} _\i'ur\ oi Inx i'urci-i ironi I05" I00”. ihc i'\hihiiion lt'ilIlllL'S icoiix oi Illt‘ (rilx ini'liiding \Iii‘k .luggi‘i. Michui‘l (‘uini' und \luriunnc I-uilhiiill. hi\ ground hri‘ulxing IAISIIIHII \IloIS. u \i'rii'x oI pliilliigi'iiplh on ihi‘ I‘.u\I I'.llil oi l.olidon und plioiogl‘upIiS Ironi IIIS Inmi rci'i‘ni ‘(‘ooI lirriunniu' \i'ricx Iroin IIIC t)lIS. .St‘i‘ i'i‘\ li‘“. Si‘i‘ lIiIIISI.
Words For The Mantelpiece i'niil
Sun 3‘) .-\pr i Ki'illi‘r I.ihrur} I, 'l'hi‘ Iirxi III
.1 \k‘llt‘S \‘I iIISI‘I.I_\\ I‘l \‘illllk‘lllllillilu l‘i‘illk \xoiI\\ icuiiuing ihi‘ \\\‘II\ oI I‘IioiiiuS \ ('Iuik uiid I uuiii' i‘luik. \\ho ionndi‘il ihi‘ \IHMIIJICI I’ICSS III I‘r; SOC .iISi‘ SICL‘I‘CI
THE DI ROLLO GALLERY
3‘ l‘lui'i‘nxii'iiI Soul 33“ HS”
\lon Sui ‘I illurn S lilpin. Sun
noon ~1pni
Recent Acquisitions \ i‘liuilgilig‘ iIISpIu} oi ihi' gulli'r} \ ii'ii'ni piiii‘huwx
DOM
i\ \\l\\l\.llk'i\ ('li‘u'. ‘ljfll I).iII_\
II :lluIII 7 IIII‘III it'IUSI'il \\C\ll
The New Wave Of Primitivism I)HIII IS un .iIIS pioii-i'i \'\l.ll‘ll\llk'\l III I‘No In u group oi IlIIi‘IIIJlIUILII .iIlI\I\ “Ulhlllg‘ III SioiIuniI \\ IIII u i'on\iunil_\ i'hunging mhrlniion oi .iIl\\\‘II\\. ihi‘ gulli‘i} IIUIISi‘S \i‘iilpiiiii'. \iuiiii'd gluxx und [\IIIIIIIIg‘S I\_\ .iIIISIS \\Iio piui'iiii' pinniiiw uri
EDINBURGH COLLEGE OF ART l..illII\lHII Hum: 331 (\iIIiiI \lon IIIII Ill.IIII .Spin. I II Ill.IIII 5pm. Sui
Illuin 3pm.
Seeing ls Believing: Facts And Fictions In Documentary Photography And Contemporary Art Sui Iii \Iui. ‘l. Muin Spin {IS iilili Iioin Siillx ( iuIIi'i}. I cuding iillISIS. \\lll\‘l\ und i‘iii.iioi\ uii' hioiighi logi'ihi‘i io dm'iiv ihi' icxiiigi'ni‘c oi inii‘ri'xi III doi‘iiini'niui} llllltlk'\ oI piui‘iii'i‘ III i'onicnipoiur) uii und iiilinri'. ioi t'\i|lll|llt‘ ii) on ihi' \\.ill I\ piogiuinini'x xiii'h u\ /)'I;' Hull/Iii iiIIil ( iii'\,(1\lil\ iiIIil llIi‘ \\i)l‘l\ oi ;IIII\I\ ( iIIIl.III “curing. .lcri'in} III-Ili‘i und li;ii'i'_\ Iznnn. Spi'uki'ix ini‘ludi' ('Iuni‘ Ilohi'io. \Iuik I)lllilt'll. Iluxid HopkinS. i‘huiii'd II) Ix’ogi'i I’ulnii‘r
EDINBURGH GALLERY
ISu l)lIIIil;i\ Sin-vi. ‘57 ‘33”. \Ioii l‘II IIuni Spin. Sui Illuin Ipni
Mixed Exhibition l'niil Inc I i .\lui.
\ nuwd Shoo oi \\HII\ Ii} guIIi‘i} uriixix
I'I Ii‘ Royal bi‘oiiish .'\(‘2 I( l( ‘i'I 1y
\lmnwn'i/ In
STUDENTS’ EXHIBITION
RSA (: \I.I.I-ZRII-‘.S. 'I‘ni-1 .\Ioi \n. I'Iniwi'kiui
March 35— I -l
'I‘hix ix ihc Iinul i'\IiIIniion In my RS.«\ (iullcricx prior to i'oniiri' ior inuior ri'url‘ixhincni \\iliI\ illii' I’lii} liiilI' l’l'oli‘i‘l I.
'I‘hi‘ RS.»\ hoxix Iinul )i‘ui' und po\i grudiiuli‘ \iudcnix iroin uII oi Si‘oilund'x i‘oIIi-gi‘x oi uri und urchiii‘ciurc. .\lo\i oI lllL' i‘\hihii\ uri‘ Ior SillL‘.
()pcn 3pm on \lurch 3. ihcrcul‘icr Ilium—5pm duil) (me—Spm Sllll(I1I)SI
.li/IIII\\IIIII i/‘i'i'
Recent Works
4 - 28 March 2001
or tel 01368 850 256
Lachlan Goudie Paris: A Room with a View
Sarah Carrington
Details on www.stentongallery.com
T—Ii, Mar zip? THE LIST 81