FILM LIST

Bring on the Night (15) ‘3: (Michael Apted, UK, 1986) Sting, Omar Hakim, Branlord Marsalis. 97 mins. Shot over a nine day period in and around Paris, Bring on the Night documents Sting‘s departure trom The Police, the setting up ot his new hand using black, jazz musicians and the rehearsal tor, and perlormance ot, their lirst concert. Sting claims that the lilm's raison “he is to show the birth at a band rather than - in most lilms oi the type the demise or last days at a group. Unlortunately we arrive at a time when the lormation ol the band is a lait accompli and when it looks and sounds as It it has been going tor some time ratherthan having a real look behind

I the scnes at how musicians lrom such

vastly ditlering backgrounds get together both musically and personally. This is a minor quibble, however, the reason most ot you will go to see this lilm is tor the music and

excellent it is too. Sting is one ot the truly brilliant musicians at our time and one who has remained rathertrue to his roots considering his present litestyle, although his story about the ship at the end at his street and its portents tor the tuture is a bit contrived. The band he assembled lorthe ‘Blue Turtle’ album and tour were undeniably wonderful and the concert and rehearsal lootage shows it to its best advantage.

What Bring on the Night won't show, though, is any scrap ol the true Sting. A complex and distant person, he never lets his image slip in tront ot the camera and even during the birth at his son (also captured on lilm) any hint of the real man shown by his tears is

. quickly lost by the practised,

protessional air with which he snips the umbilical and deliberately hands the scissors back to the doctor like the horn perlormer he is. (Graham Caldwell)

’I'he Draughtsman’s(‘onlract but an aura ol clinical calculation detracts from its lull impact. (ilasgou _ ( iI-“l' o Detence ol the Realm i l’( i l l l )a\ ii' Drur'y. l 'Ix'. I‘ISSHiahriel liyt'ne Denholm Iilliott. Uh mins. .\ l'ilccl Street hack slumhles onto a tar-reaching conspiracy ol murder and deceit that \ll‘elchcx lo the heart olthe (iox'ernmenl. Incisn e political drama that both stimulates and entertain» (ilasgou ; ( iI-"I

o The Delta Force l 15) ( Nit-miliem (iolan. l 'S. l‘iSli) Ice Man in ( 'huek Norris. IlannaSchygulla ll‘rmins. When an American airliner IS hijacked by Amal lanaiics the

10 SCI his people Il‘L‘c.

Strathclyde; La Scala

o Desperately Seeking Susan ( 15) . (Susan Seidelman. US. 1985) Rosanna Arquette. Aidan Quinn. Madonna. 103 mins. Delight‘ul

visions ofa small red-coated figure scurrying through the dark alleys of the city. Splendid Nic Roeg film as subtly textured and brilliantly edited as the rest of his work. and with the added advantage that it works spectacularly well as a yarn too. Edinburgh; Cinema.

1 0 Down and Out in Beverly Hills ( ii i

il’aul \lilSlll'Slx} . [8. WM») Nick \olle. Richard Dre} luss. Bette

. \lidlei'. 1H3 mins. Sugar-coated reactionary updateol lioudusauxe

des eaux (ienlleman tramp \olte is save lrom drou ning in the \\\ imming pool ol \xealthy coat—hanger King

Dre} luxs. Ikcuperating in his plush President calls on a unique task l'orce '

He\ er I\ I Iillx pad he hecontes an llltlhpcllxlltlc‘ itilitlci [it lllc‘ ltUtlscl‘iUlil

(illl‘. L‘l;l\\-Lll\'lclc c‘Ul’ilL‘Ll} \\ llc‘l'L‘ the humour is heavily .-\merican and merly -re|ianl on iii-iokes. slapstick and cute dogs. Edinburgh: ()deon.

6

story that touched t 6 world.

He i w He is totally alone. He is 3 million

,_ .s"

light years from home. i

A STEVEN SPIELBERG FILM

rHE EXTRA

.-\ S'l'lfVI-ZN Sl’II'iIIiI-iRh I‘II..\I

r.

JERRESTRIALU,

li'l'. 'I'llli I{.\"I'R:\-'I'IiRRI'iS'I'RI.\l.

I)I{I{ \\‘.«\|.I_-\( iI-f I’Ii'l'liR (L( )Y( )'l'li I)RI{\\’ BARRYXH )Rli

HENRY II I( ).\1.\S .‘\S III.“ )'

A" KA'I'I ll.lil‘.\' KI€.\'.\'I§I )Y

I'I' .\Il 'SI(L Ii\'_I( )ll.\' \\'II.I.I.-\.\IS

\V'RI'I'I'ICV BY MELISSA .\l.-\’I'l I|S( ).\' I’R( )I)l '( llil) BY S'I'liVliN Sl’ll’illilzlui I)lRli(I'I'I{l) BY S'I'I‘TVI‘ZN SI’lIilIil-IRH

I)IS'I'RIBI "I'l-il) IIYI \I'I’H) I.\"I'liR.\'.-\'l'l( )\.-\I. I’l(_.’I'l ‘Rl-iS

A l'.\‘l\’IiRS:\l

03-0959212307‘ Run-r

.RI-i-RIiHiASI-Z U

NOW SHOWING

feminist fzmt'asy concerning “W”? 0‘10"”: GLASGOW 70mm ABC EDINBURGH 70mm ABC mistaken identity in the Big Apple. ° El ('5‘CVCn SPICIbCTg~ US, 1982) ( ) ( ) Glasgow; Odeon. Loihliln; ABc “cmflrhf’fmh Dre.“ Barr-"'“O‘c‘ AYR ozgtos IRVINE WMR (Falkirk) ‘)°“,“““‘“°~ “7 m‘m- one "We BATHGATE .............................. .. 3955:; KILMARNOCK ..... .. 0 Don’t Look Now(18) (Nicholas mom Phsnomena of our own age 0‘ BEARSDEN .................................... .. Rio KIRKCALDY ......I...Ii..Iiiiiiliifiiiifiii Alfie Roeg~ UK‘ 1973) Donald anyotherisnovy re~rcleascd. and DUMBARTON ........................ .. 7' 5J0 LIVINGSTON .......................... . If HE‘S-3 Sutherland. Julie Christie. 103 mins. ullhough this Will obvmusly recreate DUNOON ................................ .. _ u'o MUlREND sac An expert in the “.510”,me of the wave of abject hysteria which EAST KILBRIDE ...................... . C 5.5‘113 PAISLEY ............................ .. RF; ., 9h? t ' d l' ' - " v' greeted the film‘s initial unveilin I, it FALKIRK #:‘Si; SALTCOATS ....................... .. S 3‘“? g dfi‘W'Vd"“‘?f’fl‘l“%‘" , ... H d. i .f, g GREENOCK ................................... .. srinurvo ....................... .. Venice meets tvvo old sisters vs ho i 00 d “r 4“ “Plxmuml.V r HAMILTON w my daim they can communicate with the reassessment. ()ne comesto the HILLHEAD """"""""""" "‘1'1'5;';;“,g{7)g‘ FROM JULY 1 I ' g N spirit ofhis recentlydrowned conclusionthat it is still irresistible """"""""""" " " " BERWICK ....................... .. *’.A'~*‘-'.>:_

daughter and soon begins to suffer

()ne ofthe greats.

The List 27 June Ill 21