S U M M E R M U S I C
JAZZ WARRIORS From top, clockwise: Theon Cross, Mulatu Astatke, Fergus McCreadie Trio
Featuring everything from funky brass players to Ethiopian pioneers, Stewart Smith takes the temperature of this year’s Glasgow Jazz Festival and fi nds it to be decidedly hot
members of the European Women’s Improvising Group in the 1980s, later forming the feminist cabaret trio Les Diaboliques with Irène Schweizer. A pioneer of vocal improvisation, Nicols has been a friend of GIO since its inception. A powerful vocalist in her own right, Léandre is one of the great double bassists, having worked with Pierre Boulez, John Cage, Derek Bailey, Anthony Braxton and Nicole Mitchell. For their concert’s fi rst half, Nicols and Léandre will perform in small groups with GIO members, while the second half features a full-scale GIO performance of A Madman’s Approach to Music, based on a poem by the late Scottish bassist (and tubist!) Lindsay L Cooper. GIO’s Raymond MacDonald plays his own show at the Glad Café, reprising his homage to the great Scottish writer Muriel Spark. His GIO comrade, Stuart Brown plays with Paul Harrison as their electronic duo Herschel 36 heads for the Glasgow Science Centre planetarium to perform a live soundtrack of the extraordinary 1925 German silent fi lm, Wunder Der Schöpfung. At the Old Fruitmarket, Graham Costello’s explosive outfi t Strata join Fat Suit and Mezcla for an evening of contemporary Scottish jazz, while the Fergus McCreadie Trio play from their acclaimed debut Turas at The Blue Arrow.
Glasgow Jazz Festival, various venues, Glasgow, Wed 19–Sun 23 Jun.
T he tuba played a fundamental role in the early jazz bands, only to fall out of favour as the double bass commandeered the bottom end. In the modern era, players like Bill Barber, Ray Draper, Howard Johnson and Bob Stewart have explored the possibilities of the instrument, paving a new way for contemporary tubists like Marcus Rojas and José Davila.
On this side of the pond, Oren Marshall and his protégé Theon Cross, as well as Glasgow’s own Danielle Price who plays with Bill Wells in the Sensory Illusions, have led the fi eld. A member of Shabaka Hutchings’ mighty Sons of Kemet, and a key player in the new London jazz scene, Cross brings a funky swagger to the tuba, laying down fi ery basslines and mind-boggling solos that channel grime, hip hop and bashment as much as they do jazz. His debut album Fyah, featuring saxophonist Nubya Garcia and drummer Moses Boyd, came out in February to great acclaim, and now Cross brings his earthquaking bass and infectious grooves to the Glasgow Jazz Festival, completing a programme of international legends and homegrown talent. Ethiopian jazz pioneer Mulatu Astatke makes a welcome return to the festival, backed by a crack band of UK jazz talent including master bassist John Edwards. Characterised by his shimmering vibraphone and otherworldly harmonies, Astatke’s music is an elegant fusion of Ethiopian melodies, Latin percussion, modern jazz and psychedelic funk. Since fi nding a new audience through Jim Jarmusch’s fi lm Broken Flowers and the wonderful Ethiopiques compilations, Astatke has continued to push ahead, working with the Heliocentrics and US experimentalists Either / Orchestra, and writing The Yared Opera as part of a Harvard fellowship.
Representing the avant-garde are Glasgow Improvisers
Orchestra and their special guests Maggie Nicols and Joëlle Léandre. Towering fi gures of improvised music, that pair were
32 THE LIST 1 Jun–31 Aug 2019 32 THE LIST 1 Jun–31 Aug 2019